https://padlet.com/yanafidan1/plvanlqhi8jtiw1n en-us 2022-08-22 02:28:21 UTC 2022-08-26 08:23:58 UTC hello@padlet.com yanafidan1 https://padlet.com/yanafidan1/plvanlqhi8jtiw1n/wish/2266886673 “I like to remember things my own way. How I remember them; not necessarily the way they happened” (Lynch). The narrative structure in films of David Lynch often transfers the viewer from one space and time to another and prefer the web of temporary dream states. 

]]> 2022-08-22 02:30:09 UTC https://padlet.com/yanafidan1/plvanlqhi8jtiw1n/wish/2266886673 yanafidan1 https://padlet.com/yanafidan1/plvanlqhi8jtiw1n/wish/2266890926 This film is situated in a field of supremely unique non-linear storytelling. This is the cyclic and repeating journey into the young American drug dealer's past, present, and future. Oscar is desperately using pieces of his memories to make sense of his existence before he takes his last breath. ]]> 2022-08-22 02:34:32 UTC https://padlet.com/yanafidan1/plvanlqhi8jtiw1n/wish/2266890926 yanafidan1 https://padlet.com/yanafidan1/plvanlqhi8jtiw1n/wish/2266896641 The mirror is a reflection of thoughts. It is conveyed in a surreal tone, where the plot suddenly shifts to a dream sequence, and some characters suddenly appear from nowhere and disappear when their job is done. The dream sequence take a paradigm shift indicating the distinct bitter quality of reality. ]]> 2022-08-22 02:41:22 UTC https://padlet.com/yanafidan1/plvanlqhi8jtiw1n/wish/2266896641