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      <title>Harlem Renaissance by Kennedy Feuerborn</title>
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      <description>Made with an aura of mystery</description>
      <language>en-us</language>
      <pubDate>2017-11-28 18:52:34 UTC</pubDate>
      <lastBuildDate>2025-12-06 12:13:19 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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         <title>History</title>
         <author>mglashley</author>
         <link>https://padlet.com/kjfeuerborn/orp4minvy63i/wish/211100032</link>
         <description><![CDATA[<div>This website is helpful for it's organization and creativity to help readers understand the topic. The different subtitles help the reader find the certain information they are looking for. There are also helpful videos on the side of the page that support the subtitle. At the top of the page there is a summary that gives the reader an idea of what each section is about.</div>]]></description>
         <enclosure url="http://www.history.com/topics/black-history/harlem-renaissance" />
         <pubDate>2017-11-28 18:57:57 UTC</pubDate>
         <guid>https://padlet.com/kjfeuerborn/orp4minvy63i/wish/211100032</guid>
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         <title>Encyclopedia Britannica</title>
         <author>kjfeuerborn</author>
         <link>https://padlet.com/kjfeuerborn/orp4minvy63i/wish/211101243</link>
         <description><![CDATA[<div>This website exhibits in great detail how the Harlem Renaissance was a expansion of African American culture, providing a detailed background of the Great Migration as well as information regarding the many regulations put in place to assure African American civil rights. Not only does it address the role of African Americans in the North , the website also covers black heritage and culture prior to its development during the period of the Harlem Renaissance. There are multiple pages covering concepts such as African American poetry and fiction works, drama, and visual art. The reader is provided a very detailed description of these topics with several examples of specific African American works as well. There are several images along the sides of the pages that help the reader get a better idea of what the text addresses and allows them to see genuine photos of famous African Americans and their creations. The site is well organized which allows the reader to obtain the best possible understanding of the material it presents. Overall, I found this website to be very helpful as it presented plenty of information about the topic in a very organized setting that was easy to navigate.</div>]]></description>
         <enclosure url="https://www.britannica.com/event/Harlem-Renaissance-American-literature-and-art" />
         <pubDate>2017-11-28 18:59:37 UTC</pubDate>
         <guid>https://padlet.com/kjfeuerborn/orp4minvy63i/wish/211101243</guid>
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         <title>Biography</title>
         <author>mglashley</author>
         <link>https://padlet.com/kjfeuerborn/orp4minvy63i/wish/211560914</link>
         <description><![CDATA[<div>This website is presented very helpful because of how its setup. When you first click on the page there is different tabs with helpful descriptions. The tabs are of different people or groups that were involved in this time. This website gives a description of the years the person lived, what they did, and also a picture.</div>]]></description>
         <enclosure url="https://www.biography.com/people/groups/movement-harlem-renaissance" />
         <pubDate>2017-11-29 18:35:56 UTC</pubDate>
         <guid>https://padlet.com/kjfeuerborn/orp4minvy63i/wish/211560914</guid>
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         <title>Crash Course</title>
         <author>kjfeuerborn</author>
         <link>https://padlet.com/kjfeuerborn/orp4minvy63i/wish/211569049</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://youtu.be/ir0URpI9nKQ" />
         <pubDate>2017-11-29 18:49:36 UTC</pubDate>
         <guid>https://padlet.com/kjfeuerborn/orp4minvy63i/wish/211569049</guid>
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         <title>Portrait of Louis Armstrong</title>
         <author>kjfeuerborn</author>
         <link>https://padlet.com/kjfeuerborn/orp4minvy63i/wish/211571727</link>
         <description><![CDATA[<div>This photo was taken between 1938 and 1948 and represents the spread of African American culture during the time of the Harlem Renaissance. The photo below is a portrait of Louis Armstrong, an American trumpeter, composer, singer and occasional actor who was one of the most influential figures in jazz. Following the Great Migration, many African Americans found comfort in the arts. They expressed themselves through music, drama, and visual art and were very successful in doing so. Other musical artists of the time period include Nat King Cole, Ella Fitzgerald, and Ray Charles. This photo captures the passion instilled within these musical artists of the time and how dependent they were on music in order to thrive during the Harlem Renaissance.</div>]]></description>
