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      <title>Closeness by Dylan McBryde</title>
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      <pubDate>2018-04-09 03:55:53 UTC</pubDate>
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         <title>Find at least one musical example outside of Ratliff’s playlist and justify its inclusion – how does it exemplify this musical concept?</title>
         <author>dylanmcbryde</author>
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         <pubDate>2018-04-09 04:45:22 UTC</pubDate>
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         <title>Examine at least one musical example in Ratliff’s playlist in detail – how does it exemplify this musical concept?</title>
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         <pubDate>2018-04-09 04:45:25 UTC</pubDate>
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         <title>Do you agree with Ratliff’s arguments regarding this musical element? Why or why not? </title>
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         <description><![CDATA[<div>I definitely agree with Ratliff's arguments regarding the musical element of closeness. In music, collaboration can bring about ideas and concepts that could've never been created from the mind of any individual. Having two minds that understand each other on an aesthetic and emotional level can create some of the most iconic and influential pieces of art in the world. On page 174 of the E-book version of "Every Song Ever," Ben Ratliff talks about closeness by referencing "She Loves You" by The Beatles: "They knew its power; they celebrated it, were celebrated for it, could hardly contain it, may have been frightened by it, may have tried to frighten each other with it. They saw the effect on audiences of singing 'ooh' in harmonized falsetto—maybe entrained falsetto—in “She Loves You,” and after 1963 traveled further down that road."</div>]]></description>
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