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      <title>The Rise of ANTIGONE by Sai Narasimhan</title>
      <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p</link>
      <description></description>
      <language>en-us</language>
      <pubDate>2024-04-01 12:31:43 UTC</pubDate>
      <lastBuildDate>2024-05-28 13:53:42 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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         <url></url>
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      <item>
         <title>Map of Ancient Greece</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2940803746</link>
         <description><![CDATA[]]></description>
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         <pubDate>2024-04-02 19:23:27 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2940803746</guid>
      </item>
      <item>
         <title>Sophocles </title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2940826174</link>
         <description><![CDATA[<ul><li><p>Sophocles along with Aeschylus and Euripides was one of classical Athens's three great tragic playwrights.</p></li><li><p>He wrote over 120 plays, sadly only 7 survived, the others only have titles or fragments</p></li><li><p>the 7 complete are: Ajax, Antigone, Trachinian Women, Oedipus the King, Electra, Philoctetes, and Oedipus at Colonus.</p></li><li><p>In the theatre world he also increased the number of speaking actors, increased the number of chorus members, and used painted scenery. </p></li><li><p>In his later years, he was the <mark>general (strategos)</mark>  Imperial<mark> Treasurer</mark> of Athens</p></li></ul>]]></description>
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         <pubDate>2024-04-02 19:51:25 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2940826174</guid>
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      <item>
         <title>Antigone</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2940884159</link>
         <description><![CDATA[<p>Great video, really clarified how everybody connects.</p><p><br></p><p>Backstory:</p><p> <strong>She is the oldest daughter of Oedipus and Jocasta</strong>. They had 4 children </p><ul><li><p>Her name in Greek means 'one who is of the opposite opinion' (anti = opposite, gnomi = opinion).</p></li></ul><p><a rel="noopener noreferrer nofollow" href="https://docs.google.com/document/d/1jjHBeOGPYHv9IZyrit5vX8lHg5ilKs9MRMC2J1y6WZQ/edit">https://docs.google.com/document/d/1jjHBeOGPYHv9IZyrit5vX8lHg5ilKs9MRMC2J1y6WZQ/edit</a></p><p><br></p><p><strong>Summary of the curse </strong></p><p><br>A curse plagues the family of Laius, King of Thebes. This started when an oracle prophesied his son would kill him. Oedipus was unknowingly abandoned as a baby and lived to be king in another city before leaving in fear of the prophecy. He however fulfills the prophecy by slaying Laius and later marrying his biological mother, Jocasta. This revelation triggers a wave of misfortune: Thebs faces a plague wher crops die, and people become sick overnight, Jocasta (wife/mother) commits suicide after finding out, Oedipus purposely blinds himself. Finally  a war between Oedipus' sons over the throne begins as oedipus quietly dies on holy land.</p><p><br></p>]]></description>
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         <pubDate>2024-04-02 21:24:32 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2940884159</guid>
      </item>
      <item>
         <title>Family tree</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2941732180</link>
         <description><![CDATA[]]></description>
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         <pubDate>2024-04-03 12:09:38 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2941732180</guid>
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      <item>
         <title>Extract 1</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2941733885</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/2407136383/395c2d47f5036c488b1f99d4df0dd981/EXTRACT_1__Two_Sisters__pp5_8_.pdf" />
         <pubDate>2024-04-03 12:11:19 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2941733885</guid>
      </item>
      <item>
         <title>Summary of Extract 1</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2942186428</link>
         <description><![CDATA[<p>Looks into</p><ul><li><p>not allowed to bury their brother (believed to be a traiter)</p></li><li><p>Ismene (rule follower, caring), afraid to go against the state</p></li><li><p>Antigone (bold, self defined) , wants to bury her brother, even if that means her death</p></li><li><p>Extract ends with a disagreement between the two, over if this should go public</p></li></ul><p><br></p><p>We learn</p><ul><li><p>women had little power and faced harsher consequences</p></li></ul><p><br></p><p><br></p>]]></description>
         <enclosure url="" />
         <pubDate>2024-04-03 18:57:07 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2942186428</guid>
      </item>
      <item>
         <title>Character Triangle Antigone</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2942186920</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://docs.google.com/document/d/1AOjH3CirMj2e6inuzpxoZuwUB6_SIBMJ/edit" />
         <pubDate>2024-04-03 18:57:43 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2942186920</guid>
      </item>
      <item>
         <title>Caracter Triangle Ismene</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2942187973</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://docs.google.com/document/d/1qgRDvrMnbNQajnesQiY6jM-N-pq7F7Aj/edit" />
         <pubDate>2024-04-03 18:58:46 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2942187973</guid>
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      <item>
         <title>Extract 2</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2946724737</link>
         <description><![CDATA[]]></description>
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         <pubDate>2024-04-08 12:24:25 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2946724737</guid>
      </item>
      <item>
         <title>Draw conclusions</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2946788033</link>
         <description><![CDATA[]]></description>
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         <pubDate>2024-04-08 13:12:19 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2946788033</guid>
      </item>
      <item>
