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      <title>The Māori Haka
 by Diki Magar</title>
      <link>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq</link>
      <description></description>
      <language>en-us</language>
      <pubDate>2023-10-23 17:54:35 UTC</pubDate>
      <lastBuildDate>2023-10-24 05:01:47 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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         <url>https://media4.giphy.com/media/YV3Yh9UMD1bTw6jwrj/giphy.gif</url>
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      <item>
         <title>Loss and Preservation</title>
         <author>dikilamagar</author>
         <link>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq/wish/2759602519</link>
         <description><![CDATA[<div>Many haka from pre-Pākehā(European)times disappeared, but several still practiced today fulfill particular functions in social situations.</div>]]></description>
         <enclosure url="" />
         <pubDate>2023-10-23 18:19:56 UTC</pubDate>
         <guid>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq/wish/2759602519</guid>
      </item>
      <item>
         <title>World War I and II</title>
         <author>dikilamagar</author>
         <link>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq/wish/2759604125</link>
         <description><![CDATA[<div>Māori soldiers performed the haka peruperu (war dance) before battles, demonstrating invincibility and authority, and steeling themselves for battle.</div>]]></description>
         <enclosure url="" />
         <pubDate>2023-10-23 18:21:00 UTC</pubDate>
         <guid>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq/wish/2759604125</guid>
      </item>
      <item>
         <title>Tuumatauenga</title>
         <author>dikilamagar</author>
         <link>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq/wish/2759606789</link>
         <description><![CDATA[<div>The atua (god) of war invoked in the haka peruperu to stoke anger and demonstrate power.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/2184078189/da5867cf2648c84fe1ffbd0be45fada1/Maori_Wood_Carving_n.jpg" />
         <pubDate>2023-10-23 18:22:37 UTC</pubDate>
         <guid>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq/wish/2759606789</guid>
      </item>
      <item>
         <title>Ritual and Ceremony</title>
         <author>dikilamagar</author>
         <link>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq/wish/2759749069</link>
         <description><![CDATA[<div>Haka is integral to various ceremonial gatherings, enhancing the Māori worldview and providing a spiritual aspect to community events.</div>]]></description>
         <enclosure url="" />
         <pubDate>2023-10-23 20:12:58 UTC</pubDate>
         <guid>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq/wish/2759749069</guid>
      </item>
      <item>
         <title>Pre-European Contact</title>
         <author>dikilamagar</author>
         <link>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq/wish/2760306784</link>
         <description><![CDATA[<div>"Traditionally, haka was a practice of high social significance. It is an expression of the passion, vigor, and identity of<br>the Māori race." (Wilson, Isabella Tekaumārua)</div>]]></description>
         <enclosure url="" />
         <pubDate>2023-10-24 04:09:15 UTC</pubDate>
         <guid>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq/wish/2760306784</guid>
      </item>
      <item>
         <title>Origin</title>
         <author>dikilamagar</author>
         <link>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq/wish/2760308226</link>
         <description><![CDATA[<div>The haka originated in Aotearoa (New Zealand), specifically among the Māori, the indigenous people of the country.</div>]]></description>
         <enclosure url="" />
         <pubDate>2023-10-24 04:10:36 UTC</pubDate>
         <guid>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq/wish/2760308226</guid>
      </item>
      <item>
         <title>Urban Migration</title>
         <author>dikilamagar</author>
         <link>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq/wish/2760308845</link>
         <description><![CDATA[<div>The movement of Māori people to cities resulted in the establishment of marae (community meeting spaces) in urban areas, providing a space for the continuation and practice of kapa haka and other traditional arts.</div>]]></description>
         <enclosure url="" />
         <pubDate>2023-10-24 04:11:10 UTC</pubDate>
         <guid>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq/wish/2760308845</guid>
      </item>
      <item>
         <title>International Exposure</title>
         <author>dikilamagar</author>
         <link>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq/wish/2760309714</link>
         <description><![CDATA[<div>Due to international exposure through sports teams like the All Blacks, and performances by other groups, the haka has become recognized worldwide, although this has also raised questions about cultural appropriation.</div>]]></description>
         <enclosure url="https://youtu.be/TI93YHILSgk?si=v7Q90oVdaVXxoW6c" />
         <pubDate>2023-10-24 04:12:02 UTC</pubDate>
         <guid>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq/wish/2760309714</guid>
      </item>
      <item>
         <title>Source 1</title>
         <author>dikilamagar</author>
         <link>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq/wish/2760311543</link>
         <description><![CDATA[<div>Wilson, Isabella Tekaumārua. “The Misappropriation of the Haka: Are the Current Legal Protections around Mātauranga Māori in Aotearoa New Zealand Sufficient?” <em>Victoria University of Wellington Law Review</em>, vol. 51, no. 4, Dec. 2020, pp. 523–58. <em>EBSCOhost.</em></div>]]></description>
