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      <title>Week 8 - 2.00 pm tutorial by Georgina Walker</title>
      <link>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial</link>
      <description>Define the following terms:
1. Forgery
2. Copy
3. Replica
4. Restoration</description>
      <language>en-us</language>
      <pubDate>2019-07-16 05:03:17 UTC</pubDate>
      <lastBuildDate>2023-05-09 12:19:59 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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      <item>
         <title>Wolfgang Beltracchi, Master of Oil Painting Forgery</title>
         <author></author>
         <link>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial/wish/386939263</link>
         <description><![CDATA[<div>He has forged numerous famous paintings in his life. He not only studied the history of European art for several years but also did thorough research on genre, brush strokes, age, source of pigments of the original works, even the author's lifestyle, the mood of the painting and so on. It was not until they forged the painting of Heinrich Campendonk that the forgery crime finally came to light. The painting, labeled 1914, was found to have used a "titanium dioxide" pigment that only appeared in 1916.</div>]]></description>
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         <pubDate>2019-09-20 00:27:30 UTC</pubDate>
         <guid>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial/wish/386939263</guid>
      </item>
      <item>
         <title></title>
         <author></author>
         <link>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial/wish/386968994</link>
         <description><![CDATA[<div><strong><em>On the left</em></strong> is the photo of how the painting looked AFTER restoration when it came back from a “professional” Russian restorer in the Los Angeles area not long ago! IT DIDN’T LOOK ANYTHING LIKE THEIR GRANDMOTHER! As you might imagine, the family was crushed, as they thought the original, cherished oil painting of their dear grandmother was damaged beyond repair and lost forever. <strong><em>On the right</em></strong> is our after-restoration photo of the ancestral portrait, AFTER all the previous “restoration” was removed and the original portrait was recuperated. You should have seen the owner’s/family’s faces!</div>]]></description>
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         <pubDate>2019-09-20 02:23:44 UTC</pubDate>
         <guid>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial/wish/386968994</guid>
      </item>
      <item>
         <title>Art reproduction, otherwise known as art replicas, fine art reproductions, reproduction oil paintings, art copies, are just that – they are copies of usually well-known paintings that are hand-painted by a professional artist.</title>
         <author></author>
         <link>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial/wish/386981588</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2019-09-20 03:21:19 UTC</pubDate>
         <guid>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial/wish/386981588</guid>
      </item>
      <item>
         <title>Forgery vs Fake</title>
         <author></author>
         <link>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial/wish/386989991</link>
         <description><![CDATA[<div>A fake is an object that has been tampered with for the purposes of fraud – for example, by adding a signature or creating a false provenance. A forgery is an object created in direct imitation of another artist's manner with the intention to deceive the viewer.</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-09-20 04:08:36 UTC</pubDate>
         <guid>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial/wish/386989991</guid>
      </item>
      <item>
         <title>Wolfgang Beltracchi </title>
         <author>kaanchik</author>
         <link>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial/wish/386990169</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2019-09-20 04:09:34 UTC</pubDate>
         <guid>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial/wish/386990169</guid>
      </item>
      <item>
         <title>A copy that is indistinguishable from the original. </title>
         <author>kaanchik</author>
         <link>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial/wish/386990564</link>
         <description><![CDATA[<div>Executed by the Original Artist?</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-09-20 04:11:52 UTC</pubDate>
         <guid>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial/wish/386990564</guid>
      </item>
      <item>
         <title>Replica can represent the original object in different ways</title>
         <author></author>
         <link>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial/wish/386990634</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2019-09-20 04:12:11 UTC</pubDate>
         <guid>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial/wish/386990634</guid>
      </item>
      <item>
         <title>Intent</title>
         <author></author>
         <link>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial/wish/386990938</link>
         <description><![CDATA[<div>The difference between replicas and fakes is in the intent with which they are produced and used. <strong>Replicas are made for educational or experimental purposes.</strong></div>]]></description>
         <enclosure url="" />
         <pubDate>2019-09-20 04:13:48 UTC</pubDate>
         <guid>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial/wish/386990938</guid>
