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      <title>2021 Fashion Timeline by Matthew Coats</title>
      <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6</link>
      <description></description>
      <language>en-us</language>
      <pubDate>2021-10-13 07:32:30 UTC</pubDate>
      <lastBuildDate>2023-03-04 08:58:59 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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      <item>
         <title>Gucci SS21 Campaign</title>
         <author>mcoats4</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1813191717</link>
         <description><![CDATA[<div>Gucci x Ken Scott<br><br>Ph. <a href="https://models.com/people/mark-peckmezian">Mark Peckmezian</a></div><div>S. <a href="https://models.com/people/jonathan-kaye">Jonathan Kaye</a> </div><div><br><br></div>]]></description>
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         <pubDate>2021-10-13 07:42:30 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1813191717</guid>
      </item>
      <item>
         <title>Editorial - Prada SS21</title>
         <author>mcoats4</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1813192586</link>
         <description><![CDATA[<div>Wonderland SS21&nbsp;<br>Ph. Bartek Szmigulski<br>S. Kieran Fenney<br><br>First Prada collection by Raf</div>]]></description>
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         <pubDate>2021-10-13 07:42:56 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1813192586</guid>
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      <item>
         <title>Editorial - SS21</title>
         <author>mcoats4</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1813192990</link>
         <description><![CDATA[<div>Wonderland SS21&nbsp;<br>Ph. Pietro Birindelli&nbsp;<br>S. Kieran Fenney</div>]]></description>
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         <pubDate>2021-10-13 07:43:11 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1813192990</guid>
      </item>
      <item>
         <title>July 2021: COUTURE @ Balenciaga</title>
         <author>cahiggins2</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1816387557</link>
         <description><![CDATA[<div>July 2021 :Couture returns to Balenciaga for the first time since Cristobal Balenciaga closed the doors to the House in 1968. Set in a reimagining of the original couture salon with no music and models carrying numbers just as they would have done the last time couture was shown by the house. Luxury interpretations of everyday garments making couture relevant to a new audience? And/Or Questioning what couture means today? Personally, I want it all!!!</div>]]></description>
         <enclosure url="https://youtu.be/SNPnkHdjHvc" />
         <pubDate>2021-10-14 08:16:14 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1816387557</guid>
      </item>
      <item>
         <title>2021: Is this the defining year of Demna @ Balenciaga?</title>
         <author>cahiggins2</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1816399320</link>
         <description><![CDATA[<div>Following the hype around Demna and Kanye, Balenciaga stealing the show at the MET Gala, The house continues to throw questions at the fashion system. What is the relevance and future of "red carpet dressing" Who is fashion for? What do you think about this?</div>]]></description>
         <enclosure url="https://youtu.be/0pOFwvbWRlM" />
         <pubDate>2021-10-14 08:22:26 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1816399320</guid>
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      <item>
         <title>SS22: The Simpsons Premiere @ Balenciaga</title>
         <author>cahiggins2</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1816403320</link>
         <description><![CDATA[<div>LOVE!!!</div>]]></description>
         <enclosure url="https://youtu.be/PZHESOq-Gkw" />
         <pubDate>2021-10-14 08:24:28 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1816403320</guid>
      </item>
      <item>
         <title>Editorial - Yohji Yamamoto SS87</title>
         <author>UOBMattJames</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1838025248</link>
         <description><![CDATA[<div>Surprised by how modern this looks considering nearly 35 years ago. The look overall feels very avant-garde, and the photography sets this apart from the generic 'Polo Ralph Lauren'/'happy family' style of the other ads and editiorials in the same issue.</div>]]></description>
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         <pubDate>2021-10-23 14:13:30 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1838025248</guid>
      </item>
      <item>
         <title>Editorial - Yohji Yamamoto SS87</title>
         <author>UOBMattJames</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1838031075</link>
         <description><![CDATA[<div>Can't help but feel like I'm looking at a 1920s/30s circus owner: feels like this was shot in sepia. The baggy trousers and loose-fitting jacket, with lace ups akimbo pointing outwards, gives him a New York hobo look and feel. </div>]]></description>
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         <pubDate>2021-10-23 14:18:37 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1838031075</guid>
      </item>
      <item>
         <title>Editorial - Yohji Yamamoto SS87</title>
         <author>UOBMattJames</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1838033705</link>
         <description><![CDATA[<div>These looks feel more wearable although the 30s hobo look is still coming through. Again with the checked trousers on the left, feels like something you'd see a patchwork clown wear.</div>]]></description>
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         <pubDate>2021-10-23 14:20:57 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1838033705</guid>
      </item>
      <item>
         <title>Editorial - Yohji Yamamoto SS87</title>
         <author>UOBMattJames</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1838036085</link>
         <description><![CDATA[<div>Love this look. Feels like a 1950s greaser, with the white lapels and t-shirt, and matching white trousers and leather shoues. A bit more sophisticated than the other looks but the baggy pants are a consistant theme here too.</div>]]></description>
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         <pubDate>2021-10-23 14:22:49 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1838036085</guid>
      </item>
      <item>
         <title>Editorial - Yohji Yamamoto SS87</title>
         <author>UOBMattJames</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1838038657</link>
         <description><![CDATA[<div>Loose fit to this suit echoes the hobo look. The cravat and wing tip collar also reaffirms the 1930s influence, like a blackjack dealer on a riverboat.</div>]]></description>
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         <pubDate>2021-10-23 14:25:05 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1838038657</guid>
      </item>
      <item>
         <title>Editorial - Yohji Yamamoto SS87</title>
         <author>UOBMattJames</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1838051602</link>
         <description><![CDATA[<div>This picture in particular feels like this is Yohji's interpretation of tailoring and menswear. While still formal and with a complimentary fit, it feel like this is his own version of silhouette: the trousers are overly baggy and the shirts also. The suspenders are again a theme of the 1930s styling, and I can't help but feel like the flowers are a bit like the water gun flowers clowns wear and spray at you?...</div>]]></description>
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         <pubDate>2021-10-23 14:34:24 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1838051602</guid>
      </item>
      <item>
         <title>Yohji Yamamoto Collection Theme</title>
         <author>UOBMattJames</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1838091251</link>
         <description><![CDATA[<div>In a short essay within her book dedicated to the fashion of Yohji Yamamoto, Ligaya Salazar references "one of Yamamoto's greates sources of inspiration", the images from photographer August Sander. In his collection, "People of the Twentieth Century",&nbsp;Sander exhibit various photographs taken over his 40+ year career. The image entitled "Gypsy" (c. 1930) is featured in Salazar's essay as it represents the vintage and worn style of clothing Yamamoto tries to achieve in his design, as the artist believes that true beauty lies in imperfection.</div>]]></description>
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         <pubDate>2021-10-23 15:08:28 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1838091251</guid>
      </item>
      <item>
         <title>Japanese Fashion Revolution in the 1980s</title>
         <author>UOBMattJames</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1838139535</link>
         <description><![CDATA[<div>The early 1980s marked the arrival of Rei Kawakubo, Issey Miyake and Yohji Yamamoto (also referred to as 'The Big 3') in the Paris fashion world. Their signature style "characterized by monochromatic, asymmetrical and baggy looks" was completely different from clothing at the time.</div>]]></description>
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         <pubDate>2021-10-23 15:47:43 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1838139535</guid>
      </item>
      <item>
         <title>The 80&#39;s Aesthetic</title>
         <author>UOBMattJames</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1838156331</link>
         <description><![CDATA[<div>This is definetly how I perceive the '80's style' - brightly coloured neon and lots of lycra. I can see why the arrival of the big 3 had such an aesthetic impact on fashion, they brought a completely stark contrast.</div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=TCI8lPvr6SM" />
         <pubDate>2021-10-23 16:02:27 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1838156331</guid>
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      <item>
         <title>Karl Lagerfeld for Chanel ss 1994</title>
         <author>ibrien1</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1865017010</link>
         <description><![CDATA[<div>Karl Lagerfeld showed his first haute couture collection under name of chanel in 1983, he incorporated chanel's signature designs into his work. Such as when he introduced what he dubbed ‘the new corset’ to emphasize the waist, as ‘that part of the body looks good when its small’, Lagerfeld said to Vogue, this left him creating a new ‘four-piece suit’.&nbsp;</div>]]></description>
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         <pubDate>2021-11-03 15:22:08 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1865017010</guid>
      </item>
      <item>
         <title>Karl Lagerfeld for Chanel ss 1994</title>
         <author>ibrien1</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1865026060</link>
         <description><![CDATA[<div>The designer also offered up bondage t-shirts with integrated bras worn with oversized wrapper jeans or black Bermuda shorts hung from channel-strapped suspenders, showing elegance with attitude.</div><div>&nbsp;</div>]]></description>
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         <pubDate>2021-11-03 15:23:08 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1865026060</guid>
      </item>
      <item>
         <title>Marc Jacobs’ ss 1993 show for Perry Ellis</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1865091080</link>
         <description><![CDATA[<div>Grunge was popular in the 1990s, thanks to artists such as Nirvana and Sonic Youth, and it influenced not just music but also fashion.<br><br>He dressed models in beanies, layered flannels, cargo trousers, and slip skirts, emulating the clothes made famous by Seattle rock bands who shopped at thrift stores and garage sales to put together their ensembles.<br><br></div>]]></description>
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         <pubDate>2021-11-03 15:39:54 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1865091080</guid>
      </item>
      <item>
         <title>Marc Jacobs’ ss 1993 show for Perry Ellis</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1865107918</link>
         <description><![CDATA[<div>Dr. Martens, combat boots and Converse sneakers were worn by the catwalkers. The usage of such low-priced shoes on the runway challenged perceptions of what belonged in the premium market, predating high-fashion partnerships with comfort and sneaker companies.<br><br></div>]]></description>
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         <pubDate>2021-11-03 15:45:04 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1865107918</guid>
      </item>
      <item>
         <title>Marc Jacobs’ ss 1993 show for Perry Ellis</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1865131031</link>
         <description><![CDATA[<div>Jacobs' defiance of the current quo did not win him many admirers among the fashion elite. Both critics and Jacobs' superiors were unimpressed, and he was sacked.<br><br></div><div>Jacobs told the New York “I had no idea I’d be fired. But it’s still my favourite collection because it marked a time when I went with my instincts against instructions, and I turned out to be right. It came out of a genuine feeling for what I saw on the streets and all around me.”<br><br></div>]]></description>
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         <pubDate>2021-11-03 15:52:30 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1865131031</guid>
      </item>
      <item>
         <title>Raf Simons 2001</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1878246420</link>
         <description><![CDATA[]]></description>
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         <pubDate>2021-11-09 13:38:47 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1878246420</guid>
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      <item>
         <title>Raf Simons and The Antwerp Six</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1878255825</link>
         <description><![CDATA[<div>This article talks about the Antwerp six, with mention to Raf Simons who was influenced and surrounded by their work.</div>]]></description>
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         <pubDate>2021-11-09 13:41:39 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1878255825</guid>
      </item>
      <item>
         <title>Raf Simons &#39;Riot! Riot! Riot!&#39; AW 2001-2002</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1878262007</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.youtube.com/watch?v=oXsQ4NMQ6B8&amp;list=LL&amp;index=1&amp;t=488s" />
         <pubDate>2021-11-09 13:43:23 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1878262007</guid>
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      <item>
         <title>Yohji Yamamoto (Imogen Steele) SS 1994</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1908144957</link>
         <description><![CDATA[<div>SS 1994</div>]]></description>
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         <pubDate>2021-11-23 11:02:33 UTC</pubDate>
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      <item>
         <title>Yohji Yamamoto SS 1994 (Imogen Steele)</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1908146736</link>
         <description><![CDATA[]]></description>
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         <pubDate>2021-11-23 11:03:52 UTC</pubDate>
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      <item>
         <title>Yohji Yamamoto AW 1994 (Imogen Steele) </title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1908148613</link>
         <description><![CDATA[]]></description>
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         <pubDate>2021-11-23 11:05:19 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1908148613</guid>
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      <item>
         <title>The Fashion Landscape: Whites, Vogue 1994 (Imogen Steele)</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1908158511</link>
         <description><![CDATA[]]></description>
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         <pubDate>2021-11-23 11:11:53 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1908158511</guid>
