Who you are and your interests and hobbies

• Do you play, sing or produce music?

• Favourite bands and artists

• Favourite songs - explain why you like them

• Have you been to any gigs? Who would you like to see perform live?

• What you did

• What you learnt

• What went well

• What you could improve on

• Include screenshots and videos from your own projects and performance sessions

TIP: You should make us of at least 2 research sources to help you gather your information (websites, articles, videos etc)

• What are your aspirations in music?

• What job in music would you like to have one day?

• Why do you want to achieve these things?

• How do you think you will achieve them (college study, making beats, university, playing in bands etc)?

• What it is you like about each song

• The types of sounds and instruments used

• What the lyrics, vibe or mood of the songs mean to you?

• Live performances

• Recording studios

• Theatres

• Music Festivals

• Spotify links

• YouTube links

https://www.canva.com/ 

Playing music 

Instruments 

When I was about 7 I had a teacher called Mr smith, (I know very interesting name) he was a nice guy and would go on to be the only teacher in primary that made me enjoy school. His lessons were so fun for me, he made songs about timetables on his guitar: how to use adjectives properly; the correct way to use punctuation etc. All information that would've gone completely over my head was so engraved in my memory, I remember brushing my teeth while singing the 4 times table and trying to put my shoes on while playing air guitar (I didn’t manage to get a shoe on). One day at the end school my mum was late to pick me up for one reason or another so it was just me in the classroom, I asked Mr smith if I could ever play the guitar that good too? He replied while smiling saying ‘anyone can do anything if given time and patience’ I smiled and said, ‘one day I’ll teach you’. Most people would think I was cocky or a show off but Mr smith just laughed and said, ‘I hope you do my mate’ and from that day I was hooked with music. I would attend guitar lessons in my school and would show off any improvement no matter how small it might have been. I loved my guitar; I used to bring it everywhere I went showing off to anyone I could (even strangers).  I don't actually know the full reason I quit guitar, maybe it was the fact that I was falling behind in school so I had to get a tutor after school most days and would fall asleep right after until the next day but after about 3 months of playing the guitar I never picked it up again until about a month ago. I love the guitar and I don’t know how I could ever have quit playing it. 

Keyboard 

I started playing the keyboard about 3 weeks ago and it’s actually a lot of fun. It’s quite difficult for me to learn the chord progression but spending about half an hour a day playing it has been really helpful in improving by ability and improving my coordination skills for other instruments. 

Favourite bands/artists 

My favourite band is Weezer - I think weezer are perfectly imperfect. The sound is honestly amazing. I love the vocals over vocals and the melody of the guitar. I don’t think they have a single bad song or a song I would even think about skipping.  The lyrics are so simple, yet they resonate with me.  If the person reading this hasn’t listened to Weezer then I seriously recommend you go listen to them. 

As for artist I'm really stuck between Paulo Nutini and Bakar for which ones my favourite artist. I think Paulo’s song writing is some of the most beautiful displays of song writing and has an absolutely astounding voice to accompany it. It’s a rough and passionate voice and listening to it with the bad mic quality on the ‘these streets’ album especially on the song ‘loving you’ is so perfect to me. He talks about the romance side of  love and it’s executed so well, the song is like a story or a detailed account of the relationship between Paulo and the girl it’s written about. As for Bakar his lyrics aren’t crazy but his voice sounds like a summer night which is my favourite time and the track he sings on is always perfection. He doesn’t talk about how many girls he has or the money he has, rather how the girls in his life have helped him through tough times or how a girl has left him when he needed them most which I think is how more songs should be written. 

Favourite songs 

My favourite songs have to be Father and son by Cat stevens; Baby by Dijon; Free by Bakar; Loving you by Paulo Nutini and say it ain’t so by Weezer. 

Father and son has to be one of the most beautiful songs ever created. The lyrics hit so hard and the voice he has is incredible. It reminds me a lot of my mums step dad who I used to kind of think of as my real dad. Any song that can make me flash back like that song can has to be in my favourites. 

Baby by Dijon is all about a man reflecting on the relationship between him and his girlfriend now that he’s been blessed with a child. I just love the story of this song so it has to be one of my favourites. 

Free by bakar is actually a very recent favourite of mine his voice in this is so good and the song itself is just so catchy I love it. 

Loving you by paulo  nutini is a song that will be one of my favourites forever. I spoke about it a bit previously but the mic quality on this song fits the song so well I personally think if this song was recorded now it would be lower on my favourites list.  

Say it aint so by Weezer is just an amazing song. I can’t quite figure out  why I love it so much but it’s just so good (along with any other Weezer song). 