         <title>THE DIONYSIA</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2946814691</link>
         <description><![CDATA[<ul><li><p>A large festival in ancient Athens (typically in March) in honor of the god <strong><em>Dionysus</em></strong></p></li><li><p>Contained theatrical performances of dramatic tragedies and, from 487 BC, comedies</p></li><li><p>Birthplace of dramatic tragedies and comedies, with playwrights like Sophocles and Aristophanes</p></li><li><p>Fun fact: There were also musical competitions, with dithyrambs (choral hymns)</p></li></ul>]]></description>
         <enclosure url="https://www.historydefined.net/wp-content/uploads/2023/11/dionysia-1024x460.jpg" />
         <pubDate>2024-04-08 13:31:08 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2946814691</guid>
      </item>
      <item>
         <title>Dionysus</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2946825299</link>
         <description><![CDATA[<ul><li><p><strong>God of wine-making, orchards and fruit, vegetation, fertility, festivity, insanity, ritual madness, religious ecstasy, and theatre</strong>.</p></li><li><p>Roman name: Bacchus</p></li><li><p>Son of the supreme god Zeus and Semele, the daughter of a king.</p></li><li><p>Bridged the gap between humans and gods</p></li><li><p>He drew men and women out of themselves through intoxication. This may have allowed him to influenced decisions during the war.</p></li><li><p>Represents a paradox, symbolozised by wine in life.</p></li></ul>]]></description>
         <enclosure url="https://cdn.thecollector.com/wp-content/uploads/2022/05/dionysus-marble-sculpture.jpg?width=1400&amp;quality=55" />
         <pubDate>2024-04-08 13:38:49 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2946825299</guid>
      </item>
      <item>
         <title>Summary</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2946918609</link>
         <description><![CDATA[<ul><li><p>The Chorus is <strong>a group of actors who described and commented upon the main action of a play with song, dance, and recitation</strong>.</p></li><li><p>Story looked at the battle of Thebes</p></li><li><p>Looked at the style of Battle and the 7 gates of Thebes</p></li><li><p>How the gods(Zeus, Dionysus and Ares) influenced the battle</p></li><li><p>celebration and offerings at dionysia.</p></li><li><p>Critique Creons choice of calling a meeting</p></li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2024-04-08 14:42:39 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2946918609</guid>
      </item>
      <item>
         <title>Extract 3</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2946929346</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/2407136383/75daa833990fc960bfae02934fb06ef1/EXTRACT_3__Creon_Enters___his_decree__pp10_12_.pdf" />
         <pubDate>2024-04-08 14:49:59 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2946929346</guid>
      </item>
      <item>
         <title>Figurative Language Focus</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2947030051</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://docs.google.com/document/d/1o8J_hKqmocTkNIO110gIk32VlH7t19F7YAtUydXXLLc/edit" />
         <pubDate>2024-04-08 16:05:37 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2947030051</guid>
      </item>
      <item>
         <title>character triangle Creon</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2947030735</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://docs.google.com/document/d/1bYopewHIYwQ1r8ouLBS9_OiRTCqO6GYG/edit" />
         <pubDate>2024-04-08 16:06:09 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2947030735</guid>
      </item>
      <item>
         <title>Summary Extract 3</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2947033749</link>
         <description><![CDATA[<p>This extract highlights</p><ul><li><p>Creon's law, on only burying one brother</p></li><li><p>His plan to show every action of the state(him) to the public</p></li><li><p>Scare people into not breaking the law, as it only meant death</p></li><li><p>Chorus is involved, obeying the King, like its master, asking how they can help and what they can do</p></li><li><p>Ends with the entrance of a worn out soldier.</p></li></ul><p><br></p><p><br></p>]]></description>
         <enclosure url="https://www.greekmythology.com/images/mythology/oedipus_354.jpg" />
         <pubDate>2024-04-08 16:08:46 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2947033749</guid>
      </item>
      <item>
         <title>Recources</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2948134271</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet.com/vrudez4/world-of-antigone-j44pnxju77d8yei9" />
         <pubDate>2024-04-09 10:11:28 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2948134271</guid>
      </item>
      <item>
         <title>Diagram of the Theatre</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2948139321</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/2407136383/0fe18a03c8692b7179edfc40ed3d2117/image.webp" />
         <pubDate>2024-04-09 10:17:31 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2948139321</guid>
      </item>
      <item>
         <title>THE DIONYSIA</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2948140156</link>
         <description><![CDATA[<ul><li><p>A large festival in ancient Athens (typically in March) in honor of the god <strong><em>Dionysus</em></strong></p></li><li><p>Contained theatrical performances of dramatic tragedies and, from 487 BC, comedies</p></li><li><p>Birthplace of dramatic tragedies and comedies, with playwrights like Sophocles and Aristophanes</p></li><li><p>Fun fact: There were also musical competitions, with dithyrambs (choral hymns)</p></li></ul>]]></description>
         <enclosure url="https://www.historydefined.net/wp-content/uploads/2023/11/dionysia-1024x460.jpg" />
         <pubDate>2024-04-09 10:18:41 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2948140156</guid>
      </item>
      <item>
         <title>Dionysus</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2948140284</link>
         <description><![CDATA[<ul><li><p><strong>God of wine-making, orchards and fruit, vegetation, fertility, festivity, insanity, ritual madness, religious ecstasy, and theatre</strong>.</p></li><li><p>Roman name: Bacchus</p></li><li><p>Son of the supreme god Zeus and Semele, the daughter of a king.</p></li><li><p>Bridged the gap between humans and gods</p></li><li><p>He drew men and women out of themselves through intoxication. This may have allowed him to influenced decisions during the war.</p></li><li><p>Represents a paradox, symbolozised by wine in life.</p></li></ul>]]></description>