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         <title>The Fashion Landscape: Tailoring &amp; The East, Vogue 1994 (Imogen Steele)</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1908160379</link>
         <description><![CDATA[]]></description>
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         <pubDate>2021-11-23 11:13:15 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1908160379</guid>
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      <item>
         <title></title>
         <author>lkeating21</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1913115236</link>
         <description><![CDATA[<div>i think its really important to have some sense what was happening politicly and socially in a broad way in the uk in the 1980s and the effect that had on the people living through this time.&nbsp;</div>]]></description>
         <enclosure url="https://www.theguardian.com/books/2009/apr/19/1980s-cultural-history" />
         <pubDate>2021-11-25 18:56:51 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1913115236</guid>
      </item>
      <item>
         <title>House of Culture and Beauty </title>
         <author>lkeating21</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1913135582</link>
         <description><![CDATA[<div>this is a great example of the collaboration of the house of beauty and culture with the coat being a Christopher Nemeth and the styling  and embellishments being done by Judy Blame.</div>]]></description>
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         <pubDate>2021-11-25 19:17:21 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1913135582</guid>
      </item>
      <item>
         <title>The Blitz Kids</title>
         <author>lkeating21</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1913144560</link>
         <description><![CDATA[<div>when looking at the HOBAC and Christopher Nemeth its good to look at where they were hanging around and who they were hanging around with this scene was so important in shaping British fashion and it was all very much underground. </div>]]></description>
         <enclosure url="https://youtu.be/hkeM_-wVgWU" />
         <pubDate>2021-11-25 19:27:31 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1913144560</guid>
      </item>
      <item>
         <title></title>
         <author>lkeating21</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1913152297</link>
         <description><![CDATA[<div>this is an add in I-D magazine about aids from 1984 the impact aids had on the queer and underground scene is monumental and it would be hard to look at designers who lived through this with out thinking of the impact aids was having on them. this add also shows how people viewed aids at the time.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1472820903/94ac8bd6399f3725d0f023875c8a3290/image0.jpeg" />
         <pubDate>2021-11-25 19:36:00 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1913152297</guid>
      </item>
      <item>
         <title></title>
         <author>lkeating21</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1913157691</link>
         <description><![CDATA[<div>Christepher Nemeth was a very early deconstructionist and was a massive inspiration to designers like Martin Margiela and rei kawakubo. this piece is seen as one of his earliest woks. he was someone who wanted to be a painter but people showed little interest in his work so he started to make jackets out of his canvas and also old post bags he found on the ground around London and would hand paint them to make coats like this red canvas coat. </div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1472820903/ed04cf028b3ad35d5be79c60ec8f1027/Christopher_Nemeth_Designer_16_Red_Jacket.jpeg" />
         <pubDate>2021-11-25 19:41:29 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1913157691</guid>
      </item>
      <item>
         <title>Azzedine Alaïa (Evie Jennings) 1992</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1917912764</link>
         <description><![CDATA[<div>Found in vogue 1992. Shows a snippet into some of azzedine alaïa’a garments during this time. The skirt and jacket are both his which have a more rocker vibe to them especially with all the other accessories which differentiates from his other garments during this year which were a lot more girly and feminine. </div>]]></description>
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         <pubDate>2021-11-29 13:46:56 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1917912764</guid>
      </item>
      <item>
         <title>Azzedine alaïa (Evie Jennings) 1992</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1917918292</link>
         <description><![CDATA[<div>Found this in Vogue 1992. The bra shown is Azzedine’a garment which I feel reflects a lot more the feminine feel of his garments during this time. </div>]]></description>
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         <pubDate>2021-11-29 13:49:07 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1917918292</guid>
      </item>
      <item>
         <title>Azzedine Alaïa (Evie Jennings) 1992 </title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1917934413</link>
         <description><![CDATA[<div>This was found in Vogue 1992. The whole garment shown here is by Alaïa and it really emphasises his signature details during this time which focused on being more tailored and feminine. His work hugged the figure to create a delicate silhouette and this clearly shows that. </div>]]></description>
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         <pubDate>2021-11-29 13:54:42 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1917934413</guid>
      </item>
      <item>
         <title>Azzedine Alaïa (Evie Jennings) </title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1917955619</link>
         <description><![CDATA[<div>The society around the years of 1991-92 were very much about looking your best, having a slim frame and a pretty face even if this was achieved by surgery or in an unhealthy way. </div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1436220176/48e443b7c1255fa75328072919c481b7/232A5D1B_3F9F_4AEE_906D_AFE5260A878B.jpeg" />
         <pubDate>2021-11-29 14:02:09 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1917955619</guid>
      </item>
      <item>
         <title>Azzedine Alaïa (Evie Jennings) </title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1917963144</link>
         <description><![CDATA[<div>Cindy Crawford was a huge super model during the 90s. She was the ideal woman that most people aspired to look like. She was seen wearing lots of designers garments.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1436220176/663e9c50b0315cc3634719cb221297ff/47FEE121_D59D_48A7_8C6C_177B6A31127D.jpeg" />
         <pubDate>2021-11-29 14:04:48 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1917963144</guid>
      </item>
      <item>
         <title>Martin Margiela SS 2009 Amy Pearson</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1918074775</link>
         <description><![CDATA[<div>Part of his 20th Anniversary show, with rumors of his retirement spreading, this collection represents the brands skills in tailoring. From pointed shoulder pads to body suits and jackets, this show revisited past collections, modernizing previous garments and forms. Faces were covered with stockings and hair to draw further attention onto the clothing.</div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=ZiVH_TK9PBs" />
         <pubDate>2021-11-29 14:42:59 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1918074775</guid>
      </item>
      <item>
         <title>2009 culture Amy Pearson</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1918127038</link>
         <description><![CDATA[<div>With a growing increase in men’s care and wellbeing, there became a growing interest in menswear. From facial scrubs and skincare products to tailored and refined suits, the stereotypical 2009 man was encouraged to wear chequered shirts, scarfs, blazers, rolled up jeans and hats.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/783656425/2b123643da7a911c8cf1028aecbfcca3/315CE077_91E1_42A7_AEC4_188F263AC9EA.jpeg" />
         <pubDate>2021-11-29 15:01:48 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1918127038</guid>
      </item>
      <item>
         <title>2009 Culture Amy Pearson</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1918142339</link>
         <description><![CDATA[<div>Fashion started to become further available online, selling clothes to more global markets such as Japan. ‘The Labyrinths’ is a good example of this, found in a 2009 article. This website was made up of a variety of trends during the time such as collaborating interior designs and prints with fashion.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/783656425/3c82e507e748d599b250a8e6177c22c5/4FE7CD60_A5DB_4461_B9D3_96ACEB7D5180.jpeg" />
         <pubDate>2021-11-29 15:07:28 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1918142339</guid>
      </item>
      <item>
         <title>2009 Culture Amy Pearson</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1918153927</link>
         <description><![CDATA[<div>With a growing interest in tailoring suits, the brand Versilia was largely influential at the time. From linen suits and shirts to cotton pull overs, a ‘sophisticated more casual style’ was developed during the 2000s.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/783656425/e373b07b42f96fa16f0c8ad73b8fe983/6CA7C278_DF40_4F0F_AD71_7B3285AC9FAA.jpeg" />
         <pubDate>2021-11-29 15:11:29 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1918153927</guid>
      </item>
      <item>
         <title>Martin Margiela 2009 Amy Pearson</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1918173916</link>
         <description><![CDATA[<div>Focusing on menswear, this collection is a homage to his aesthetic, using a simple palette of black, stone, moss and tan. The recurring barbed wire motive and stitched letter ‘M’ runs through this collection. </div>]]></description>
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         <pubDate>2021-11-29 15:18:12 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1918173916</guid>
      </item>
      <item>
         <title>Martin Margiela 2009 Amy Pearson </title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1918186220</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/783656425/49cc0ff213f3281dcbe61c7604e7e544/FEB26E47_6971_4002_B0BD_6A1433CF5CE2.jpeg" />
         <pubDate>2021-11-29 15:22:14 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1918186220</guid>
      </item>
      <item>
         <title>Martin Margiela 2009 Amy Pearson</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1918205411</link>
         <description><![CDATA[<div>This collection celebrates Margiela’s 10 years in menswear. It’s important to note his use of accessories throughout his collections. In this case it is the eye-wear, covering the identity of the models, similar to his SS 2019 show in Paris. It is also apparent that in this collection nails were hammered into the heels of boots and shoes, bent into buckles and pendants, showcasing his interest in the finer details and accessories in his brand. </div>]]></description>
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         <pubDate>2021-11-29 15:28:43 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1918205411</guid>
      </item>
      <item>
         <title>Hussain Chalayan ss98-&#39;between&#39;</title>
         <author>emmamarjoram03</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1920287750</link>
         <description><![CDATA[<div>Arguably one of Hussain Chalayan’s most famous pieces of work where he closed his ss98 show with six models wearing Chadors, a traditional style of clothing for Muslim women, with each model getting shorter in length till the last who is completely naked, only wearing a mask. Chalayan recited back to his heritage being Turkish Cypriot and wanted to channel the oppression of Muslim women. Although the audience and press had many different views Chalayan’s means were not to be offensive but “It was supposed to illustrate a particular kind of position. This was about the cultural loss of self.'”</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/620397713/f16cf9b48a526b2d027be92e1f41b822/hc1.png" />
         <pubDate>2021-11-30 13:04:04 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1920287750</guid>
      </item>
      <item>
         <title>Hussain Chalayan aw00-‘before minus now’</title>
         <author>emmamarjoram03</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1920294604</link>
         <description><![CDATA[<div>At the end of his aw00 show a model steps into what seems like a coffee table however it opens up like a telescope made to form a skirt. This is another example of how Chalayan uses cutting techniques as a technical designer to create conceptual clothing out of furniture.&nbsp;</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/620397713/96edbba83f1dca6d9b25ce1d54a10ca5/hc2.png" />
         <pubDate>2021-11-30 13:07:37 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1920294604</guid>
      </item>
      <item>
         <title>Hussain Chalayan ss07-‘one hundred and eleven’</title>
         <author>emmamarjoram03</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1920298337</link>
         <description><![CDATA[<div>“I like technology because it’s the only thing that allows you to do new things,”</div><div>In the 00s technology was becoming bigger and better, Chalayan took this as a strength and incorporated it into his work. In the video you will see live on the catwalk how his garments change in shape and form. Even now in present day the show looks alienate like something from the future, let alone it being made in 2007.&nbsp;</div><div>&nbsp;</div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=tJD2xlVcgRI" />
         <pubDate>2021-11-30 13:09:27 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1920298337</guid>
      </item>
      <item>
         <title></title>
         <author>emmamarjoram03</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1920302866</link>
         <description><![CDATA[<div>In the 90s Britart was on the rise. Britart was an art movement in the 90s, which was formed by young designers making their way in the industry this included Damien Hirst, Tracey Emin, Alexander Mcqueen and lots more. Chalayan was part of this movement especially as in this era he brought out his ss98 with the models in Chadors, which caused disruption in the art and fashion world.</div>]]></description>
         <enclosure url="https://www.itsnicethat.com/articles/artrage-elizabeth-fullerton-brit-art-yba-200516" />
         <pubDate>2021-11-30 13:11:32 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1920302866</guid>
      </item>
      <item>
         <title></title>
         <author>emmamarjoram03</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1920304544</link>
         <description><![CDATA[<div>Britpop was also on the rise as well as Britart. This was another british based music and culture movement that happened in the 90s. From this you can tell that the 90s was a time when art, culture and society was changing and evolving, people were seeing things being created that had never been done before. It was a time for sprouting young artists and designers like Chalayan himself to submerge themselves in the industry.</div>]]></description>
         <enclosure url="https://www.highsnobiety.com/p/britpop-90s-fashion/" />
         <pubDate>2021-11-30 13:12:20 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1920304544</guid>
      </item>
      <item>
         <title></title>
         <author>emmamarjoram03</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1920306505</link>
         <description><![CDATA[<div>Some of the best designers in the world were building a good reputation for themselves. As seen in the britpop movement designers that we know and love today were starting to create their name and brand in the 90s. In this source you can see some of the biggest fashion moments of the 90s.</div>]]></description>
         <enclosure url="https://www.vogue.com/article/marc-jacobs-versace-prada-vogues-25-best-90s-shows" />
         <pubDate>2021-11-30 13:13:13 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1920306505</guid>
      </item>
