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      <title>Contemporary Studio Practice by </title>
      <link>https://padlet.com/lyforrester/orfrcyket3qayyb</link>
      <description>Made with a dash of parasociality</description>
      <language>en-us</language>
      <pubDate>2021-10-03 14:44:55 UTC</pubDate>
      <lastBuildDate>2024-12-11 12:44:21 UTC</lastBuildDate>
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         <title>The Downward Spiral - Nine Inch Nails, 1994</title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1792542304</link>
         <description><![CDATA[<div>The Downward Spiral was composed in 1993 by Trent Reznor and Flood his co member of Nine Inch Nails. The Downward Spiral features elements of Industrial Rock, Techno and Heavy Metal. This album follows the narrative of a protaganist falling down a downward spiral. </div>]]></description>
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         <pubDate>2021-10-05 10:39:46 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1792542304</guid>
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         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1792555427</link>
         <description><![CDATA[<div>Trent Reznor is one of my biggest influences artistically. He is American musician, singer, songwriter, record producer, and composer. He is one of the fronteers of the Industrial Rock movement and his work in musicial production is considered ground breaking.<br><br>Reznor uses sound as a way of manipulating our emotions and can make the softest of instruments like the piano, extremely unsettling. Reznor uses samples of sounds such as hammers against walls, piano samples, dialogue from movies and synthesises them into a piece that is disturbing, unsettling and surprisingly an enjoyable listen.&nbsp;<br><br>I wanted my sculpture to reflect the noise that Trent Reznor's music produces. His modern synthesising techniques uses technology to create disturbing media. Creates noise that is industrial and emotional. How his music sound is how I want my sculptural pieces to look.</div>]]></description>
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         <pubDate>2021-10-05 10:46:27 UTC</pubDate>
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         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1884716961</link>
         <description><![CDATA[]]></description>
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         <pubDate>2021-11-11 17:13:45 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1884716961</guid>
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      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1884717578</link>
         <description><![CDATA[]]></description>
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         <pubDate>2021-11-11 17:14:02 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1884717578</guid>
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      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1884720010</link>
         <description><![CDATA[]]></description>
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         <pubDate>2021-11-11 17:15:09 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1884720010</guid>
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      <item>
         <title>Amazon Using Memes </title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1884727611</link>
         <description><![CDATA[<div>As you can see below here are a lot of examples of Amazon's social media. Amazon has hired people who understand the language of the internet, this includes memes, as seen below. This is a way of Amazon Prime humanising themselves and appealing to young people. Giving them not only attention for their funny posts but also building a relationship with fans that can be profited off</div>]]></description>
         <enclosure url="" />
         <pubDate>2021-11-11 17:18:46 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1884727611</guid>
      </item>
      <item>
         <title>Interaction with Celebrities</title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1884730087</link>
         <description><![CDATA[<div>Here we see an example of Supernatural actor Misha Collins interacting with Amazon after Amazon replied to a Supernatural fan. This interaction in my opinion is genius example of PR.&nbsp;<br><br>If we breakdown this tweet we can see Misha Collins talking about ships within supernatural. Whenever an actor utters any words about a ship it is given great attention. So he is catching the attention of the fandom as well as promoting Amazon's social media. During the time of this tweet Misha had no known business with amazon but a few weeks after it was announced that he was releasing a poetry book that would be available on Amazon. I think this fact highlights how calculated these actions are and also really articulates how well the cast as well as corpurations knows what will catch our eyes.</div>]]></description>
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         <pubDate>2021-11-11 17:19:59 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1884730087</guid>
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      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1884747178</link>
         <description><![CDATA[<div>Amazon even takes part in commenting "thirsty" comments on actors social medias and as you can see here from the likes, it has gained a lot of attention from fans. This is on the instagram post of a supernatural star, Jensen Ackles who will be playing a lead on the Amazon Prime show 'The Boys' in 2022.</div>]]></description>
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         <pubDate>2021-11-11 17:28:23 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1884747178</guid>
      </item>
      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1884757823</link>
         <description><![CDATA[<div>Amazon is just one example of how corpurations intelligently are using social media to personify themselves to create trusting relationships with consumers. What I like to focus on and find so fascinating is how these accounts interact with fandom and use internet formats like memes to appeal to fans. Here I have compiled a small example of these interactions.</div>]]></description>
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         <pubDate>2021-11-11 17:33:42 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1884757823</guid>
      </item>
      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1884778380</link>
         <description><![CDATA[]]></description>
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         <pubDate>2021-11-11 17:44:46 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1884778380</guid>
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      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1884778803</link>
         <description><![CDATA[]]></description>
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         <pubDate>2021-11-11 17:45:00 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1884778803</guid>
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      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1884779093</link>
         <description><![CDATA[]]></description>
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         <pubDate>2021-11-11 17:45:09 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1884779093</guid>
      </item>
      <item>
         <title>Supernatural Conventions</title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1884799592</link>
