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      <title>Abi Adebiyi -  Term 1 Activated Research by Abi</title>
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      <description>Term 1</description>
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      <pubDate>2023-12-07 18:20:39 UTC</pubDate>
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         <author>aa7451r</author>
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         <title></title>
         <author>aa7451r</author>
         <link>https://padlet.com/aa7451r/qn712yorqc6met2u/wish/2817811672</link>
         <description><![CDATA[<p>Evolution of culture within Britain - The stems &amp; parallels it has with the black diaspora.</p>]]></description>
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         <pubDate>2023-12-07 18:20:39 UTC</pubDate>
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         <author>aa7451r</author>
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         <title>PNA Quaye</title>
         <author>aa7451r</author>
         <link>https://padlet.com/aa7451r/qn712yorqc6met2u/wish/2817811675</link>
         <description><![CDATA[<p>A talented graduate who I personally that reflectively &amp; sentimentally explores themes of cultural identity and pride.</p>]]></description>
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         <pubDate>2023-12-07 18:20:39 UTC</pubDate>
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         <title>Nigerian artist Moshood Olúṣọmọ Bámigbóyè</title>
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         <title>Headdress - Bámigbóyè </title>
         <author>aa7451r</author>
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         <description><![CDATA[<p>Headdress by Bámigbóyè of Odo-Owa (Nigerian, c. 1895-1978) | ca.1925. Carved and painted in wood.</p>]]></description>
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         <title>Haiti to Hood</title>
         <author>aa7451r</author>
         <link>https://padlet.com/aa7451r/qn712yorqc6met2u/wish/2817811678</link>
         <description><![CDATA[<p>"“This story is for those whose identity falls on a blurry line, for diaspora children who are stuck between two cultures and are learning they don’t have to pick one,” multidisciplinary maker <a rel="noopener noreferrer nofollow" href="https://www.instagram.com/daveedbaptiste/?hl=en">Daveed Baptiste</a> explains of his recent series, “From Haiti to Hood.” A recent Parsons graduate with a BFA in Fashion Design, Baptiste utilizes his fashion and textile design skills to construct sets depicting intimate home environments rich in references to his home country of Haiti. Drawing inspiration from his upbringing in America, his immigration to this land, and the resilience and innovation of the Haitian communities he grew up in, the work draws attention to the dual identities of his experience as an immigrant."</p>]]></description>
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         <title></title>
         <author>aa7451r</author>
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         <pubDate>2023-12-07 18:20:39 UTC</pubDate>
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         <title>Culture Contrast Glyph/Semiotic</title>
         <author>aa7451r</author>
         <link>https://padlet.com/aa7451r/qn712yorqc6met2u/wish/2817836777</link>
         <description><![CDATA[<p>Whilst designing for Design Engagement, I began to come across this glyph whilst experimenting with the typography of the cover as well as negative space. By isolating the text in the negative space, changing its orientation and duplicating in the middle: I created a symbol reminiscent of Yoruba sculpture art within my experimentation. Yoruba sculptures are known for conveying ideas and narratives through the figures and symmetry of the pieces.</p><p><br></p><p>The form of the glyph resembles a person, with there being a head, torso and legs. I correlated the head to the idea of self or the "ego". The body to outer image and how one expresses themselves externally and finally the legs/feet representing "roots" and heritage from which you came. </p>]]></description>
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         <pubDate>2023-12-07 18:43:52 UTC</pubDate>
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         <title>Nigerian Nostalgia Project</title>
         <author>aa7451r</author>
         <link>https://padlet.com/aa7451r/qn712yorqc6met2u/wish/2817839793</link>
         <description><![CDATA[<p>A great resource for archived photographs and images of Nigeria from pre-colonial to post-colonial eras.</p>]]></description>
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         <pubDate>2023-12-07 18:46:35 UTC</pubDate>
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         <title>Lo, I - Second Generation Immigrant Struggles</title>
         <author>aa7451r</author>
         <link>https://padlet.com/aa7451r/qn712yorqc6met2u/wish/2817844351</link>
