<?xml version="1.0"?>
<rss version="2.0">
   <channel>
      <title>100 Years of Australian Composition by Georgia</title>
      <link>https://padlet.com/ghewitt8/100_of_years_australian_composition</link>
      <description>Made with love</description>
      <language>en-us</language>
      <pubDate>2017-08-30 01:33:28 UTC</pubDate>
      <lastBuildDate>2017-08-31 22:24:34 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
      <image>
         <url>https://padlet-assets.s3.amazonaws.com/icons/Diskette.png</url>
      </image>
      <item>
         <title>Where do we start?</title>
         <author>ghewitt8</author>
         <link>https://padlet.com/ghewitt8/100_of_years_australian_composition/wish/183571380</link>
         <description><![CDATA[<div>- Individuals<br>- Settlement of Australia<br>- Existence of musical instruments and music societies<br>- Emergence of folk music, music halls, choirs and choral societies<br>- Interesting to look at the emergence of a particular genre such as "orchestral music"</div>]]></description>
         <enclosure url="" />
         <pubDate>2017-08-30 01:34:42 UTC</pubDate>
         <guid>https://padlet.com/ghewitt8/100_of_years_australian_composition/wish/183571380</guid>
      </item>
      <item>
         <title>Context</title>
         <author>ghewitt8</author>
         <link>https://padlet.com/ghewitt8/100_of_years_australian_composition/wish/183571615</link>
         <description><![CDATA[<div>- Year 12 Mandatory topic: Australian Music in the last 25 years<br>- </div>]]></description>
         <enclosure url="" />
         <pubDate>2017-08-30 01:36:40 UTC</pubDate>
         <guid>https://padlet.com/ghewitt8/100_of_years_australian_composition/wish/183571615</guid>
      </item>
      <item>
         <title>Influences on Australian Orchestral Composition</title>
         <author>ghewitt8</author>
         <link>https://padlet.com/ghewitt8/100_of_years_australian_composition/wish/183571737</link>
         <description><![CDATA[<div>- Development of the professional Orchestra in Australia<br>- The Specialist Music Institution<br>- The Australian Broadcasting Commission (ABC)<br>- Other influences&nbsp;</div>]]></description>
         <enclosure url="" />
         <pubDate>2017-08-30 01:37:27 UTC</pubDate>
         <guid>https://padlet.com/ghewitt8/100_of_years_australian_composition/wish/183571737</guid>
      </item>
      <item>
         <title>Specialist Music Institutions (1883 - 1914)</title>
         <author>ghewitt8</author>
         <link>https://padlet.com/ghewitt8/100_of_years_australian_composition/wish/183572180</link>
         <description><![CDATA[<div>- Appearance of the specialist music institutions in Adelaide, Melbourne and Sydney<br>- It opened up new opportunities for professional training and provided permanent facilities for the propagation of music</div>]]></description>
         <enclosure url="" />
         <pubDate>2017-08-30 01:40:11 UTC</pubDate>
         <guid>https://padlet.com/ghewitt8/100_of_years_australian_composition/wish/183572180</guid>
      </item>
      <item>
         <title>Development of Professional Orchestra in Australia</title>
         <author>ghewitt8</author>
         <link>https://padlet.com/ghewitt8/100_of_years_australian_composition/wish/183572751</link>
         <description><![CDATA[<div>- Prior to 1888, orchestras were used to accompany choral performances and theatre productions<br>- 1888: Sir Fredric Hymen Cowan, Guest Conductor of Melbourne Exhibition&nbsp;<br>- As a result, two orchestras were formed in Melbourne after this event<br>- Orchestras predominantly semi-professional until the ABC became involved</div>]]></description>
         <enclosure url="" />
         <pubDate>2017-08-30 01:44:29 UTC</pubDate>
