KYLE MURRELL L2 PHOTOGRAPHY by kyle

TASK 1 - MOOD BOARD FOR ESSEX CULTURE

kylemurrell1 — 2016-01-20 13:49:53 UTC

THIS IS MY MOOD BOARD FOR THINGS THAT ARE TO DO WITH ESSEX.

TASK 3 - THIS IS MY MIND MAP OF THE ESSEX CULTURE SHOOT

kylemurrell1 — 2016-01-20 13:56:55 UTC

THIS HAS MY IDEAS FOR MY PHOTO SHOOT.

1. PHOTOGRAPHER INFLUENCES - A PHOTOGRAPHER THAT HAS INFLUENCED ME IS MIKE CURRY.

2. LAYOUT - THE LAYOUT THAT I HAVE CHOSEN TO TAKE MY PHOTOS IN ARE LANDSCAPE.

3. MESSAGES/STORY – THE STORY OF MY PHOTOS IS TO SHOW ESSEX IN AN URBAN WAY.

4. EQUIPMENT NEEDED AND BOOKINGS – THE EQUPMENT THAT I WILL NEED FOR THIS PHOTO SHOOT IS MY CAMERA.

5. CAMERA TECHNIQUES – THE TECHNIQUES THAT I WILL USE IS DEPTH OF FIELD AND THE RULE OF THIRDS.

6. EDITING SOFTWARE - THE EDITING SOFTWARE THAT I WILL USE IS PHOTOSHOP.

7. LOCATIONS – THE LOCATION OF MY PHOTOS ARE ALL IN THE HARLOW TOWN AREA.

8. MODELS – THE ONLY MODELS THAT I WILL USE IS PEOPLE THAT ARE WALKING ALONG THE ROAD THAT END UP IN MY PHOTO.

9. MAKE UP, HAIR AND CLOTHES – I AM NOT GOING TO NEED ANYONE TO HAVE A CERTAIN HAIRSTYLE OR A CERTAIN MAKEUP STYLE.

10. PROPS – I DO NOT NEED ANY PROPS FOR MY PHOTO SHOOT.

11. TRANSPORTATION – I WILL GET TO THE LOCATION BY THE BUS OR BY A FAMILY MEMBER.

12. SHOOTING SCHEDULE - I WILL TAKE THESE PHOTOS ON A THURSDAY OR A FRIDAY WHEN I AM NOT IN COLLEGE, THE LOCATION WILL BE IN HARLOW.

13. HEALTH AND SAFETY- THE ONLY HEATH AND SAFETY PROBLEM THAT COULD HAPPEN IS IF I FALL OVER SOMETHING.

14. TRIAL SHOOTS – I HAVE TAKEN SOME LANDSCAPES OUT OF MY WINDOW WITH MY CAMERA.

15. BARRIERS – A PROBLEM COULD BE IS IT COULD START RAINING ON THE DAY OF THE PHOTO SHOOT.

16. FOCUS GROUP - I WENT AROUND HARLOW FINDING PLACES THAT WOULD BE GOOD TAKE PHOTOS TO SHOW URBAN LANDSCAPES.

GROUP DISCUSSION

kylemurrell1 — 2016-01-20 14:05:02 UTC

THIS IS A GROUP DISCUSSION OF ALL OUR IDEAS FOR THE ESSEX CULTURE PHOTO SHOOT.

THIS A TRIAL PHOTO FOR THE ESSEX CULTURE PHOTO SHOOT

kylemurrell1 — 2016-01-20 14:14:51 UTC

I TOOK THIS OUT MY WINDOW IN HODDESDON FOR A TRIAL PHOTO. AS I AM GOING TO DO A LANDSCAPE BUT ACTUALLY IN ESSEX FOR THE FINAL PHOTO SHOOT.