         <enclosure url="https://cdn.thecollector.com/wp-content/uploads/2022/05/dionysus-marble-sculpture.jpg?width=1400&amp;quality=55" />
         <pubDate>2024-04-09 10:18:54 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2948140284</guid>
      </item>
      <item>
         <title>Inspiration</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2948149571</link>
         <description><![CDATA[<ul><li><p>Very beautiful interpretive dance.</p></li><li><p>article, looks at how the festival was set up</p><ul><li><p>Introduction let by the 10 tribes</p></li><li><p>Following days showcased the best works of directors</p></li><li><p>Prizes, were awarded on the last day</p></li><li><p>The festival was also an opportunity for a meeting of the Athenian legislative body.</p></li></ul></li></ul><p>&nbsp;Myths&nbsp;concerned with gods, heroes, and rituals embodied the worldview of Greek religion and remains its&nbsp;legacy </p><ul><li><p>They varied over time by <strong>altering a myth&nbsp;by changing not only the role played by the gods in it but also the evaluation of the gods’ actions.</strong></p></li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2024-04-09 10:30:18 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2948149571</guid>
      </item>
      <item>
         <title></title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2948168346</link>
         <description><![CDATA[<ul><li><p>How did C5th Athenian culture REVOLUTIONIZE theater or plays? (Be sure to include the aspects of enactment, actors, chorus and masks)</p><ul><li><p>Athenians aded actors and invented the idea of performance</p></li><li><p>Stories did not only exist in the mind, they could also be shown to large numbers of stage.</p></li><li><p>Narrators were no longer needed, as actors could directly do the movement's, without further explanting needed.</p></li><li><p>Ancient greek drama had no more than three or for actors along with the chorus.</p></li><li><p>All the performers were masks, to create a powerful illusion.</p></li><li><p>With acting, there were scary elements, as one would have to become there character,(god, slave, crying mother)</p></li><li><p>The chorus is also masked in an identical way and move and speak as a group.</p></li></ul></li><li><p>According to the end of the clip, what were the hallmarks of ancient Greek tragedies? (The last minute talks about this).</p><ul><li><p>Hallmarks included elements like masks and costumes.</p></li><li><p>Everybody wore a mask, to create this illusion of another person, so they did not face this challenge of changing who they were</p></li><li><p>Costumes, especially for the chorus, allowed them to fit a character and work as one</p></li></ul></li><li><p>Final note:</p></li><li><p>Three kinds of theatre</p><ul><li><p>Tragedy and comedy and satr plays</p></li><li><p>Ancient tragedy, did not end sad, instead it gave the audience tough and concerting question like in the King of Oedipus.</p></li></ul></li></ul><p><br/></p>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/2407136383/e70724d9582cb0b0f5e1fc799c2dcd7f/theatron.jpeg" />
         <pubDate>2024-04-09 10:53:00 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2948168346</guid>
      </item>
      <item>
         <title>Extract 4</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2955054199</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/2407136383/52897fd432c2cec08d4c6d165083deaf/EXTRACT_4__Soldier_s_Report___pp12_17_.pdf" />
         <pubDate>2024-04-15 13:06:30 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2955054199</guid>
      </item>
      <item>
         <title>Ectract 4 study</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2955056447</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://docs.google.com/document/d/1BN-Ms0_0xnTpnSVFpItL105PPVq7SOuu61TH-K82hew/edit" />
         <pubDate>2024-04-15 13:08:07 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2955056447</guid>
      </item>
      <item>
         <title>Summary</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2955059373</link>
         <description><![CDATA[<ul><li><p>We learn about a solider who knows the body has been buried.</p></li><li><p>Creon then blames the soldier and threatens to kill him unless the true culprit is brought to him.</p></li><li><p>The solider talks a lot and jokes a lot</p></li><li><p>Assumes it had to be a man.</p></li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2024-04-15 13:09:54 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2955059373</guid>
      </item>
      <item>
         <title></title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2958493528</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/2407136383/c5697256fd9ca8e2acb63b072f56019e/EXTRACT_5__Ode___The_Criminal_Found__pp17_21_.pdf" />
         <pubDate>2024-04-17 12:10:34 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2958493528</guid>
      </item>
      <item>
         <title>Hubris</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2958545347</link>
         <description><![CDATA[<p>HUBRIS: Pride, Outrage, Crime, Excessive Attitude, Negative, Too Powerful, Arrogant, Too Confident.</p><p><br/></p><p>Nemesis was the <strong>Greek goddess of vengeance</strong>.</p><p><br/></p><p>Creon shows HUBRIS:&nbsp;</p><p>He is outraged at the soldier and then after hearing the story his outrage shift to Antigone.</p><p>Antigone shows HUBRIS:</p><p>Too confident because she shows an excessive attitude towards Creon and is prideful/too confident in her stance.&nbsp;</p><p>Soldier shows HUBRIS:</p><p>He thinks all is good and he is in the safe now that he has found Antigone breaking the law as a criminal.</p><p><br/></p><p>King Creon - accuse antigone of hubris, when she buries her brother</p>]]></description>
         <enclosure url="" />
         <pubDate>2024-04-17 12:50:32 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2958545347</guid>
      </item>
      <item>
         <title>All about democracy</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2958592194</link>