         <guid>https://padlet.com/ghewitt8/100_of_years_australian_composition/wish/183572751</guid>
      </item>
      <item>
         <title>Generations of Composers</title>
         <author>ghewitt8</author>
         <link>https://padlet.com/ghewitt8/100_of_years_australian_composition/wish/183573295</link>
         <description><![CDATA[<div>Sydney<br>Oldest: Henri Verbrugghen, Arundel Orchard, Alfred Hill, Edgar Bainton, Alex Burnard&nbsp;<br><br>Older: John Antill, Nirrie Hill (nee Solomon), Lindley Evans, Frank Hutchens, Raymond Hanson, Dulcie Holland, Miriam Hyde (origin Adelaide)&nbsp;<br><br>Old: Nigel Butterley, Richard Meale, Larry Sitsky, Barry Conyngham&nbsp;</div>]]></description>
         <enclosure url="" />
         <pubDate>2017-08-30 01:48:27 UTC</pubDate>
         <guid>https://padlet.com/ghewitt8/100_of_years_australian_composition/wish/183573295</guid>
      </item>
      <item>
         <title>Generations of Composers</title>
         <author>ghewitt8</author>
         <link>https://padlet.com/ghewitt8/100_of_years_australian_composition/wish/183574243</link>
         <description><![CDATA[<div>Melbourne<br>Oldest: Fritz Hart, Alberto Zelman Jnr,&nbsp; A.E.H. Nickson, Bernard Heinze<br><br>Older: Robert Hughes, Esther Rofe, Margaret Sutherland, Dorian Le Gallienne, Clive Douglas, Noel Nickson, James Penberthy, Linda Phillips<br><br>Old: Keith Humble, Don Banks, Ian Bonighton, Peter Sculthorpe, Helen Gifford</div>]]></description>
         <enclosure url="" />
         <pubDate>2017-08-30 01:55:44 UTC</pubDate>
         <guid>https://padlet.com/ghewitt8/100_of_years_australian_composition/wish/183574243</guid>
      </item>
      <item>
         <title>The Australian Broadcasting Commission</title>
         <author>ghewitt8</author>
         <link>https://padlet.com/ghewitt8/100_of_years_australian_composition/wish/183574926</link>
         <description><![CDATA[<div>- ABC started in 1932<br>- In the 1940s the MSO and SSO became full time and were used by the ABC for broadcasting, as well as performing in public<br>- Goossens (SSO) promoted new music through the ABC broadcasts&nbsp;<br>&nbsp; &nbsp;- John Antill (Corroboree)<br>&nbsp; &nbsp;- Raymond Hanson (Trumpet Concerto)<br>- 1963: John Hopkins appointed Music Director of the ABC<br>- 1970: 5% of all music broadcast is Australian<br>- 2001: 14% of all music broadcast is Australian</div>]]></description>
         <enclosure url="" />
         <pubDate>2017-08-30 02:00:57 UTC</pubDate>
         <guid>https://padlet.com/ghewitt8/100_of_years_australian_composition/wish/183574926</guid>
      </item>
      <item>
         <title>Other Influences</title>
         <author>ghewitt8</author>
         <link>https://padlet.com/ghewitt8/100_of_years_australian_composition/wish/183575226</link>
         <description><![CDATA[<div>- Cultural influences<br>- Jubilee Symphony Competition of 19551<br>- Visit from the De Basil Ballets Russes in 1936<br>- Writing for Film and TV<br>- 1960s<br>- Federal Government Funding<br>- Australian Music Centre (founded in 1974)<br>- Musica Viva</div>]]></description>
         <enclosure url="" />
         <pubDate>2017-08-30 02:03:34 UTC</pubDate>
         <guid>https://padlet.com/ghewitt8/100_of_years_australian_composition/wish/183575226</guid>
      </item>
      <item>
         <title>The Periods of Australia Composition</title>
         <author>ghewitt8</author>
         <link>https://padlet.com/ghewitt8/100_of_years_australian_composition/wish/183575745</link>
         <description><![CDATA[<div>- Heritage/Colonial Music<br>- Middle (ref. One Hand on the Manuscript)<br>- Modernist<br>- Post Modernist </div>]]></description>
         <enclosure url="" />
         <pubDate>2017-08-30 02:07:27 UTC</pubDate>