THIS IS ANOTHER TRAIL PHOTO FOR THE ESSEX CULTURE PHOTO SHOOT

kylemurrell1 — 2016-01-20 14:17:49 UTC

THIS IS ANOTHER TRAIL PHOTO FOR THE ESSEX CULTURE PHOTO SHOOT

kylemurrell1 — 2016-01-20 14:18:00 UTC

IDEA PHOTOS FOR ESSEX CULTURE PHOTO SHOOT

kylemurrell1 — 2016-01-20 15:08:16 UTC

THERE IS A FEW UNDERPASSES IN HARLOW THAT I CAN TAKE A PHOTO LIKE THIS. THERE IS A FEW NEAR THE TOWN BY THE COLLEGE, THERE IS ONE NEAR ASDA IN HARLOW TOWN AND THERE IS ANOTHER ONE NEAR THE SAINSBURYS IN HARLOW. I AM GOING TO TAKE THESE PHOTOS WITH A CANON EOS 5D MARK 2. I HAVE BEEN INSPIRED BY THIS PHOTO BECAUSE I REALLY LIKE THE DARK WET URBAN LOOK OF THE UNDERPASS WITH A FEW PEOPLE SITTING DOWN ON THE PATH.

ANOTHER IDEA FOR ESSEX CULTURE PHOTO SHOOT

kylemurrell1 — 2016-01-20 15:10:23 UTC

I COULD TAKE A PHOTO LIKE THIS BY THE RIVER AND IN SOME OF THE FIELDS AROUND HARLOW. I AM GLING TO TAKE THESE PHOTOS WITH A CANON EOS 5D MARK 2. I HAVE BEEN INSPIRED BY THIS PHOTO BECAUSE I REALLY LIKE THE WOODEN SIGN POST WITH THE TREE IN BACKGROUND WITH THE GRASSY BANK, I ALSO THINK THAT THE BLACK AND WHITE CREATES A REALLY NICE EFFECT.

THIS IS ANOTHER IDEA FOR THE ESSEX CULTURE PHOTO SHOOT

kylemurrell1 — 2016-01-20 15:13:39 UTC

I COULD GET SOME PHOTOS LIKE THIS FROM LAMP POSTS AND RUBISH BINS. I CAN TAKE PHOTOS LIKE THIS ALL AROUND HARLOW WITH SOME OLD LAMP POSTS AND RUBBISH BINS DECAYING. I AM GOING TO TAKE THESE PHOTOS WITH A CANON EOS 5D MARK 2. I HAVE BEEN INSPIRED BY THIS PHOTO BECAUSE THE FLAKINESS OF THE PAINT IS PRETTY COOL AND IT REMINDS ME OF A PHOTO THAT I TOOK FOR AN EARLIER PROJECT.

THIS IS ANOTHER IDEA FOR THE ESSEX CULTURE PHOTO SHOOT

kylemurrell1 — 2016-01-20 15:15:14 UTC

I COULD WALK AROUND HARLOW AND FIND SOME GRAFFITI AND IF THERE IS A PUDDLE AROUND ASWELL. I AM GOING TO TAKE THESE PHOTOS WITH A CANON EOS 5D MARK 2. I HAVE BEEN INSPIRED BY THIS PHOTO BECAUSE I LIKE GRAFFITI AND AND HAVING A REFLECTION OF THE GRAFFITI IS PRETTY COOL AND IT WILL MAKE THE PHOTO MORE INTRESTING.

TAK 4 AND 5 - CONTEXTUAL AWARENESS

kylemurrell1 — 2016-01-27 15:07:51 UTC

IN THIS PHOTO I HAVE USED VARIOUS DIFFERENT VISUAL EFFECTS. I HAVE USED A BLACK AND WHITE FILTER TO CREATE A MORE URBAN AND DARK EFFECT. I HAVE USED TONE IN THIS PHOTO BECAUSE THERE IS IS VERY DARK AREAS AND VERY LIGHT AREAS IN THE PHOTO. I HAVE USED QUITE A DEEP DEPTH OF FIELD IN THIS PHOTO. THE TECHNICAL NOTES ABOUT THIS PHOTO INCLUDE, THE CAMERA THAT I USED WAS A CANON EOS 5D MARK 2. THE FOCAL LENGTH IS 50MM, THE F-STOP WAS 2.8, THE EXPOSURE TIME WAS 1/40 AND THE ISO WAS 160. THE CONTEXTUAL NOTES ARE I TOOK THIS PHOTO ON FRIDAY THE 22ND JANUARY 2016, I TOOK THIS PHOTO IN THE UNDERPASS BY ASDA IN HARLOW. THE REASON I TOOK THIS PHOTO IS BECAUSE I SAW A PHOTO A BIT LIKE THIS PHOTO AND I REALLY LIKED THE LOOK OF IT SO I WANTED TO TRY AND TAKE MY OWN VERSION OF THAT PHOTO. THE PEOPLE THAT ARE IN THE PHOTO IS SOME RANDOM PEOPLE THAT WERE WALKING THROUGH THE UNDERPASS AT THE TIME I WAS TAKING THE PHOTO AND I AM GLAD THEY WERE IN THE PHOTO BECAUSE I THINK THAT IT HAS A REALLY GOOD EFFECT TO THE URBAN PHOTO. THE PHOTO IS OF A UNDERPASS WITH SOME RANDOM PEOPLE IN IT TO CREATE A BALCK AND WHITE URBAN PHOTO. I WANTED TO TAKE A PHOTO OF THE UNDERPASS BECAUSE I HAVE WALKED THOUGH IT BEFORE AND I THOUGHT THAT IT COULD BE A GOOD PLACE TO TAKE AN URBAN PHOTO OF AN UNDERPASS, SO I ASKED MY BROTHER TO TAKE ME TO HARLOW SO I CAN TAKE THIS PHOTO .