         <description><![CDATA[<div>Creation Entertainment is a Warner Bros company that runs cons dedicated to CW shows like Supernatural and Vampire Diaries. I will focus on the research I have done on Supernatural cons since all my prior research is on Supernatural.&nbsp;<br><br>Supernatural Con is a con purely dedicated to the show supernatural and fans meeting the cast and crew. Sometimes they even hold panels for the cast's body guards. These cons are a breeding ground for fan and cast interaction. Fans get to meet and interact with their parasocial relationships and the cast get to make money while doing it.&nbsp;<br><br>These spaces are also direct communication links between fandom and the show's cast. Here fans can ask questions to cast and it creates lots of content and discourse for the fandom's online presence. As a member of the Supernatural fandom myself, conventions are like mini christmases and I look forward to seeing videos of the panels as well as stories on how fans interacted with the cast.<br><br>Though there are many positive aspects to cons, I can't help but feel like they are exploitetive by nature and the ridiculous prices the fans have to pay to enter the con ass well as pay to simply get a photo with an actor.<br><br>Down below I have listed some examples of the events they hold at cons between the cast and fans as well as the prices of these events. </div>]]></description>
         <enclosure url="" />
         <pubDate>2021-11-11 17:56:45 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1884799592</guid>
      </item>
      <item>
         <title>Parasocial Hell Final Film</title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1884870952</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://vimeo.com/641972422" />
         <pubDate>2021-11-11 18:36:57 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1884870952</guid>
      </item>
      <item>
         <title>The Boys</title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1889392546</link>
         <description><![CDATA[<div>The Boys is an Amazon Prime show created by Eric Kripke that poses us the question of what superheroes would actually be like, if they existed in real life. This show is based of the gory and raunchy comic book series by Garth Ennis and the TV show takes more of a spun on realism. The heroes depicted in the show are an allegory for celebrities and The Boys explores themes of corruption, greed, fame and many more of these gritty subjects.&nbsp;<br><br>This show inspires my work so much because it really explores the infestructure of how corrpurations work. It explores being a figure in media and controlling your public image so you can sell product as well as be famous and gain all the attention you could ever want.<br><br>It also explores the corruption behind the scenes. How these superhero celebrities abuse their social power as well as their super powers and how Vought's(The corrpuration who owns the superheros) only interest is making money and not using these superheroes for the good of humanity.</div>]]></description>
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         <pubDate>2021-11-14 16:06:16 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1889392546</guid>
      </item>
      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1889408107</link>
         <description><![CDATA[<div>For my project it deemed appropriate for me to look into surveillance capitalism. I wanted to understand how this digital age of no privacy and expert marketing came to be and to understand that, I must understand the history and how it came to be. I read this book by Shoshana Zuboff and it gave me extreme insight into the every day workings of this new form of capitalism as well as how it came to be this way.<br><br>Zuboff starts the book off this question of what home is. How our homes exist in this modern age as well as how they have existed. This leads her to informing us about smart homes and how they exist and if they are the future and the privacy that we will have to give up to function of this new method of living. Smart Home doesn't work if we do not agree to the terms of service and without agreeing, smart home will not update and certain functions are just not available. We must trade our own information to garner access to this service.<br><br>Zuboff introduces us to the important question of, what is surveillance capitalism and how does it function? Providing us clear detail on how capitalism began to function and compares the revolution of iTunes to Ford's revolution of developing lower cost cars.<br><br>This book provided me so much insight into how Surveillance Capitalism functions and this really helped me work on my sculpture. It gave me an understanding into how marketing works virtually and the algorithm that aids it. This helped me figure out how I would physically develop a sculpture of the immaterial world of surveillance capitalism</div>]]></description>
         <enclosure url="" />
         <pubDate>2021-11-14 16:20:31 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1889408107</guid>
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      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1889410602</link>
         <description><![CDATA[<div>Misha Collins is an American author, actor, director and producer. He is best known for his role as Castiel on the CW show Supernatural.</div>]]></description>
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         <pubDate>2021-11-14 16:22:56 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1889410602</guid>
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      <item>
         <title>Repeat Stuff</title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1889569195</link>
         <description><![CDATA[<div>Repeat Stuff is an extremely outlandish pop song written by Bo Burnham that exposes the pop industry and it's factory for making music for young girls and using their parasocial relationships to make money.<br><br>Burnham highlights the generic song lyrics that are used to reel in audiences. These songs make people feel special because they are carefully constructed by the corporate elite, marketed to young girls because statistically they buy the most records out of all age demographics.<br><br>"Love songs nowadays just as beautiful, guys,<br>Beautiful, complex love songs.<br>I love your hair, I love your name, I love the way you say it<br>I love your heart and you're so smart, 'cause you gave away it<br>I love your sis', I love your dad, I love your mum<br>But more than all of that I love the fact that you are dumb enough<br>To not realise everything I've said has been said before<br>In a thousand ways, in a thousand songs, some with the same four chords<br>But you'll still love it, let me finger you, yeah finger you, finger you<br><br>Oh girl, I hope you don't think that I'm rude<br>When I tell you that I love you boo<br>I also hope that you don't see through<br>This cleverly constructed ruse<br>Designed by a marketing team<br>Cashing in on puberty and low self-esteem<br>And girls' desperate need to feel loved"<br><br>He highlights not only invasive weirdness of singing to teenage girls about loving them but also using their vulnerabilities against them. This song puts into question our understanding of media. It makes us question the friendly faces of pop stars we see everyday and their intentions as well as the media's intentions. Burnham highlights how magazines strive to destroy young girls self esteem and how these pop stars are carefully places to lift them up. A continuous vicious cycle made to make as much money as they can.<br><br>"Young ones, listen up<br>I'm in magazines full of model teens, so far above you<br>So read them and hate yourself, and pay me to tell you I love you<br>I love you<br>And your parents will always come along, because their little girl is in love<br>And how could love be wrong? How could love be wrong? When you</div><div>We know it's not right, we know it's not funny<br>But we'll stop beating this dead horse when it stops spitting out money<br>But until then, we will repeat stuff"</div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=nt9c0UeYhFc" />
