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      <title>Reflective log by Joy Huang</title>
      <link>https://padlet.com/k2250570/pdwvaed7pj0r1nw7</link>
      <description>Course: Business and the art market </description>
      <language>en-us</language>
      <pubDate>2023-04-05 10:39:27 UTC</pubDate>
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         <title>Art advisor -  Julia Bells                                                           Lecturer: Julia Bells</title>
         <author>k2250570</author>
         <link>https://padlet.com/k2250570/pdwvaed7pj0r1nw7/wish/2544868782</link>
         <description><![CDATA[<div>Advice for an art advisor <br>- the best is not to be involved in art sales<br>- supports the development of clients' collections<br>- offers collection management services<br>- offers a broad understanding of art<br>e.g. Uk registrars group (UKRG) is a non-profit association<br>provides independent advice to clients which provides a <strong>forum</strong> for exchanging ideas and expertise between registrars, collection managers, and other museum professionals.<br><br>a good advisor...<br>- acts independently<br>- works on the behalf of the client<br>- makes their fee structure transparent<br>- does not take the commission from both sides of the sale<br>acts with discretion<br>- does not hold stock<br>- guides but does not advise (you can only give out advice when registered in FSA rules)<br>- ensures that all aspects of the transaction are legal and are in the best interests of the client during the entire process. (A cradle-to-grave service)<br><br>a bad one...<br>- works in their own best interest<br>- appears in a rising market<br>- tends to only oversee the transaction<br>examples of a bad advisory transaction <br>e.g. advisor charges the client 10% of the sale price and makes 20% off the sale.<br>illegal: <strong>does not turn clients through AML checks if work is likely to be over the threshold or outline how fees work. Anyone involved in the art sale would need to be registered, register the company, and system yearly.<br>e.g. interior designer to buy artwork for installation</strong><br><br>The difference between advisory and dealing is that advisors tend to not hold inventory, however, it is not illegal. The importance is to clarify the client should have a full overview of the process and transaction.<br><br>Actually, there are no regulations for art advisors that exist in either the UK or the USA.<br>APAA: Association of art advisors - the US, act independently, could register in the UK.<br>ADAA:&nbsp; Art dealers association of America<br>AWAD: a mixture of dealers, and advisors; sharing professional intelligence.<br><strong>AML: anti-money laundering legislation<br>PAIAM: all advisory in the art market, advisors aren't allowed to join, it's specifically for finance people.<br><br></strong>Technically speaking, an art advisor is not an appraiser, an art appraiser examines paintings, sculptures, and antiques to determine their market value by identifying the creators and the quality of the art objects.<strong><br> <br></strong>Case studies to look into:<strong><br></strong>SFA Advisory: known as Leonardo DiCaprio's art advisor<strong><br></strong>FBA Art Consulting: Federica<br>Megan Fox Kelly advisory</div>]]></description>
         <enclosure url="https://www.sfa-advisory.com/attachment/en/5d431e8cd81b37941f8b4567/News/641b181d612167d731086338" />
         <pubDate>2023-04-05 10:54:08 UTC</pubDate>
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         <title>Auction House - Bonhams                                                                      21th of Feb                                                          Lecturer: India Phillips          </title>
         <author>k2250570</author>
         <link>https://padlet.com/k2250570/pdwvaed7pj0r1nw7/wish/2544889727</link>
         <description><![CDATA[<div><strong>Introduction of Bonhams </strong>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;<br>- the number of departments: 14 salerooms around the world, with 34 offices and 61 departments<br>- International locations: London, New York, Los Angeles, and Hong Kong<br>- key performance: fine art and antiques, motor cars, and jewellery; particular growth in our digital activity; annual turnover of more than $1bn (£840m) in 2022<br><br>About Private equity firm:<br>2022 transformative, business model changed rapidly -&gt; digital activity, acquired two auction houses: Scandinavian firm Bukowskis in January, followed by US auction house Skinner and Danish saleroom Bruun Rasmussen<br><br>Bonhams' strategy: the world's local auction house<br>low-end model: 1000-3000 pounds- weekly sells<br>more digital engagement<br>Difficulties: <br>- Brexit-&gt; How to keep the emerging market in Paris stabilised.