TASK 4 AND 5 - CONTEXTUAL AWARENESS

kylemurrell1 — 2016-02-02 19:42:47 UTC

IN THIS PHOTO I HAVE USED VARIOUS DIFFERNT VISUAL EFFECTS. I HAVE USED COLOUR IN THIS PHOTO TO SHOW THE YELLOW AND GREEN PAINT PEELING AWAY. I HAVE ALSO USED TEXTURE IN THIS PHOTO BECAUSE OF THE PAINT FLACKING OFF AND THE LITTLE DIPS IN THE METAL. I HAVE ALSO USED LINES IN THIS PHOTO BECAUSE THE LITTLE DIPS IN THE METAL ARE IN LINES. THE TECHNICAL NOTES OF THIS PHOTO IS I USED A CANON EOS 5D MARK 2, THE F-STOP WAS 2.8, THE ISO WAS 200, THE EXPOSURE TIME WAS 1/50 AND THE FOCAL LENGTH WAS 50MM. THE CONTEXTUAL NOTES ARE I TOOK THIS PHOTO ON TUESDAY 2ND FEBUARY 2016, I TOOK THIS PHOTO BY THE BUS STATION IN HARLOW. THE REASON THAT I TOOK THIS PHOTO IS BECAUSE I SAW A PHOTO LIKE IT THAT WAS SHOWN TO ME IN CLASS AND I WANTED TO TRY AND TAKE A PHOTO LIKE THAT. THE PHOTO IS OF A BIN THAT HAS A COUPLE OF DIFFERNT COLOUR PAINTS THAT ARE FLAKING AWAY. I WANTED TO TAKE A PHOTO OF THIS BIN BECUASE I SAW A PHOTO LIKE IT AND I WANTED TO TAKE A PHOTO LIKE IT, I HAVE ALSO TAKEN SOME PHOTOS OF THIS BIN BEFORE FOR ANOTHER PROJECT AND I THOUGHT THAT I SHOULD TAKE ANOTHER PHOTO OF IT BECAUSE I KNEW THAT IT WAS GOING TO BE GOOD FOR WHAT I WANTED TO DO.

