Art 202 Late Renaissance, Mannerism, Northern Europe by

Raphael's La Belle Jardiniere

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Study Guide

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Characteristics of Mannerism:

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technical virtuosity unbalanced compositions complexity elegance erudite subject matter expressiveness distortions of proportions artifice/exaggeration

Martin Luther and his “The 95 Thesis”

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Counter Reformation

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Counsel of Trent

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Jesuits

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Index of Forbidden Books

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Death of Raphael

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The Sack of Rome 1527

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Giorgione, The Tempest 1505

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Michelangelo's The Last Judgment 1536-41

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Michelangelo's Pieta 1555

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Michelangelo's St. Peter’s, Rome, seen from the west 1546–64

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Rosso Fiorentino's The Descent from the Cross 1521

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Jacopo da Pontormo's Pietà/ Or Descent from the Cross 1526–28

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Parmigianino's Self-Portrait 1524

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Parmigianino's The Madonna with the Long Neck 1535

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Palladio's Villa Rotonda 1567-70

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Titian's Pieta 1576

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Paolo Veronese's The Feast in the House of Levi 1573

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El Greco's The Count Orgaz 1586

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Jacopo Tintoretto's The Last Supper 1594

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Sofonisba Anguissola's Self-Portrait, 1556

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Protestant Reformation

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Iconoclasm

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the action of attacking or assertively rejecting the Idols and religious paintings, institutions or established values and practices.

Anamorphic Perspective

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Genre Scene

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depicts aspects of everyday life by portraying ordinary people engaged in common activities

Matthias Grünewald, Isenheim Altarpiece Closed 1509/10–15

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Matthias Grünewald, Isenheim Altarpiece, Open 1509/10–15

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Albrecht Dürer, The Four Horsemen of the Apocalypse, 1498

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Albrecht Dürer, Self-Portrait 1500

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Albrecht Dürer, The Four Apostles, 1523–26

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Hans Holbein the Younger, The Ambassadors, 1533

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Hans Holbein the Younger, Henry VIII 1540

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Pieter Aertsen's The Meat Stall 1551

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Pieter Bruegel the Elder, The Return of the Hunters, 1565

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Pieter Bruegel the Elder, Peasant Wedding, 1568

ashlyngariety — 2024-02-08 17:31:39 UTC