Gigs 

I went to Finsbury Park to go watch Fontaines D.C and it was so good. The crowd were so responsive and the lighting was crazy. Even on the slower songs the crowd had such a high energy and it was honestly one of the best nights of my life. 

https://open.spotify.com/track/4EWBhKf1fOFnyMtUzACXEc?si=51592e6f42334d0d 

https://open.spotify.com/track/679TFYvv44xVWXiEPefOSu?si=72f4de5febfe48ea 

https://open.spotify.com/track/2QcDEWNu8pvcfxmo3KHYRv?si=ea5ad6bb37da4ee0 

https://open.spotify.com/track/5JRMqkR82k2fdDEAim9SCN?si=1575e1d260374ed9 

https://open.spotify.com/track/6rY5FAWxCdAGllYEOZMbjW?si=699ba0202715416c

https://open.spotify.com/track/1Q65IijKFoZzjIpsMv3FHe?si=5e1e39a3c73e44c9 

https://open.spotify.com/track/09RamrocZneYcLYLRIxYha?si=f1890d899e374c83 

https://open.spotify.com/track/2hR3npB7rQOqRXS4yISzFs?si=8bac326d035e4ff4 

https://open.spotify.com/track/7D0RhFcb3CrfPuTJ0obrod?si=df7c446eb69b462e 

https://open.spotify.com/track/0Mm5ubBeDFYdzH9DRWoNNv?si=5b5cc0f4720b4417 

As for my aspirations in music, I want to work as a music teacher in a college. My career path for a long time was decided for me, and I only really took control of what I actually want to do very recently and I'm so glad I did. I would want to work at a college teaching teenagers that are passionate about music like how I am. I do also want to make music on the side but just because I love to write lyrics and I find it fun to try put lyrics to what I’ve written. 

How I’ll achieve this 

I think I’ll achieve this by studying the course I’m doing now very hard then (provided I work hard enough) go to university to study music. I also want to take a gap year and maybe travel the world a bit before going to University. I think that can be achieved by working at a job nonstop of 3 years constantly saving money as I go. 

The next song is a song called ‘Is it a crime?’ by Montell Fish. This song is just incredible; it’s a perfect mix a R&B style of voice peered with a late-night rock style. The reverb in this song is one of the best examples of it used ever, it isn't over done or too little It’s a healthy balance and makes for a seriously good listen. The lyrics are simple and the repeated question of ‘Is it a crime’ really adds to more depth in the song and creates a feel of being under a bridge at 2am or a late night break up. The bridge which consists of just a guitar with reverb is so simple yet when the vocals and drums come through you see just how much that guitar mattered in the song. I think a lot of songs have very little substance and depth; I love any song that can make me feel and think more deeply about it. 

For my first producer I want to talk about Tyler the creator. Tyler the creator is nothing short of a genius. His ability to create masterpiece levels of productions whilst having a clothing brand and writing a film is absolutely incredible. He is predominately known for his as he puts it 'Heavy ass drums with some pretty chords'. Although he says it so nonchalantly there is a lot of truth behind what he said. Songs like 'ARE WE STILL FRIENDS' and 'She' are perfect examples of what he refers to his producing style as. Tyler was mentored by Pharrell Williams for a bit of his early career as he noticed a special gift with Tyler and now in 2025 the world recognises the talent that Tyler has blessed to the music industry. Tyler is known for his playful personality but to be the legendary producer he is there must be times where he drops the act and gets serious. He holds a lot of responsibilities being a producer and especially one of that level. He has to be in charge of everyone in the studio and how the track sounds. If he believes the artist could have a better take he has to vocalise his opinion to ensure the best version is achieved.

The next producer I want to talk about is Pharrell Williams. Pharrell needs no introduction, he is also regularly regarded as one of the greatest producers of the modern age.

In addition to shaping the sound, producers also handle the logistical side of things. They plan studio time, manage budgets, and ensure that everything stays on schedule, as detailed in reports from OIART and Prospects UK. In the studio, producers play an active role, capturing the essence of vocals and instruments, crafting recordings, selecting the best takes, and mixing and mastering the final tracks. Many music producers come from a performance background, often playing instruments themselves, and are skilled in using Digital Audio Workstations (DAWs) to record, edit, and refine tracks. 

Skills needed 

• Musical Knowledge 

•  Critical Listening 

• Collaboration & Communication 

• Creativity & Vision 

• Problem Solving 

• Time Management & Organization 

•  Business Awareness 

•  Adaptabiliy 

https://youtu.be/qkwISstQQVw?si=pERpm7ngtDR-ZqwM 

https://youtu.be/PnahkJevp64?si=JjN_vTe4ylA2rnPg 

Numerous renowned producers have made a significant impact on the music industry. Take Rick Rubin, for example; he's known for his minimalist approach and has worked across a wide range of genres with artists like Johnny Cash, Jay-Z, and the Red Hot Chili Peppers. Benny Blanco has crafted catchy pop hits for stars such as Rihanna, Justin Bieber, and Ed Sheeran, creating tunes that resonate with listeners of all ages. 

Responsibilities of a Music Performer: 

• Expressing Emotion and Meaning Musicians playing a song colour the music with their own feelings and will to technique. Through voice or instrument, they communicate the mood, energy, and message of a work to an audience. 

• Delivering Live and Studio Performances They play music live (at concerts, at festivals or venues), and they appear in studio recordings. This takes technical ability, stage experience and often a lot of practice and preparation. 