<br>- maintain client network<br>- 350 staff in the UK: New Bond Street, Edinburgh, and Knightsbridge<br>- localisation: <strong>local valuations</strong> <br>- offers graduating programs<br><br>Experiences from Bachelor's studies in History of Art at Cambridge University<br>favorite aspect: seeing objects in person in Cambridge<br>museum internship, slow-paced, and on-site valuation<br><br>Experience Christie's auction internship: <br>- how engaged people are, depth of knowledge, knowledge on-site overtaking academic knowledge.<br>- needs to work hard: specialise in impressionist &amp; modern which boomed in 2011-2014<br>- Manager training at Christie's is helpful<br><br>More entrepreneurship: Bonhams<br>smaller but more interesting<br>under-dog spirit<br>less rigid<br>stepping out of the comfort zone<br>specialist -&gt; manager<br><br>Perspectives of future holds: 1/3 of collectors are millennials<br><strong>digital art</strong>: interesting, new media<br><br>Questions after the talk<br>Q: How did Bonhams profit from the expenses of the price point and cost of operating from shifting to selling lower-priced works?<br><br>Q: How do Bonhams differentiate from eBay? <br>A: Still, that sense of selectiveness makes the distinction<br>Bonhams educational graduate program has to be regulated, needs a huge undertaking process, and needs more active partnerships.<br><br>Q: Is there a geographical shift from&nbsp; Bonhams being so British having widely spread in the world?<br>A: Hoping for more women, mixed senior leadership.<br><br>Q: Being a presence at a female executive level, what's the challenge?<br>A: Experience is valuable.<br> <br>Q: What's the difference between the client base in different category segments?<br>A: Varied, co-exist but interact, and the most important is <strong>cross-marketing.</strong><br><br>Q: What's the difference between Bonhams and Christie's?<br>A: More approachable compared to Christie's.</div>]]></description>
         <enclosure url="https://news.artnet.com/market/bonhams-auction-house-epiris-sale-1-billion-2252323" />
         <pubDate>2023-04-05 11:25:28 UTC</pubDate>
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         <title>Art as an investment                                                14th of March                                                           Lecturer: Julia Bells </title>
         <author>k2250570</author>
         <link>https://padlet.com/k2250570/pdwvaed7pj0r1nw7/wish/2544897851</link>
         <description><![CDATA[<div>passion investments: 10% of overall wealth investment<br>often considered high risk but its more than about the financial return<br>diversification of investments<br><br>speculative investments<br>trying to make money by speculating on a rising market<br>ppl looking to exploit an unregulated market<br><br>don't buy at auction and flip in five years<br><br>investing in art requires patience and time: shorter holding periods show mixed results, with 3 out of 7 lots held for less than 7 years selling below their original auction price.<br><br>flipping art: refer to "wet painting" - didn't finish painting then went to selling<br>e.g. Jadé Fadojutimi, Flora Yukhnovich, and Mathew Wong<br>flipping can lead to sellers being blacklisted by artists and galleries as it is detrimental to artists' career<br>overpriced - bubble<br>As art advisors, need to avoid <br><br>fractional ownership - be blue-chip artists, solid art<br>1. British Rail Pension Fund<br>2. the fine art fund - charge for a purchase fee, investment fee and others<br><br>How did <strong>the artist's pension</strong> trust go wrong?<br><br>The cycle of fractional ownership:<br>the demand for impressionists from Chinese collectors boosted the growth of the Chinese art market, in the meantime, heavy policy and development of institutions in China <br><br>2017-2018 the rise of cryptocurrency - Fractional ownership cycle 2<br>Singapore-based Maecenas<br>2018, Masterworks launched the first SEC-regulated (Securities and Exchange Commission) in the US (UK: FCA) fractional ownership product with Warhol<br><strong>"gmail art advisors" - e.g. Maddox gallery https://news.artnet.com/news-pro/gmail-art-advisors-art-detective-2248280<br>https://www.artsy.net/article/artsy-editorial-charting-art-advisers-rise-art<br><br></strong>fine art financing<br>bailor - bailee<br><strong>commercial galleries own stock by their artists: when emerging artists turn to the mega gallery, as a red-chip galleries, you could buy artwork beforehand as an investment<br><br>the benefit of art financing - has become a more sophisticated for collectors to reduce cost<br>you could use it to purchase or bridge financing&nbsp; </strong><br><br>but an art loan is risky!