      </item>
      <item>
         <title>What is a copy</title>
         <author></author>
         <link>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial/wish/386991013</link>
         <description><![CDATA[<div>With painting originals are any artwork produced by the artist where the subject, color, and scenery is different from one painting to the next. Paintings can be somewhat similar in subject as long as it is clear that they are different from other another, each painting is a one of a kind original painting. If however the artist is painting, not printing, the same painting over and over again essentially he is creating multiple <strong>copies</strong> of the same image or an edition. </div>]]></description>
         <enclosure url="" />
         <pubDate>2019-09-20 04:14:08 UTC</pubDate>
         <guid>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial/wish/386991013</guid>
      </item>
      <item>
         <title></title>
         <author></author>
         <link>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial/wish/386991279</link>
         <description><![CDATA[<div>Editions are the same image multiple times. Editions are still originals but demand that the artist declare the number of item in the series and how many images there are in the series in total. </div>]]></description>
         <enclosure url="" />
         <pubDate>2019-09-20 04:15:30 UTC</pubDate>
         <guid>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial/wish/386991279</guid>
      </item>
      <item>
         <title>Unnumbered copies</title>
         <author></author>
         <link>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial/wish/386991453</link>
         <description><![CDATA[<div>If artworks are copied and not signed or numbered then it is considered a poster, wall art, or décor art and not original or assumed to have been copied without permission of the artist is therefore an open edition copy and has no value. </div>]]></description>
         <enclosure url="" />
         <pubDate>2019-09-20 04:16:28 UTC</pubDate>
         <guid>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial/wish/386991453</guid>
      </item>
      <item>
         <title>Copy &quot;after an artist&quot;</title>
         <author></author>
         <link>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial/wish/386992562</link>
         <description><![CDATA[<div>Artworks made "after" the work of another artist should not be confused with forgeries. The intention of a forger is to deceive the viewer, but there are several legitimate reasons for an artist to copy the work of another artist. The <em>Grove Dictionary of Art</em> divides handmade <strong>copies into "three </strong>distinct but not necessarily mutually exclusive categories: the copy as a <strong>means</strong> of duplication; the copy in art education; and the copy as a starting-point for the creation of another art work."</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-09-20 04:22:31 UTC</pubDate>
         <guid>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial/wish/386992562</guid>
      </item>
      <item>
         <title>Example 1</title>
         <author></author>
         <link>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial/wish/386992802</link>
         <description><![CDATA[<div>Henry Brintnell Bounetheau's miniature painting of <a href="http://www.americanart.si.edu/collections/search/artwork/?id=2675"><strong><em>General George Washington</em></strong></a> is an altered copy of a well-known portrait by John Trumbull.</div>]]></description>
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         <pubDate>2019-09-20 04:24:12 UTC</pubDate>
         <guid>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial/wish/386992802</guid>
      </item>
      <item>
         <title>Example 2</title>
         <author></author>
         <link>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial/wish/386993040</link>
         <description><![CDATA[<div>Copy made for the purpose of art education, Kenyon Cox's <a href="http://www.americanart.si.edu/collections/search/artwork/?id=5851"><strong><em>After Titian's Madonna of the Rabbit</em></strong></a></div>]]></description>
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         <pubDate>2019-09-20 04:25:32 UTC</pubDate>
         <guid>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial/wish/386993040</guid>
      </item>
      <item>
         <title>Example 3</title>
         <author></author>
         <link>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial/wish/386993550</link>
         <description><![CDATA[<div>Copy made for the purpose of art education,Kenyon Cox's sketch <a href="http://www.americanart.si.edu/collections/search/artwork/?id=5850"><strong><em>After Giovanni Boltraffio's "Sacra Conversazione"</em></strong></a></div>]]></description>
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         <pubDate>2019-09-20 04:27:59 UTC</pubDate>
         <guid>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial/wish/386993550</guid>
      </item>
      <item>
         <title>Example </title>
         <author></author>
         <link>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial/wish/386993758</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2019-09-20 04:29:19 UTC</pubDate>
         <guid>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial/wish/386993758</guid>
      </item>
      <item>
         <title>Example 4</title>
         <author></author>
         <link>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial/wish/386993760</link>