         <description><![CDATA[<p>"In the academic literature, cultural identity is viewed as a kind of “positioning” rather than a fixed aspect of the self. The identity of second-generation immigrants is plural, fluid, and constantly changing. Your identity is neither rooted in the history of the old country, as with your parents, nor in a purely Eurocentric adaptation to the new country. Instead, you are always in a ‘transition zone’ that feels untranslatable in its complexity."</p>]]></description>
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         <pubDate>2023-12-07 18:50:39 UTC</pubDate>
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         <title>QUAYE, P.N.A. - BACKWARDS NEVER</title>
         <author>aa7451r</author>
         <link>https://padlet.com/aa7451r/qn712yorqc6met2u/wish/2817845451</link>
         <description><![CDATA[<p>"As first generation diaspora, part of my cultural identity exists as the conglomeration of the Ghanaian influence and values of my parents and immediate family with my first hand experiences of ‘British’ culture. According to Stuart Hall, it doesn’t make me any less Ghanaian if I have spent most of my life in another country and most of my current memories are from living in Britain, “there is no one-size-fits-all cultural identity for all diasporic people” and my cultural identity is a matter of what I am 'becoming' as well as of who/what I am."</p>]]></description>
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         <pubDate>2023-12-07 18:51:39 UTC</pubDate>
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         <title>Scaachi Koul - One Day We&#39;ll All Be Dead and None of This Will Matter</title>
         <author>aa7451r</author>
         <link>https://padlet.com/aa7451r/qn712yorqc6met2u/wish/2817846495</link>
         <description><![CDATA[<p>"Immigrant parents, when they first move to North America, push towards whiteness, towards assimilation, to survive and thrive. Naturally, their children do too for the first half of their lives. This usually tips the other way, but before we're taught anything, we're taught to hide."</p>]]></description>
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         <pubDate>2023-12-07 18:52:49 UTC</pubDate>
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         <title>Hsu, H. (2022) -  Stay true. New York: Doubleday.</title>
         <author>aa7451r</author>
         <link>https://padlet.com/aa7451r/qn712yorqc6met2u/wish/2817849931</link>
         <description><![CDATA[<p>"The immigrant's resourcefulness requires an exhaustion of possibilities. You may master tenses and forms, grammatical rules, what passes for style. And yet, consequently, you may struggle to hold a conversation with your grandparents. It's possible they secretly wanted this to happen - a measure of generational progress. The child has learned to speak for himself, but to talk back as well. You write well, not good. The devoted student also internalizes a relationship to the language itself, one in which you remain conscious of your distance from the source, from who draws on this language to mine their authentic self."</p>]]></description>
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         <pubDate>2023-12-07 18:55:53 UTC</pubDate>
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         <title>Sanjo Lawal - Heavy is the head that wears the crown</title>
         <author>aa7451r</author>
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         <pubDate>2023-12-07 18:59:51 UTC</pubDate>
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         <title>Entitled by Adeyemi Michael</title>
         <author>aa7451r</author>
         <link>https://padlet.com/aa7451r/qn712yorqc6met2u/wish/2817859288</link>
         <description><![CDATA[<p>"Adeyemi Michael reimagines his mother’s idea of moving from Nigeria to Peckham in Entitled, a short film about leaving your country of origin. Riding a horse dressed in traditional Yoruba ceremonial wear, Abosede Afolashade, a first generation immigrant, takes to the streets of Peckham." </p><p><br></p><p>I originally watched this short film at the South London Gallery exhibition: Lagos, Peckham, Repeat. I was taken back by the cinematography and impactful narrative of the film. From passerby's mixed reactions: shock, confusion to even a Nigerian gesture of respect that all tied in to the root of the visuals.</p>]]></description>
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         <pubDate>2023-12-07 19:04:27 UTC</pubDate>
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         <title>Audio Reflection text to my methodology of creating tension through imagery.</title>
         <author>aa7451r</author>
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         <pubDate>2023-12-07 19:07:25 UTC</pubDate>
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         <title> Festival of Slaps - Directed and written by Abdou Cisse</title>
         <author>aa7451r</author>
         <link>https://padlet.com/aa7451r/qn712yorqc6met2u/wish/2817868804</link>
