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      <title>Mój artystyczne padlet. by dillard peterson</title>
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      <description>Wykonane z nutką przygody</description>
      <language>en-us</language>
      <pubDate>2020-05-30 14:34:03 UTC</pubDate>
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         <author>petersondillard1428069</author>
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         <description><![CDATA[<div>Shakespeare perhaps begins doing only theater, and he does, but also ends up changing forever, what everyone understands by theater. Cervantes begins by writing one more chivalry novel and ends by writing that, an excellent "chivalry novel" but it changes, by the way, forever what everyone understands by "chivalry novel", not to say that it changes forever what everyone understands by the "novel" itself. Wagner only intends to write a few different operas, his own, and that he does, but he also imposes forever another way of understanding music in opera. Mutatis mutandis it could be said that there are more than a thousand names in the <br><a href="https://failfake.com/pl/18_stranger-things-women-t-shirt">https://failfake.com/pl/18_stranger-things-women-t-shirt</a></div>]]></description>
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         <pubDate>2020-05-30 14:34:18 UTC</pubDate>
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         <author>petersondillard1428069</author>
         <link>https://padlet.com/petersondillard1428069/que8envpz171ltab/wish/602472373</link>
         <description><![CDATA[<div>fashion of the 20th century56, but the ten years of that proverbial century for fashion, perhaps belong to Paul Poiret, the twenty to Jean Patou, the thirties to Gabrielle Chanel, the forties to Cristóbal Balenciaga, the fifties to Christian Dior, the sixties to André Courrèges, the seventy to Yves Saint Laurent, the eighties to Giorgio Armani, the nineties to Kelvin Clain, the two thousand to Miuccia Prada. The other nine hundred and ninety designers were artists, painters, figurines, window dressers, or stylists. These ten reviewed were also "sociologists" ..., because they knew how to guess what their time required, they knew how to clearly read what was "important" amid the thunderous noise of interesting but "inconsequential" things of their time. Therefore, without denying its most appreciatedAs artists, these ten chosen are also my favorite designers, my favorite examples, "paradigmatic" I would like to emphasize, of true fashion sociologists. They did sociology of fashion because they did "a priori fashion" ... They proposed as fashion what their society required. I would like to suggest, like someone taking a rabbit out of the hat, that this intuition is  <a href="https://failfake.com/pl/bluza-z-nadrukiem-meska/1310-bluza-laleczka-chucky-meska.html">https://failfake.com/pl/bluza-z-nadrukiem-meska/1310-bluza-laleczka-chucky-meska.html</a> sociological. Flügel already warns that it is one thing for a designer to create a beautiful, new, modern or necessary dress and quite another is that this is a fashion. For that first you only need your talent, for this second you need the placet of your society. The intuition that makes this success possible, that encounter between the guru and the tribe is pure sociology, because, basically, it is an anticipation, of capturing what will be the "air of that time", to see before anyone else the dress of an era, the "fashion" of a Zeitgeist. Only if you intuit, if you anticipate, if you succeed before anyone else - as the rivalry of André </div>]]></description>
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         <pubDate>2020-05-30 14:34:40 UTC</pubDate>
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