         <description><![CDATA[<div>An example of the third category of copies, "a starting-point for the creation of another work", is William T. Wiley's <a href="http://www.americanart.si.edu/collections/search/artwork/?id=72110"><strong><em>The Sower after Van Gogh</em></strong></a>. </div>]]></description>
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         <pubDate>2019-09-20 04:29:20 UTC</pubDate>
         <guid>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial/wish/386993760</guid>
      </item>
      <item>
         <title></title>
         <author></author>
         <link>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial/wish/386994532</link>
         <description><![CDATA[]]></description>
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         <pubDate>2019-09-20 04:34:45 UTC</pubDate>
         <guid>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial/wish/386994532</guid>
      </item>
      <item>
         <title>any attempt to conserve and repair architecture, paintings, drawings, prints, sculptures, and objects of the decorative arts</title>
         <author></author>
         <link>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial/wish/386995553</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2019-09-20 04:42:09 UTC</pubDate>
         <guid>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial/wish/386995553</guid>
      </item>
      <item>
         <title>Restoration of the william henry boulton portrait</title>
         <author></author>
         <link>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial/wish/386995981</link>
         <description><![CDATA[<div>The Art Gallery of Ontario carried out a major restoration project on George Berthon’s <em>Portrait of William Henry Boulton </em>(1846). This gallery reveals the conservation process required to restore the painting and, in so doing, explores an aspect of museum work that is rarely made public. </div><div>This Treatment required more than 540 hours of work. The treatment entailed extreme patience and precision. As a result, the portrait was successfully stabilized and its appearance has improved dramatically. </div>]]></description>
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         <pubDate>2019-09-20 04:45:34 UTC</pubDate>
         <guid>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial/wish/386995981</guid>
      </item>
      <item>
         <title></title>
         <author></author>
         <link>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial/wish/386996274</link>
         <description><![CDATA[]]></description>
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         <pubDate>2019-09-20 04:47:22 UTC</pubDate>
         <guid>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial/wish/386996274</guid>
      </item>
      <item>
         <title></title>
         <author>walker_g</author>
         <link>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial/wish/387045262</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/128392360/9cde7e7c8cd000597ebaad3888426644/RESEARCH_ESSAY___Overview_Resarch_Tips.pdf" />
         <pubDate>2019-09-20 08:26:05 UTC</pubDate>
         <guid>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial/wish/387045262</guid>
      </item>
      <item>
         <title>I would encourage students seeking assistance with their Research Essay to contact Ms. Alex Ellem.  She offers a schedule of Academic Workshops for SCC Students or one-to-one meetings with students. These workshops can introduce you to some examples of academic writing, accurately citing your sources, research tips and unpack the research questions in a little more detail. You can contact Alex through  aellem@unimelb.edu.au </title>
         <author>walker_g</author>
         <link>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial/wish/387069657</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2019-09-20 09:33:41 UTC</pubDate>
         <guid>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial/wish/387069657</guid>
      </item>
      <item>
         <title>Tertiary Essay Writing Guide</title>
         <author>walker_g</author>
         <link>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial/wish/392806481</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://services.unimelb.edu.au/__data/assets/pdf_file/0012/468867/5299-ASU_TertiaryEssayWritingWeb.pdf" />
         <pubDate>2019-10-03 02:07:07 UTC</pubDate>
         <guid>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial/wish/392806481</guid>
      </item>
      <item>
         <title>SCC Essay Writing Guide</title>
         <author>walker_g</author>
         <link>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial/wish/392806525</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://arts.unimelb.edu.au/__data/assets/pdf_file/0003/1736346/essay-writing-guide-2018-1.pdf" />
         <pubDate>2019-10-03 02:07:22 UTC</pubDate>
         <guid>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial/wish/392806525</guid>
      </item>
      <item>
         <title>Writing an abstract/synopsis</title>
         <author>walker_g</author>
         <link>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial/wish/392806555</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://services.unimelb.edu.au/__data/assets/pdf_file/0007/471274/Writing_an_Abstract_Update_051112.pdf" />
         <pubDate>2019-10-03 02:07:33 UTC</pubDate>
         <guid>https://padlet.com/walker_g/AHIS20018_wk8_2pm_tutorial/wish/392806555</guid>
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