<br>https://www.theartnewspaper.com/2022/05/24/inigo-philbrick-sentenced-to-seven-years-in-prison<br><br>art financing companies:<br>Athena art finance<br>TPC art finance<br>JP Morgan private bank<br>bank of America<br><br>In summary, I should...<br>look into my business plan<br>https://www.amazon.co.uk/T-Shirts-Suits-Guide-Business-Creativity/dp/B01FWPK9SA/ref=tmm_aud_swatch_0?_encoding=UTF8&amp;qid=&amp;sr=<br>no need for too many waffles<br>how what when who's involved<br>keep it simple!<br>no more than 15p</div>]]></description>
         <enclosure url="https://news.artnet.com/news-pro/gmail-art-advisors-art-detective-2248280" />
         <pubDate>2023-04-05 11:37:12 UTC</pubDate>
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         <title>Understanding business environments: SWOT and PESTLE analysis                                                         7th of March                                                                          Lecturer: Cristina Iodice</title>
         <author>k2250570</author>
         <link>https://padlet.com/k2250570/pdwvaed7pj0r1nw7/wish/2544947905</link>
         <description><![CDATA[<div>SWOT: strengths, weaknesses, opportunities, and threats<br>Why do managers carry out situation analysis?<br>- understand the state of a business<br>- to understand events that affect business and consumers<br>- to kook for growth opportunities<br>- examine current and potential customers<br>- examine the business from internal and external perspectives<br><br>unpredictable events which can affect businesses &amp; consumers: natural disasters, global pandemics, wars: costs of utility devices rose, economic recessions/ cost of living crisis<br><br>Different types of situation analysis:<br><strong>Macroenvironment</strong><br>- economy<br>- government<br>- law<br>- technology<br><br><strong>SWOT analysis</strong><br>- external threats<br>- eternal opportunities<br>- internal strengths<br>- internal weakness<br><br><strong>Market analysis</strong><br>- market size<br>- market trend<br>- market profitability<br>- distribution channels<br><br><strong>Consumer analysis</strong><br>- the size of the market<br>- demographics<br>- buying expectations<br>- buying motivations<br><br>Situation analysis tools<br>the situation analysis can include several different tools:<br>- SWOT<br>- PESTLE (Political, Economic, Sociological, Technological, Legal, and Environmental)<br>- Porter's forces<br>- 5c analysis (company, customer, competitors, collaborators, climate)<br><br>Micro-environment<br>factors include: competitors, customers, distributors channels<br><br><strong>Can we control everything? SWOT case studies</strong><br>1. Take Levi's, a fashion brand as an example<br>Macro-environment (CIA the world factbook in every country)<br>includes: trends in the gross domestic product (GDP), inflation, employment, spending, and monetary and fiscal policy<br><br>2. Take Christie's, an auction house model as an example<br>1.7 billion: 2 evening auction sales: 20~21th century and surreal art, most artists reached their highest sales records<br><br>P: policy, tax, law - stable<br>E: inflation rate, consumer disposable income level, household debt level, and level of efficiency of local financial markets matter - stable<br>S: population growth rate, age, and lifestyle - stable<br>T: technology incentives, level of innovation, and R&amp;D activity - stable, because online bidders are very active<br>E: environmental policies - Global Climate Coalition (GCC)<br>L: laws and copyright e.g. post-sale/ after-sale<br><br>Why are PESTEL and SWOT important business analysis tools?<br>PEST chart vs SWOT analysis<br>Strengths----------------political<br>weakness ---------------economic<br>opportunities -----------social<br>threats ----------------- technological</div>]]></description>
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         <pubDate>2023-04-05 12:37:42 UTC</pubDate>
         <guid>https://padlet.com/k2250570/pdwvaed7pj0r1nw7/wish/2544947905</guid>
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         <title>Financial management: responsible trading                14 of March                                                        Lecturer: Cristina Iodice </title>
         <author>k2250570</author>