TASK 4 AND 5 - CONTEXTUAL AWARENESS

kylemurrell1 — 2016-02-03 11:35:01 UTC

IN THIS PHOTO I HAVE USED VARIOUS DIFFERNT VISUAL EFFECTS. I HAVE USED COLOUR IN THIS PHOTO TO SHOW THE MUDDY GRASS WITH THE TREE'S IN IT. I HAVE ALSO USED TONE IN THIS PHOTO BECAUSE THE TREE AT THE TOP OF THE PHOTO IS PRETTY DARK AND THE REST OF THE PHOTO IS LIGHT. I HAVE USED TEXTURE IN THIS PHOTO BECAUSE OF THE TREE AT THE TOP OF THE PHOTO AND THE BUMPS IN THE MUDDY GRASS. THE TECHNICAL NOTES OF THIS PHOTO IS THE CAMERA THAT ISUED WAS A CANON EOS 5D MARK 2, THE EXPOSURE TIME WAS 1/80, THE F-STOP WAS 4 AND THE FOCAL LENGTH AS 50MM. THE CONTEXTUAL NOTES OF THIS PHOTO IS I TOOK THIS PHOTO ON FRIDAY 22ND JANUARY 2016. I TOOK THIS PHOTO IN THE FIELD BY THE WATER GARDENS IN HARLOW. THE REASON I TOOK THIS PHOTO WAS BECAUSE I WANTED TO TAKE A LANDSCAPE PHOTO AND I THEN SAW A PHOTO A LITTLE BIT LIKE THIS IN CLASS AND I WANTED TO TAKE A PHOTO SOMETHING LIKE IT. THE PHOTO IS OF A FIELD THAT HAS SOME HORSES IN IT. I WANTED TO TAKE A PHOTO OF THIS FIELD BECAUSE I WALKED THROUGH IT AND PAST THIS FIELD MANY TIMES AND THEN WHEN IT CAME TO TAKING A LANSCAPE FOR THIS PROJECT I THOUGHT THAT THIS FIELD WOULD BE A GOOD PLACE FOR A LANSCAPE PHOTO.

TASK 4 AND 5 - CONTEXTUAL AWARENESS

kylemurrell1 — 2016-02-09 20:08:31 UTC

IN THIS PHOTO I HAVE USED VARIOUS DIFFERNT VISUAL EFFECTS. I HAVE USED COLOUR IN THIS PHOTO TO SHOW THE VIBRANT COLOURS THAT THE GRAFFITI SHOW'S. I HAVE ALSO USED TEXTURE IN THIS PHOTO BECAUSE THE GRAFFITI IS ON A BRICK WALL THAT HAS A ROUGH SURFACE AND HAS DIPS INBETWEEN THE BRICK BECAUSE OF THE CEMENT. I HAVE ALSO USED LINES IN THIS PHOTOGRAPH BECAUSE OF THE BRICK WALL BEING IN LINES. THE TECHNICAL NOTES OF THIS PHOTOGRAPH IS THAT I USED A CANON EOS 5D MARK 2, THE F-STOP WAS 3.5, THE EXPOSURE TIME WAS 1/80, THE ISO WAS 100 AND THE FOCAL LENGTH WAS 50MM. THE CONTEXTUAL NOTES OF THIS PHOTO IS I TOOK THIS PHOTO ON FRIDAY 5TH FEBUARY 2016. I TOOK THIS PHOTO ON THE OUTSIDE OF AN ABANDONED BUILDING NEAR THE SQUARE IN HARLOW. THE REASON I TOOK THIS PHOTOGRAPH WAS BECAUSE I HAVE TAKEN PHOTOS OF GRAFFITI BEFORE AND I THINK THAT IT LOOKS PRETTY COOL AND THEN I SAW A PHOTO OF GRAFFITI IN CLASS AND THEN I WANTED TO TAKE A PHOTO LIKE IT BUT IT DID NOT TURN OUT EXACTLY HOW I WANTED IT TOO. THE PHOTO IS OF A PIECE GRAFFITI THAT IS ON A WALL OF AN ABANDONED BUILDING. I WANTED TO TAKE A PHOTO OF THIS PIECE OF GRAFFITI BECAUSE I SAW IT ON THE SIDE OF AN ABANDONED BUILDING AND I THOUGHT THAT IT WOULD BE PRETTY GOOD FOR THIS PROJECT.