      <item>
         <title>Spring/summer 2004</title>
         <author>srushtipatel2727</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1920382270</link>
         <description><![CDATA[<div>Carol Christian Poell’s presentations are lauded as some of the most daunting feats ever attempted by a fashion designer. However, there is one that stands in infamy. This spectacle coup took place in Spring/Summer 2004 when Poell invited the public to the Milan Naviglio Grande for his eponymous show titled “Mainstream-Downstream.”&nbsp;</div>]]></description>
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         <pubDate>2021-11-30 13:43:49 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1920382270</guid>
      </item>
      <item>
         <title>ss2004 carol christian poell</title>
         <author>srushtipatel2727</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1920390792</link>
         <description><![CDATA[<div>The presentation served as a metaphor for Poell’s interpretation of the current fashion landscape—one where mainstream fashion uniformly and unconsciously flows in a single direction. Models were sent floating down the Naviglio Grande dressed in full ensembles of rigid leather with injections of blood-red throughout. There was a sense of macabre as models resembled corpses floating aimlessly without any end in sight. In 2004, Poell claimed that “street fashion is [at its] most fresh and interesting.</div>]]></description>
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         <pubDate>2021-11-30 13:47:07 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1920390792</guid>
      </item>
      <item>
         <title>Yohji Yamamoto (Imogen Steele) Fashion Illustration AW 1994</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1920392140</link>
         <description><![CDATA[]]></description>
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         <pubDate>2021-11-30 13:47:36 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1920392140</guid>
      </item>
      <item>
         <title>carol christianpoell spring/summer</title>
         <author>srushtipatel2727</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1920402575</link>
         <description><![CDATA[<div>Stuff that’s already on the street is coming out in collections.” Before the days of Tumblr and blogging, Poell saw a brief glimpse of his contemporaries. During a time where hype and influence began to take over the industry, “Mainstream-Downstream” served to obliterate this lethargy in one grand swoop.</div><div><br></div><div>&nbsp;</div>]]></description>
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         <pubDate>2021-11-30 13:51:15 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1920402575</guid>
      </item>
      <item>
         <title>Ccp ss2004</title>
         <author>srushtipatel2727</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1920430072</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/584180801/ba6f5232104b1f66bb628ca85213ea24/IMG_2376.jpg" />
         <pubDate>2021-11-30 14:01:34 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1920430072</guid>
      </item>
      <item>
         <title></title>
         <author>srushtipatel2727</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1920441474</link>
         <description><![CDATA[<div>Poell perceives dress not as a compliment to the body, but as an annulment of the body. He only considers the human body as a three-dimensional form that serves as a canvas to project his vision. Many of his lookbooks feature models with erased mouth and eyes as to remove their personality from his presentation, finding that “there is not a single type of woman or man that I refer to: I am interested in the body as a volume.” Poell believes the body should not be beautified. In fact, he often questions his work and the usefulness of his career. Still, his presupposition for fashion continues to reign supreme, motivating him to create clothing that serves as a means for self-expression.</div><div><br></div>]]></description>
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         <pubDate>2021-11-30 14:05:51 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1920441474</guid>
      </item>
      <item>
         <title></title>
         <author>srushtipatel2727</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1920456001</link>
         <description><![CDATA[<div>Carol Christian poell- spring/summer2004</div>]]></description>
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         <pubDate>2021-11-30 14:11:02 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1920456001</guid>
      </item>
      <item>
         <title>Yohji Yamamoto SS1994 (Imogen Steele) inspiration from the east</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1920927693</link>
         <description><![CDATA[]]></description>
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         <pubDate>2021-11-30 17:04:34 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1920927693</guid>
      </item>
      <item>
         <title>Judy Blame Punk Icon</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1921161178</link>
         <description><![CDATA[<div>this is some of the jewellery work picture from I-D magazine from the icon jewellery designer and miner of the HOBAC Judy blame as well as being an incredible stylist Judy also made incredible jewellery as-well. just like his counterpart Christopher Nemeth Judy often used salvaged material for his work </div>]]></description>
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         <pubDate>2021-11-30 18:43:44 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1921161178</guid>
      </item>
      <item>
         <title>Furnature And Post Sack Suits </title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1921176479</link>
         <description><![CDATA[<div>the HOBAC made and sold once of pieces of furniture swell as clothing pictured above is a chair made by rick and frack and carved by. Dave Baby. The suits are more items Christopher Nemeth made from salvaged post sacks.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1479656263/2729692e522cd039a71681e761ae466f/356410.jpg" />
         <pubDate>2021-11-30 18:50:57 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1921176479</guid>
      </item>
      <item>
         <title>Christopher Nemeth</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1921188900</link>
         <description><![CDATA[<div>Christopher Nemeth first time making a garment was to make him self a new pair of trousers the trousers pictured above are not them but they are another piece made from the salvaged postal sacks which really were a favourite of Nemeth early work</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1479656263/efcf82996a07a808e1e62e95add0308e/Christopher_Nemeth_Designer_15_Pink_Pants.jpg" />
         <pubDate>2021-11-30 18:56:33 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1921188900</guid>
      </item>
      <item>
         <title>Marc Jacobs’ ss 1993 show for Perry Ellis</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1921194743</link>
         <description><![CDATA[<div>It was the collection that got Marc Jacobs fired at the age of 29, but it was also the show that launched his career. Creating clothing that were dubbed "Grunge is ghastly" by critical critics such as Suzy Menkes, yet it was this sort of display that even Perry Ellis brass got wrong. Grunge became a sign of coolness and appeal, symbolizing Marc Jacobs's astute creations.<br><br>In 1997, he established a label with a business partner named Robert Duffy and Louise Vuitton.<br><br></div><div><a href="https://www.vogue.com/fashion-shows/spring-1993-ready-to-wear/perry-ellis">https://www.vogue.com/fashion-shows/spring-1993-ready-to-wear/perry-ellis<br><br>https://www.youtube.com/watch?v=70LXpUhdhWo<br><br><br></a><br></div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1479645697/f19ed606a31820e020a5f4ab9db307fa/Capture2.JPG" />
         <pubDate>2021-11-30 18:59:18 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1921194743</guid>
      </item>
      <item>
         <title>Marc Jacobs’ ss 1993 show for Perry Ellis</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1921211481</link>
         <description><![CDATA[<div>Jacobs turned his attention to the grunge scene bubbling in the Pacific Northwest in 1992, when fashion was still catering squarely to the practicality of working women and the upper echelons of society, sending out Carla Bruni in Dr. Martens boots, Tyra Banks in Birkenstocks, Shalom Harlow in Converse All Stars, and Kate Moss and Kristen McMenamy in tees.<br><br>Jacobs stated at the time that he was influenced by the realism of the music industry as well as how his model buddies were already wearing. Youth culture has an effect on high fashion, and fashion has become a talking topic in pop culture. It was a forerunner of fashion and music colliding.<br><br>https://www.vogue.com/article/marc-jacobs-perry-ellis-grunge-collection-reissue-lookbook<br><br></div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1479645697/b3380c61cefd4efe181da24ee208a2d5/00_story_sofia.jpg" />
         <pubDate>2021-11-30 19:07:28 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1921211481</guid>
      </item>
      <item>
         <title>Marc Jacobs’ ss 1993 show for Perry Ellis</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1921225397</link>
         <description><![CDATA[<div>Marc Jacobs, with the consent of Perry Ellis, is bringing grunge back this November, reshooting 26 designs from his Spring 1993 collection seam-for-seam. The clothing looks unexpectedly current, as seen on Gigi Hadid, Binx Walton, Slick Woods, Dree Hemingway, and others.<br><br>18 months have passed and  manufacturers have made a trend of bringing back  vintage pieces to commercial and Instagram success on the runways.</div>]]></description>
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         <pubDate>2021-11-30 19:14:19 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1921225397</guid>
      </item>
      <item>
         <title>Vogues View 1, 2, 3</title>
         <author>leskandarymiles1</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1923065628</link>
         <description><![CDATA[<div>&nbsp;Vogue's View: A Colorful Life Bowles, Hamish. Vogue ; New York&nbsp; Vol. 182, Iss. 10,&nbsp; (Oct 1, 1992): 134, 138, 144<br>This article goes through some of Christian Lacroix's influences and work. It mentions colour usage and past collection designs from before the opening of his own label. </div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1402742355/0d5197ce54c23bf760e66099e16da07e/ProQuestDocuments_Vogues_View.pdf" />
         <pubDate>2021-12-01 15:28:13 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1923065628</guid>
      </item>
      <item>
         <title>Parisian Haute Couture Evening Dress</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1929666142</link>
         <description><![CDATA[<div>The dress of the left is a winged evening dress made in 1961. The other two dresses were made in 1957 and 1941. This dress was apart of an exhibition in Stockholm called "Paris of the North" were it presented fashion around Parisian Haute Couture. </div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1486349561/667b6817ce4f3d57241ae0e31a141777/image.png" />
         <pubDate>2021-12-05 15:50:04 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1929666142</guid>
      </item>
      <item>
         <title>Flamenco-style evening dress</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1929674942</link>
         <description><![CDATA[<div>Balenciaga's Spanish heritage is evident and has inspired most of his iconic looks.&nbsp;This dress clearly shows this from the garment itself to how the model is posing. <br><br></div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1486349561/8f7f4402a47b07fbb1c6570dd7910e6a/image.png" />
         <pubDate>2021-12-05 15:59:39 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1929674942</guid>
      </item>
      <item>
         <title>Balenciaga Evening dress 1962</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1929678816</link>
         <description><![CDATA[<div>This 1962 dress also represents his Spanish heritage with the top half being made out of black lace but makes it into a more evening look by adding the long skirt part of the dress. </div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1486349561/48c17d7463512ceb3e3fc751ad1cc9b3/image.png" />
         <pubDate>2021-12-05 16:04:30 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1929678816</guid>
      </item>
      <item>
         <title>Balenciaga dress worn by Taiga</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1929683307</link>
         <description><![CDATA[<div>Balenciaga uses great inspiration from Spanish fashion and you can see that evident in this dress with the fabric collected around the waist as this is a style that was widely used in Spain. The sequins on the dress makes the dress more glamorous and more of an evening attire. </div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1486349561/c8a33663a4cfb3abae87a838509de7c2/image.png" />
         <pubDate>2021-12-05 16:09:38 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1929683307</guid>
      </item>
      <item>
         <title>Henri Matisse inspired evening gown</title>
         <author>maddymatthews</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1929875893</link>
         <description><![CDATA[<div>'Henri Matisse-inspired evening gown worn by Edia Vairelli during the fashion show for the autumn-winter 1981 haute couture collection, Salon impérial of the Hôtel Inter-Continental, Paris, July 1981. Photograph by Claus Ohm'<br><br></div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1486585446/fc59be5a4acd528c8af734072c9d6230/NUM_HC1980H121PH01_0106.jpg" />
         <pubDate>2021-12-05 20:17:21 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1929875893</guid>
      </item>
      <item>
         <title></title>
         <author>maddymatthews</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1929891135</link>
         <description><![CDATA[<div>Described as the 'pied paper of fashion'ysl was an extremely influential designer in the 80's, with many women taking inspiration from his clothing. His work in the costume institute is organised into themes as opposed to chronological order as&nbsp; to emphasise the fact that he often revisited a 'good idea', meaning that his "collections" are not always from a specific year, but more a  theme. https://www.nytimes.com/1983/12/04/magazine/salute-to-yves-saint-laurent.html</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1486585446/b54e26f702eb2ed3964b772630429572/Screenshot_2021_12_05_at_20_30_20.png" />
         <pubDate>2021-12-05 20:39:25 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1929891135</guid>
      </item>
      <item>
         <title>tribute to &#39;The Romanian Blouse&#39; matisse</title>
         <author>maddymatthews</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1929909976</link>
         <description><![CDATA[<div>Yves Saint Laurent was amongst the first designers to introduce the Romanian blouse to the fashion world. Inspired by Henri Matisse's painting 'La Blouse Roumaine' YSL transformed the piece from an ethnic garment to an 'elegant and refined piece of clothing'.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1486585446/dff51188736945db05fe08a172811e18/ysl_6.jpg" />
         <pubDate>2021-12-05 21:07:14 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1929909976</guid>
      </item>
      <item>
         <title>Yves Saint Laurent aw1999</title>
         <author>maddymatthews</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1929911355</link>
         <description><![CDATA[<div>&nbsp;A second Yves Saint Laurent show in 1999 featured a white Romanian blouse showing that&nbsp; 18 years later this garment is still making a impact. further reinforcing the idea that ysl revisits a&nbsp; 'good idea' and continues a theme through multiple years of collections.&nbsp;</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1486585446/4a8426d701ed11b6915835dc54a3c612/YSL_5.jpg" />
         <pubDate>2021-12-05 21:09:29 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1929911355</guid>
      </item>
      <item>
         <title>YSL- how one man changed fashion forever </title>
         <author>maddymatthews</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1929957260</link>