         <pubDate>2021-11-14 19:17:55 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1889569195</guid>
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      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1889570407</link>
         <description><![CDATA[<div>Bo Burnham is an American comedian, musician, writer and director.</div>]]></description>
         <enclosure url="" />
         <pubDate>2021-11-14 19:19:29 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1889570407</guid>
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      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1889571424</link>
         <description><![CDATA[<div>I got Jessie to pose for me so I could model the sculpture off this movement of a body</div>]]></description>
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         <pubDate>2021-11-14 19:20:52 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1889571424</guid>
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      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1889571831</link>
         <description><![CDATA[<div>I constructed a figure out of metal wire, it was inspired by the human skeleton. The figure represents the human forms that the algorithm and corporations try to mimic to gain trust from people as well as sell products.<br><br>I was lucky enough to get my hands on an old TV so I smashed into it with a hammer to create a worm hole so that the wire create I constructed could emerge.&nbsp;<br><br>I felt like the sculpture lacked with these two pieces together so I had to figure out a way to help aid the sculpture in making more noise and hypnotise the audience<br><br></div>]]></description>
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         <pubDate>2021-11-14 19:21:23 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1889571831</guid>
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      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1889572196</link>
         <description><![CDATA[<div>I decided to use newspaper and paper mache this big surface that is expanding from the TV. I wanted it to feel like the sculpture was engulfing the room. Coming towards you to attack your space. </div>]]></description>
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         <pubDate>2021-11-14 19:21:52 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1889572196</guid>
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      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1889572571</link>
         <description><![CDATA[<div>I found a bunch of these old credit cruncherz. These are fake credit cards with pop culture icons displayed on them. These were perfect for my project. The use of these cut up cards emulated social medias noise and constant us of pop culture images. It helped highlight the advertising aspect of social media and the internet too, how our information is used simply to sell products to us.</div>]]></description>
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         <pubDate>2021-11-14 19:22:23 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1889572571</guid>
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         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1889573689</link>
         <description><![CDATA[]]></description>
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         <pubDate>2021-11-14 19:23:48 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1889573689</guid>
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         <title>Daughters of the Digital Age: A Portrait of Fandom Women in the Contemporary Internet Age by Delany P. Murray</title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1889586715</link>
         <description><![CDATA[<div>Daughters of the Digital Age is a thesis by Delany P. Murray that explores the experience of late millennial women in fandom. This thesis opts to debunk the misinformed coverage of fandom in the media and uncover the truth. It contextualises the history of women and other marginalised groups in fandoms.<br><br>It explores the creative media women make in fandom and the divide between create media made in fandom vs the sellable products made by corporations.</div>]]></description>
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         <pubDate>2021-11-14 19:40:00 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1889586715</guid>
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         <title>Kill All Normies: Online Culture Wars from 4chan and Tumblr to Trump and the Alt-Right by Angela Nagle </title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1889588392</link>
         <description><![CDATA[<div>Kill All Normies explores the online culture wars that existed during the dawn of the 2016 election.<br><br>In the book it explores parasocialism and how figures like Alex Jones and Milo Yiannopoulos used parasocialism as a way to gain a following and spread hateful political retoric for the alt right. They gained a following on sights like 4chan and reddit and this led to a horde of edgelords who hated feminism and identity politics. <br><br>It also explores the left and it's performative politics performed by actors through twitter. Using performative politics to appeal to young people on the left to strengthen their parasocial relationships with them as well as climb socially.<br><br>Throughout this book it became very clear that the divide between the alt right and the far left online didn't mean there was not similarities between the alt right and the far left. It became abundently clear that many of the reasons why these subcultures were formed was because of escapism. 4Chan and Reddit are sights mostly run on their love for videogames and fiction and Tumblr and Twitter are a places where people discuss mostly fandom. These places streamlined slowly into politics and created two different sides and that then created a war.</div>]]></description>
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         <pubDate>2021-11-14 19:42:27 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1889588392</guid>
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      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1889680114</link>
         <description><![CDATA[<div>Zach Stone Is Gonna Be Famous was an MTV show written by Bo Burnham. It is a show that follows a teen named Zach Stone who has spent all his saving on hiring a TV crew to record him so he can construct his own Reality TV Show to help aid him in getting famous. In this show we see many ways in which Zach tries to gain fame, like trying to become a musician or actor.&nbsp;<br><br>This show comments on the popularisation of reality TV and how this media is affecting young people into being obsessed with fame. It comments on the length people will go to try become famous as well as the happiness that people believe fame will bring.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1383139660/42b0caacc9fffb9ba1ae030e2c69f456/p9865827_b_v8_aa.jpg" />
         <pubDate>2021-11-14 21:40:43 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1889680114</guid>
      </item>
      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1892533120</link>
         <description><![CDATA[<div>Jennifer Barnes takes a look into parasocial relationships. Outlining different studies on this type of relationship. She actually has quite a positive spin on parasocial realtionships and looks into how people can actually gain confidence and take happiness from these relationships. She also outlines the grief we can experience from when a media personae dies or disappoints us. </div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=22yoaiLYb7M" />
         <pubDate>2021-11-15 23:25:17 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1892533120</guid>
