This work of art was made with steel, aluminum, nails, metal buckets, paint buckets, saucepans, palm branches, dried coconut, twigs, palm tree trunks, wooden panels, burlap, machetes, leather, ropes, sequins, awning, plastic ropes, fabric, trumpet, cymbals, speakers, pins and tape, It is approximately 2 meters long and its main colors are red, brown, orange, white and yellow.

This art piece is based off body art. it was created by a self described anti capitalist flamenco collective "Flo6x8". its a video documentation, with color, sound, and lots of images that create a beautiful canvas filled with expression and feeling. it doesnt have its lenght informed, so i sadly could not inform it here. the main colors are black, white, red and blue. it makes you feel freedom in the most genuine way.

Soube que essa seria a escolhida assim que vi sobre o que se trata. A obra ocupa uma sala e apresenta fotos de mulheres trans na Argentina. A comunidade trans no Brasil ainda é vítima de preconceito diário, nosso país é o país que mais mata mulheres trans e travestis no mundo por quatorze anos seguidos e essa obra é de um impacto indescritível. A pauta é atual, principalmente com as pessoas trans sofrendo e sendo expulsas de casa.

A conscientização é fundamental, e é uma conquista ter uma obra que fala sobre esse assunto dentro de um evento tão grande quanto a bienal de artes e receber esse acervo. Estudos apontam que a expectativa de vida de mulheres trans e travestis é de apenas 35 anos.

The mural have works of the beginning of 20 century till the 90s decade. Is made of letters, pictures, reports and pieces of news that shows the diversity inside of the trans comunity, and also the tragic daily violence. Argentina, just like Brazil, is a trasphobic country. The mural is a invitation for the public to meet the plurality of politican, poweffull chalanging and rebel bodies and hearts of trans woman.

This artwork is a image projected into a thin black fabric in a black room so we can clearly look at its details. the image seems to have a lobster in white in the midle and some thunders or waves passing trought it surrounding the image we can observe about 5 to 6 white clouds fading there is also some texts around the imagine i could only undestand the two top ones i couldn't understand the one underneath the lobster but the intention behind it can be to cause the viewer a strange feeling even a disconfort maybe

The work resembles a caravel approximately 3 to 4 meters high, 5 to 6 meters long and 2 meters wide. Made with pieces of wood of various shapes and designs. The candle has a colorful mermaid with two tails printed on it and inside there are some wooden dolls. At the end there appears to be a man attacking a monster made of wood and he is also attacking the boat, leaving a sword.

São Paulo, Brazil, 1973-2017

A visual artist and teacher, Sidney Amaral has built up a vast artistic output exploring different languages and poetic discourses, with a special focus on everyday objects. Although he has devoted himself intensely to three-dimen- sional sculpture using traditional materials such as marble and bronze, he also does rigorous work in two-dimensional space, with a special emphasis on painting and drawing. Through his poetics, the artist has raised fundamental questions related to identity, broadening perspectives in discussions about the representation of Black men in the Brazilian context at a decisive moment for racial discussions in contemporary Brazilian art.

Two emblematic projects mark his participation in the 35th Bienal. In both, Sidney Amaral raises the question: "who can access speces of privilege? And how?". In the self-portrait O estrangeiro The Foreigner), it is the artist's own body that leads us on a boat that sails in solitude and resilience through the Ciccillo Matarazzo Pavilion, leading us to a critical analysis of the architec- tures of power, institutional structures, and the art system. In the installation) Acesso restrito [Restricted Access), a set of objects sculpted in marble and cast in bronze recreates a scene from the day-to-day life of the workers who perform so-called 'general services in artistic institutions. By resizing the scale, of social and aesthetic values that structure the board of power games, Sidney Amaral takes us on a journey that is far from simple and still urgent in our time.

In this art, i fell what was like pain from those people, that pass trough this suffering. And make we notice tha even If the person don't has bruises, doenst means she is not in pain.

If considered in length, the work is extensive, seeming to be about 5 to 6 meters long. It appears to have been built using wood, ceramics, and likely real bricks, presenting an orange color that shifts towards darker shades to represent an old and destroyed place.

Além disso, quando vi a obra achei muito bonito e diferente, pois o Mickey parecia um mago em uma época bem antiga.

This work of art is a wooden sculpture measuring approximately 60 centimetres, with many details carved into it. The sculpture also has a green fabric hood to symbolize a "magician" from an ancient era.

The work was exposed using a projector that was directed at a piece of fabric in the form of a thin black carpet so that we could observe in detail the elements that were inside the work, also containing some other similar works inside the dark room. In the image we can see that it is a manatee painted white accompanied by some vegetation around it and waves in the background.