         <description><![CDATA[<div>ysl was drawn to art and fashion as a child. he often designed dresses for his mother and sisters.&nbsp;<br>when working with Christian Dior, he learnt the basis of his art. it was at this time that his work began to be recognised.&nbsp;<br><br>'Chanel gave women freedom, Yves saint Laurent gave them power' in reference to women wearing suits and blurring the line between mens and women's fashion and supporting the early entrance of androgyny.&nbsp;<br>'le smoking' collection in 1966 was controversial as it was still looked down on for women to wear trousers in public. proved that he could rebelliously adapt menswear into womenswear.<br>key emphasis on practicality and functionality runs through his early collections taking inspiration from utilitarian pieces &nbsp;&nbsp;</div>]]></description>
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         <pubDate>2021-12-05 22:25:35 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1929957260</guid>
      </item>
      <item>
         <title>illustration of YSL 1981 Henri Matisse collection</title>
         <author>maddymatthews</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1929965521</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1486585446/cac7a31c7dcac9a4f26386d8828bfec9/IMG_4703_2.HEIC" />
         <pubDate>2021-12-05 22:39:48 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1929965521</guid>
      </item>
      <item>
         <title></title>
         <author>maddymatthews</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1929975451</link>
         <description><![CDATA[<div>in the 80's, Saint Laurent struggled with alcohol and drug addictions, causing his designs to become 'stale'. this was despite his success at being the first designer to have a retrospective on his work at the New York Metropolitan museum.&nbsp; &nbsp;<br><br>when researching, I have a found a slower rate of information on his 1980's collections, which could be explained by his struggle with addiction. </div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1486585446/daf89c6ca4034675443f3188dcb43768/Screenshot_2021_12_05_at_22_46_47.png" />
         <pubDate>2021-12-05 22:55:28 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1929975451</guid>
      </item>
      <item>
         <title>Body Map For ID </title>
         <author>Harry_Nixon</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1931530724</link>
         <description><![CDATA[<div>Bodymap featured in ID Magazine. One of ID's early publications, which featured a 3 page spread on Bodymap and their unique style of clashing patterns and layered outfits.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1419502299/93705cba762329d74b396e9d797a9f4f/body_map_face_Id.jpg" />
         <pubDate>2021-12-06 16:16:47 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1931530724</guid>
      </item>
      <item>
         <title>Stevie Stewart &amp; David Holah (Bodymap)</title>
         <author>Harry_Nixon</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1931556598</link>
         <description><![CDATA[<div>Stevie Stewart and David Holah founded Bodymap in 1982 while they were fashion students. It began on a stall in Camden Market which gained interest fast. They were heavily inspired by the London club scene and punk culture.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1419502299/30e1157cda367db29486bcc6cf7923c8/stevie_and_david_bodymap.jpg" />
         <pubDate>2021-12-06 16:26:40 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1931556598</guid>
      </item>
      <item>
         <title>Bodymap, Spring 1986.</title>
         <author>Harry_Nixon</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1931591961</link>
         <description><![CDATA[<div>I love this shot of Boy George walking for Bodymap's Spring 1986 collection. I feel as though it really captivates the essence of Bodymaps' gender bending aesthetic, and how they could create collections that fit into everyday wear, that still had the essence of club culture.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1419502299/4cfbc590a07e1d8f2b8f6a9d0cb62481/boy_george_bodymap.webp" />
         <pubDate>2021-12-06 16:40:11 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1931591961</guid>
      </item>
      <item>
         <title>Bodymap, interview with V&amp;A</title>
         <author>Harry_Nixon</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1931617360</link>
         <description><![CDATA[<div>This interview with Stevie Stewart and David Holah with V&amp;A really gives a deeper look into how Bodymap helped shape the 80's fashion industry. I personally really love their approach to catwalks, and how they created an experience opposed to just a show.</div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=-OR8yp4Lcoc" />
         <pubDate>2021-12-06 16:50:04 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1931617360</guid>
      </item>
      <item>
         <title>Ann Demeulemeester SS 1997 Paris interview with CNNStyle</title>
         <author>emumbray1</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1933247391</link>
         <description><![CDATA[<div>This interview with Ann Demeulemeester gives a large insight into her thought process into making the collection, giving detail into the shape, form and fixture of many of the catwalk's pieces.</div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=SBfSKN9hPYA" />
         <pubDate>2021-12-07 11:12:08 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1933247391</guid>
      </item>
      <item>
         <title>Ann Demeulemeester SS 1997</title>
         <author>emumbray1</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1933289779</link>
         <description><![CDATA[<div>Demeulemeester focused on the change of typical silhouette portrayed on a woman, where she uses half of the garment to create a body hugging fit, carefully sculpturing around the body. The other half focuses on a draped image, creating an abstract shape and creating more depth and volume within the garment. It captures a beautiful essence of the duality between an abstract body and a sculptured body.</div>]]></description>
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         <pubDate>2021-12-07 11:44:04 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1933289779</guid>
      </item>
      <item>
         <title>Gianni Versace 1992/3</title>
         <author>kwhittle21</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1933547868</link>
         <description><![CDATA[<div>Fall/Winter 1992/3 Milan<br>The fashion show gave a really good idea about the style of the 90 <em>Vogue</em> said, “Getting strapped required eight hands.” These high-maintenance looks were meant to be seen, not in a dungeon somewhere, but on the red carpet, where they absolutely dominated.<br>-the show consisted of black leather/ blazers/ army style uniform/ quilted jackets/ belts/elements of punk, harnesses, studs, embellishments, gold pockets and collars and tassels.<br><br>The collection showed pastels and contrasted with heavy leather, in my opinion some pieces could be shown back to back and could look like there not part of the same collection, but i suppose this was the whole point, it makes you look twice at the clothes and try to pick out the small details that show up in other pieces in the collection as well, for example the shoulder pads, large buckles or just details of gold in the garments, buttons etc… &nbsp;</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1416241464/0a921cfa74328a5f4ab86c20a1347534/829BBE40_915F_411B_A3A7_77B42CEFE1C8.webp" />
         <pubDate>2021-12-07 13:50:55 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1933547868</guid>
      </item>
      <item>
         <title>About Gianni </title>
         <author>kwhittle21</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1933552929</link>
         <description><![CDATA[<div>-he was an Italian fashion designer bad business man and Founder of Versace (international luxury fashion house)<br>-he was known to be one of the first designers to link fashion to the music world&nbsp;<br><br>&nbsp;He was introduced to the fashion World from a very young age after watching his mother close as she was a seamstress he was grown up in that environment<br>He gathered his inspiration through walking among the area in which he lived he would walk around ancient Greek artefactsAnd Roman ruins this later on that would spiral his inspiration for later designs <br><br>‘Fashions last emperor’&nbsp;<br>‘This book details his life and times, describing how he rose from humble beginnings to head a multi-million dollar fashion empire’<br>“ by the turn of the 1990s, he was at the height of his career, he had worked hard and achieved wealth and fame.”</div>]]></description>
         <enclosure url="" />
         <pubDate>2021-12-07 13:52:40 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1933552929</guid>
      </item>
      <item>
         <title>Gianni Versace: fashions last emperor </title>
         <author>kwhittle21</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1933558252</link>
         <description><![CDATA[<div>Book source <br><br><a href="https://prism.librarymanagementcloud.co.uk/brighton-ac/items/664296?query=Versace&amp;resultsUri=items%3Fquery%3DVersace%26facet%255B0%255D%3Dsubject%253A%2522Fashion%2Bdesigners%2BItaly%2BBiography%2522&amp;facet%5B0%5D=subject%3A%22Fashion+designers+Italy+Biography%22">https://prism.librarymanagementcloud.co.uk/brighton-ac/items/664296?query=Versace&amp;resultsUri=items%3Fquery%3DVersace%26facet%255B0%255D%3Dsubject%253A%2522Fashion%2Bdesigners%2BItaly%2BBiography%2522&amp;facet%5B0%5D=subject%3A%22Fashion+designers+Italy+Biography%22</a></div>]]></description>
         <enclosure url="" />
         <pubDate>2021-12-07 13:54:36 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1933558252</guid>
      </item>
      <item>
         <title>90’s fashion trends </title>
         <author>kwhittle21</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1933562448</link>
         <description><![CDATA[<div>‘92’ fashion trends -big screen, big hair, big colours&nbsp;<br>-high waisted jeans black leather belts with heeled boots and a sleek blazer<br>-black Aline leather mini with white blouse and a blazer with embellished lapel&nbsp;<br>-voluminous&nbsp; hair, red lips and statement earrings&nbsp;<br>-baggy cotton drill trousers/brown leather belt, and chunky black lace up doc martens&nbsp;<br>-embroidered waistcoat&nbsp;</div>]]></description>
         <enclosure url="" />
         <pubDate>2021-12-07 13:56:03 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1933562448</guid>
      </item>
      <item>
         <title></title>
         <author>kwhittle21</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1933564862</link>
         <description><![CDATA[<div><a href="https://www.90sfashion.com/1992-fashion-trends/">https://www.90sfashion.com/1992-fashion-trends/</a></div>]]></description>
         <enclosure url="https://www.90sfashion.com/1992-fashion-trends/" />
         <pubDate>2021-12-07 13:56:55 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1933564862</guid>
      </item>
      <item>
         <title>Context and possible influences </title>
         <author>kwhittle21</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1933574923</link>
         <description><![CDATA[<div>‘ANTI FASHION’&nbsp; 1992/3<br><br>This movement was described ‘like a nuclear explosion’<br>Aspects of this movement/trend…<br>-holes and tears&nbsp;<br>-proportions/disproportions&nbsp;<br>-unfinished clothes&nbsp;<br>-more about sculptor than clothes design&nbsp;<br>This lead onto the grunge movement and saying ‘onto having to look good’<br>The Antwerp 6 came into the spotlight amongst all this going on.&nbsp;<br>Key artists : Rei Kawakubo<br>-yoshi Yamamoto&nbsp;<br>-martin Margiella&nbsp;<br>-Ann demeulemeester<br>-Jill sanders&nbsp;<br>-Raff Simmons&nbsp;</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1416241464/aa5ec0a5e7b06ce34d74db8f7856a06e/023108D5_C092_41CB_85AB_18E73A566598.jpeg" />
         <pubDate>2021-12-07 14:00:23 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1933574923</guid>
      </item>
      <item>
         <title>DAZEDdigital.com</title>
         <author>kwhittle21</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1933580563</link>
         <description><![CDATA[<div>Source <br><a href="https://www.dazeddigital.com/fashion/article/40934/1/anti-fashion-maison-martin-margiela-belgian-designer-documentary-rei-kawakubo">https://www.dazeddigital.com/fashion/article/40934/1/anti-fashion-maison-martin-margiela-belgian-designer-documentary-rei-kawakubo</a></div>]]></description>
         <enclosure url="https://www.dazeddigital.com/fashion/article/40934/1/anti-fashion-maison-martin-margiela-belgian-designer-documentary-rei-kawakubo" />
         <pubDate>2021-12-07 14:02:14 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1933580563</guid>
      </item>
      <item>
         <title>Illustration A/W 1992/3 collection</title>
         <author>kwhittle21</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1933628604</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1416241464/f8a8fe5ae49719d564da39d3eb0e807a/F7107BAB_B4E3_4754_9A1D_F8AD611E13C9.jpeg" />
         <pubDate>2021-12-07 14:18:31 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1933628604</guid>
      </item>
      <item>
         <title>Azzedine Alaia illustration (Evie Jennings)</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1934186284</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1435669542/3853c2a669ebfdbc96d7e7ca847a7f88/yh.jpg" />
         <pubDate>2021-12-07 17:53:40 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1934186284</guid>
      </item>
      <item>
         <title>Tom Ford&#39;s F/W 1995 show for Gucci  (Evie Milner)</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1934646047</link>
         <description><![CDATA[<div>Tom Ford brought life to Gucci, particularly through this show. His design of high waited trousers and big belts aimed to add 'show value' and create a show that's new and exciting, adding something different through these features.&nbsp;<br>His collection was described as "clean and sophisticated" by many, suggesting he "changed the face of Italian fashion". With this he was seen as the "most talked of designer"&nbsp;Giving Gucci a new 'chic' look, particularly through this show.<br><br>He took his American background, mixing it with Italian craftsmanship to create a wearable, modern and elegant collection of shows. </div>]]></description>
         <enclosure url="https://youtu.be/dDm2LWvdTkQ" />
         <pubDate>2021-12-07 22:35:35 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1934646047</guid>
      </item>
      <item>
         <title>Gucci F/W 1995</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1934652509</link>
         <description><![CDATA[<div>Ford focused on creating the stereotypical feminine silhouette of the time. creating high waited pants with large belts to make the legs appear longer, as well as tight fitting bodysuits to highlight to slim figures of the models.&nbsp;<br><br>The tight fitting pieces were paired with huge fur coats as well as elegant trench coats, creating a chic and stylish feel to to him collection. </div>]]></description>
         <enclosure url="https://youtu.be/UHak3bYsvZk" />
         <pubDate>2021-12-07 22:42:22 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1934652509</guid>
      </item>
      <item>
         <title>Gucci F/W 1995</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1934670635</link>
         <description><![CDATA[<div>A showcase of Ford's looks from the Gucci Fall/Winter 1995 collection.&nbsp;<br><br>Ford focused on creating 'sexy' and 'glam' wearable pieces. This was achieved through the dark bold colours he used, as well as the satin and velvet materials he used. His garments hugged the models figure giving off this sexy feminine yet powerful feel.&nbsp;<br><br>It's suggested it was this campaign which earned Gucci a huge fortune, bringing it to where it is today.&nbsp;<br> Tom Ford gave Gucci an "injection of cool".<br>This can be seen as the key piece from the collection was later worn that year by Madonna at the MTV Video Music Awards. Proving this collection was huge for Gucci as well as the career of Tom Ford.</div>]]></description>