      </item>
      <item>
         <title>Stormfront</title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1892535285</link>
         <description><![CDATA[<div>Stormfront is a character who is introduced in season 2 of 'The Boys'. She is the latest member of the Seven, Vought's superhero power group that parodies the Avengers and Justice League.<br><br>Stormfront gains popularity online quickly and it becomes very obvious she is a force to be reckoned with. Homelander, the leader of the Seven grows jealous of her. Homelander is obsessed with everyone liking him and after some public incidents he is losing support from his fans, while Stormfront is gaining a large loyal following very quickly.<br><br>This leads to Homelander confronting Stormfront, here Stormfront explains the importance of social media influence. She says "Millions of people like you, but I have a fucking army." She highlights the importance of creating strong parasocial relationships with your audience and even with a decrease in numbers, their loyalty is stronger than millions of people who just like you.<br><br>Stormfront tells Homelander about how she has people making here memes and popping them onto social media, using humour as a vechile for her to radicalise people with her political rhetoric.<br><br>In the book "Killing All Normies" it covers the alt right and its social media figures like Alex Jones and Milo Yiannopoulos, white supremacists figures in the alt right. These men created a new type of political figure, a figure who was popularised by social media. These men presented a new more casual format that was built on edgy jokes and "owning" feminists. This appealed to many young people and built an army of young people radicalised into becoming white supremacists.<br><br>Stormfront is a direct metaphor for these figures and this is cleverly highlighted in the show. They even have a whole episode dedicated to a young man being radicalised directly by Stormfront(season 2 episode 7)and all the clever ways she constructed herself through media to let this radicalisation of her audience happen. </div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1383139660/804bbafb2b90089dfda47fb6f01f0bdc/Screen_Shot_2020_08_19_at_11_19_18_dfffa50.jpg" />
         <pubDate>2021-11-15 23:27:23 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1892535285</guid>
      </item>
      <item>
         <title>Following Your &quot;Friend&quot;: Social Media and the Strength of Adolescents&#39; Parasocial Relationships with Media Personae by Bradley J. Bond</title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1892571016</link>
         <description><![CDATA[<div>'Following Your "Friend"' a study on adolescents' parasocial relationships by Bradley J. Bond followed 316 adolescents and their social media use to try understand the power social media has on strengthening parasocial relationships.<br><br>Notes in notebook</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1383139660/d9f84d019d82e951797afea397a40845/Cyberpsychology2017.pdf" />
         <pubDate>2021-11-15 23:58:15 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1892571016</guid>
      </item>
      <item>
         <title>Body Tracks Performance, 1982</title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1892587458</link>
         <description><![CDATA[<div>Mendieta’s performance entitled <em>Body Tracks (Rastros Corporales)</em> took place on the evening of 8 April 1982, in an intimate performance space known as Franklin Furnace in New York City.<br><br>Drawing from the Afro-Cuban religion Santería, Mendieta uses animal blood and tempera paint to create imprints of her hands on white paper. She repeats this ritualistic gesture in silence throughout the performance, forming variations of her silhouette. Mendieta exits the gallery space, leaving behind her body prints for the audience to bare witness to the red markings in her absence. Together these acts can be interpreted as Mendieta’s political stance against violence inflicted upon women.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1383139660/0f31983932280b4320ff8d17c2b7b8c2/Screen_Shot_2021_11_16_at_00_08_42.png" />
         <pubDate>2021-11-16 00:09:41 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1892587458</guid>
      </item>
      <item>
         <title>Couple in The Cage: Two Undiscovered Amerindians Visit the West</title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1892590432</link>
         <description><![CDATA[<div><strong><em>The Couple in a Cage: Two Amerindians Visit the West</em></strong> was a 1992-1993 performance art piece by artists Coco Fusco and Guillermo Gómez-Peña for their exhibition <em>The Year of the White Bear and Two Undiscovered Amerindians Visit the West--</em>which toured five countries and was performing in nine different locations.<br><br>Using their bodies and performance the artists wanted to highlight the wests ignorance to colonisation as well as the racism that the society holds in American Society.<br><br>This performance piece was deeply uncomfortable to watch especially how the audience interacted with the performers. This piece was highly inspirational to me and an extremely radical piece. It clearly provides us the audience with an insight into the discrimination indigenous people experience as well as the dehumanisation of other cultures in western society.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1383139660/fc05d1eb0e0f1def8a284b3fb879fbf7/COUPLEINTHECAGE.jpg" />
         <pubDate>2021-11-16 00:11:40 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1892590432</guid>
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      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1892591933</link>
         <description><![CDATA[<div>Juliana Huxtable is a non binary artist who deals with fashion, conspiracy theories, politics and internet culture. During 2019 her works were displayed in the&nbsp;</div><h1>'DESIRE: A REVISION FROM THE 20TH CENTURY TO THE DIGITAL AGE' exhibition. It caught my eye and stood out as she worked on works about furries and identity, sometthing only found online. Since I have been spending much more time online during quaratine I wanted to explore them in my site intervention sculpture. Taking inspiration from different identites we express online and how we change from our virtual life to our day to day life.</h1>]]></description>
         <enclosure url="" />
         <pubDate>2021-11-16 00:12:35 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1892591933</guid>
      </item>
      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1892594165</link>
         <description><![CDATA[<div>Sophie is an interdisiplinary artist who is currently studying studio art and anthropology at Vanderbilt University. Inspired by horror films, scientific specimens, and bioarchaeology, she create fleshy silicone sculptures of fabricated creatures and humanized objects. Through their anatomy and context, these abject sculptures of imagined creatures question the relationships and transactions between the archetypes of the “giver” and taker.” In this way, the abject creatures become visceral visual representations of the archetypes they represent.</div>]]></description>
         <enclosure url="" />
         <pubDate>2021-11-16 00:14:02 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1892594165</guid>
      </item>
      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1892595093</link>
         <description><![CDATA[<div>Heitor Magno is a Brazil based artist who uses double expsoure photography to create beautiful pieces of art.</div>]]></description>
         <enclosure url="" />
         <pubDate>2021-11-16 00:14:37 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1892595093</guid>
      </item>