         <description><![CDATA[<p><strong>1.What kind of democracy did ancient Athens have?&nbsp;</strong></p><ul><li><p><strong>People were chosen at random using a system like a lottery. Ancient Athens was a direct democracy</strong></p></li></ul><p><strong>2.Which cultural VALUES or principles do you think underpinned this form of democracy?</strong></p><ul><li><p>I think the idea of having people bring issues themselves, rather that picking someone who does not completely align with your views was what underpinned this idea. In addition the idea of randomly choosing, made sure juries were made up of people with different views, who would then need to come up to a consensus.</p></li></ul><p>Aristocratic - ruled by the best</p><p>democracy - ruled by the people</p><p><strong>3.What was seen as 'civic duty' for an Athenian?</strong></p><ul><li><p>civic duty, was the duty of all citizens to serve the government. This was monitored by strict terms and sortition, so no political parties could form</p></li></ul><p><strong>KEY TERMS: democracy, lottery, sortition, election</strong></p>]]></description>
         <enclosure url="" />
         <pubDate>2024-04-17 13:24:27 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2958592194</guid>
      </item>
      <item>
         <title>All about Democracy</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2958741623</link>
         <description><![CDATA[<p><strong>1.What was the process of ostracism and how did it work?&nbsp;</strong></p><ul><li><p>to banish a citizen termporarily by popular vote</p></li><li><p>It worked my carving the names of politicians, they though trheatedn democracy, once a year onto the ostra</p></li><li><p>If 6,000 votes were cast, the winning politican was kicked out of office and out of athens</p></li></ul><p><br/></p><p><strong>2. Which cultural <mark>VALUES </mark>or principles do you think underpinned this process?&nbsp;</strong></p><ul><li><p>I think the idea of having a complete democracy set this idea. This allowed for all people to be a part of the election. It is similar in the voting we see today or the singing of  petition to get something done.</p></li></ul><p><strong>3. What do you think could be the danger of one person getting too 'high' up in power?</strong></p><ul><li><p><strong>This is seen with Creon, who has control and represents the state. He chooses all the laws. Even if he thinks what he is doing is for the people, it could really be for him.&nbsp;</strong></p></li></ul><p><strong>KEY TERMS: un-election, ostraca, ostracism</strong></p>]]></description>
         <enclosure url="" />
         <pubDate>2024-04-17 15:04:30 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2958741623</guid>
      </item>
      <item>
         <title>Hubris vs Nemisis</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2958747281</link>
         <description><![CDATA[<p>Hubris - excessive pride, personality trait used to get things done.</p><p><br/></p><p>Overreaching especially in the public eye, not only leads to letting down of yourself, but also of your community</p><p>When personal gain is stretched to far at the expense of the community, hubris starts</p><p><br/></p><p>hubris was also used to describe a group of men, accosting girls lecherously</p><p>Also used to describe excessive lust</p><p>King Creon - accuse antigone of hubris, when she buries her brother</p><p>Overall, definition of hubris is personal success and self indulgence in contrast to self control and morality</p><p><br/></p><p>Hubris is not defined, it is taken for granted, that everyone knows what it means (common usage)</p><p><br/></p><p>Nemesis- the goddess of devine vengeance and retribution, </p><p>Also known as the inescapable.</p><p>She humbled you, bring you back down to earth in a way.</p><p>(Pun- get it Gods are above, you thinking your better as a mortal... haha)</p><p><br/></p><p>Ancient greeks also believed in balance, not to much uck or bad luck</p><p><br/></p><p>Tyche, Nemesis twin, if you did everything right but got bad luck, she would fix that.</p><p><br/></p><p><br/></p>]]></description>
         <enclosure url="" />
         <pubDate>2024-04-17 15:08:56 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2958747281</guid>
      </item>
      <item>
         <title>All about the underworold</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2958754846</link>
         <description><![CDATA[<p>Many rivers</p><ul><li><p>The Styx. </p></li></ul><p>● The Acheron. </p><p>● The Cocytus. </p><p>● The Phlegethon. </p><p>● The Lethe.</p><p>● Charon - This ferry was rowed by Charon, the infernal boatman tasked with taking the souls of the</p><p>dead to the Underworld.</p><p>● Cerberus - After the boat ride, the souls entered through the gates of the Underworld; the gates</p><p>were guarded by the multi (3)headed dog Cerberus, who allowed everyone to enter, but none to leave.</p><p>● Tartarus - lowest ‘pit’ of the Underworld; a dark abyss used as a prison to punish ‘bad’ souls.</p>]]></description>
         <enclosure url="https://i.redd.it/hexeucbg39x91.jpg" />
         <pubDate>2024-04-17 15:15:00 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2958754846</guid>
      </item>
      <item>
         <title>Sumary</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2958758250</link>
         <description><![CDATA[<ul><li><p>Chorus, introduces the idea of Hubris</p></li><li><p>Very protective of Antigone</p></li><li><p>Solider catches Antigone burying her brother and brings her to Creon</p></li><li><p>Creon  after a long process, lets the solider go unharmed</p></li><li><p>Scene ends, with Antigone in front of Creon</p></li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2024-04-17 15:17:34 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2958758250</guid>
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      <item>
         <title></title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2964630886</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/2407136383/1211454643f014fd6ce9de244556d3f2/EXTRACT_6__The_Sentencing__pp21_26.pdf" />
         <pubDate>2024-04-22 12:30:37 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2964630886</guid>
      </item>
      <item>
         <title>Extract 6 study</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2964676506</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://docs.google.com/document/d/1hlsJr9WP44Go8V9XUCPy0sA1XLsvUTnuUBVZ0znKtJ8/edit" />
         <pubDate>2024-04-22 13:02:36 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2964676506</guid>
      </item>
      <item>
         <title>Summary</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2964683185</link>