FINAL IMAGE

kylemurrell1 — 2016-02-10 15:27:32 UTC

FINAL IMAGE 2

kylemurrell1 — 2016-02-10 15:27:53 UTC

FINAL IMAGE 1

kylemurrell1 — 2016-02-10 15:28:16 UTC

TASK 6 AND 7 - PHOTOGRAMS

kylemurrell1 — 2016-03-02 15:05:41 UTC

IN THIS PHOTOGRAM I GOT SOME PHOTOGRAPHIC PAPER THAT I PUT ONTO THE ENLARGER. I THEN GOT SOME OBJECTS AND THE OBJECTS THAT I CHOSE WERE A WIERD GLASS THIING, A ROLL OF FILM THAT WAS PRETTY MUCH EMPTY AND SOME FAKE LEAVES. I THEN DID A TEST STRIP TO FIND OUT HOW LONG I SHOULD EXPOSE THE LIGHT ONTO THE PHOTOGRAPHIC PAPER. I THINK I WORKED IT OUT THAT I SHOULD PUT IT ON FOR 7 SECONDS. WHEN I DID THE FINAL PRINT FOR PHOTOGRAM I PUT THE OBJECTS ONTO THE PHOTOGRAPHIC PAPER AND THEN SET THE TIME TO 7 SECONDS. I THEN PUT THE FILTER OVER THE LIGHT AND PUT THE LIGHT ON THE ENLARGER ON SO I COULD MAKE SURE THAT THE OBJECTS WERE ON THE PHOTOGRAPHIC PAPER. I THEN TURNED THE LIGHT OF AND TOOK THE FILTER OFF AND THEN I PUT A SHEET OF GLASS OVER THE AREA WHERE THE PHOTOGRAPHIC PAER IS AND THEN I EXPOSED THE LIGHT TO CREATE THE PHOTOGRAM. AFTER THAT I TOOK THE PAPER AND PUT IT IN THE DEVELOPER FOR 3 MINUTES, THIS IS TO DEVELOP THE PHOTOGRAM. I THEN PUT IT INTO THE STOP BATH FOR 30 SECONDS, THIS IS TO STOP THE DEVELOPER REACTING ANYMORE. I THEN PUT IT INTO THE FIXER FOR 5 MINUTES, THIS IS TO STOP THE PHOTOGRAM GOING BROWN. THEN I PUT IT INTO THE WASH FOR 10 MINUTES, THIS IS TO WASH OFF ALL THE CHEMICALS OF THE PHOTOGRAM.

TASK 6 AND 7 - FILM PROCESSING

kylemurrell1 — 2016-03-02 15:06:03 UTC

FOR MY FILM PROCESSING I GOT THE NEGATIVES THAT I TOOK PHOTOS ON AND I GOT A SHEET OF PHOTOGRAPHIC PAPER AND PUT THE PAPER ON THE ENLARGER AND THEN PUT THE NEGATIVES ON TOP OF THE PHOTOGRAPHIC PAPER, I THEN EXPOSED THE LIGHT ONTO THE NEGATIVES SO THEY WILL GO ONTO THE PHOTOGRAPHIC PAPER TO CREATE A CONTACT SHEET. THE NEXT STEP I DID WAS PUTTING THE CONTACT SHEET INTO THE DEVELOPER FOR 2 MINUTES, THIS IS TO DEVELOP THE CONTACT SHEET PRINT. I THEN PUT IT IN THE STOP BATH FOR 30 SECONDS, THIS IS TO STOP THE DEVELOPER REACTING ANYMORE. I THEN PUT IT INTO THE FIXER FOR 5 MINUTES, THIS IS TO STOP THE PRINT GOING BROWN. THEN I PUT IT INTO THE WASH FOR 10 MINUTES, THIS IS TO WASH THE CHEMICALS OF THE PRINT. AFTER I DID THIS I CHOSE ONE OF MY PHOTOS FROM THE NEGATIVES TO DO A 6" BY 4" PHOTO. ONCE I CHOSE THIS PHOTO I DID A TEST STRIPE OF THAT PHOTO TO WORK OUT HOW LONG I SHOULD EXPOSE THE LIGHT FOR ON THE ACTUAL PRINT. AFTER I WORKED OUT HOW LONG TO EXPOSE THE LIGHT FOR I GOT A SHEET OF PHOTOGRAPHIC PAPER AND I SET THE FILTER OVER THE LIGHT SO I COULD FOCUS THE NEGATIVE. I THEN TOOK THE FILTER OFF AND I SET THE EXPOSURE TIME FOR 4 SECONDS AND THEN WHEN THAT WAS DONE I BUT IT THROUGH ALL THE CHEMICALS TO DEVELOP THE PRINT. I THEN DID ANOTHER PRINT BUT THIS TIME I DIDN'T DO A TEST STRIPE. FOR THIS PRINT I CHANGED THE NEGATIVES TO A DIFFERENT ONE AND THEN I FOCUSED IT AND GOT A SHEET OF PHOTOGRAPHIC PAPER AND SET THE EXPOSURE TIME FOR 4 SECONDS. THEN I PUT IT THROUGH THE DEVELOPING PEOCESSES AND IT TURNED OUT QUITE DARK BUT I THINK THAT THE DARKNESS GIVES IT A BETTER EFFECT. A PROBLEM THAT COULD OCCUR IS IF YOU DO NOT SET THE RIGHT TIME TO EXPOSE THE LIGHT FOR. ANOTHER PROBLEM IS YOU COULD MAKE YOUR PRINT GO BROWN IF YOU DO NOT USE THE PROCESSES OF THEM CHEMICLAS PROPERLLY. ALSO ANOTHER PROBLEM IS YOU COULD EXPOSE THE LIGHT TO THE PHOTOGRAPHIC PAPER BEFORE YOU ARE READY. THE SOLUTION TO NOT SETTING THE WRONG TIME TO EXPOSE THE LIGHT TO THE PHOTOGRAPHIC PAPER IS TO MAKE SURE THAT YOU KNOW WHAT TIME TO SET FROM LOOKING AT YOUR TEST STRIP. THE SOLUTION TO MAKEING THE PRINT NOT GO BROWN IS TO MAKE SURE THE CHEMICLAS ARE IN THE RIGHT ORDER AND TO MAKE SURE YOU PUT THE PRINT IN THE CHEMICLAS FOR THE RIGHT AMOUNT OF TIME. THE SOLUTION TO NOT EXPOSEING THE LIGHT TO THE PHOTOGRAPHIC PAPER BEFORE YOU ARE READY IS TO MAKE SURE THE RED FILTER IS OVER THE LIGHT UNTIL YOU ARE READY. THE FINAL OUTCOME OF THE FIRST PRINT CAME OUT PRETTY WELL BECAUSE I DID A TEST STRIPE AND FOUND OUT HOW LONG I SHOULD EXPOSE THE LIGHT FOR. THE FINAL OUTCOME OF THE SECOND PRINT CAME OUT PRETTY WELL TOO BECAUSE EVEN THOUGH IT IS PRETTY DARK I THINK THE DARKNESS GIVES IT A BETTER EFFECT AND IT IS MY FAVIOURT OUT OF THE TWO PRINTS