         <enclosure url="https://www.vogue.com/fashion-shows/fall-1995-ready-to-wear/gucci#review" />
         <pubDate>2021-12-07 23:00:14 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1934670635</guid>
      </item>
      <item>
         <title>Gucci F/W 1995</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1934682624</link>
         <description><![CDATA[<div>Tom Ford took over as creative director for Gucci as sales for the company were decreasing. Unable to even pay own staff at points, it was suggested Gucci was unable to keep up with creating wearable garments for the modern woman.&nbsp;<br><br>Ford felt his SS1995 show failed as he presented designs which followed Gucci's dreamy, soft kits. After this Ford felt he needed to take a risk within the brand, moving away from Gucci's typical garments.&nbsp;<br><br>Ford explains how he felt "nobody was looking at anything I did" which is what enabled him to take the bold risk of creating a runway of bold, sexy pieces.&nbsp; He created a new "Ultra glam" age of Gucci. Modelled by models such as Kate Moss and Amber Valetta, he created a kind of sex appeal within this show with the jewel coloured, slinky garments he'd designed.<br><br>This was extremely successful and sales for Gucci soared by 90% between 1995-1996 alone.&nbsp;This was a major achievement not only for Gucci but for Ford's career also. </div>]]></description>
         <enclosure url="https://www.dazeddigital.com/fashion/article/24492/1/tom-ford-opens-up-about-his-landmark-gucci-aw95-collection" />
         <pubDate>2021-12-07 23:14:13 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1934682624</guid>
      </item>
      <item>
         <title>Gucci F/W 1995</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1934726919</link>
         <description><![CDATA[<div>Fashion at the time saw a decrease in grunge, alternative clothing inspired by bands such as Nirvana at the beginning of the 90's.&nbsp;<br><br>By 1994 glamour wear was more in trend. This involved more feminine, fitting clothes. A contrast to the grunge clothing seen in the earlier years.&nbsp;<br>Tailored skirts, suit trouser and shoulder pads were in trend.&nbsp;<br>Bright colours and high shine fabrics such as satin, vinyl, metallic and sequins were all rage.&nbsp;<br>The most common outfit that could be seen was a short black slip dress over a tightly fitted white top.&nbsp;<br>Simple clothing yet sexy and powerful.<br><br>Ford's collection demonstrates the typical trends of the time, as he portrays the sexy fitted shirts, suit trousers and bold autumnal colours in his runway. </div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1402883613/d80358acd2afe9391cfdc1f24206fb0c/GUCCI_FALL_1995_RTW_06_ANNA_KLEVHAG.jpg" />
         <pubDate>2021-12-07 23:54:11 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1934726919</guid>
      </item>
      <item>
         <title>Gucci F/W 1995</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1934757591</link>
         <description><![CDATA[<div>This model in particular displays some typical styles and features of the time. The smokey eye for example and dark coloured clothing Ford has created suggests influence from the grunge period which although was beginning to decline, was still extremely prominent. Fashion at the time was majorly influenced by music such as Grunge, Punk and Rock bands including Nirvana, Pearl Jam, Alice in Chains. Therefore the dark colours and oversized coat may suggest this was still of influence.<br><br>However the feminine fit and suit trousers paired with the open buttered shirt suggest Ford was also influenced by the sexy, feminine trends which began appearing in the mid 90s. Silky, satin clothes and tightly fitted pieces.&nbsp;</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1402883613/53755a6672975324738789aedeefc748/GUCCI_FALL_1995_RTW_18_SHALOM_HARLOW.jpg" />
         <pubDate>2021-12-08 00:21:36 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1934757591</guid>
      </item>
      <item>
         <title>Princess Diana wearing chanel blue suit for Prince William&#39;s confirmation, paired with minimal beige bag emphasising the blue. </title>
         <author>ibrien1</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1935740214</link>
         <description><![CDATA[<div>The 1990's was a time with no limits, after the collapse of communism everything was liberal, people at the time seemed to yearn for security, truth and new values.&nbsp;<br>To the public Princess Diana, was seen as a beacon of hope and joy, who was frequently seen dressed in elegant suffusticated chanel suits, which gave her a new sense of power after her divorce. &nbsp;<br><br><br></div><div><br></div><div>&nbsp;</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1401992748/dadb153b1d57d1085d629fc8d60ff92c/Screen_Shot_2021_12_08_at_13_43_01.png" />
         <pubDate>2021-12-08 12:46:56 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1935740214</guid>
      </item>
      <item>
         <title>Navy blue suit ready to wear ss1994</title>
         <author>ibrien1</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1935741566</link>
         <description><![CDATA[<div>In the 1990's, fashion was heading more towards the minimalist side, more monochrome colors, after the overheated glamour in the 80's. Lagerfeld's styling became more conservative, his traditional couture training gave him an advantage against other designers in making garments which focus more on luxury for the buyers.&nbsp; &nbsp; &nbsp;&nbsp;</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1401992748/565eb0d1ff39ec57162aab656b3b926c/IMG_5415.heic" />
         <pubDate>2021-12-08 12:47:40 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1935741566</guid>
      </item>
      <item>
         <title>Chanel suit ss 1994</title>
         <author>ibrien1</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1935748846</link>
         <description><![CDATA[<div>A modern variation on a classic theme, this monochrome ensemble consists of stripped body and white cotton suit, of jacket and hipster mini skirt, with black plastic braid trim. It is associated with the classic chanel chain and a spiky plastic hat.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1401992748/550348eb311efbf852a92076c8f4b846/IMG_5416.heic" />
         <pubDate>2021-12-08 12:51:45 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1935748846</guid>
      </item>
      <item>
         <title>Claudia Schiffer wears a youthful variation on the classic chanel suit, Haute couture SS 1994</title>
         <author>ibrien1</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1935751530</link>
         <description><![CDATA[<div>Towards the end of the twentieth century the use of fashion supermodels was at its peak, and increased demand for the brand they were wearing and more attention to the shows they were walking in. Lagerfeld responded to this by having models such as Naomi Campbell, Cindy Crawford and evident above Claudia Schiffer, who rose to fame in 1990 with her modeling and acting career. </div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1401992748/36a611ba2f9d76231a55a13fdea85f72/IMG_5417.heic" />
         <pubDate>2021-12-08 12:53:10 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1935751530</guid>
      </item>
      <item>
         <title>Bodymap Illustration</title>
         <author>Harry_Nixon</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1935759832</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1419502299/2d3b6d6de18f2b43bd9cfea546ec2362/Bodymap_Illustration.pdf" />
         <pubDate>2021-12-08 12:57:29 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1935759832</guid>
      </item>
      <item>
         <title>“Last Master of the Luxury Cruise”</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1936257197</link>
         <description><![CDATA[<div>This was a painting done by Van Dongden in 1961.He goes on to paint celebrities of Paris between the two world wars. I find his work very elegant and interesting as they’re so simple yet still detailed within the face.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1486349561/18c3d96e8ac5ff3f323c65f26a703177/image.png" />
         <pubDate>2021-12-08 16:18:02 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1936257197</guid>
      </item>
      <item>
         <title>Rose Kennedy Sheath Dress</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1936265757</link>
         <description><![CDATA[<div>This dress was made by Molyneux. In 1961 her son became president of the US and she wore it to the Inaugural Ball. It was a sheath dress which became very popular in 1961. It was made of a white net and had gold and silver paillettes. I really like the look of this dress as its so elegant and detailed which fits in perfectly with her status.&nbsp;</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1486349561/28046c1cea748e9ff4a78f21acc5b037/image.png" />
         <pubDate>2021-12-08 16:21:42 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1936265757</guid>
      </item>
      <item>
         <title>Leather Chair</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1936278581</link>
         <description><![CDATA[<div>This style of chair (Sling chair) was very popular in the 1960’s and they would usually be made of leather as well. I really like this style of chair as I love vintage furniture. As its made out of leather I find it gives it a more professional and smart look.&nbsp;</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1486349561/8b000f5b31003999eb416c8f37f9e163/image.png" />
         <pubDate>2021-12-08 16:26:42 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1936278581</guid>
      </item>
      <item>
         <title>Nemeth&#39;s move to japan </title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1936554967</link>
         <description><![CDATA[<div>Nemeth left London and moved to japan in 1986. he opened his workshop in Omotesando when he continued his deconstructionist approach. in Japan he was inspired by the Japanese designers around him. pictured above is a photo of his studio. </div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1491978995/81d79cc5a961aa530f0f6bd83154e645/360784.jpeg" />
         <pubDate>2021-12-08 18:31:19 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1936554967</guid>
      </item>
      <item>
         <title></title>
         <author>ibrien1</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1936868286</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1401992748/5fa65713d6a55b03e11a1a0082d3f99e/IMG_5420.jpg" />
         <pubDate>2021-12-08 21:44:07 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1936868286</guid>
      </item>
      <item>
         <title>Dior homme 2003 in l&#39;Oumo Vogue</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1937825336</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1435670539/a824ef086ac7c6217902c7a6ce3c0474/88F24BE2_CD7D_437F_B8EE_1C42535A0546_1_201_a.heic" />
         <pubDate>2021-12-09 10:03:18 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1937825336</guid>
      </item>
      <item>
         <title>Dior homme by Hedi slimane 2003</title>
         <author>showard1010</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1937841062</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1492950033/ed6e58d720b688b9512e3c3de9c3fb5a/08B7910B_F17E_4836_8B01_C980271F481E.jpeg" />
         <pubDate>2021-12-09 10:13:52 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1937841062</guid>
      </item>
      <item>
         <title>fashion illustration from Dior homme runway</title>
         <author>showard1010</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1937846919</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1492950033/a14490aa868c74c6254fd128fcc6529d/Screenshot_2021_12_09_at_10_16_59_am.png" />
         <pubDate>2021-12-09 10:18:03 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1937846919</guid>
      </item>
      <item>
         <title>2003 fashion</title>
         <author>showard1010</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1937847856</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1492950033/68fb51b7e291a52c0f24e22d3bdf0247/IMG_8766.WEBP" />
         <pubDate>2021-12-09 10:18:43 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1937847856</guid>
      </item>
      <item>
         <title>2003 culture and popular figures </title>
         <author>showard1010</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1937848774</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1492950033/a4cbec8bf553c80a23c06aa87630ce5f/IMG_8762.JPG" />
         <pubDate>2021-12-09 10:19:19 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1937848774</guid>
      </item>
      <item>
         <title>Dior homme 2003 from l&#39;Oumo Vogue</title>
         <author>showard1010</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1937849905</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1492950033/151f26d1f9884dc5049f49700728a45f/IMG_7938.jpeg" />
         <pubDate>2021-12-09 10:20:10 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1937849905</guid>
      </item>
      <item>
         <title>CHOMP CHOMP/ CHESTER PERRY: MID 1969-1971</title>
         <author>erees3</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1938086036</link>
         <description><![CDATA[<div>Massimo Osti started making t-shirt designs for a company called ‘Chomp Chomp’ where he experimented with graphic design and prints. He then started creating textiles so started Chester Perry Company, which later became C.P. Company after a lawsuit with Fred Perry, where he could design and create textiles. He combined his knowledge of graphic design and talent for garment making to birth an iconic company<br><br></div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1486492956/15a79100e68c17d98f61a4f7c442b515/image.jpeg" />
         <pubDate>2021-12-09 12:56:29 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1938086036</guid>
      </item>
      <item>
         <title>STONE ISLAND 1982</title>
         <author>erees3</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1938090164</link>
         <description><![CDATA[<div>Osti launched the first new fabric called Tela Stella, a softer military style fabric with a stone washed finish.This two tone fabric was the beginning of Massimo Osti’s world renown garment engineering. From 1982 he created Raso Gommato (a dying technique), JJ23 (a raincoat fabric) and thermofabrics such as knit and waterproof material.&nbsp;<br><br></div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1486492956/1109b18ff0667bb19b89ba3c94040256/image.jpeg" />
         <pubDate>2021-12-09 12:58:28 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1938090164</guid>
      </item>
      <item>
         <title>THE EXPLORER JACKET 1987</title>
         <author>erees3</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1938093740</link>
         <description><![CDATA[<div>Osti would create one of his most iconic silhouettes after taking inspiration from a Japanese Civil Defence that he had in his collection. It was a hood that had lenses built into the fabric that could be worn as protective gear, he went on to create a military style jacket with these lenses built into the collar/hood which, little did he know, would be the signature for his company and is still recognisable today.&nbsp;</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1486492956/54f593741d63890ddabdfea3c1a674d6/image.jpeg" />
         <pubDate>2021-12-09 13:00:14 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1938093740</guid>
      </item>
      <item>
         <title>C.P. COMPANY HISTORY</title>
         <author>erees3</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1938094762</link>
         <description><![CDATA[<div><a href="https://www.cpcompany.com/en-no/our-story.html">https://www.cpcompany.com/en-no/our-story.html</a></div>]]></description>
         <enclosure url="https://www.cpcompany.com/en-no/our-story.html" />
         <pubDate>2021-12-09 13:00:45 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1938094762</guid>
      </item>
      <item>
         <title>STONE ISLAND SS18</title>
         <author>erees3</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1938097443</link>
         <description><![CDATA[<div>My fashion illustration is of a duo chrome waterproof from SS2018, this pieces how far his garment technology has come and that Stone Island still has that individuality and isn’t always just a patch on the arm.&nbsp;</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1486492956/d7b4d6a731b9deaa84a6609746c6a9f3/81D3FA18_CEE8_46C4_B79F_1E42DB1B8FA4.jpeg" />