         <description><![CDATA[<ul><li><p>Antigone and Ismene are brought in front of Creon</p></li><li><p>Creon wants to punish both</p></li><li><p>Antigone try's to say Ismene is innocent</p></li><li><p>Creon is sexist and afraid to lose power of the state.</p></li><li><p>Ends with them being brought to jail cells.</p></li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2024-04-22 13:06:48 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2964683185</guid>
      </item>
      <item>
         <title></title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2968020542</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/2407136383/04f72ac83c47778938ea79c91503e066/EXTRACT_7__Chorus_after_sentence__pp26_28_.pdf" />
         <pubDate>2024-04-24 12:10:07 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2968020542</guid>
      </item>
      <item>
         <title></title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2968020733</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/2407136383/1a393fe8f08b7f03efa065e253f0ef22/EXTRACT_8__Father_and_son___pp28_34.pdf" />
         <pubDate>2024-04-24 12:10:19 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2968020733</guid>
      </item>
      <item>
         <title>Questions</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2968032980</link>
         <description><![CDATA[<p>"The cold hands of the dead<br>Reach out for the living, and no one is spared.<br>Another generation sheds its blood,"</p><ul><li><p>Refers to the family, Oedipus starting a curse.</p></li><li><p>Refers to Eteocles and Polynices, who though brothers, fought and killed each other.</p></li></ul><p>"past and future time<br>He holds in his hand by right,<br>And that those who climb<br>In their greatness or wickedness<br>Beyond the permitted height<br>He brings to destruction and despair"</p><ul><li><p>Creon, climbing the to the highest point. Any others who reach that height, he removes keeping his power</p></li></ul><p>"When a man commits crimes, and is proud of the action,<br>A flaming sword hangs over his head:<br>No future but the grave, and a funeral urn"</p><ul><li><p>Creon</p></li></ul><ul><li><p>Wrongly imprisoning Ismeme</p></li><li><p>Is it right to punish anitgone, for burying her brother.</p></li></ul><p><br/></p>]]></description>
         <enclosure url="" />
         <pubDate>2024-04-24 12:20:37 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2968032980</guid>
      </item>
      <item>
         <title>Voice of reason</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2968061521</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://docs.google.com/document/d/15h4tXpN6609oLhY6rpgZeq1s6lRZehCExyuOLIvlIj8/edit" />
         <pubDate>2024-04-24 12:44:06 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2968061521</guid>
      </item>
      <item>
         <title>Summary</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2968068316</link>
         <description><![CDATA[<p>Heamon - Creon son is introduced</p><p><br/></p><ul><li><p>Heamon speaks against Creon, saying what Antigone did was ethical and right.</p></li><li><p>Creon holds the state power and does not want to share it.</p></li><li><p>Heamon is accused of being to kind to women.</p></li><li><p>Ismene is pardoned</p></li><li><p>Antigone is sentenced to be executed by being placed in a cave</p></li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2024-04-24 12:49:16 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2968068316</guid>
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      <item>
         <title>Extract 9</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2968088487</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/2407136383/6826a17d48bf3861d9aa6ac649e16ca3/EXTRACT_9__Exit_Antigone___Pathos___pp34_38.pdf" />
         <pubDate>2024-04-24 13:03:30 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2968088487</guid>
      </item>
      <item>
         <title>QUICKWRITE</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2968275138</link>
         <description><![CDATA[<p>Wow. This was an unexpected turn in the story. It was a moment filled with tension and sorrow. Part of me wished Creon had some good part to realize he was wrong and should give her another chance But no, off she goes banished to land of the dead though still living. Hearing her pleas, her story, lost in the darkness of the cave, is something unforgettable. The saddest part is everything her family has been through. Her father and mother both died because of terrible reasons. Her brothers killed each other for power. And now she left to die, because she wanted to help others. Poor Isemene is left alone, under the rule of an oppressive man, who plans to hold all the power and look down on those, especially women. Part of me wonders why the people did not fight back more. We know why, not because they are cowards, but because we see the blood stained fear in the eyes. No one dares to go against the King. Heamon was a brave man, yet even his father put fear in him. He tries to be strong, but one knows not to overstep, as with one flick in his hand, his father - the state- can get him banished and killed in a second.</p>]]></description>
         <enclosure url="" />
         <pubDate>2024-04-24 15:12:30 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2968275138</guid>
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      <item>
         <title></title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2968275878</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://docs.google.com/document/d/1PnIhduFKvV5ghppiQ3GPn9MCT3pYa9Q2Rxo_vLPtn3o/edit" />
         <pubDate>2024-04-24 15:13:05 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2968275878</guid>
      </item>
      <item>
         <title>Summary</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2968281313</link>
         <description><![CDATA[<p>Antigone is being banished</p><p>The chorus takes her side</p><p>Antigone is angry, she yells about how corrupt the city is</p><p>She accepts her fate and has to continue on.</p><p>Creon is brought in.</p><p><br/></p>]]></description>
         <enclosure url="" />
         <pubDate>2024-04-24 15:17:17 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2968281313</guid>
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      <item>
         <title></title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2973656030</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/2407136383/a51cff6fefb1542ac4d45f9f82b1753c/EXTRACT_10a__No_hope__pp38_40_.pdf" />