         <link>https://padlet.com/k2250570/pdwvaed7pj0r1nw7/wish/2545004215</link>
         <description><![CDATA[<div>Financial statements: why are <strong>financial statements</strong> important?<br>- Understanding the company's health.<br>- standardised view.<br>- can compare companies.<br>- help track a company's performance.<br>- determines if a company is eligible for a loan.<br>- permits shareholders, managers, and investors to make informed future business decisions.<br><br>financial statements we will be covering<br>income (revenue) statement/profit &amp; loss statement<br>balance sheet<br>cash flow plan<br><br>&lt;key financial terms&gt;<br><strong>revenues<br>profit<br>net profit<br>bottom line <br>assets: what I own<br>liabilities: risk <br>expense<br>equity<br>stock: finish product<br>inventory</strong><br><br>income (revenue) statement/profit &amp; loss statement<br>focuses during a <strong>particular period month, quarter, or a year<br></strong>investors look at - increase sales/net and/or decrease cost/expenses<br>revenue - expenses = profit or loss<br>revenue can be generated from product sales (selling a physical good) and service rendered (selling a service)&nbsp;<br>expenses: direct cost: service business - the cost of service, product: cost of goods sold<br>indirect cost: fixed costs e.g. rent, salaries, and insurance expenses - have no correlation with the sales made<br><br>balance sheet: doesn't change</div>]]></description>
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         <pubDate>2023-04-05 13:29:05 UTC</pubDate>
         <guid>https://padlet.com/k2250570/pdwvaed7pj0r1nw7/wish/2545004215</guid>
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         <title>The Art of evaluating objects                                   7th of March                                                             Lecturer: Lynda McLeod, Christie&#39;s Provenance Department            </title>
         <author>k2250570</author>
         <link>https://padlet.com/k2250570/pdwvaed7pj0r1nw7/wish/2545036300</link>
         <description><![CDATA[<div>A good specialist should have a <strong>killer instinct!</strong><br>What's the killer instinct of a <strong>provenance specialist</strong>?<br>1. materials<br>2. the five senses come into play: all senses are engaged/ assaulted<br>3. How do you place a value on an object?<br>4. connoisseurship (the intangible arena) <br>e.g. the combination of expertise, knowledge, research, reading, provenance, and market value.<br>Case studies: Bernard Berenson and Duveen - the eye<br>5. Provenance/ resources/ sources case study: Summer palace<br>6. cataloguing objects: hilling<br>Attributions: artist name in caps - full authorship<br><br>Catalguing ways - <br>fine arts:<br>Decorative arts:<br>Christie's extends a warranty to the buyer that the work is by the author or the time: period identified in<br>upper case type heading: this warranty lasts for five years<br><br>Once consigned: other avenues of research<br>e.g. Salvator Mundi<br>- need a cleaning?<br>- need restoring?<br>- need pentimenti?<br>- need to be looked at under a microscope?<br><br>7. changes in taste - circumstances above and beyond all of the above considerations (including the global pandemic)<br>8. Art as a commodity: investment<br>looking backward: Post-War and Contemporary Art Bubble<em><br></em>9. other considerations<br>ownership<br>cover page lot?<br>marketing material?<br>single owner sale<br>privately?<br>Thomas Patrick Keating: forger<br>proposal document<br>guarantees<br><br>In summary, I should...look into:<br><strong>GDPR</strong><br><strong>e-catalogues<br></strong><br>Q1: In terms of blockchain, will the way of keeping the way of ownership affect it?<br>A1: good thing<br>Q2: Does Christie's sell anything off the sales online?<br>A2: If the lot doesn't sell, yes!</div>]]></description>
         <enclosure url="https://www.christies.com/features/a-storied-history-provenance-in-the-getty-collection-12451-7.aspx" />
         <pubDate>2023-04-05 13:56:00 UTC</pubDate>
         <guid>https://padlet.com/k2250570/pdwvaed7pj0r1nw7/wish/2545036300</guid>
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         <title>The next five years... An art advisor</title>
         <author>k2250570</author>
         <link>https://padlet.com/k2250570/pdwvaed7pj0r1nw7/wish/2545104594</link>