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         <pubDate>2017-11-29 18:53:49 UTC</pubDate>
         <guid>https://padlet.com/kjfeuerborn/orp4minvy63i/wish/211571727</guid>
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      <item>
         <title>&quot;Ballad of Booker T.&quot; by Langston Hughes</title>
         <author>kjfeuerborn</author>
         <link>https://padlet.com/kjfeuerborn/orp4minvy63i/wish/211574863</link>
         <description><![CDATA[<div>Langston Hughes is an American poet, social activist, novelist, playwright, columnist, and one of the earliest innovators of the then-new literary art form called jazz poetry.&nbsp; In the 1940s, the poet was a major author who worked in many different literary forms, from poems and short stories to newspaper columns, essays, and songs. He was also a prominent public figure who produced commentaries on culture and race relations in the United States–one publisher later called him “the unchallenged spokesman of the American Negro.”</div><div>His first published poem appeared in the magazine in 1921. Langston Hughes wrote this poem honoring Booker T. Washington in 1941. Hughes' poetry and other writings often described the lives and culture of working-class African Americans or themes that concerned that segment of the population. In this poem, the narrator tries to reconcile the reputation of Booker T. Washington as collaborator with white racists with the time period and place.&nbsp;</div>]]></description>
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         <pubDate>2017-11-29 18:58:55 UTC</pubDate>
         <guid>https://padlet.com/kjfeuerborn/orp4minvy63i/wish/211574863</guid>
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         <title>The Harlem Renaissance and The Affect on Todays Culture.</title>
         <author>mglashley</author>
         <link>https://padlet.com/kjfeuerborn/orp4minvy63i/wish/211576022</link>
         <description><![CDATA[<div>Much like today, being an artist can mean that you might have to travel and branch out to a much bigger stage and audience. During this time period it could have been inspirational, and a very big deal for African Americans. It was big because of the booming success Harlem, New York had to offer for young artists.&nbsp;</div>]]></description>
         <enclosure url="https://mtviewmirror.com/the-harlem-renaissance-the-affect-on-todays-culture/" />
         <pubDate>2017-11-29 19:00:43 UTC</pubDate>
         <guid>https://padlet.com/kjfeuerborn/orp4minvy63i/wish/211576022</guid>
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      <item>
         <title>&quot;After You&#39;ve Gone&quot; by Henry Creamer and J. Turner Layton</title>
         <author>kjfeuerborn</author>
         <link>https://padlet.com/kjfeuerborn/orp4minvy63i/wish/211578309</link>
         <description><![CDATA[<div>Henry Creamer was a popular African American song lyricist that co-wrote many popular songs in the years from 1900 to 1929, often collaborating with Turner Layton, with whom he also appeared in vaudeville. Their first big hit was <em>After You've Gone,</em> written in 1918 and was first made popular by Sophie Tucker who had a penchant for black written material. In 1921, they wrote <em>Strut Miss Lizzie</em> which was introduced by Van and Schenck in the <strong>Ziegfeld Follies of 1921.</strong> The following year they wrote <em>Way Down Yonder in New Orleans,</em> which was introduced by the duo in <strong>Spice of 1922.</strong> It has proven to be a very popular number over the years. It was recorded by Bix Beiderbecke in 1927 and Fred Astaire and Ginger Rogers danced to it on film in 1939. In 1926, Creamer teamed with James P. Johnson to write <em>If I Could Be With You (One Hour Tonight).</em> It was first featured in Irvin C. Miller's Brownskin Model<strong>s</strong> by George Randol and Andy Razaf. In 1930, it was introduced to the white popular music market by Ruth Etting and soon after became a top seller. In that same year Louis Armstrong, and McKinney's Cotton Pickers also recorded it. Due to its success, James P. Johnson gained admittance to ASCAP.</div>]]></description>
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         <pubDate>2017-11-29 19:04:27 UTC</pubDate>
         <guid>https://padlet.com/kjfeuerborn/orp4minvy63i/wish/211578309</guid>
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      <item>
         <title>Vocab List</title>
         <author>mglashley</author>
         <link>https://padlet.com/kjfeuerborn/orp4minvy63i/wish/212942024</link>