         <pubDate>2024-04-29 12:17:06 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2973656030</guid>
      </item>
      <item>
         <title></title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2973664223</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/2407136383/e04d0e4db3ba9eb0fb00e69e4fdfe7fa/EXTRACT_10b__Chorus_commentary__pp40_41_.pdf" />
         <pubDate>2024-04-29 12:24:27 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2973664223</guid>
      </item>
      <item>
         <title>Free will or fate? </title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2973722998</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://docs.google.com/presentation/d/1heJnhC3pvD0Sie8UrazCx9zO_C6fcl6oA7MHRFUHDiw/edit#slide=id.g23f9232cc63_0_235" />
         <pubDate>2024-04-29 13:04:41 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2973722998</guid>
      </item>
      <item>
         <title>Characterization</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2975565049</link>
         <description><![CDATA[<p>The process by which the author reveals information about a character</p><ul><li><p>Indirect - impies a personalty or physical trait, by showing the reader</p></li><li><p>Direct characterisation - when the author directly tells the reader about the trait.</p></li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2024-04-30 15:35:48 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2975565049</guid>
      </item>
      <item>
         <title>Summary</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2976520127</link>
         <description><![CDATA[<p>Antigone talks about everything she is missing out on</p><p>Motherhood</p><p>Marriage</p><p>Creon tries to put the blame on her, and she choose her fate/not him or the gods.</p><p><br/></p><p><br/></p>]]></description>
         <enclosure url="" />
         <pubDate>2024-05-01 12:07:58 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2976520127</guid>
      </item>
      <item>
         <title></title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2976520842</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/2407136383/f5e20c0e20444c76d91885260f8468df/Extract_11___TIRESIAS_SEES_to_read_pp42_46.pdf" />
         <pubDate>2024-05-01 12:09:01 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2976520842</guid>
      </item>
      <item>
         <title></title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2976550838</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://docs.google.com/document/d/1ITYCahaQLA_EEm9z3TEP5c4w8Kx888jXop6h-u-PvBY/edit" />
         <pubDate>2024-05-01 12:47:30 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2976550838</guid>
      </item>
      <item>
         <title>Summary</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2976554799</link>
         <description><![CDATA[<p>Teireisias, a prophet, who is blind is introduced. He tells Creon, of the consequences he is going to face.</p><p>Tells Creon to won is mistake and make it right.</p><p>Tells him the gods are mad</p><p><br/></p><p>Antigone is still in the cave</p><p><br/></p><p>Chorus, asks Creon what he plans on doing</p>]]></description>
         <enclosure url="" />
         <pubDate>2024-05-01 12:51:37 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2976554799</guid>
      </item>
      <item>
         <title>Characters</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2976560061</link>
         <description><![CDATA[<p>👩‍🦰&nbsp;<strong>Antigone - </strong>The main character of the tragedy</p><p>🤴&nbsp;<strong>King Creon - </strong>The tragic hero</p><p><strong>🤴Haemon - </strong>Antigone's betrothed and Creon's young adult son</p><p>👧<strong>&nbsp;Ismene - </strong>Antigone’s sister, very unlike to her</p><p>👨‍🦳&nbsp;<strong>Tiresias - </strong>The blind prophet, a brave and honest person</p><p>🎶&nbsp;<strong>The Chorus - </strong>The embodiment of collective caution</p>]]></description>
         <enclosure url="" />
         <pubDate>2024-05-01 12:57:46 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2976560061</guid>
      </item>
      <item>
         <title></title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2976638136</link>
         <description><![CDATA[]]></description>
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         <pubDate>2024-05-01 14:16:35 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2976638136</guid>
      </item>
      <item>
         <title>Definition</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2981292564</link>
         <description><![CDATA[<p><br>The process of releasing, strong or <a rel="noopener noreferrer nofollow" class="rMNQNe" href="https://www.google.com/search?safe=active&amp;sca_esv=70d17c20703d2a91&amp;sca_upv=1&amp;rlz=1C5CHFA_enCH967CH968&amp;q=repressed&amp;si=ACC90nytWkp8tIhRuqKAL6XWXX-NbUOUcnfTebiZru5blwzmZyuKZTcKnSIntVL_K26g1vI2rc8toqvma2RrBkLLUmabNEtHYeKL1kChy151KIROEwmWLh4%3D&amp;expnd=1&amp;sa=X&amp;sqi=2&amp;pjf=1&amp;ved=2ahUKEwierZWPxPiFAxVd1gIHHTDlDfkQyecJegQIIhAO">repressed</a> emotions.</p><p><br/></p><p>Ancient Greek time it meant, "purification" or "cleansing"</p><p><br/></p>]]></description>
         <enclosure url="" />
         <pubDate>2024-05-06 07:47:55 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2981292564</guid>
      </item>
      <item>
         <title>Metaphor</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2981295376</link>
         <description><![CDATA[<ul><li><p>The spiritual or emotional cleanse that can be achieved through art.</p></li><li><p>Also known as soul cleansing</p></li><li><p>Attributed to Aristotle who used the term.</p></li><li><p>Citizens were expected to attend the performances so that they could get there soul cleansed.</p></li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2024-05-06 07:50:32 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2981295376</guid>
      </item>
      <item>
         <title>Therapy</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2981300962</link>
         <description><![CDATA[<ul><li><p>viewers feel lighter after watching a performance.</p></li><li><p>Seeing the struggles of the performers and the lessons they learn give the audience a sense of new purpose.</p></li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2024-05-06 07:56:06 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2981300962</guid>
      </item>
      <item>