         <description><![CDATA[<div>In order to promote introduce Asian collectors to the UK, I intend to launch my company in London as an art advisor. I will offer each client individualised support in order to increase each artist's distinctiveness and visibility. My assistance will be in creating publicity, preserving the caliber of the job, and boosting revenues.<br><br><strong>Services</strong></div><div>Our primary source of differentiation is our proficiency in related disciplines, such as academic art history and financial strategy, which enables us to provide our clients with a comprehensive approach to art consulting. We firmly believe that the best way to manage a collection is to be totally dedicated to it, which is why we provide our clients with services in the following areas.<br><br>Collection establishment</div><ul><li>Advice on buying and selling both privately and at auction sales.</li><li>Representation at auctions and private deal negotiations.</li><li>Analysis and research of the art market to help wise selections.</li><li>Authentication, attribution, and due diligence are all necessary to prevent costly errors.</li></ul><div><br>Planning for finances</div><ul><li>Disposal of a collection.</li><li>Preparation for taxes and estates to enable effective, long-term solutions.</li><li>Advising on gifts to the arts is known as art philanthropy.</li><li>Private art investment funds balance risks in alternative portfolios while incorporating art into a larger wealth strategy.</li><li>Suggestions for a plan for art lending.</li></ul><div><br>Collection administration</div><ul><li>Management, creation, improvement, and curation of collections.</li><li>Organising collection operations with top-tier art service providers for transportation, storage, framing, restoration, and installation.</li><li>Valuations for both insurance and fair market use.</li></ul><div><br>Adaptable fees<br>To reduce the opaque and unregulated dynamics of the art market and to provide knowledgeable, objective advice that prioritises the client's needs, an independent intermediary is necessary.<br><br>Our pricing system is individualised and open. The fees are discussed in the first meeting and can vary depending on the client's brief.&nbsp;</div>]]></description>
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         <pubDate>2023-04-05 14:50:34 UTC</pubDate>
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         <title>Business Knowledge</title>
         <author>k2250570</author>
         <link>https://padlet.com/k2250570/pdwvaed7pj0r1nw7/wish/2546652032</link>
         <description><![CDATA[]]></description>
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         <pubDate>2023-04-06 21:49:16 UTC</pubDate>
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         <title>Business and the art market</title>
         <author>k2250570</author>
         <link>https://padlet.com/k2250570/pdwvaed7pj0r1nw7/wish/2546655849</link>
         <description><![CDATA[]]></description>
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         <pubDate>2023-04-06 22:01:24 UTC</pubDate>
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         <title>Gallery - Luxembourg + Co.                                             Lecturer: Alma Luxembourg</title>
         <author>k2250570</author>
         <link>https://padlet.com/k2250570/pdwvaed7pj0r1nw7/wish/2546661659</link>
         <description><![CDATA[<div>About Luxembourg + Co.:<br>A dynamic leader who offers a proven background in gallery operations, high-value sales, consulting, client relationships, management, and new business development. I have contributed talent in due diligence, certification, art fair development, and management. This is while showcasing an ability to see the "big picture" within evolving art and financial markets.<strong><br></strong>Core: museum-quality exhibitions, secondary market: academic research, <strong>early</strong> artworks evaluation- early artworks from artists that became famous later.<br>representative artists: 1920s René Magritte, lberto Giacometti, Pino Pascali<br><br>- Sustain itself without scheduled exhibitions <strong>but with a commercial sense, the tendency of collector interest in the secondary market, art fair opens the opportunity for sales<br></strong>people tend to buy more "collectible" value works of certain artists.<br>- Highlight the importance of works, more value, not against commercial value, lack of knowledge of the value of early works<br><br>Q: What is the typical workday like?<br>A: Tiny team, a lot of projects, and collaborative works<br>Q: How far do you let the artist's opinions affect the exhibition?<br>A: It's flexible, with no set of patterns, depending on the artist's will.<br>Q: How do you deal with the bad press with the exhibition Lost in Italy?