      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1893935933</link>
         <description><![CDATA[<div>'Fake Friends' is a two parter series on parasocial relationships. This is how I was first introduced to the idea of the parasocial and the issues surrounding these relationships. I became aware of grape-kun the penguin through this series and this went on to heavily inspire my film project, even helping me come up with the title 'parasocial hell'.</div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=x3vD_CAYt4g" />
         <pubDate>2021-11-16 12:14:25 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1893935933</guid>
      </item>
      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1893937614</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://youtu.be/KLA-uFKjQ-g" />
         <pubDate>2021-11-16 12:15:20 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1893937614</guid>
      </item>
      <item>
         <title>Celebrity Lip Syncing </title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1897899249</link>
         <description><![CDATA[<div>"Anyone watch Celebrity Lip Syncing on The Tonight Show?<br><br>It's the end of culture. Culture's over, everybody. We lost. This is entertainment. How is this entertainment? People we've seen too much of mouthing along to songs we've heard too much of. And this is the bread and butter of American television. And it's always one of two things on celebrity lip-syncing. It's either a male celebrity lip-syncing to a woman's song...<br><br><em>[fake laugh]</em> "But he's not..."<br><br>...Or it's a rich, young, white actress ironically lip-syncing to a hip-hop song.<br><br>"<em>[fake laugh]</em> Fuck the police coming straight from the underground. Can you believe this song was once an honest articulation of class struggle? <em>[fake laugh]</em>"<br><br>Fuck these people. How dare they think that them fucking around is worthy of your attention? Them playing Pictionary? Your attention's a valuable thing."</div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=Dg-f9OCn7Cc" />
         <pubDate>2021-11-17 20:12:47 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1897899249</guid>
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         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1897909464</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://metro.co.uk/2017/05/23/who-said-love-is-dead-elderly-penguin-falls-deeply-in-love-with-an-anime-cut-out-6655767/" />
         <pubDate>2021-11-17 20:18:30 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1897909464</guid>
      </item>
      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1897917362</link>
         <description><![CDATA[<div>Grape-Kun was a penguin who was enclosed Tobu Zoo in the town of Miyashiro in the Saitama Prefecture of central Japan’s Kanto Region. Grape-Kun caught the medias and public's attention when he fell in love with a cardboard cut-out that was placed in his enclosure. Grape-kun had so much adoration for the cut-out that he would stand and stare at it all day long – and it was so all-consuming that he neglected to eat his meals, meaning zookeepers had to remove the cut-out.</div>]]></description>
         <enclosure url="" />
         <pubDate>2021-11-17 20:22:41 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1897917362</guid>
      </item>
      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1897919142</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.youtube.com/watch?v=Eo9pU1q8sy8" />
         <pubDate>2021-11-17 20:23:44 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1897919142</guid>
      </item>
      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1897957021</link>
         <description><![CDATA[<div>When any piece of fictional media grows popular, we the viewer have the opportunity to take that media in and decide what we want to think of it. We can art about our favourite characters and write new stories about these characters. We can do this in many forms like writing and drawing and we can also make other forms of visual media, like music videos.<br><br>FMV stands for Fan Made Music Video, this is what it says on the package. It is taking the footage from your favourite fictional visual media and manipulating the footage you have to make a music video.<br><br>These videos popularly made for ships, a ship is the pairing of two fictional characters that fans want to be romantically involved. Fans chose their favourite songs or maybe a song that reminds them of the pairing and edits footage along to them. Embarrassingly enough, I have taken part in making many of these and that is actually how I learned how to used editing software in the first place.<br><br>For my film, I drew inspiration from this. Using music and footage to enforce the ship between the card board cut-out and the character.</div>]]></description>
         <enclosure url="" />
         <pubDate>2021-11-17 20:47:30 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1897957021</guid>
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      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1897961604</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.youtube.com/watch?v=qzOSr1weLcE" />
         <pubDate>2021-11-17 20:50:35 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1897961604</guid>
      </item>
      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1897965158</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.youtube.com/watch?v=O_tXvawdp8c" />
         <pubDate>2021-11-17 20:52:50 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1897965158</guid>
      </item>
      <item>
         <title>Examples of FMVs</title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1897966984</link>
         <description><![CDATA[<div>Here are some examples of fan ships and the fmvs they edit together with the footage of these characters that they have collected</div>]]></description>
         <enclosure url="" />
         <pubDate>2021-11-17 20:54:02 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1897966984</guid>
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         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1897972828</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.youtube.com/watch?v=H44X4JrhmEo" />
         <pubDate>2021-11-17 20:57:59 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1897972828</guid>
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         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1913075583</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1383139660/b076cfc36f60be46d88c89915ddc9759/one_direction_forever_alone_marriage_wtf_dating_8380790016.jpg" />
         <pubDate>2021-11-25 18:17:12 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1913075583</guid>
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         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1913075959</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1383139660/3c9843cc413b3c341125b4f61977742d/Screen_Shot_2021_11_25_at_17_27_13.png" />
         <pubDate>2021-11-25 18:17:29 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1913075959</guid>
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         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1913088643</link>
         <description><![CDATA[<div>'I Just Want to Be The One You Love' by Boxot is the song I decided to use in my film. This song was popularised by tik tok and is a remix of an older song. </div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=pLQEdhCoBE4" />
         <pubDate>2021-11-25 18:29:33 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1913088643</guid>
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         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1913091259</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1383139660/047dfe0123459b929466ab0f702ef3be/4a9.png" />