         <pubDate>2021-12-09 13:01:54 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1938097443</guid>
      </item>
      <item>
         <title>TRENDS FOR 1950/60s</title>
         <author>erees3</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1938113755</link>
         <description><![CDATA[<div>menswear:<br>- work wear<br>- practical<br>- cropped menswear (cut to sit on the hips)<br>- baggier suits<br>- slim ties<br>- white shirts/t-shirt’s <br>- sneakers<br>- high waisted baggy but tapered trousers <br><br>Osti definitely took inspiration from the workwear aspect looking at that applying more of a fashionable design and innovative textile to a practical garment.<br><a href="https://vintagedancer.com/1950s/mens-1950s-clothing-history-casual/">https://vintagedancer.com/1950s/mens-1950s-clothing-history-casual/</a></div>]]></description>
         <enclosure url="https://vintagedancer.com/1950s/mens-1950s-clothing-history-casual/" />
         <pubDate>2021-12-09 13:09:16 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1938113755</guid>
      </item>
      <item>
         <title>SS18 STONE ISLAND JACKET</title>
         <author>erees3</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1938117882</link>
         <description><![CDATA[<div><a href="https://www.complex.com/style/2018/02/stone-island-shadow-ss18">https://www.complex.com/style/2018/02/stone-island-shadow-ss18</a></div>]]></description>
         <enclosure url="https://www.complex.com/style/2018/02/stone-island-shadow-ss18" />
         <pubDate>2021-12-09 13:11:02 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1938117882</guid>
      </item>
      <item>
         <title>STONE ISLAND: THE ICE JACKET</title>
         <author>erees3</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1938136503</link>
         <description><![CDATA[<div><a href="https://theface.com/style/stone-island-ice-jacket-menswear-fashion-thermosensitive-leather-cp-company-massimo-osti">https://theface.com/style/stone-island-ice-jacket-menswear-fashion-thermosensitive-leather-cp-company-massimo-osti</a><br><br>The ice jacket was one of Osti’s most groundbreaking works. He created a fabric that had temperature controlled color. This was completely unheard of in fashion but he used this fabric to create the iconic jacket and since then has been reproduced a number of times. He also created techno wool which was a temperature controlled rubber like wool that he knitted to create fisherman style jumpers with a twist. Stone island was the place for Osti to experiment with the more fashion forward textiles.&nbsp;<br>He went from inventing raso gommato, the monochrome dying technique where the garment was dyed after finishing, to creating technologically advanced thermo fabrics.</div>]]></description>
         <enclosure url="https://theface.com/style/stone-island-ice-jacket-menswear-fashion-thermosensitive-leather-cp-company-massimo-osti" />
         <pubDate>2021-12-09 13:18:43 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1938136503</guid>
      </item>
      <item>
         <title>Yves Saint Laurent 1965</title>
         <author>phoebeannelies1</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1938259279</link>
         <description><![CDATA[<div>In the year of 1965, Geometric shapes and seams was a favourite for many designers. Imaged is a dress designed by YSL. Inspired by Piet Mondrian, a Dutch artist who is most famous for his abstract paintings. Not only did they use geometric shapes on the textile side of the design, the actual dress is made using an angular and essentially boxy structure. It's an interesting concept. Because at the time the Vietnam war (1955-75) was a very prominent subject in that days society. People perhaps might have felt a lack of structure in their lives, if not an overwhelming surge of structure in their day to day life due to the war. So for that structure to place itself in a creative way in the fashion industry is really interesting. The use of colour as well takes the structural concept from serious note to something playful which I think is a very clever approach.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1493264681/694ecd8bf6b117fa0d3aa9d682a96df3/colorjpg.jpeg" />
         <pubDate>2021-12-09 14:03:33 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1938259279</guid>
      </item>
      <item>
         <title>Yves Saint Laurent Design</title>
         <author>phoebeannelies1</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1938265416</link>
         <description><![CDATA[<div>In this design sketch you can see the boxy structure I was referring to in the first slide. Because of this chosen shape the dress tapers inwards which gives the wearer a little bit of shape.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1493264681/c2bdaae2b5c15e6949eaeb30ac09c7c3/design.jpeg" />
         <pubDate>2021-12-09 14:05:50 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1938265416</guid>
      </item>
      <item>
         <title>Yves Saint Laurent </title>
         <author>phoebeannelies1</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1938276545</link>
         <description><![CDATA[<div>Designs in the collection with colour and fabric samples.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1493264681/e1ec9465e287052415b6cea027dd4a56/full_collection.jpeg" />
         <pubDate>2021-12-09 14:09:06 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1938276545</guid>
      </item>
      <item>
         <title>Dior Homme Hedi Slimane</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1938422423</link>
         <description><![CDATA[<div>Slimane used a close to the body silhouette to redefine masculinity. Having used a Dickensian style and using space age fabrics, Slimane created a new look for men which was usually only seen in women, male couture.</div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=uT0fXLvoUQw" />
         <pubDate>2021-12-09 15:00:00 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1938422423</guid>
      </item>
      <item>
         <title>Dior Homme SS03</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1938429477</link>
         <description><![CDATA[<div>Heidi’s seasons were generally quite similar, making the garments last longer in style. The garments were more versatile and showed Slimane's style throughout each collection.</div><div>The Spring Summer collection from the<br>year 2003, had a similar look however using lighter fabrics and colours to show the change in season. </div><div><br><br></div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=cOxLwyoEhDI&amp;t=71s" />
         <pubDate>2021-12-09 15:02:38 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1938429477</guid>
      </item>
      <item>
         <title></title>
         <author>kwhittle21</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1938796957</link>
         <description><![CDATA[<div>Here is another piece from the collection,&nbsp;<br>Just by looking at it you can tell it’s a 90s piece&nbsp;<br>Giannis characteristics in his design are showing through strongly, bold colours, frills and tassels, and gold elements like buckles and belts etc </div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1416241464/fa8259337b6b10190b0372fddf82b530/6AC48C63_EF11_48C5_BC3E_E981F7CC7977.webp" />
         <pubDate>2021-12-09 17:37:01 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1938796957</guid>
      </item>
      <item>
         <title></title>
         <author>kwhittle21</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1938831276</link>
         <description><![CDATA[<div>Blazers and shoulder pads very popular aswell<br>The gold accessories showing through yet again </div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1416241464/bd82b3a7bed41011451c5cd25a86392d/E41AEA19_64A4_45EE_B52A_485209E48C04.webp" />
         <pubDate>2021-12-09 17:52:51 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1938831276</guid>
      </item>
      <item>
         <title>Fashion illustration from Dior Homme AW03</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1938938313</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1491457645/284dfae3c9753841a7934f5676030640/Untitled_presentation__35_.jpg" />
         <pubDate>2021-12-09 18:47:42 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1938938313</guid>
      </item>
      <item>
         <title>Yves Saint Laurent &#39;THE SCANDAL COLLECTION&#39; 1971</title>
         <author>ajames163</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939160158</link>
         <description><![CDATA[<div>Yves Saint Laurent's best well known for his women's trousers created the ‘le scandal’ collection January 1971. Showing garments inspired by the war years, the collection was made up of square shoulders, big makeup, short dresses and platform shoes. It was an 80 piece collection, where he blurred the line between couture and ready to wear. He experimented and created the collection that was named as “Paris’ ugliest collection’&nbsp;</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1402195748/3286b4bd5b9b244b8beb3eb1d14912ac/lofficiel1000m_yslhcs1971.jpeg" />
         <pubDate>2021-12-09 21:11:19 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939160158</guid>
      </item>
      <item>
         <title>Yves Saint Laurent Spring 1971 couture in L’Officiel 582 (1971). Photo: Jean Louis Guégan. </title>
         <author>ajames163</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939164655</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1402195748/f923524bc2e860d1df989a8ea28eb47d/lofficiel5821971_yslhc.jpeg" />
         <pubDate>2021-12-09 21:15:20 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939164655</guid>
      </item>
      <item>
         <title>New Exhibition Spotlights Yves Saint Laurent’s 1971 Collection</title>
         <author>ajames163</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939167558</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1402195748/fd3895dfef303975ea59eb539a2ec338/download.jpeg" />
         <pubDate>2021-12-09 21:17:48 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939167558</guid>
      </item>
      <item>
         <title>Christian Lacroix 1987</title>
         <author>leskandarymiles1</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939214476</link>
         <description><![CDATA[<div>In 1987, Christian Lacroix presented his first haute couture collection under his label. This Autumn-Winter collection featured bold silhouettes and rich colours, creating an air of decadence. Due to his reputation, it was a highly anticipated show and was well-received by all who saw it. Before launching his own label, Lacroix was a designer at Jean Patou, helping revamp the fashion house. <br>https://youtu.be/m79RLVfxRns&nbsp;</div>]]></description>
         <enclosure url="https://youtu.be/m79RLVfxRns" />
         <pubDate>2021-12-09 22:00:56 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939214476</guid>
      </item>
      <item>
         <title>Christian Lacroix AW87</title>
         <author>leskandarymiles1</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939248601</link>
         <description><![CDATA[<div>One key feature seen in a lot of Christian Lacroix's designs was the use of poof. Whether it was in a wide skirt or with a pouffe/puffball element. This puffball was created from the combination of two silhouettes from the past; the thigh-high mini skirts of the 60s and the many petticoated layers of the 50s. It got its name from the extravagant, towering french hairstyle from the late 18th century. This dress features a front pouffe over a wide skirt, most likely supported by a crinoline. Combined with a skin-tight sheer bodice, and a jewelled bandeau, the final look is expensive. The bold, almost garish print choice from Lacroix is another key feature of his work, many of his pieces having almost clashing colours or prints. </div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1402742355/43e5923933e0b4b9f4f437fc9a576c00/image.png" />
         <pubDate>2021-12-09 22:36:53 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939248601</guid>
      </item>
      <item>
         <title>Miuccia Prada ss 1996</title>
         <author>Georgiabate</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939255272</link>
         <description><![CDATA[<div>‘Banal Eccentricity’. Italian vogue.<br>Prada’s s/s 1996 runway was very controversial, as the show featured colours that hadn’t been considered attractive since the 70s. These included an avocado green and ochre brown. The show also featured mixed prints, some with a hand-drawn look, which were supposed to clash.<br><br>This is modelled by Carolyn Murphy, with her sharp features and striking bleached pixie haircut, which embodied this confrontational and&nbsp;unconventional collection.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1493990540/b20c62839bf09fe627220048f8ab5263/BA02B24E_0667_471C_9FA1_4079CE58C35B.jpeg" />
         <pubDate>2021-12-09 22:44:49 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939255272</guid>
      </item>
      <item>
         <title>Ann Demeulemeester SS 1997</title>
         <author>emumbray1</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939256525</link>
         <description><![CDATA[<div>This piece portrays the contrast with the body hugging image Demeulemeester creates, whilst also emphasising the voluminous draping and unstructured shape.&nbsp;<br>Modelled by Sierra Huisman, it creates an image of both masculine and feminine qualities in clothing.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1469706586/b01bf7ad47d1e1bf370f8f5f3fc510c0/ANN_DEMEULEMEESTER_SPRING_1997_RTW_01_SIERRA_HUISMAN.jpeg" />
         <pubDate>2021-12-09 22:46:22 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939256525</guid>
      </item>
      <item>
         <title>Miuccia Prada ss 1996</title>
         <author>Georgiabate</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939258910</link>
         <description><![CDATA[<div>Italian vogue<br>Everything was worn with clunky, awkward sandals. Although these did become popular,&nbsp;they were the complete opposite of the dainty, sexy shoes that were otherwise popular in the 90s.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1493990540/d46cfb25227b40c5ad2cd46dcf5459b0/684F432C_7AA4_4212_B8AD_60675E7F1645.jpeg" />
         <pubDate>2021-12-09 22:49:11 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939258910</guid>
      </item>
      <item>
         <title>Miuccia Prada ss 1996</title>
         <author>Georgiabate</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939267686</link>
         <description><![CDATA[<div>Green shades<br>Challenging her own minimalistic style &amp; the clean, sexy style of the decade.<br><br>Models for the show:<br>Kristen McMenamy (opened)<br>Amber Valetta&nbsp;<br>Kate Moss<br>Shalom Harlow<br>Kirsty Hume<br>Carolyn Murphy<br><br></div>]]></description>
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         <pubDate>2021-12-09 22:59:31 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939267686</guid>
      </item>
      <item>
         <title>Maison Margiela 2009 Amy Pearson </title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939268120</link>
         <description><![CDATA[]]></description>
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         <pubDate>2021-12-09 22:59:59 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939268120</guid>
      </item>
      <item>
         <title>Miuccia Prada ss 1996</title>
         <author>Georgiabate</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939280133</link>
         <description><![CDATA[<div>Prada has made a career of challenging conventional, perfect standards of beauty by exploring what she’s called “the good taste of bad taste.”<br><br>“Ugly is attractive, ugly is exciting. Maybe because it is newer. The investigation of ugliness is, to me, more interesting than the bourgeois idea of beauty.”</div>]]></description>
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         <pubDate>2021-12-09 23:13:58 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939280133</guid>
      </item>
      <item>
         <title>Miuccia Prada ss 1996</title>
