MA unite 1 by 吴琳琳（LLW）

文献的阅读和反思

wll1650813024 — 2025-09-26 11:24:35 UTC

The author points out that many artists and designers, while creating works that appear to serve social good, often fall into a kind of false optimism. These projects frequently rely on slogans such as “eco-friendly” or “doing good,” yet overlook the deeper consequences of their own design actions. The author emphasizes that designers should not remain at the level of superficial goodwill or symbolic gestures, as every design decision inevitably impacts society, the environment, and culture. Truly responsible design requires confronting and taking responsibility for these outcomes, rather than masking the problems through money or cosmetic solutions.

creative writing

wll1650813024 — 2025-10-06 12:33:19 UTC

I find this form of writing particularly interesting. It combines images and text in a way that makes the expression more vivid and layered. I would like to experiment with this approach in my own art practice, using both visuals and language to convey ideas.

Film- 《No Sleep Till》

wll1650813024 — 2025-10-06 12:34:09 UTC

The film depicts different people experiencing different moments as the hurricane approaches. Some choose to leave, while others stay and continue their daily routines. Instead of emphasizing the disaster itself, the director focuses on recording people’s psychological and behavioral states before the storm.

Creative writing - art statement A4 art museum

wll1650813024 — 2025-10-06 13:01:22 UTC

During my time at a children’s art museum, we created a unique exhibition guide for children and adults unfamiliar with art. Written in clear and simple language, it avoided the complex jargon and cultural context often found in traditional guides.

The guide included children’s art diaries, reflections from educators, and third-person narratives that told the story of each project—from its beginning to its challenges and outcomes.

I believe that removing professional terms made the writing more direct and precise, allowing even art professionals to better connect with the works

导览手册

wll1650813024 — 2025-10-06 13:10:58 UTC

In museum research, several cases have shown that guidebooks and audio guides are often underused. The fact that visitors frequently discard them soon after collecting them is a telling sign of the tension between curatorial design and how people actually experience exhibitions.

history

wll1650813024 — 2025-10-06 13:27:53 UTC

The exhibition guidebook, or livret, originated from the Paris Salon in France, where the earliest printed example appeared in 1673. Over the 18th and 19th centuries, the livret expanded to include illustrations, commentary, and academic writings, eventually developing in the 20th century into the scholarly exhibition catalogue.

national gallery guide book

wll1650813024 — 2025-10-06 13:59:18 UTC

national gallery guide book

wll1650813024 — 2025-10-06 13:59:32 UTC

audio 导览形式

wll1650813024 — 2025-10-06 14:00:40 UTC

colors of film

wll1650813024 — 2025-10-06 14:16:52 UTC

艺术创作形式参考-最初的想法

wll1650813024 — 2025-10-06 14:18:17 UTC

文字与图像的结合

5 images for inspiration

wll1650813024 — 2025-10-07 00:40:49 UTC

5 images for inspiration

wll1650813024 — 2025-10-07 00:41:22 UTC

5 images for inspiration

wll1650813024 — 2025-10-07 00:41:32 UTC

5 images for inspiration

wll1650813024 — 2025-10-07 00:41:44 UTC

The most successful work at this stage

wll1650813024 — 2025-10-14 09:30:37 UTC

This is my first time to try etching. I have acquired certain skills and experience. I find the color will change the feeling of the painting .

wll1650813024 — 2025-10-14 09:32:52 UTC

wll1650813024 — 2025-10-14 09:33:49 UTC