         <enclosure url="" />
         <pubDate>2023-10-24 04:13:48 UTC</pubDate>
         <guid>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq/wish/2760311543</guid>
      </item>
      <item>
         <title>Cultural Significance in North Island</title>
         <author>dikilamagar</author>
         <link>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq/wish/2760312507</link>
         <description><![CDATA[<div>The North Island of New Zealand has a higher concentration of Maori population, and the Haka is particularly significant here. It is used in various ceremonies, celebrations, and welcomes.</div>]]></description>
         <enclosure url="" />
         <pubDate>2023-10-24 04:14:44 UTC</pubDate>
         <guid>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq/wish/2760312507</guid>
      </item>
      <item>
         <title>Source 2</title>
         <author>dikilamagar</author>
         <link>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq/wish/2760313025</link>
         <description><![CDATA[<div>Metge, J. (1995). New growth from old: The whānau in the modern world. Victoria University Press</div>]]></description>
         <enclosure url="" />
         <pubDate>2023-10-24 04:15:12 UTC</pubDate>
         <guid>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq/wish/2760313025</guid>
      </item>
      <item>
         <title>Types of Haka</title>
         <author>dikilamagar</author>
         <link>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq/wish/2760317311</link>
         <description><![CDATA[<div><strong>Haka Taparahi</strong>: Ceremonial dance expressing joy or contemporary issues like government actions, domestic violence, etc.<br><strong>Haka Ngeri</strong>: A defiant dance aiming to rouse and unite a group, usually led by men with vocal support from women.<br><strong>Haka Ngārahu</strong>: Performed in anticipation of battle, serving as an inspection to judge the readiness of participants.<br><strong>Haka Peruperu</strong>: The true war dance, serving as a prelude to battle and meant to intimidate opponents.</div><div><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2023-10-24 04:19:04 UTC</pubDate>
         <guid>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq/wish/2760317311</guid>
      </item>
      <item>
         <title>Choreography and Form</title>
         <author>dikilamagar</author>
         <link>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq/wish/2760318902</link>
         <description><![CDATA[<div>The dance is highly choreographed, with synchronized movements and chanting. The leader plays a crucial role in guiding the performers and setting the rhythm.</div>]]></description>
         <enclosure url="" />
         <pubDate>2023-10-24 04:20:22 UTC</pubDate>
         <guid>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq/wish/2760318902</guid>
      </item>
      <item>
         <title>Impression</title>
         <author>dikilamagar</author>
         <link>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq/wish/2760329031</link>
         <description><![CDATA[<div>"The stomping of feet and slapping of their<br>highs in unison to the words shouted are paired with the making of disfigured face gestures left the foreigners confused." (Kekauoha, Harlee V. K)</div>]]></description>
         <enclosure url="" />
         <pubDate>2023-10-24 04:28:24 UTC</pubDate>
         <guid>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq/wish/2760329031</guid>
      </item>
      <item>
         <title>Source 3</title>
         <author>dikilamagar</author>
         <link>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq/wish/2760329965</link>
         <description><![CDATA[<div>Kekauoha, Harlee V. K. University of Hawai'i at Manoa ProQuest Dissertations Publishing, 2021. 28491626. </div>]]></description>
         <enclosure url="" />
         <pubDate>2023-10-24 04:29:11 UTC</pubDate>
         <guid>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq/wish/2760329965</guid>
      </item>
      <item>
         <title>Performance Style</title>
         <author>dikilamagar</author>
         <link>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq/wish/2760333376</link>
         <description><![CDATA[<div>It invokes strong emotions and is characterized by bold, expressive movements. Also, the haka involves chanting, fierce facial expressions, and the display of weapons. It emphasizes unity in performance, especially in preparation for combat.</div><div><br></div>]]></description>
         <enclosure url="https://youtu.be/BI851yJUQQw?si=3Cr8fiMq_5_4eqZO" />
         <pubDate>2023-10-24 04:31:54 UTC</pubDate>
         <guid>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq/wish/2760333376</guid>
      </item>
      <item>
         <title>Traditional Costume</title>
         <author>dikilamagar</author>
         <link>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq/wish/2760336054</link>
         <description><![CDATA[<div>The traditional costume worn during the haka is known as the piupiu, which is a skirt made from flax. The piupiu creates a distinctive sound as the performers move, adding to the overall impact of the haka.</div><div><br></div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/2184078189/aba91b454901966a0f7deba63fa171ac/2c83j35.jpg" />
         <pubDate>2023-10-24 04:34:08 UTC</pubDate>
         <guid>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq/wish/2760336054</guid>
      </item>
      <item>
         <title>Facial and Body Adornments</title>
         <author>dikilamagar</author>
         <link>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq/wish/2760336883</link>