<br>We did a lot of things to ensure: offended the tailors on the road with the statement about the death of the pandemic situation, didn't receive bad publicity from the public, were aware of the reaction then moved inside the gallery, did a case study.<br><br>As an international team, dynamic team - language skills are needed.<br>Candidate requirements: <br>1. dynamic personality to do everything quickly, eternal rigor to stand the ground- certain confidence 2. flexibility, ability to do <strong>everything because it's a small team.</strong><br><br>Julia Henderson: owner of Draw recruitment/ HR background<br>before, focused on the auction side of the art world<br>UK-based, seldom US trips<br>1. not everyone will be a curator<br>2. not everyone will work in a museum, gallery, and auction house<br>3. There are jobs outside Mayfair! <br>- great regional auction houses are often out of town<br>- short train journey<br>- big international networks<br><strong>Case Studies:</strong><br>1. director of sales(SaaS/e-commerce)<br>2. studio manager<br>3. business director-auction<br><br>Skills in demand:<br>- multitasking<br>- problem solver<br>- positive team influence<br>- organisational skills<br>- detail-oriented<br>- interpersonal and communication skills<br>- flexibility<br><br>Q: If I have no contacts, how do I start? <br>A: Start <strong>a contact book</strong> today, and build a network.<br><br>In summary:<br>- keep an open mind<br>- do your research<br>- focus on skills in building skills<br>- start a contact book<br>get social ready ... employers look online! <br>e.g. <strong>LinkedIn profile</strong></div>]]></description>
         <enclosure url="https://luxembourgco.com/gallery/" />
         <pubDate>2023-04-06 22:20:02 UTC</pubDate>
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         <title>Enterprise and Innovation II: Business World and the art world                                                               17th of Jan                                                                              Lecturer: Martina Batovic</title>
         <author>k2250570</author>
         <link>https://padlet.com/k2250570/pdwvaed7pj0r1nw7/wish/2546665451</link>
         <description><![CDATA[<div>Enterprise and innovation<br>global business environment: Understanding global context and behavior is crucial<br>data and digital in Business: data capture<br>interest meeting in auction houses<br>GDPR General Data Protection Regulation: protects data in Europe areas<br>service mindset and business relationships<br>Sotheby's preferred- for private members<br>later on, specialists left and set up The Cultivist<br><br>Business design thinking in creative business<br>methods: thinking creatively refer to different situations<br><br>unlocking business value <br>KPI- key performance indicator<br>how to measure success<br>auction houses- the hammer price <br>no need to be numbers<br><br>developing effective marketing programmes: who you are as a brand<br><br>sustainable and responsible management<br>gallery climate regulation (GCC): reduce the environmental cost <br><br>leadership and transformation<br>recommend reading: Harvard business<br><strong>what makes a good leader? <br></strong>The ABCs of leadership: you must be an <strong>architect</strong>, a <strong>bridger</strong>, and a <strong>catalyst<br></strong>A: Architect - Build your company’s culture and capabilities for innovation.<br>B: Bridger - Forge partnerships outside your organization.<br>C: Catalyst - Accelerate co-creation across the entire ecosystem. <strong><br></strong>Moreover...<br>- a leader who can <strong>set the tone</strong><br>- advise in a '<strong>sandwich way</strong>': negative feedback between two positive ones (positive-negative-positive), easing the blow of the critique<br><br>entrepreneurship<br>tips: fake it until you make it!<br>e.g. an art tour mentor<br><br>global business environments:<br>Data and digital in Business<br><br>In summary, I have to think thoroughly about my business plan...</div><div>• Global Business Environments</div><div>&nbsp;– <strong>internationality of business</strong></div><div>• Data and Digital in Business</div><div>&nbsp;– <strong>value, importance and protection of data</strong></div><div>• Service Mindset and Business Relationships</div><div>&nbsp;– <strong>how will my offering service address my clients?</strong></div><div>• Business Design Thinking</div><div>&nbsp;– <strong>how will I frame and push my big ideas into life?</strong></div><div>• Unlocking Business Value</div><div>&nbsp;– <strong>what are my KPIs?</strong></div><div>• Developing Effective Marketing Programmes</div><div>&nbsp;– <strong>what effect will marketing have on my business?</strong></div><div>• Sustainable and Responsible Management</div><div>&nbsp;– <strong>does sustainability play a part in my business?</strong></div><div>• Leadership, Transformation, and Complexity</div><div>&nbsp;– <strong>what kind of leader am I?</strong></div><div>• Entrepreneurship</div><div>&nbsp;- <strong>what does it take to be an entrepreneur? what makes me one? how can I gradually become one?</strong></div>]]></description>