The sculpture is made of wood and has a triangular shape. It is approximately 1.65 meters high, 2 meters wide and 1.40 meters deep. The sculpture depicts a boat carrying wooden soldiers and metal plates, which are connected by a metal bar. There are also wooden saws, which suggest violence. At the top of the sculpture is a large vinyl record cone, which appears to be made of metal. The color palette of the sculpture is wood and shades of gray. the sculpture depicts a violent scene of a human foosball

A performer and dancer, Luiz de Abreu came into contact with dance through umbanda. With an academic background in dance, he went through several groups before starting his solo career in the 1990s. His research is based on his own experiences, and extends to the reflection and mapping of stereotypes associated with black body. Since 2019, Abreu has been living with a visual impairment, which adds another layer to his artistic output and causes him to focus on issues of transmitting his knowledge to dancers of younger generations.

For the 35th Bienal, a set of video recordings of his performances expresses the vigor of his trajectory by demarcating the breadth of content and languages used by the artist. A highlight is O samba do crioulo doido, a performance that is being presented again in Brazil after a four-year hiatus, during which the work was canceled in various places due to political tensions and the hostile and conservative climate that prevailed in the country. The Film Samba do crioulo doido, Ruler and Compas presents the process of transmission of the choreography between Luiz de Abreu and the performer Calixto Neto. The performance, now organized by the two artists, is part of the public program of the choreographies of the impossible.

the work is medium/small in size, its most prominent colors are green, brown and yellow, the work is made of oil paint and is a very colorful painting and represents human actions in relation to nature and mainly trees, causing deforestation in our country planet

This work was made with wire, sequins, glitter and paint .

The predominant colors are pink and yellow .

For me , the work looks like a lot of neurons.

Below that pile of wire , there was a carpet made with small stone and glitter . The yellow lights giving color to the the pink color to the wires , gave a nice contrast . My conclusion is that the life way is beautiful , but hurts too. That carpet was beautiful, but I think it hurts if you step in that .

The work was the size of a large room. It’s colors were gold, yellow and a little pink. I feel that it would represent a mystical and welcoming place that brings you a haven of peace.

Carmézia Emiliano

Making Hammok

Salting Fish

Buríti Tree at the Cultivated Ground

Clay Pan Festival

The American Couple Legend

Oil on canvas

Collections; Of the artist; Courtesy; Central Galeria, São Paulo.

Esta obra estava bem no começo do bienal, e foi a primeira foto que eu tirei, fiquei encantado pela representação, e a forma que foi construida. Posso ter interpretado de maneira errada, mas da forma que eu entendi parecia estar em guerra com uma "Ilha" ou algo parecido.

A obra me passou um sentimento de guerra, ou luta, que e o que passamos todos os dias, tanto pra ir trabalhar, estudar, entre outras coisas, isso me chamou bastante atenção.

The predominant color would be a lighter brown, and the artwork itself is very detailed, with even traces of a beard. The clothing of each "figure" is quite elaborate, drawing a lot of attention. I think the size would be considered large, and the way it was made seems to be from wood, but they might have just painted it with brown and created wood-like details; it's hard to tell. These are very skillful individuals. The artwork itself seemed to be in conflict with something, but I can't explain what it is. It could be an "island" or a ship, but only by asking the creator will we get an exact answer.

xarope de bordo.

In addition to being a work with a significant intention and meaning, I chose this piece because it is striking and beautiful. As soon as my eyes saw it, it captured my attention - canvases with warm earthy tones, with tapestry, and detailed in black as if they were shadows.

A detailed wooden sculpture resembling Spider-Man, with intricate facial features and a piece of wood simulating Spider-Man's web, where the sculpture hangs upside down.

This piece was made with leftover pieces of fabric and rags, all stitched togheter and ripped

A red shiny crystal from the museum Bienal das artes. I liked the art cause i like crystals i guess…

This photograph ia medium size, have Black and white frame behind. The perdominart color is white from the beaudings and brown from the sand.

The work a of wood, she has big ears, She has with

color predominant black, Big nose and small eyes.

além disso eu achei muito interessante essa pessoas no papel chinês que parece um pipa . "Papalotes de los desaparecidos, 2014" translates to "Kites of the Missing, 2014" in English.

The description of the artwork, "Papel chinês e estrutura de junco com fotografias impressas em madeira gravada a laser (43 peças)," can be translated as "Chinese paper and reed frame with photographs printed on laser-engraved wood (43 pieces)."

Regarding the collection and donation information:

- Collection: Museo Universitario Arte Contemporáneo, MUAC (DiGAV-UNAM), Mexico City

- Gift: Donated by Friends of the Instituto de Artes Gráficas Oaxaca, IAGO