         <description><![CDATA[<div>1)Railroad Industry: faster, more practical means of transporting goods, lowered production costs, created national markets, served as a model for big business, stimulated other industries<br>2) UNIA: Universal Negro Improvement Association<br>3) Scapegoat: someone punished for the errors of others<br>4) The promise land: the north. more opportunities for blacks and was supposed to have less segregation<br>5) reconstruction: the period after the Civil War in the United States when the southern states were reorganized and reintegrated into the Union<br>6) Disenfranchise: deprive of voting rights<br>7) The Chicago Defender: was an African American newspaper<br>8) Cotton Curtain: the divide between the north and the south.<br>9) Ghetto: a poor densely populated city district occupied by a minority ethnic group linked together by economic hardship and social restrictions<br>10) Lynching: torturing and killing a person by beating and usually in front of a crowd of people.<br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2017-12-04 16:35:27 UTC</pubDate>
         <guid>https://padlet.com/kjfeuerborn/orp4minvy63i/wish/212942024</guid>
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      <item>
         <title>Paragraph #2</title>
         <author>mglashley</author>
         <link>https://padlet.com/kjfeuerborn/orp4minvy63i/wish/212949534</link>
         <description><![CDATA[<div>It was time for a cultural celebration. African Americans had endured centuries of slavery and the struggle for abolition. The end of bondage had not brought the promised land. But&nbsp;many had envisioned. Instead, white supremacy was quickly, legally, and violently restored to the New South. Where ninety percent of African Americans lived. Starting in about 1890, African Americans migrated to the North in great numbers. This Great Migration eventually relocated hundreds of thousands of African Americans from the rural South to the urban North. Many discovered they had shared common experiences in their past histories. And their uncertain present circumstances. Instead of wallowing in self-pity, the recently dispossessed ignited an explosion of cultural pride. Indeed, African American culture was reborn in the Harlem Renaissance.</div>]]></description>
         <enclosure url="" />
         <pubDate>2017-12-04 16:48:41 UTC</pubDate>
         <guid>https://padlet.com/kjfeuerborn/orp4minvy63i/wish/212949534</guid>
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      <item>
         <title>Harlem Renaissance </title>
         <author>jgschlatter</author>
         <link>https://padlet.com/kjfeuerborn/orp4minvy63i/wish/212951795</link>
         <description><![CDATA[<div><br>The Democratic whites denied African Americans their exercise of civil and political rights by terrorizing black communities with lynch mobs and other forms of vigilante violence as well as by instituting a convict labor system that forced many thousands of African Americans back into unpaid labor in mines, on plantations, and on public works projects such as roads and levees. Convict laborers were typically subject to brutal forms of corporal punishment, overwork, and disease from unsanitary conditions. Death rates were extraordinarily high.  While a small number of blacks were able to acquire land shortly after the Civil War, most were exploited as sharecroppers. As life in the South became increasingly difficult, African Americans began to migrate north in great numbers.<br><br></div><div><br>Most of the African-American literary movement arose from a generation that had memories of the gains and losses of Reconstruction after the Civil War. Sometimes their parents or grandparents had been slaves. Their ancestors had sometimes benefited by paternal investment in cultural capital, including better-than-average education. Many in the Harlem Renaissance were part of the early 20th century  out of the South into the Negro neighborhoods of the North and <a href="https://en.wikipedia.org/wiki/Midwestern_United_States">Midwest</a>. African Americans sought a better standard of living and relief from the institutionalized racism in the South. Others were people of African descent from racially stratified communities in the <a href="https://en.wikipedia.org/wiki/Caribbean">Caribbean</a>who came to the United States hoping for a better life. Uniting most of them was their convergence in Harlem<br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2017-12-04 16:53:00 UTC</pubDate>
         <guid>https://padlet.com/kjfeuerborn/orp4minvy63i/wish/212951795</guid>
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         <title></title>
         <author>ctdavlantes</author>
         <link>https://padlet.com/kjfeuerborn/orp4minvy63i/wish/213013169</link>
         <description><![CDATA[verall, I found this ]]></description>
         <pubDate>2017-12-04 18:45:03 UTC</pubDate>
         <guid>https://padlet.com/kjfeuerborn/orp4minvy63i/wish/213013169</guid>
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