         <description><![CDATA[<div>Traditional facial tattoos, known as moko, are significant for Māori people and are often seen during the haka. Body tattoos and paint can also be used to highlight tribal affiliations and personal achievements.</div><div><br></div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/2184078189/015253e4eb99a4344f84507162566a02/21f87b7a26d337e6383ff568dd15f86f.jpg" />
         <pubDate>2023-10-24 04:34:53 UTC</pubDate>
         <guid>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq/wish/2760336883</guid>
      </item>
      <item>
         <title>Source 4</title>
         <author>dikilamagar</author>
         <link>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq/wish/2760338865</link>
         <description><![CDATA[<div>Thompson, Lisa. "The Art of Moko: Maori Tattooing." Cultural Studies Journal, vol. 18, no. 4, 2012, pp. 45-59.</div>]]></description>
         <enclosure url="" />
         <pubDate>2023-10-24 04:36:34 UTC</pubDate>
         <guid>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq/wish/2760338865</guid>
      </item>
      <item>
         <title>Props</title>
         <author>dikilamagar</author>
         <link>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq/wish/2760340684</link>
         <description><![CDATA[<div>The haka peruperu, a war dance, involves the use of weapons such as the taiaha (a traditional Māori weapon), patu (short club), or mere (a type of short, broad-bladed weapon). These weapons are not just props but are significant cultural items that are handled with respect. The use of these weapons in the haka serves to demonstrate fighting skill and intimidate opponents.</div><div><br></div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/2184078189/2fbfd15730eded90721138f710b521c6/MaoriWardanceKahuroa.jpg" />
         <pubDate>2023-10-24 04:38:03 UTC</pubDate>
         <guid>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq/wish/2760340684</guid>
      </item>
      <item>
         <title>Headdress</title>
         <author>dikilamagar</author>
         <link>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq/wish/2760341332</link>
         <description><![CDATA[<div>A headdress known as a pare might be worn, adding to the ceremonial aspect of the haka. The pare is traditionally adorned with feathers, which adds to the visual impact of the performance.</div><div><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2023-10-24 04:38:34 UTC</pubDate>
         <guid>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq/wish/2760341332</guid>
      </item>
      <item>
         <title>Vocal Chants and Rhythms</title>
         <author>dikilamagar</author>
         <link>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq/wish/2760342711</link>
         <description><![CDATA[<div>The haka primarily relies on powerful vocalizations, chants, and rhythmic shouting from the performers. "<em>Waiata tawhito</em> (traditional songs) are chants and <em>haka</em> “posture” dances about the various aspects of daily life including birth, death, marriage, love, custom, and legend. Music was both an accompaniment to everyday life and a performing art." (Isabella Shields)</div>]]></description>
         <enclosure url="https://youtu.be/xI6TRTBZUMM?si=rIb2YW9KD0RrQc9V" />
         <pubDate>2023-10-24 04:39:45 UTC</pubDate>
         <guid>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq/wish/2760342711</guid>
      </item>
      <item>
         <title>Source 5</title>
         <author>dikilamagar</author>
         <link>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq/wish/2760353269</link>
         <description><![CDATA[<div>Isabella Shields, Te Oti Rakena, Calvin P. Baker, Peter J. Keegan, Catherine I. Watson,<br>Towards a Vocal and Acoustic Description of Kapa Haka,<br>Journal of Voice,<br>2023,</div>]]></description>
         <enclosure url="" />
         <pubDate>2023-10-24 04:46:59 UTC</pubDate>
         <guid>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq/wish/2760353269</guid>
      </item>
      <item>
         <title>Body Percussion</title>
         <author>dikilamagar</author>
         <link>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq/wish/2760357376</link>
         <description><![CDATA[<div>Performers use their bodies as percussive instruments, slapping their chests, thighs, and hands in a synchronized manner to produce rhythmic sounds that accompany the chant.</div>]]></description>
         <enclosure url="" />
         <pubDate>2023-10-24 04:50:10 UTC</pubDate>
         <guid>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq/wish/2760357376</guid>
      </item>
      <item>
         <title>Traditional Instruments</title>
         <author>dikilamagar</author>
         <link>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq/wish/2760359241</link>
         <description><![CDATA[<div>Some haka performances may incorporate traditional Māori instruments like the taonga pūoro (singing treasures), which include various types of flutes, trumpets, and percussive instruments.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/2184078189/627bfceeab3285e57bd806c4a4806049/A_selection_of_Taonga_pu_oro_from_the_collection_of_Horomona_Horo.jpg" />
         <pubDate>2023-10-24 04:51:23 UTC</pubDate>
         <guid>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq/wish/2760359241</guid>
      </item>
      <item>
         <title>Call and Response</title>
         <author>dikilamagar</author>
         <link>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq/wish/2760359882</link>
         <description><![CDATA[<div>There is often a call and response element in the haka, where one leader or group of performers calls out phrases or sounds, and the rest of the group responds in unison.</div>]]></description>
         <enclosure url="" />
         <pubDate>2023-10-24 04:51:48 UTC</pubDate>
         <guid>https://padlet.com/dikilamagar/r2mh5p6qt597c9uq/wish/2760359882</guid>
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