         <pubDate>2021-11-25 18:32:07 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1913091259</guid>
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         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916522001</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1383139660/37cb3772bf4f9e6b8db387b554df9f6f/IMG_6727.jpeg" />
         <pubDate>2021-11-28 18:46:32 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916522001</guid>
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         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916522002</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1383139660/ceb253afd1453c1e1097b517555fa606/IMG_6728.jpeg" />
         <pubDate>2021-11-28 18:46:32 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916522002</guid>
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         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916522003</link>
         <description><![CDATA[]]></description>
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         <pubDate>2021-11-28 18:46:32 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916522003</guid>
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         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916522004</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1383139660/772a9c0c40b1f376b10335277860b220/20211124_154101.jpg" />
         <pubDate>2021-11-28 18:46:32 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916522004</guid>
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         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916522005</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1383139660/c24ef025732c59853b7fd6e86e11e4ad/IMG_6726.jpeg" />
         <pubDate>2021-11-28 18:46:32 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916522005</guid>
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         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916522006</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1383139660/284c36b65c05bf5b945663be62ab644a/20211124_154040.jpg" />
         <pubDate>2021-11-28 18:46:32 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916522006</guid>
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         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916522007</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1383139660/cfa799654dc6897b622cf6ae8ed09f7f/IMG_6730.jpeg" />
         <pubDate>2021-11-28 18:46:32 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916522007</guid>
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         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916522009</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1383139660/24dcbb9cd33cc324feabfc11aaba3c21/IMG_6740.jpeg" />
         <pubDate>2021-11-28 18:46:32 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916522009</guid>
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         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916609259</link>
         <description><![CDATA[<div>'Through their anatomy and context, these abject sculptures of imagined creatures question the relationships and transactions between the archetypes of the “giver” and taker.”'<br>&nbsp;<br>Stark's exploration of these relationships really reminded me of my own exploration of Parasocial Relationships. Parasocial relationships are one sided, they are "giver" and "taker" relationships. In her sculpture 'Lacewing Complex' we see a parasite like creature feeding on a woman. This sculpture fascinated me with the relevance it had to my work, especially with the use of the bedroom and a creature is invading the home of this woman.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1383139660/7728e5f38bb402f48b67801f18417823/Screen_Shot_2021_05_03_at_19_33_53.png" />
         <pubDate>2021-11-28 20:45:00 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916609259</guid>
      </item>
      <item>
         <title>Lacewing Complex, 2020</title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916609709</link>
         <description><![CDATA[<div>Lacewing Complex acts as a sculptural representation of a complex invented based Stark's own personal experiences and recurring dream symbols. The piece references visual elements of body horror in addition to the biological basis for an organism’s behavior and instincts. In <em>Lacewing Complex</em>, she attempt to illustrate the visceral melodrama of her novel psychological complex, the Lacewing Complex. Lacewing Complex is an installation piece featuring a bedroom scene, which depicts the parasitic draining of a young woman by an abject creature.&nbsp;</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1383139660/72dc3a9defe06fa3b20a507697dc1d86/Screen_Shot_2021_05_03_at_19_30_49.png" />
         <pubDate>2021-11-28 20:45:42 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916609709</guid>
      </item>
      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916622644</link>
         <description><![CDATA[<div>Throughout the research I have done there has been a clear theme of the idea of invasion of home. From the invasion of technology in our lives to the invasion of media into our own lives. In a way we let this into our lives, we use technology and we willing allow intimate relationships with people in media.<br><br>In the first chapter of 'The Age of Surveillance Capitalism' the home is touched upon by Zuboff. She teaches us about the Smart Home but also this subtly articulates how intimately technology has become entangled in our lives and what capitalism will to to get it into your lives. During Bo Burnham's music video 'Repeat Stuff' we see him play the role of a beloved teen idol. He serves as a symbol for personas like Harry Styles, Justin Bieber etc. In the video we see him brutally break into a pre-teens home and devour her heart. Giving us insight into corporations use media figures to sell products that are garnered by eating at your deepest vulnerabilities and insecurity.<br><br>With the growing intimacy of technology through data profiling as well as the physical development of haptics that directly involves the use of touch screen and eliminates the barrier of buttons we are growing so entangled in technology that is is basically becoming our homes. 'The History of the Future' by Blake J. Harris provides us of the continuing development of VR and the ambitions of corporations like Facebook&nbsp; to let VR become our new homes and our new identities.<br><br>Our physical homes are being invaded very blatantly and I wanted to physically embody that through a sculpture.</div>]]></description>
         <enclosure url="" />
         <pubDate>2021-11-28 21:06:20 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916622644</guid>
      </item>
      <item>
         <title>Parasocial Hell</title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916625474</link>
         <description><![CDATA[<div>My final film for this module is named 'Parasocial Hell' and it is about a person falling in love with a cardboard cut-out. This film explores the intimate relationships adolescents can have with media personaes. It explores my own parasocial relationship with Misha Collins.&nbsp;<br><br>If fames it as a romance. The character has fallen in love with this figure but rather the object of them. The object they built themselves, since we can never really personally know people who exist in media.<br><br>This film strives to be funny but uncomfortable with its narrative. It is ridiculous for anyone to fall in love with a cardboard cut-out but the metaphor of this cardboard cut-out reveals to us the reality of us falling in love with people in media.</div>]]></description>
         <enclosure url="" />
         <pubDate>2021-11-28 21:11:25 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916625474</guid>