TASK 6 AND 7 - DARKROOM PRINTING - TEST STRIP

kylemurrell1 — 2016-03-02 15:06:22 UTC

THIS IS MY TEST STRIP FROM THE NEGATIVE. I CREATED THIS TEST STRIP BY USING THE ENLARGER AND PUTTING A STRIP OF THE PHOTOGRAPHIC PAPER DOWN. I THEN MADE THE NEGATIVE BE IN FOCUS AND THEN I GOT A PIECE OF BLACK CARD TO PUT OVER THE STRIP OF PHOTOGRAPHIC PAPER TO FIND OUT HOW LONG I SHOULD EXPOSE THIS NEGATIVE TO THE TEST STRIP AT 3 SECONDS EACH TIME I PUT THE BLACK CARD OVER THE PHOTOGRAPHIC PAPER. I DEVELOPED THIS TEST STRIP BY PUTTING IT IN THE DEVELOPER FOR 3 MINUTES. THIS IS TO DEVELOP THE IMAGE ON THE ON PHOTOGRAPHIC PAPER. I THEN PUT IT IN THE STOP BATH FOR 30 SECONDS. THIS IS TO STOP THE DEVELOPER REACTING ANYMORE. I THEN PUT IT IN THE FIXER FOR 5 MINUTES. THIS IS TO STOP THE PRINT GOING BROWN. THEN I PUT IT IN THE WASH FOR 10 MINUTES. THIS IS TO WASH OFF ALL THE CHEMICALS OF THE PRINT. THE PROBLEMS THAT COULD OCCUR ARE IF YOU DONT PUT THE PRINTS THROUGH THE CHEMICALS PROPERLY THEN YOUR PRINT MIGHT GO BROWN. ALSO IF YOU EXPOSE THE LIGHT TO THE PHOTOGRAPHIC PAPER BEFORE YOU ARE READY IT WILL RUIN THE PAPER. A SOLUTION TO PREVENT YOUR PRINT GOING BROWN IS TO MAKE SURE YOU HAVE THEM CHEMICALS IN ORDER OF HOW THEY ARE SUPPOSED TO BE AND MAKE SURE YOU PUT THE PRINT IN EACH CHEMICAL FOR THE RIGHT AMOUNT OF TIME. THE SOLUTION TO NOT EXPOSING THE LIGHT TO THE PHOTOGRAPHIC PAPER BEFORE YOU ARE READY IS TO PUT THE RED FILTER OVER THE LIGHT UNTIL YOU ARE READY. THE FINAL OUTCOME OF THIS TEST STRIP WENT PRETTY WELL BECAUSE I WAS ABLE TO IDENTIFY THE RIGHT AMOUNT OF TIME I SHOULD EXPOSE THE LIGHT ON THE ACTUALL PRINT.