• Collaborating with Others Performers commonly collaborate with other musicians, producers, composers and managers. Highlight is like harmonizing with your band mates or someone in an orchestra. 

• Learning and Rehearsing Music A performers work includes learning new material, training regularly and developing an indivisible relationship with the craft. This can include vocal, instrumental, choreography and stage presence rehearsals. 

• Engaging the Audience In order to realize its potential, that music has to connect with people — through charisma, energy, via storytelling something about the way we live today — and have impact. This relationship is an enormous part of a performer’s success. 

• Maintaining Vocal or Instrumental Health Since performing can be physically grueling, artists need to mind their voice or instrument, body and mental well-being. That includes preparing, staying in shape and dealing with performance anxiety. 

• Representing Their Brand or Image I’m not denying that as public figures, musicians (and everyone else in the entertainment business) are fair game for what happens in their personal lives. They embody a kind of image or identity that resonates with fans. They way they dress, who they speak to, what they post on social media and how many times a year we’ll see them in public are all part of the job 

In the performance arts industry, stage manage is a background role and supporting function. A stage manager oversees that everything in live performance — be it a theatre show, concert or musical — is smooth and on time. Always the stage manager is at its very centre, acting as a point of communications between director and cast, between cast and crew, conveying everything to every department in technical backstage. 

Leading light in the Performance Arts Industry 

The stage manager helps organize scripts, schedules, contact lists, production meetings — and puts all these elements in place before rehearsals begin. He might also help the director find rehearsal space, and document blocking details (the actors’ movement around the stage) as well as scene shifts. 

Running Rehearsal 

During the rehearsals, the stage manager takes notes on cues, blocking of scenes, props and technical needs. He sees to it that the rehearsals get off to a good start and finish punctually, that everyone arrives on time, and that the cast and crew are kept strictly to their schedules. 

Contract with other technical areas 

All technical elements must be put in place on order by the stage manager: lighting, sound, costumes, set changes. He helps break down cues for lighting changes, sound effects, changes in music and scene changes. 

Calling the Show 

One of the most important jobs during the show is called "calling cues." The stage manager must tell the stage crew when to bring down the lights or raise them higher, when sound effects are to be played or the next lot of settings — the whole scene — is going to change. Always does he have to exactly follow the script and production schedule, sometime using a headset to talk live with backstage departments. 

Keeping the Performance Up 

After the show opens stable, the director normally retires to leave the stage manager to run it all; Confirming that each performance is the same as planned at first and handling any on-the-spot problem or last-minute technical trouble. 

The safety of the cast and crew during rehearsals and performances is yet another role they have to take on for themselves. If an emergency occurs or there is some unexpected difficulty (such as a lost cue or costume malfunction), they address the matter fast and sure-footed. 

Examples

• Slips, trips, and falls cables and wires on stage must be taped down to prevent performers and crew from tripping. 

• lighting: These can cause burns or fires if mishandled or poorly maintained. 

• Crowd control: bad security can lead to overcrowding or crush injuries (the 2021 Astroworld tragedy). 

• Hearing protection: Crew and performers often work in loud environments; long exposure can cause hearing loss. 

Recording Studios 

Importance: 
Studios may seem low-risk, but they still contain hazards such as electrical equipment, prolonged sitting, and sound-related health concerns. 

Examples: 

• Fire safety: Studios with lots of electronics must have working fire alarms and extinguishers. 

• Noise exposure: Sound engineers and musicians may be exposed to high volumes for extended periods, risking hearing damage. 

 Theatres 

Importance: 
Musical theatre involves a combination of live music, acting, and stage effects, making it a complex environment with unique safety needs. 

Examples: 

• Set design and rigging: Suspended sets or props must be securely fixed to avoid accidents. 

• Stage hazards: Fog machines, trap doors, and quick costume changes can pose tripping or collision risks. 

• Performer safety: Vocal strain or physical injuries from dancing and stunts can occur without proper training or warm-ups. 

• Emergency preparedness: evacuation plans and first-aid availability are essential for performers and audiences. 

Music Festivals 

Importance: 
Festivals are large-scale events, often outdoors, involving multiple stages, food vendors, camping areas, and thousands of attendees. The risks are amplified due to the scale and environment. 

Examples: 

• Weather-related risks: Mud, rain, and heat can lead to slips or dehydration. Festivals must have plans for severe weather. 

• Drug and alcohol use: Increased risk of health emergencies; medical tents and trained personnel are vital. 

• Crowd management: Proper fencing, signage, and trained security help prevent crowd surges and maintain order. 

• Temporary structures: Stages and tents must be safely constructed to withstand environmental conditions. 

Summary 

Health and safety in the music industry: 

• Protect lives and prevent injuries 

• Ensure legal compliance 

• Promote professionalism 

• Improve working conditions for artists and crew 

Proper risk assessments, staff training, and emergency planning are vital in all environments whether it's a quiet studio or a booming festival field. Prioritizing safety ensures that creativity can flourish without compromising well-being.