      </item>
      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916630563</link>
         <description><![CDATA[<div>Cardboard cut-out of media personaes have become especiall popular in the recent years. The earliest recollection I have to this popularisation is One Direction, a teenage boy band, discovered on reality TV show X-Factor. I found this fascinating, teenagers parent's buying them cut-outs of their favourite One Direction members.</div>]]></description>
         <enclosure url="" />
         <pubDate>2021-11-28 21:20:16 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916630563</guid>
      </item>
      <item>
         <title>Memes Stormfronts fans made</title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916638166</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1383139660/a3e87ddf0be65bb22980ea435bf783e5/Screen_Shot_2021_11_28_at_21_31_17.png" />
         <pubDate>2021-11-28 21:32:28 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916638166</guid>
      </item>
      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916638342</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1383139660/d98ee06f8a20757c73176fdb4245d347/Screen_Shot_2021_11_28_at_21_31_46.png" />
         <pubDate>2021-11-28 21:32:42 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916638342</guid>
      </item>
      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916638457</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1383139660/689dfc351a00e5b2c14d562c4291d94d/Screen_Shot_2021_11_28_at_21_32_07.png" />
         <pubDate>2021-11-28 21:32:53 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916638457</guid>
      </item>
      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916654774</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1383139660/7d02fbc147a5f2c76fb61ad9821f02bd/thumbnail_IMG_6225.jpg" />
         <pubDate>2021-11-28 22:00:37 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916654774</guid>
      </item>
      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916654828</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1383139660/65fdd80bcac7240f0a0d7e3058ba6db7/thumbnail_IMG_6216.jpg" />
         <pubDate>2021-11-28 22:00:43 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916654828</guid>
      </item>
      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916654875</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1383139660/a4798d1be295e21151cbf90b6912c7c4/thumbnail_IMG_6229.jpg" />
         <pubDate>2021-11-28 22:00:49 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916654875</guid>
      </item>
      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916654932</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1383139660/d37d39a868851f14f656e39e36d194f1/thumbnail_IMG_6245.jpg" />
         <pubDate>2021-11-28 22:00:55 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916654932</guid>
      </item>
      <item>
         <title>Untitled, 2019</title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916710262</link>
         <description><![CDATA[<div>In these works Huxtable has created these human and animal like personas. The work is bright and interesting to look at. Furries are a community that thrive online, they create their own fursonas and make art with these idenities. Identity online is very interesting to look at and looking at niche communities like furries is not commonly seen in art.&nbsp;</div>]]></description>
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         <pubDate>2021-11-28 23:34:22 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916710262</guid>
      </item>
      <item>
         <title>Untitled, 2019</title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916718335</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1383139660/88870cbfaf1e4300d3347f9741e5b811/Screen_Shot_2021_05_04_at_01_07_35.png" />
         <pubDate>2021-11-28 23:46:49 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916718335</guid>
      </item>
      <item>
         <title>Untitled, 2019</title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916719017</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1383139660/99fcc80b1eca1c77bb23a50548aa49a0/Screen_Shot_2021_05_04_at_01_07_27.png" />
         <pubDate>2021-11-28 23:47:37 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916719017</guid>
      </item>
      <item>
         <title>Hunger Cradle, 1996</title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916721110</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1383139660/bc4095b59feb040c2221e5b96e40f4d0/D6OWs1xWkAAmv78.jpg" />
         <pubDate>2021-11-28 23:50:09 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916721110</guid>
      </item>
      <item>
         <title>Fin de Siècle II, 1998</title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916723245</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.youtube.com/watch?v=IucNWkHI45E" />
         <pubDate>2021-11-28 23:53:05 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916723245</guid>
      </item>
      <item>
         <title>Fin de Siècle II, 1998</title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916724373</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1383139660/547200a7f33b6d5264d666a072c23dc4/https___blogs_images_forbes_com_jonathonkeats_files_2018_11_Screen_Shot_2018_11_15_at_11_28_11_PM.jpg" />
         <pubDate>2021-11-28 23:54:36 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916724373</guid>
      </item>
      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916727554</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1383139660/4335d700048c403a2d62ce2a9ac24cdd/Screen_Shot_2020_11_18_at_01_43_26.png" />
         <pubDate>2021-11-28 23:59:14 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916727554</guid>
      </item>
      <item>
         <title>These images are self portraits with glitches inserted in the faces. These works explore the idea of self identity in the digital age.</title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916727555</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1383139660/33d5033d0e444e0620d054ffe38fca54/Screen_Shot_2020_11_18_at_01_43_12.png" />
         <pubDate>2021-11-28 23:59:14 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916727555</guid>
      </item>
      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916727646</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1383139660/2b831bd0fba5a47ea635e9c945081624/glitch3.jpg" />
         <pubDate>2021-11-28 23:59:24 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916727646</guid>
      </item>
      <item>
         <title>Willing to be Vulneable, 2015</title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916729419</link>
         <description><![CDATA[<div>This installation series is a bunch of interconnected fabrics that are made up of balloons, circus tents and banners. They are draped across the space and create a space that feels left abandoned.<br><br>This work feels like a snapshot in time. Comprised of materials that feel familiar to us. The circus was once a much more popular virtue, now lost with the movement of time.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1383139660/a0bfff1c1035e58e3d3020d3e0125f93/17_f_lee_bul_utopia_saved_exhibition_yatzer.jpg" />
         <pubDate>2021-11-29 00:01:42 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916729419</guid>
      </item>
      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916729548</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1383139660/f568910dc98956171ec37dc7079cfa08/18a_f_lee_bul_utopia_saved_exhibition_yatzer.jpg" />
         <pubDate>2021-11-29 00:01:53 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916729548</guid>
      </item>