         <title>Personal View</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2981304969</link>
         <description><![CDATA[<p>I think this is relevant concept. It i something I always feel after watching a production. We unconsciously start to resonate with a charter and try to then work towards this goal. Nowadays, this can also be seen in movies especially true stories.</p>]]></description>
         <enclosure url="" />
         <pubDate>2024-05-06 07:59:49 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2981304969</guid>
      </item>
      <item>
         <title></title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2981305829</link>
         <description><![CDATA[]]></description>
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         <pubDate>2024-05-06 08:00:37 UTC</pubDate>
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      </item>
      <item>
         <title></title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2981592452</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://docs.google.com/presentation/d/1Kg20fqfEYKOxs_8eZyYcB_kfbhvrH449dx97HC5qhDY/edit#slide=id.g2d26732744a_0_28" />
         <pubDate>2024-05-06 12:44:10 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2981592452</guid>
      </item>
      <item>
         <title></title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2981594269</link>
         <description><![CDATA[]]></description>
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         <pubDate>2024-05-06 12:45:36 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2981594269</guid>
      </item>
      <item>
         <title></title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2985062526</link>
         <description><![CDATA[]]></description>
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         <pubDate>2024-05-08 12:49:22 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2985062526</guid>
      </item>
      <item>
         <title></title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2985064090</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://docs.google.com/presentation/d/1NEYYLVkplZFVVFqNH3sUA7cRPSq3_-BbBhqZwvEUkwM/edit#slide=id.g2d26a204bc0_0_5" />
         <pubDate>2024-05-08 12:50:34 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2985064090</guid>
      </item>
      <item>
         <title></title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2990938925</link>
         <description><![CDATA[]]></description>
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         <pubDate>2024-05-13 15:34:41 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2990938925</guid>
      </item>
      <item>
         <title></title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2994227478</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://docs.google.com/document/d/1BT-F3r5OrJmtwHF6iMvR1o57F-c4bml0fTe9md3y49Y/edit" />
         <pubDate>2024-05-15 13:18:24 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2994227478</guid>
      </item>
      <item>
         <title></title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2994229681</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://docs.google.com/document/d/19KEHs257dm3TL8lqrvdH26mAh_tT_qZw/edit" />
         <pubDate>2024-05-15 13:19:51 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2994229681</guid>
      </item>
      <item>
         <title>A-Ha moment from the play</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2997613877</link>
         <description><![CDATA[<p>"Do you understand me? But my mother and father</p><p>Are dead. There will be no more brothers,</p><p>Never again. My love had to speak</p><p>At Polynices’ grave, or nowhere.</p><p>And for that terrible crime, my dearest brother,</p><p>Creon sentences me to death,</p><p>Drags me here, and will shut me away</p><p>In a cavern under the mountain, a living death,"</p><p>(Sophocles, 39)</p><p><br></p><ul><li><p>This is a quote form extract 10, that was exchanged between Antigone, Creon and Chorus</p></li><li><p>This is an a-ha moment for me, as it give a complete summary of Antigone's life. She talks about all the deaths in her family and her fate, which put simply is the premises of Antigone</p></li><li><p>The quote was spoken by her, as she is contemplating parts of her life, especially not being able to be a mother</p></li></ul>]]></description>
         <enclosure url="https://upload.wikimedia.org/wikipedia/commons/e/ee/Oedipe_conduit_par_Antigone.jpg" />
         <pubDate>2024-05-17 13:39:21 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2997613877</guid>
      </item>
      <item>
         <title>A-HA moment from background</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2997743919</link>
         <description><![CDATA[<ul><li><p>The Dionysian helped me understand the roots and the audience of the play. In addition certain references in the extracts are also linked to the festival. In fact the play was preformed at the Dionysia and as therefore dedicated to the god Dionysus.</p></li><li><p>Background</p><ul><li><p>A large festival in ancient Athens (typically in March) in honor of the god <strong><em>Dionysus</em></strong></p></li></ul></li><li><p>I specifically chose the Dionysia, because it was some of the earliest background that set the stage for the reading of the script of the play. </p></li></ul>]]></description>
         <enclosure url="https://elvis.padletcdn.com/fetch/e_in/cdn2.picryl.com/photo/2023/01/11/dionysus-bachus-greek-god-of-the-grape-harvest-c46ec7-640.jpg" />
         <pubDate>2024-05-17 15:36:20 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2997743919</guid>
      </item>
      <item>
         <title>Research question</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2998240745</link>
         <description><![CDATA[<p>To what extent did theatre performances use the Dionysian stage to comment on politics, social norms, or philosophical ideas in Athenian society?</p>]]></description>
         <enclosure url="https://elvis.padletcdn.com/fetch/e_in/cdn2.picryl.com/photo/1896/12/31/theater-of-dionysus-acf184-small.gif" />
         <pubDate>2024-05-18 10:02:19 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2998240745</guid>
      </item>
      <item>
         <title>Research</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2998249383</link>