         <author>Georgiabate</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939281743</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.washingtonpost.com/archive/lifestyle/1996/05/09/plug-ugly/89bd42a9-9c99-4bac-9051-2b26b744593f/" />
         <pubDate>2021-12-09 23:16:05 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939281743</guid>
      </item>
      <item>
         <title>Italian Vogue March 1996</title>
         <author>Georgiabate</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939291492</link>
         <description><![CDATA[<div>Prada context<br>Classic and minimal aesthetics in Italy.&nbsp;<br>Naomi Campbell&nbsp;<br>Sensual undertones.<br>In the 90s this becomes more striking, bold designs that challenged convention - following Prada’s lead.<br>During this era, many well-known fashion houses today flourished:<br>Versace, Gucci, Moschino etc.</div>]]></description>
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         <pubDate>2021-12-09 23:27:31 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939291492</guid>
      </item>
      <item>
         <title>Single Line Illustration</title>
         <author>leskandarymiles1</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939294427</link>
         <description><![CDATA[<div>This dress is another prime example of the iconic first collection. A bold mix of prints combined with pleating and voluminous pouffes.</div>]]></description>
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         <pubDate>2021-12-09 23:30:27 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939294427</guid>
      </item>
      <item>
         <title>Prada context - Calvin Klein s 1996</title>
         <author>Georgiabate</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939296783</link>
         <description><![CDATA[<div>This represents the clean, minimalist fashion of the time, which Miuccia Prada challenged with her collection.&nbsp;<br><br>The trends included; shift dresses, a-line skirts, preppy fashion, minimalism, lace, dainty footwear.</div>]]></description>
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         <pubDate>2021-12-09 23:33:19 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939296783</guid>
      </item>
      <item>
         <title>Prada’s 1996 influence on today</title>
         <author>Georgiabate</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939299377</link>
         <description><![CDATA[<div>Alexander Fury recently noted in an article for the <em>Independent, </em>that the collection “got us all to wear chocolate brown and gave vintage sales a boost”</div>]]></description>
         <enclosure url="" />
         <pubDate>2021-12-09 23:35:45 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939299377</guid>
      </item>
      <item>
         <title>AW 2001-2002: Look 1</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939335789</link>
         <description><![CDATA[<div>Raf Simons 'Riot! Riot! Riot!' was possibly his most noticeable collection. It has a political and rebellious feel, with military looking and distressed garments.</div>]]></description>
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         <pubDate>2021-12-10 00:14:14 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939335789</guid>
      </item>
      <item>
         <title>Prada 1996 illustration </title>
         <author>Georgiabate</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939340951</link>
         <description><![CDATA[]]></description>
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         <pubDate>2021-12-10 00:18:42 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939340951</guid>
      </item>
      <item>
         <title></title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939359652</link>
         <description><![CDATA[]]></description>
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         <pubDate>2021-12-10 00:31:50 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939359652</guid>
      </item>
      <item>
         <title>Contextual Info</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939361258</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.youtube.com/watch?v=VveRmJpFW6o" />
         <pubDate>2021-12-10 00:32:59 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939361258</guid>
      </item>
      <item>
         <title>Ann Demeulemeester SS 1997 Illustration</title>
         <author>emumbray1</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939427475</link>
         <description><![CDATA[]]></description>
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         <pubDate>2021-12-10 01:18:21 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939427475</guid>
      </item>
      <item>
         <title>Ann Demeulemeester SS 1997</title>
         <author>emumbray1</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939428243</link>
         <description><![CDATA[]]></description>
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         <pubDate>2021-12-10 01:18:49 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939428243</guid>
      </item>
      <item>
         <title>Christian Dior - Vogue Paris 1947</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939635350</link>
         <description><![CDATA[]]></description>
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         <pubDate>2021-12-10 03:36:43 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939635350</guid>
      </item>
      <item>
         <title>Christian Dior - Vogue Paris 1947</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939636825</link>
         <description><![CDATA[]]></description>
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         <pubDate>2021-12-10 03:37:53 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939636825</guid>
      </item>
      <item>
         <title>Christian Dior in Vogue Paris 1947 next to similar designs of the time</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939642204</link>
         <description><![CDATA[]]></description>
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         <pubDate>2021-12-10 03:41:56 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939642204</guid>
      </item>
      <item>
         <title>Christian Dior 1947 - New Look </title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939653847</link>
         <description><![CDATA[<div>Dior's 'new look' consists of a very cinched waist, a full skirt underneath and round shoulders.&nbsp;<br>This 'new look' came right after the war, in which people were overwhelmed with military uniforms and many restrictions in all aspects of life. In 1947, Christian Dior introduced this very feminine (for the time) look, which attracted a very big audience while also influencing other practitioners.</div>]]></description>
         <enclosure url="" />
         <pubDate>2021-12-10 03:51:32 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939653847</guid>
      </item>
      <item>
         <title>Christian Dior - New Look - Illustration</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939660764</link>
         <description><![CDATA[]]></description>
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         <pubDate>2021-12-10 03:57:48 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939660764</guid>
      </item>
      <item>
         <title>Comme Des Garcons A/W 1983</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939681334</link>
         <description><![CDATA[<div>The video that this photo originated from is the original video form 1983 which displays Kawakubo’s work and places it into a real moving collection, the collection itself has a very muted pallette, sticking to blacks, blues and whites – the draping is apparent and shows the thought processes behind her work. The silhouettes between each design differ drastically yet tie in really well with each other. In comparison to the rest of the 1980’s style it was a big eye opener and a great way for people to see a different perspective on fashion as most designers tried to stay in the box and not create their own interpretation where as Kawakubo did. A design feature that she likes to use a lot is exaggeration of certain bodily features, whether its big sleeves, fanned out torso or adding an extra sleeve, you can almost always tell kawakubo’s work apart from others</div>]]></description>
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         <pubDate>2021-12-10 04:17:20 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939681334</guid>
      </item>
      <item>
         <title>Comme Des Garcons 1983</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939682712</link>
         <description><![CDATA[<div>During the 1980’s there was a lot of socio-economic changes that affected the structure of the market, fashion sense and the economy. The cold war being one of those things – people were constantly seeking a newer and more structured life.</div><div>&nbsp;During the 1980’s there was a popular culture called ‘yuppie’ which is a baby boomer with an education and a well paid job, they liked expensive things and came off as materialistic – this was good for big labels as they could have more business being made.&nbsp;</div><div>The 1980’s was the big year where big changes where made, the film industry sky rocketed and as did many starting designers. Technology was evolving and as were many other things this led to people becoming more open minded as nothing was the same as before, the Reagan Revolution was a big partaking factor in the times changing, believing that communism was the biggest threat to freedom worldwide.&nbsp;</div><div>During this time designers such as Rei Kawakubo had to face many challenges with the fashion industry as people were all about being big and bold and colourful.&nbsp;</div>]]></description>
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         <pubDate>2021-12-10 04:18:47 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939682712</guid>
      </item>
      <item>
         <title>Comme Des garcons 1983</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939683244</link>
         <description><![CDATA[<div>The 80’s were a big time for self expression and understanding who you are, Kawakubo challenged those stereotypes and put forward a new type of fashion – a collection that was the complete opposite of what people were looking for and what they believed they needed. Vogue speaks of Kawakubo’s earned respect as a designer and how no other designer has been the subject of costume institute exhibition.&nbsp;</div><div>Her garments at the exhibition were new and exciting, even critics didn tknow what to make of the whole show as it had never been seen before – as the 80’s was so influential everyone was led by the current style at the time. The cream piece was displayed at the show and it showed exciting use of pattern cutting and draping, the use of negative space really was new and difficult to take away from it.&nbsp;</div><div>There were interesting aspects in the show such as 3rd sleeves and shapeless draping garments which took form with gravity. Kawakubo was considered an artist as this show was simply outstanding.</div>]]></description>
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         <pubDate>2021-12-10 04:19:18 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939683244</guid>
      </item>
      <item>
         <title>Comme des garcons 1983</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939683691</link>
         <description><![CDATA[<div>During the 1980’s there was a lot of socio-economic changes that affected the structure of the market, fashion sense and the economy. The cold war being one of those things – people were constantly seeking a newer and more structured life.</div><div>During the 1980’s there was a popular culture called ‘yuppie’ which is a baby boomer with an education and a well paid job, they liked expensive things and came off as materialistic. Usually the children of lawyers, doctors and those who hold master degrees from top of the league universities. The idea of the social status was a big thing for them and they cared deeply about the way they were perceived and their reputations. Often relied on political views that were trending at the time which makes them seem more socially interesting. Often those considered yuppies would actually go into politics or big business and follow their parents footsteps</div><div>The 1980’s was the big year where big changes where made, the film industry sky rocketed and as did many starting designers. Technology was evolving and as were many other things this led to people becoming more open minded as nothing was the same as before, the Reagan Revolution was a big partaking factor in the times changing, believing that communism was the biggest threat to freedom worldwide.&nbsp;</div><div>During this time designers such as Rei Kawakubo had to face many challenges with the fashion industry as people were all about being big and bold and colourful.&nbsp;</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1494286417/b71b41143b33454fab7a0ea34ecbeb5f/https___cdn_cnn_com_cnnnext_dam_assets_160420101338_cold_war_movies_red_dawn.jpg" />
         <pubDate>2021-12-10 04:19:45 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939683691</guid>
      </item>
      <item>
         <title>Comme des garcons 1983 socioeconomic</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939685913</link>
         <description><![CDATA[<div>In the 1980’s became a great part of the development of the future there was many altercations such as the discovery that developmental countries had to face economic and social difficulties from the debt crisis that had also begun, followed by the increasing problem with famine and how that had affected those in need. There were also many wars striking out such as the cold war with the US Soviet continued for a while and that had made an impact on peoples lives and how they can go about their lives day to day.&nbsp;</div><div>The discovery of new technology became a big eye opener to those who had never had hopes for technology, such as the walkman which was sony’s cassette player which revolutionalised music, followed by many more nintendo games and even the creation of CD’s and microsoft windows. As we evolve these were the building blocks of what we have for technology and how it changes every year. Designers such as Kawakubo may take inspiration from things such as these, incorporating them into daily clothing and trying to understand the market and what they can take from it. The use of pockets may need to become more understood as people had casette players to take with them and even some garments would include headphone holes which would conceal the headphones.</div>]]></description>
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         <pubDate>2021-12-10 04:21:53 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939685913</guid>
      </item>
      <item>
         <title>Jean Paul Gaultier Spring 1994</title>
         <author>khallam</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939686552</link>
         <description><![CDATA[<div>In 1994 grunge fashion was becoming popular with chokers, crop tops, high waisted trousers, satin, velvet, denim. This collection had tribal, indian and african influences but also featured things like graffiti print, vests and lots of denim which were all a part of popular culture at the time as fashion started to relax its rules and boundaries. <br><br><a href="https://edition.cnn.com/style/article/1990s-fashion-history/index.html">1990s fashion: A brief history of what we wore - CNN Style</a></div>]]></description>
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         <pubDate>2021-12-10 04:22:31 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939686552</guid>
      </item>
      <item>
         <title>Pulp Fiction</title>
         <author>khallam</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939692249</link>
         <description><![CDATA[<div>This movie was a huge hit when it was released in 1994 and showcases the grunge aesthetic that was popular at the time, including fashion and music.<br><br><a href="https://www.imdb.com/title/tt0110912/">Pulp Fiction (1994) - IMDb</a></div>]]></description>
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         <pubDate>2021-12-10 04:28:04 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939692249</guid>
      </item>
      <item>
         <title>Jean Paul Gaultier Spring 1994</title>
         <author>khallam</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939700335</link>