TASK 6 AND 7 - DARKROOM PRINTING - PRINT 1

kylemurrell1 — 2016-03-02 15:31:18 UTC

THIS IS MY PRINT OF THE NEGATIVE THAT I USED FOR MY TEST STRIP. I CREATED THIS BY PUTTING A PIECE OF PHOTOGRAPHIC PAPER DOWN ON THE ENLARGER AND THEN I EXPOSED THIS NEGATIVE FOR 3 SECONDS TO CREATE THIS PRINT. AFTER THAT I PUT THE PRINT IN THE DEVELOPER FOR 3 MINUTES, THIA IS TO DEVELOP THE IMAGE ONTO THE PHOTOGRAPHIC PAPER. THEN I PUT IT INTO THE STOP BATH FOR 30 SECONDS, THIS IS TO STOP THE DEVELOPER REACTING ANYMORE. I THEN PUT IT INTO THE FIXER FOR 5 MINUTES, THIS IS TO STOP THE PRINT FROM GOING BROWN. THEN I PUT IT INTO THE WASH FOR 10 MINUTES, THIS IS TO WASH OFF ALL THE CHEMICALS OF THE PRINT. A PROBLEM THAT COULD OCCUR IS IF YOU DO NOT SET THE RIGHT TIME TO EXPOSE THE LIGHT FOR. ANOTHER PROBLEM IS YOU COULD MAKE YOUR PRINT GO BROWN IF YOU DO NOT USE THE PROCESSES OF THEM CHEMICLAS PROPERLLY. ALSO ANOTHER PROBLEM IS YOU COULD EXPOSE THE LIGHT TO THE PHOTOGRAPHIC PAPER BEFORE YOU ARE READY. THE SOLUTION TO NOT SETTING THE WRONG TIME TO EXPOSE THE LIGHT TO THE PHOTOGRAPHIC PAPER IS TO MAKE SURE THAT YOU KNOW WHAT TIME TO SET FROM LOOKING AT YOUR TEST STRIP. THE SOLUTION TO MAKEING THE PRINT NOT GO BROWN IS TO MAKE SURE THE CHEMICLAS ARE IN THE RIGHT ORDER AND TO MAKE SURE YOU PUT THE PRINT IN THE CHEMICLAS FOR THE RIGHT AMOUNT OF TIME. THE SOLUTION TO NOT EXPOSEING THE LIGHT TO THE PHOTOGRAPHIC PAPER BEFORE YOU ARE READY IS TO MAKE SURE THE RED FILTER IS OVER THE LIGHT UNTIL YOU ARE READY. THE FINAL OUTCOME OF THIS PRINT WORKED PRETTY WELL BECAUSE IT HAS BEEN EXPOSED FOR A GOOD AMOUNT OF TIME FOR THE PHOTO TO COME OUT AND IT IS IN FOCUS A BIT. THE ONLY PROBLEM WITH THIS PRINT IS I DID NOT LINE THE NEGATIVE UP VERY WELL BECAUSE I HAVE GOT LITTLE BIT OF THE SIDE OF THE NEGATIVE

TASK 2

kylemurrell1 — 2016-03-09 15:08:47 UTC

RECORDING AUDIENCES VIEWS
MITCHELL YOUNGS

TASK 2

kylemurrell1 — 2016-03-09 15:10:39 UTC

RECORDING AUDIENCES VIEWS
GONÇALO FRANCISCON

TASK 2

kylemurrell1 — 2016-04-11 14:10:49 UTC

RECORDING AUDIENCES VIEWS NIAMH DELHOY

TASK 2

kylemurrell1 — 2016-04-11 14:19:44 UTC

RECORDING AUDIENCES VIEWS JADE HUNT