         <description><![CDATA[<ul><li><p>Athenian democracy allowed open competition between theatre pieces at the Dionysia. This encouraged innovation and potentially critical perspectives.</p></li><li><p>The chorus in Greek tragedies often served as a voice of reason or public opinion, commenting on the actions of the characters and reflecting Athenian concerns. This is why many times there were multiple voices speaking at the same time.</p></li><li><p>Playwrights used familiar myths to explore current issues. By commenting on gods and heroes, they indirectly critiqued Athenian politics or social norms, keeping a consensus between people.</p></li><li><p>Comedies, especially by Aristophanes, directly made fun of Athenian politics, leaders, and social trends. Through intended as humor and exaggeration, they did expose societal flaws and sparked public debate.</p></li><li><p>Playwrights might use symbolic characters or situations to represent real-world figures or events. This allowed commentary, without directly attacking powerful individuals.</p></li><li><p>Tragedy also aimed to evoke strong emotions like pity and fear in the audience. Catharsis then could lead to reflection on societal issues present at the time.</p></li><li><p>The celebratory nature of the Dionysia might have created a space for more open ideas. The audience, in a festive mood, might be more open to harsh commentary.</p></li><li><p>Despite the commentary, playwrights had limitations, especially with regards to direct attacks on Athenian democracy or specific leaders.</p></li><li><p>Athenian society allowed women to attend productions, but not act in the plays. However over time  playwrights  used female characters to critique societal norms surrounding women's roles.</p></li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2024-05-18 10:30:23 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2998249383</guid>
      </item>
      <item>
         <title>Sources</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2998255296</link>
         <description><![CDATA[<p>Excellent source to understand politics and social norms during the Dionysia</p>]]></description>
         <enclosure url="https://www.louvrepaubrazyl.org/en/3rd-act-the-verso/society-politics-and-religion-theater-in-classical-greece/" />
         <pubDate>2024-05-18 10:49:03 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2998255296</guid>
      </item>
      <item>
         <title></title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2998255840</link>
         <description><![CDATA[<p>Another Good Source</p>]]></description>
         <enclosure url="https://dh.scu.edu/exhibits/neatline/show/where-democracy-and-greek-tragedy-collide#records/3098" />
         <pubDate>2024-05-18 10:51:08 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2998255840</guid>
      </item>
      <item>
         <title>Modern day</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2998261578</link>
         <description><![CDATA[<p>This is a video by National Geographic comparing modern day entertainment with ancient greek entertainment.</p><ul><li><p>We both used entertainment</p></li><li><p>Anceint greek used live theatre as entertainment, we however used social media, rather than meeting in person.</p></li><li><p>Today we spend so much ore time on our phones than taking to real people. Ancient greeks were always talking to others or watching others in theatre productions or sports matches.</p></li></ul>]]></description>
         <enclosure url="https://education.nationalgeographic.org/resource/escapist-entertainment-and-civic-engagement/" />
         <pubDate>2024-05-18 11:07:54 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2998261578</guid>
      </item>
      <item>
         <title>Modern day compared to Antigone</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2998267304</link>
         <description><![CDATA[<ul><li><p>Antigone breaking Creon decree in order to give her brother  a properly burial resonates with modern struggles between following unjust laws and following your moral compass. </p></li><li><p>This can be seen in issues like civil rights movements, speaking out against corruption, or defying discriminatory laws targeted towards a minority.</p></li><li><p>The play makes us question</p><ul><li><p>When should we obey laws, even if they seem wrong? </p></li><li><p>When is it justified to take a stand, even if it means facing consequences?</p></li></ul></li><li><p>Around the world we all grapple with the struggle, as our morals, societies morals and governments law do not always align.</p></li></ul>]]></description>
         <enclosure url="https://upload.wikimedia.org/wikipedia/commons/6/6a/Ancient_Greek_theatrical_mask_of_Zeus%2C_replica_%288380375983%29.jpg" />
         <pubDate>2024-05-18 11:24:46 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2998267304</guid>
      </item>
      <item>
         <title>Recording</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2998273145</link>
         <description><![CDATA[<p>The file is too big to be added</p>]]></description>
         <enclosure url="" />
         <pubDate>2024-05-18 11:43:13 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2998273145</guid>
      </item>
      <item>
         <title>Summary</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2998695776</link>
         <description><![CDATA[<p>Antigone hung and killed herself.</p><p>Heamon her husband, then stabs himself</p><p>Creon realises his mistakes and tries to make things right, but he is too slow.</p>]]></description>
         <enclosure url="" />
         <pubDate>2024-05-19 09:21:25 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2998695776</guid>
      </item>
      <item>
         <title>Summary</title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2998696858</link>
         <description><![CDATA[<p>Creon's wife EURYDICE kills herself after seeing her son</p><p>Creon has lost everything and wants to die. </p><p>the scene ends with the Chorus giving some wisdom.</p>]]></description>
         <enclosure url="" />
         <pubDate>2024-05-19 09:24:29 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/2998696858</guid>
      </item>
      <item>
         <title></title>
         <author>dg27snarasimhan</author>
         <link>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/3010262209</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://docs.google.com/document/d/1XCLzVRdhNrjtFJmea6NhKLsblCauia-w8BVDgAiPKiM/edit" />
         <pubDate>2024-05-28 13:53:42 UTC</pubDate>
         <guid>https://padlet.com/dg27snarasimhan/q87k09ofa5fvrq1p/wish/3010262209</guid>
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