         <description><![CDATA[<p>"Ade is joining his Nigerian parents for a celebratory dinner at an elegant restaurant in London. But at one point, his mother slaps him hard, to the shock of the other restaurant patrons. The force of the slap brings up memories of Ade's past, of growing up in South London with his immigrant parents, when he and his mom would clash over his happy-go-lucky, free-spirited attitude and lackadaisical attitude to life. But the present-day slap, as well as the flow of memory it releases, makes him reflect on Ade's own parenting of his daughter Emma -- and all the things he learned from his mother."</p><p><br/></p><p>This comedic short film does a very good and emotional job of encompassing the 2nd generation Immigrant experience of a Nigerian in London. With almost the entire film drawing parallels within my own life. The strong narratives at play here give a insight into the problems faced by 2nd Gen immigrants and their parents.</p>]]></description>
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         <pubDate>2023-12-07 19:14:19 UTC</pubDate>
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         <title></title>
         <author>aa7451r</author>
         <link>https://padlet.com/aa7451r/qn712yorqc6met2u/wish/2817871106</link>
         <description><![CDATA[<p>"Curated by Michael McMillan, the 1970s front room explores the migrant experience of African-Caribbean families setting up home in the UK in the mid-20th century."</p>]]></description>
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         <pubDate>2023-12-07 19:16:33 UTC</pubDate>
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         <title>Lo, I - Second Generation Immigrant Struggles pt.1 [Reimagined by Abi Adebiyi]</title>
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         <pubDate>2023-12-07 19:18:28 UTC</pubDate>
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         <title>Lo, I - Second Generation Immigrant Struggles pt.2 [Reimagined by Abi Adebiyi]</title>
         <author>aa7451r</author>
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         <pubDate>2023-12-07 19:18:46 UTC</pubDate>
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         <title>Lo, I - Second Generation Immigrant Struggles pt.3 [Reimagined by Abi Adebiyi]</title>
         <author>aa7451r</author>
         <link>https://padlet.com/aa7451r/qn712yorqc6met2u/wish/2817873400</link>
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         <pubDate>2023-12-07 19:19:00 UTC</pubDate>
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         <title>Lo, I - Second Generation Immigrant Struggles pt.4 [Reimagined by Abi Adebiyi]</title>
         <author>aa7451r</author>
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         <pubDate>2023-12-07 19:19:20 UTC</pubDate>
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         <title>Homogenisation. [Abi Adebiyi]</title>
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         <pubDate>2023-12-07 19:20:10 UTC</pubDate>
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         <title>Bubbles by Abi Adebiyi</title>
         <author>aa7451r</author>
         <link>https://padlet.com/aa7451r/qn712yorqc6met2u/wish/2817877492</link>
         <description><![CDATA[<p>An audio excerpt of a conversation between myself and my friend Leia turned visual discussing the visualization of the 2nd immigrant experience.</p>]]></description>
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         <pubDate>2023-12-07 19:23:00 UTC</pubDate>
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         <title>Culture Preservation through Yoruba</title>
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         <pubDate>2023-12-13 14:20:41 UTC</pubDate>
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         <title>DIASPORIC COMMUNITY, CULTURAL IDENTITY AND THE INTERNET by OLUKAYODE AYANKOJO </title>
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         <pubDate>2023-12-13 14:49:07 UTC</pubDate>
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         <title>Managing Multiplicity: Adult Children of Post-Independence Nigerians</title>
         <author>aa7451r</author>
         <link>https://padlet.com/aa7451r/qn712yorqc6met2u/wish/2824009686</link>
         <description><![CDATA[<p>"invoked through the Yoruba Nigerian tenet of the good life—owo/money, omo/children, and alaafia/health or peace (Hallgren, 1991)."</p>]]></description>
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         <pubDate>2023-12-13 15:07:39 UTC</pubDate>
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         <title>Idobale/Bowing [Spread]</title>
         <author>aa7451r</author>
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         <pubDate>2023-12-20 18:26:17 UTC</pubDate>
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         <title>DRP Preliminary Research &amp; Moodboards</title>
         <author>aa7451r</author>
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         <pubDate>2023-12-20 21:32:44 UTC</pubDate>
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         <title>Digital Zine Experiments</title>
         <author>aa7451r</author>
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         <pubDate>2023-12-22 08:14:39 UTC</pubDate>
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