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      <title>Carlo Goldoni: la riforma del teatro by Maria Carmen Meloni</title>
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      <description>tra realtà ed educazione</description>
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      <pubDate>2017-10-03 20:32:12 UTC</pubDate>
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         <title>Carlo Godoni</title>
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         <description><![CDATA[<div>Venezia 1707<br>Francia 1793</div>]]></description>
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         <pubDate>2017-10-03 20:36:51 UTC</pubDate>
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         <title>Commedia dell&#39;arte</title>
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         <pubDate>2017-10-03 20:38:11 UTC</pubDate>
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         <title>maschere fisse</title>
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         <pubDate>2017-10-03 20:40:20 UTC</pubDate>
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         <title>Riforma</title>
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         <pubDate>2017-10-03 20:41:17 UTC</pubDate>
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         <title> dialogo scritto.</title>
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         <pubDate>2017-10-03 20:51:07 UTC</pubDate>
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         <title> personaggi e situazioni verosimili </title>
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         <pubDate>2017-10-03 20:51:27 UTC</pubDate>
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         <title> lingua vicina al parlato (uso del dialetto) </title>
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         <pubDate>2017-10-03 20:53:10 UTC</pubDate>
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         <title>verifica</title>
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         <description><![CDATA[<ul><li>A quale forma di teatro era abituato il pubblico dell’epoca?</li><li>elenca le caratteristiche della commedia dell’arte</li><li>Che cos’era il canovaccio?</li><li>Goldoni come trasforma il canovaccio?</li><li>Qual era la finalità dell’arte secondo Goldoni?</li><li>Che tipo di linguaggio si doveva usare?</li></ul><div><br></div>]]></description>
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         <pubDate>2017-10-03 21:08:19 UTC</pubDate>
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         <pubDate>2017-10-03 21:15:17 UTC</pubDate>
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         <title>improvvisazione</title>
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         <pubDate>2017-10-03 21:15:40 UTC</pubDate>
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         <pubDate>2017-10-03 22:11:04 UTC</pubDate>
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         <title> educare al buon senso borghese che confida nella natura umana, nella solidarietà e nella pacifica convivenza tra gli uomini.</title>
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         <pubDate>2017-10-03 22:18:40 UTC</pubDate>
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         <pubDate>2017-10-03 22:30:44 UTC</pubDate>
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