         <guid>https://padlet.com/ghewitt8/100_of_years_australian_composition/wish/183575745</guid>
      </item>
      <item>
         <title>Heritage/Colonial Music</title>
         <author>ghewitt8</author>
         <link>https://padlet.com/ghewitt8/100_of_years_australian_composition/wish/183575999</link>
         <description><![CDATA[<div>- The terms 'heritage' or colonial' describe the music that evolved from the time of European colonisation in Australia<br>- Wealthier Households may have had a piano or there would be marching bands associated with the army<br>- The predominant issue of concern in the early years of settlement in Australia was the vast distance between Australia and Europe</div>]]></description>
         <enclosure url="" />
         <pubDate>2017-08-30 02:09:15 UTC</pubDate>
         <guid>https://padlet.com/ghewitt8/100_of_years_australian_composition/wish/183575999</guid>
      </item>
      <item>
         <title>Middle Period (1930s - 1960s)</title>
         <author>ghewitt8</author>
         <link>https://padlet.com/ghewitt8/100_of_years_australian_composition/wish/183576557</link>
         <description><![CDATA[<div>- formative and transitional phase in Australian cultural history<br>- realigning of culture<br>- able to have an identity&nbsp;<br>- during WW2, everyone huddled around the radio<br>- post war and pre war immigration&nbsp;<br>- very tonal&nbsp;<br>- neoclassical <br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2017-08-30 02:13:38 UTC</pubDate>
         <guid>https://padlet.com/ghewitt8/100_of_years_australian_composition/wish/183576557</guid>
      </item>
      <item>
         <title>Modernist (1960s - 1980s)</title>
         <author>ghewitt8</author>
         <link>https://padlet.com/ghewitt8/100_of_years_australian_composition/wish/183577072</link>
         <description><![CDATA[<div>- Richard Meale and his radio show<br>- Experimentation with new forms and approaches<br>- Reaction against the Neoclassical and tonal approaches used in the Mid 20th century<br>- Many younger composers returned from overseas to teach and write and in turn influenced a new generation of composers </div>]]></description>
         <enclosure url="" />
         <pubDate>2017-08-30 02:17:07 UTC</pubDate>
         <guid>https://padlet.com/ghewitt8/100_of_years_australian_composition/wish/183577072</guid>
      </item>
      <item>
         <title>Post-Modernism (mid 1980s onwards)</title>
         <author>ghewitt8</author>
         <link>https://padlet.com/ghewitt8/100_of_years_australian_composition/wish/183577627</link>
         <description><![CDATA[<div>- Followed the reactionary voice of the Modernist period and became established around the mid-1980s<br>- composers of this time were students of the experimental composers from the Modernist period</div>]]></description>
         <enclosure url="" />
         <pubDate>2017-08-30 02:20:48 UTC</pubDate>
         <guid>https://padlet.com/ghewitt8/100_of_years_australian_composition/wish/183577627</guid>
      </item>
      <item>
         <title>Reasons for Neglect</title>
         <author>ghewitt8</author>
         <link>https://padlet.com/ghewitt8/100_of_years_australian_composition/wish/183578974</link>
         <description><![CDATA[<div>- Condition of the music<br>- Acess to scores and parts<br>- Rejection of the tonal style (1960s)<br>- Infrastructure<br>- Few Australian conductors<br>- Small number of professional orchestras<br>- Few publishers in Australia and the high cost of reproducing orchestral scores </div>]]></description>
         <enclosure url="" />
         <pubDate>2017-08-30 02:28:27 UTC</pubDate>
         <guid>https://padlet.com/ghewitt8/100_of_years_australian_composition/wish/183578974</guid>
      </item>
   </channel>
</rss>