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         <pubDate>2023-04-06 22:33:27 UTC</pubDate>
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         <title>Economics in the art world II: emerging galleries / mid-size galleries / mega galleries                                               31st of Jan  Lecturer: Julia Bells                                           </title>
         <author>k2250570</author>
         <link>https://padlet.com/k2250570/pdwvaed7pj0r1nw7/wish/2546668794</link>
         <description><![CDATA[<div>economics in the art world: established artists vs emerging artists<br>recommend: diary of a CEO podcast with Steven Bartlett<br>The NewBridge Project: an artist-led space that supports artists, curators, and communities through the provision of space for creative practice, curatorial opportunities, and an ambitious artist-led programme of exhibitions, commissions, artist development, and events.<br>if you're an artist: find opportunities<br>public exhibitions- solo and group shows<br>residency programmes<br><strong>commercial gallery opportunities: popular</strong><br>professional development networks or programmes<br>commissioning opportunities<br><strong>sales platforms: less popular</strong><br>artist opportunities<br>teaching<br><br>emerging artists: building an online profile<br>Instagram. Facebook. website. Twitter. Tiktok. reels<br><br>the artist and gallery relationship<br>artist representation<br>shared representation or sole representation<br>Representation means:<br>share of sales (up to 60% in some instances, but mostly 50%)<br>development of a career:<br>sales- gallery/art fair<br>institutional profiling<br>critical review <br>collector support<br>(not fair) artists not getting paid, but couldn't afford to leave the gallery<br>(savy) gallery representatives and own studios at the same time<br>commercial art market: London. New York. Paris. Hong Kong<br>London (The Modern Institute Glasgow)<br>very little commercial activity outside of London- for artists, it's hard to be seen outside of London<br><strong>Germany</strong> has a small but dense collector traditional base<br>Joy Labinjo Nigerian artist<br><br></div><div>Alternative options for income<br>-online sales<br>-art selling platforms: Matthew Burrows <a href="https://artistsupportpledge.com/">Artist Support Pledge</a> post instagram, set own price, ex: 10 works sold you use the money of the 10th sale to buy another artist's work/circle<br>-temporary selling exhibitions: sometimes Christmas sales for young artists are 35% institution, 65% artist/ good deal<br>-rental income: open studios,&nbsp;<br>-artist-led fairs/ marketplaces<br>-licensing-Clay Biller sculptor Yorkshire<br>-working with art advisors<br>-working alongside professional industries: Architects/ Designers ex: public commissioning art: Angel of the North</div><div>rebalancing of human power:<br>growth of the mega artist<br>building of an empire<br>ex: Antony Gormley, Yinka Shonibare, Damien Hirst, Tracey Emin, Yayoi Kusama, Daniel Arsham<br>Alternative economics<br><strong>artist agency representatives</strong><br>a similar model to an entertainment agency<br>MTART agency<br>commercial entities: licensing<br>Yayoi Kusama<br>Daniel Arsham<br>Dan Holdsworth</div>]]></description>
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         <pubDate>2023-04-06 22:45:42 UTC</pubDate>
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      <item>
         <title>Business models in the art market</title>
         <author>k2250570</author>
         <link>https://padlet.com/k2250570/pdwvaed7pj0r1nw7/wish/2546673444</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2023-04-06 22:57:52 UTC</pubDate>
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      <item>
         <title>Organisational Behaviour: How to Build A Business                                                                         7th of Feb                                                                              Lecturer: Cristina Iodice</title>
         <author>k2250570</author>
         <link>https://padlet.com/k2250570/pdwvaed7pj0r1nw7/wish/2546673667</link>
