- I need to work on connecting my notes better, such as when the main theme occurs. Sometimes it can be choppy. I could also do more to bring out my part in measure 79.
Group Improvements
- It dragged in measures 55-E; we should work on being more ahead of the beat versus behind
-there was a pause after m. 103 and before 104, whereas 103 should lead into 104. 

- I need to focus on my left hand more when changing color (measure 79) and dynamic change on right hand. And the right hand need to pull back at times.

Group Improvements
- It dragged in measures 55-E; we should work on being more ahead of the beat versus behind
-there was a pause after m. 103 and before 104, whereas 103 should lead into 104.

Individual Improvements
- Still focus on playing the sextuplets evenly
- Also hone the altissimo notes and make sure they are in tune
Group Improvements
- Maybe do some more score studying for measures 55 - 62 just make sure everything is lining up equally
- More staccato on the notes marked staccato

Group Improvements:
- Musicality m. 55-71; the notes were dry and lacked direction
- Intonation, in general, intonation was very iffy. More specifically, m79-89 were alarmingly out of tune.
Individual Improvement:
Individually: 
- Poor intonation; I was flat from m. 80-89, and a little sharp from m. 99-104
- I could use more varying vibrato and bow speed to bring out melodic lines

Group Improvement
- More intersesting collaboration, and have more direction ir regards to phrasing
Individually
- More phrasing for both hands
- Not too loud on right hand, emphasize the bass

Group Improvement
- At measure 58, or even when we have accented notes with staccatos, they need to be shorter especially if we are trying to convey are more intense message.
- Listening to each other more and really understanding each other's parts will allow us to line up our 16th notes more precisely.
Individually
- When I have runs (m. 52-62) I need to work on playing the rhythm more precisely so everything can line up accordingly.
- I need to be more aware of tuning at 79 while playing with viola, especially if I take things down the octave.
- When I have the altissimo Concert C&D at measures 101-102, I need to make sure I am in tune and not scooping up to the notes.
- Lastly, I need to not rush the last bar of the first movement considering I am the only one playing. If I rush, it will throw everyone else off.