         <description><![CDATA[<div>This collection was so revolutionary for the time as it was a big step toward diversity in fashion by representing tribal, indian and african inspired garments and using a diverse range of models, including male models wearing skirts, it showed that people of all skin colours, cultures and gender belong in every part of the fashion world without boundaries. In fact, in most of his collections there is a strong political message about gender and race equality and he feels passionately about the subject.<br><br><a href="https://www.francetoday.com/culture/art_and_design/fashion/50-years-in-fashion-an-interview-with-jean-paul-gaultier/">50 Years in Fashion: An Interview with Jean Paul Gaultier (francetoday.com)</a></div>]]></description>
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         <pubDate>2021-12-10 04:36:25 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939700335</guid>
      </item>
      <item>
         <title>Illustration of a design from his 1994 Spring Collection</title>
         <author>khallam</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939773640</link>
         <description><![CDATA[]]></description>
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         <pubDate>2021-12-10 06:04:18 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1939773640</guid>
      </item>
      <item>
         <title>Missoni</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1940067042</link>
         <description><![CDATA[<div>Colour was a key feature in missoni kknitwear. With Ottavio being rtesponsible for mixing the watercolours and guaches in order to select colour for the knits whilst his wife rosita was responsible for creating the clothing itself. This collection shows how well the two used colour through weaving them in different combinations to create bold and daring combinations that have become synomymous with 60's fashion.</div>]]></description>
         <enclosure url="https://fashiontextilemuseumblog.files.wordpress.com/2020/05/040516-ftm-missoni-244.jpg?w=1024" />
         <pubDate>2021-12-10 10:19:34 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1940067042</guid>
      </item>
      <item>
         <title>Missoni ZigZag</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1940073404</link>
         <description><![CDATA[<div>The ZigZag pattern was something that made missoni's clothing instantly recognisable. After a playsuit that sported the pattern was featured in Grazia Magazine, It instantly became one fo the most fashionable textiles. Still being recognisable to this day. Colour is used in a very unique way here with Ottavio paring many colours that would conflict usually however with the pattern and other supporting colours. He strikes a lovely balance.</div>]]></description>
         <enclosure url="https://fashiontextilemuseumblog.files.wordpress.com/2020/05/040516-ftm-missoni-270.jpg?w=683" />
         <pubDate>2021-12-10 10:24:12 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1940073404</guid>
      </item>
      <item>
         <title>Missoni Runway Show</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1940082011</link>
         <description><![CDATA[<div>Post War Italy had an inner conflict. Many of its cities were vying to be the fashion capital of the counrty. At this time, Florence and Rome were the big two. Missoni held this show in Rome and surprised press with their amazing use of colour and knitwear. Creating stunning ready-to-wear pieces that were an immediate success. Another, more controversial show was held in 1967. These shows created a lot of buzz for Missoni and placed Milan on the fashion map. It could be argued that without Missoni, Milan would not be the fashion capital it is known as today.</div>]]></description>
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         <pubDate>2021-12-10 10:31:26 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1940082011</guid>
      </item>
      <item>
         <title>Missoni Illustration</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1940095841</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1494622871/30bffee8c8e41792b93eb93ee407910c/IMG_2826.PNG" />
         <pubDate>2021-12-10 10:44:08 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1940095841</guid>
      </item>
      <item>
         <title>Jean Paul Gaultier 1990 spring summer</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1940168936</link>
         <description><![CDATA[<div>This video is of Jean Paul Gaultier's 1990 fashion show. It starts with the models dressed as nuns standing solemnly as Christian music plays in the background.&nbsp; then the 'nuns' begin smiling and starting to take off layers to reveal outfits underneath as the music begins to pick up. This&nbsp;may  be a nod to how the cold war was finally over and so an increase in consumerism and sense of shedding responsibility lead to people focusing more on enjoying themselves without being held back by the past. The use of uniforms is something that can be seen throughout the rest of Gaultier's collections, especially those nautically themed.</div>]]></description>
         <enclosure url="https://youtu.be/50B7u2m2WHE" />
         <pubDate>2021-12-10 11:50:07 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1940168936</guid>
      </item>
      <item>
         <title></title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1940170719</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1494738939/8e31c9e9ff8bd7b603ead21e11e76bec/IMG_5741.HEIC" />
         <pubDate>2021-12-10 11:51:45 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1940170719</guid>
      </item>
      <item>
         <title></title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1940171013</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1494738939/c9bcf936d5834164986f0c75febf7dae/Photo0542.jpg" />
         <pubDate>2021-12-10 11:52:00 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1940171013</guid>
      </item>
      <item>
         <title>1990 ID Jean Paul Gautier</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1940178141</link>
         <description><![CDATA[<div>Here is an advertisement for aluminium in the 1990 ID journal. Whilst skimming through it is clear to see many ads for new materials and their potential uses, as expected of a time where consumerism was growing rapidly and people now had the funds and the time to experiment.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1435668524/69206e1226a6a8d9e827b4d146ee8f07/PHOTO_20211209_182256.jpg" />
         <pubDate>2021-12-10 11:58:03 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1940178141</guid>
      </item>
      <item>
         <title>2003 events</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1940186446</link>
         <description><![CDATA[<div>Space missions were still active and the 2003 Columbia disaster occurred n February of that year. Whilst being a tragedy shows that space was still active in the media.&nbsp;The space age movement and the inspiration from space technology was still in frequent circulation.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1491457645/39c5350ad36b451388e9bf9dcb8bee2c/David_Brown_space_shuttle_Columbia_Rick_Husband_February_1_2003.jpg" />
         <pubDate>2021-12-10 12:04:22 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1940186446</guid>
      </item>
      <item>
         <title>Jean Paul Gaultier 1990</title>
         <author></author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1940322411</link>
         <description><![CDATA[<div>picture taken from https://www.youtube.com/watch?v=T-AUMKWWOdM&amp;ab_channel=YOURFASHIONARCHIVE because I couldn't find any photographs from either collection that weren't sourced from Pinterest.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1493429999/f4dd67aaa00e0e9429e60caf20631b3c/Screenshot__170_.png" />
         <pubDate>2021-12-10 13:31:32 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1940322411</guid>
      </item>
      <item>
         <title>Thierry mugler Autumn/winter 1997</title>
         <author>natvfoster</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1955936557</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1419853214/99a602c8875eb82c3c853c7dc962c1d2/Untitled_8.jpg" />
         <pubDate>2021-12-19 22:39:44 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1955936557</guid>
      </item>
      <item>
         <title>Thierry Mugler 1984</title>
         <author>natvfoster</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1955947502</link>
         <description><![CDATA[<div>Pat Cleavland modelling for Thierry Mugler in his 1984 10th anniversary collection. Mugler is known for ethereal and sci fi themes in his work with religious themes also involved in some of the designs. In this image Cleavland represents the mother Mary who appears suspended from the ceiling onto the stage in a cloud of smoke in the fashion show, giving an insight to how Mugler can design something that can while also working it into art performance.</div>]]></description>
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         <pubDate>2021-12-19 23:00:39 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1955947502</guid>
      </item>
      <item>
         <title>Thierry Mugler Fall/Winter 1989-1990</title>
         <author>natvfoster</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1955953227</link>
         <description><![CDATA[<div>Mugler worked a lot with corset design specifically when combined with futurism and sculpture. A well known piece by Mugler is the ‘motorcycle corset’ in 1992, two years after this piece was released on the runway, this is a good introduction to the following collection in ’92 with the strong silhouette of a metallic corset without as close of a resemblance to a motorcycle or vehicle. This shows an evolution is his work in relation to his interest in corsets and costume.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1419853214/fba893e81d807cd3ece03753aed0e948/gettyimages_665776362_1549901655.jpg" />
         <pubDate>2021-12-19 23:12:09 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1955953227</guid>
      </item>
      <item>
         <title>Thierry Mugler 80s/90s work video</title>
         <author>natvfoster</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1955957277</link>
         <description><![CDATA[<div>This video takes a look at Muglers work throughout the 80’s and shows an evolution of his work on runways and shows that portray his design concepts not only with models but the work put into the stage-work and performance</div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=chnZ0zc5Klk" />
         <pubDate>2021-12-19 23:19:41 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1955957277</guid>
      </item>
      <item>
         <title>Power Dressing 1980&#39;s</title>
         <author>natvfoster</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1955965855</link>
         <description><![CDATA[<div>Power dressing was something that surfaced in the 80’s and became a major influence throughout the fashion industry by introducing femininity into what was considered mens clothing, this contributed to the beginning of androgynous wear and what the fashion industry is today. Theirry Mugler regularly challenges the idea of gender roles by empowering sexuality and femininity in his work now and back in the 80’s.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1419853214/3975f012f8fdcbc250e5a5fff0a2c68c/url.jpg" />
         <pubDate>2021-12-19 23:36:20 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1955965855</guid>
      </item>
      <item>
         <title>Vivienne Westwood in Womans Wear Daily in 1994</title>
         <author>khighfield1</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1983512035</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1530156089/1dd6d7bea10ed9167fdceebfd5b269a5/S181886344622010717220.pdf" />
         <pubDate>2022-01-10 10:17:29 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1983512035</guid>
      </item>
      <item>
         <title>Vivienne Westwood in I-D Magazine </title>
         <author>khighfield1</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1983513210</link>
         <description><![CDATA[<div>Vivienne Westwoods work from the early 90s shown in an early 2000s journal. I like these photos as they show her most renown work and what makes her strike as a shocking designer</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1530156089/fa189e56f21e794ec69e206efd2a287e/Untitled_1_copy.pdf" />
         <pubDate>2022-01-10 10:18:16 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1983513210</guid>
      </item>
      <item>
         <title>Vivienne Westwood Spring 1994 Ready-to-Wear Fashion Show</title>
         <author>khighfield1</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1983515159</link>
         <description><![CDATA[<div>Vivienne Westwood’s Café Society collection was presented on October 13, 1993, in Paris<em>. </em>I like this collection of work by Vivienne Westwood as her work pushes the shape of the figure and extenuates the human figure specially around the shoulders and hips. This Catwalk style is similar to a lot of other collections by her that play with shape</div>]]></description>
         <enclosure url="https://www.vogue.com/fashion-shows/spring-1994-ready-to-wear/vivienne-westwood/slideshow/details#4" />
         <pubDate>2022-01-10 10:19:35 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1983515159</guid>
      </item>
      <item>
         <title>Work from Westwoods 1994 Collection</title>
         <author>khighfield1</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1983516798</link>
         <description><![CDATA[<div>I-D Magazine 2002</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1530156089/908950dd4f7dcbabc16725a380bdc9c7/S181886344622010717230.pdf" />
         <pubDate>2022-01-10 10:20:42 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1983516798</guid>
      </item>
      <item>
         <title>Vivienne Westwoods Biography and Early 90s Work</title>
         <author>khighfield1</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1983517989</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1530156089/7ffa5f29e217deb2ae9e9b98055b4cec/Untitled_1_copy_pdf111.pdf" />
         <pubDate>2022-01-10 10:21:33 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1983517989</guid>
      </item>
      <item>
         <title>Vivienne Westwood 1994 Spring Ready to Wear</title>
         <author>khighfield1</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1983525039</link>
         <description><![CDATA[<div>Face Magazine 1993/1994&nbsp;</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1530156089/a7864798601458a0c96b6ccd001f0eee/Untitled_1.pdf" />
         <pubDate>2022-01-10 10:26:13 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1983525039</guid>
      </item>
      <item>
         <title>Vivienne Westwoods Influence on London</title>
         <author>khighfield1</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1983527388</link>
         <description><![CDATA[<div>An article outlining Vivienne Westwoods start to creating a punk scene and the DIYLondon asthetics seen across the country due to Westwoods Influence</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1530156089/18386fbc77419e1383dcbf96c2a427cd/S181886344622010717250.pdf" />
         <pubDate>2022-01-10 10:27:36 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1983527388</guid>
      </item>
      <item>
         <title>Anglomania 1993 Collection, Vivienne Westwood</title>
         <author>khighfield1</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1983531830</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://youtu.be/r8I3559mEOY" />
         <pubDate>2022-01-10 10:30:29 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1983531830</guid>
      </item>
      <item>
         <title>Vivienne Westwood Illustration</title>
         <author>khighfield1</author>
         <link>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1983597191</link>
         <description><![CDATA[<div>Vivienne Westwood Spring 1994 Ready to Wear Illustration</div>]]></description>
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         <pubDate>2022-01-10 11:21:52 UTC</pubDate>
         <guid>https://padlet.com/mcoats4/osihz2g7uxfr5gr6/wish/1983597191</guid>
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