         <description><![CDATA[<div>SWOT (Strengths, Weaknesses, Opportunities, and Threats)<br>PESTEL: Political, Economic, Social, Technological, Legal, and Environmental<br>organisational behaviour:<br>technology's impact on organisational behaviour:<br>-transition from a traditional to the modern organisation<br>-creates a flat organisation<br>-allows global hiring (close skills gaps)<br>leads to:<br>-improved communication<br>-effective decision making<br>-employee empowerment at all levels<br><br>social trends today:<br>the great resignment<br>the 4-day working week<br>quiet quitting<br>work-life balance<br>DEI (Diversity, Equity, Inclusion)<br>recommendation: John ppl unwilling to work in the way before Eminem <br>Internal factors SWOT(Strengths, Weaknesses, Opportunities, and Threats) <strong>from employer<br></strong>Micro-economics/internal factors<br>managerial changes (new managers, new ideas, objectives, skills)<br>demographic(diversity)<br>abilities &amp; skills(skills in line with job requirements)<br>nature of the workforce (multiple generations working in the same organisation)<br>traditional organisational structure- hierarchical <br>vs new organisations<br><br><strong>Case study:</strong><br>The organisation of the future according to <strong>Jacob Morgan</strong><br>New C-suite roles transforming business (new jobs)<br>- chief sustainability officer<br>- chief meta-verse officer<br>- chief information officer<br>- chief automation officer<br>- chief trust officer<br><br>What your organisational structure says about your business<br>your business model?<br>Which industry do you operate with?<br>What are your short&amp; long-term goals?<br>What is the blueprint of your organisation?<br>How to build a successful business:<br>good business plan: all elements-&gt; models: PESTEL, marketing mix, product, price point, study customer, marketing strategies(4Ps &amp; 7Ps)</div>]]></description>
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         <pubDate>2023-04-06 22:58:43 UTC</pubDate>
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         <title>Careers in the art world                                                       7th of Feb                                                            Lecturer: Julia Henderson - Owner/Director of DRAW recruitment (Arts Jobs Recruitment Specialists)                     </title>
         <author>k2250570</author>
         <link>https://padlet.com/k2250570/pdwvaed7pj0r1nw7/wish/2547104259</link>
         <description><![CDATA[<div>1. Not everyone will be a curator<br>2. Not every one will work in a museum, gallery, and auction house<br>3. There are jobs outside Mayfair!<br><br>Case studies - with an Art Business background like me!<br>1. Director of sales (SaaS/e-commerce)<br>2. Studio Manager <br>3. Business Director - auction<br><br>Skills in demand...<br><strong>Person specification</strong></div><ul><li>multitasking</li><li>problem solver</li><li>positive team influence</li><li>organisational skills</li><li>detail-oriented</li><li>interpersonal and communication skills</li><li>flexibility</li></ul><div><strong>Practical skills/ qualifications</strong></div><ul><li>strong admin skills</li><li>genuine interest and demonstrable knowledge of antiques and collectibles/ fine art</li><li>tech savvy/ e-commerce/ platforms/ design</li><li>sound art historical or art buisness background</li><li>numeracy</li><li>foreign language</li></ul><div><br>4. Where to look?<br>network/alumni<br>online industry groups<br>agencies<br>job sites<br>aggregators<br>social media - <strong>LinkedIn<br></strong>newspapers<br>industry specialist papers/websites<br>company websites<br>5. contacts are key - start my network today!<br><br>In summary, I should...</div><ul><li>Keep an open mind about where my career in the arts may lead, and be flexible!</li><li>Do my research/ know the market/ hone business acumen</li><li>start networking!</li></ul>]]></description>
         <enclosure url="https://www.drawrecruitment.com/art/working-in-the-arts-art-tech-special-rebecca-davison-mora/" />
         <pubDate>2023-04-07 10:01:25 UTC</pubDate>
         <guid>https://padlet.com/k2250570/pdwvaed7pj0r1nw7/wish/2547104259</guid>
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      <item>
         <title>My Career Goal </title>
         <author>k2250570</author>
         <link>https://padlet.com/k2250570/pdwvaed7pj0r1nw7/wish/2547104643</link>
         <description><![CDATA[]]></description>
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         <pubDate>2023-04-07 10:02:27 UTC</pubDate>
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