      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916729699</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1383139660/3739a4a2df123c14858d7c240f23b286/10_f_lee_bul_utopia_saved_exhibition_yatzer.jpg" />
         <pubDate>2021-11-29 00:02:04 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916729699</guid>
      </item>
      <item>
         <title>Utopia Saved Exhibition, 2020-2021</title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916733384</link>
         <description><![CDATA[<div>The Utopia Saved Exhibition by Lee Bull that took place at the Manege Central Exhibition Hall in Russia<br><br>The exhibition focuses on the architectural sculptures, environmental installations, and drawings that Lee Bul has produced since 2005, the year she began her journey of inquiry into the history of modernity. Her explorations have resulted in art that incorporates this history, in part through references to modernist architecture, utopian literature, and Constructivism.<br><br>Bull is neither a utopianist or a dystopianist but rather an artist who will take herself anywhere with the themes of modernity.</div>]]></description>
         <enclosure url="" />
         <pubDate>2021-11-29 00:06:22 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916733384</guid>
      </item>
      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916738828</link>
         <description><![CDATA[<div>Lee Bul is an a South Korean contemporary sculpture and installation artist. She focuses on bring nightmares to life to articulate complicated ideas such as patriarchy, gender politics and Political Spheres.</div>]]></description>
         <enclosure url="" />
         <pubDate>2021-11-29 00:13:11 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916738828</guid>
      </item>
      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916739622</link>
         <description><![CDATA[<div>I looked into Lee Bul's Performace pieces and how she uses her body to create my next short photography series.</div>]]></description>
         <enclosure url="" />
         <pubDate>2021-11-29 00:14:02 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916739622</guid>
      </item>
      <item>
         <title>Sorry for Suffering- You Think Think I&#39;m A Puppy On a Picnic? , 1990</title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916740526</link>
         <description><![CDATA[<div>Here we seen Lee Bul step out in public wearing a giant costume, all flapping limbs and protrusions. This spectacle was drawn from nightmares, and there is something seriously vulnerable about this piece too.<br><br>Lee Bul talks about the objectication of women and marginalisation that occurs foe them through her performace works. She uses her body and her sculpture making sjills to assembl these great pieces.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1383139660/98866b7c800b79bae725c67aa922922e/Screen_Shot_2021_05_10_at_14_51_26.png" />
         <pubDate>2021-11-29 00:14:53 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916740526</guid>
      </item>
      <item>
         <title>Everything about me is a minority. This is perfect for an artist - 1989</title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916740686</link>
         <description><![CDATA[<div>Lee Bul experimented with works about gender and how it defines so many of us. She talks about race and class and our definitions in society and in the art world because of this. </div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1383139660/f6d35b57ac711e2fa53469763b34e5f4/Screen_Shot_2021_05_10_at_15_05_52.png" />
         <pubDate>2021-11-29 00:15:04 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916740686</guid>
      </item>
      <item>
         <title>Parasocial Relationships Definition</title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916750246</link>
         <description><![CDATA[<div>Parasocial relationships are <strong>one-sided relationships</strong>, where one person extends emotional energy, interest and time, and the other party, the persona, is completely unaware of the other's existence.</div>]]></description>
         <enclosure url="" />
         <pubDate>2021-11-29 00:24:09 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1916750246</guid>
      </item>
      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1934612673</link>
         <description><![CDATA[<div>Notes in Notebook</div>]]></description>
         <enclosure url="" />
         <pubDate>2021-12-07 22:03:24 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1934612673</guid>
      </item>
      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1934613081</link>
         <description><![CDATA[<div>Notes in Notebook</div>]]></description>
         <enclosure url="" />
         <pubDate>2021-12-07 22:03:45 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1934613081</guid>
      </item>
      <item>
         <title>The Mishapocalypse</title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1934626273</link>
         <description><![CDATA[<div>The Mishapocalypse was an event that took place in 2013 on April Fools Day. This was went people from across Tumblr and other social platforms made memes and endlessly posted this strange image of Misha Collins.<br><br>I wanted to provide this in my research because it highlights the dedication and grasp Misha Collins has over many people. This event was a cultural phenomenon and it took the internet by storm. This event is wildy recognised by many young people, even me, someone who wasn't even on the internet in 2013 knows the image and event because of its magnitude </div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1383139660/45fb041ca3f9acaaf3620bf92116a8a2/258.png" />
         <pubDate>2021-12-07 22:16:28 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1934626273</guid>
      </item>
      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1934626313</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1383139660/ae04591c15c82972e8967d9f1837b8e4/1_z0JU0hHXyiq0DRv8Bad9fQ.jpg" />
         <pubDate>2021-12-07 22:16:29 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1934626313</guid>
      </item>
      <item>
         <title>Why did I pick a cardboard cut-out of Misha Collins?</title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1934632663</link>
         <description><![CDATA[<div>I think from my research it is very clear that I am a fan of the CW show 'Supernatural' and not only a fan but someone who heavily takes part in the community online as well. Misha Collins plays Castiel in Supernatural and is a fan favourite among fans not just for his character but for their love for the actor Misha.<br><br>I believe Misha Collins is one of the first media stars in the modern age who truly understood how to use fandom as a way to garner success. This is very clear in all the work he has done for charities and how he has done it as well as how he continues to ultimately stay so relevant when he is mostly just known for acting in a CW Show.<br><br>I definitely have a parasocial relationship with Misha Collins myself because of how he presents himself through the media but I am also highly fascinated by him and how he is definitely laid down the foundation for modern parasocial relationships with audiences in fandom.</div>]]></description>
         <enclosure url="" />
         <pubDate>2021-12-07 22:22:23 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1934632663</guid>
      </item>
      <item>
         <title>Misha Collins Social Media Lecture</title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1934633841</link>
         <description><![CDATA[<div>Misha Collins has become known for his antics online and because of this he even helped beta test different features on Facebook and Twitter. He had mastered parasoical relationships so well that Twitter and Facebook noticed him and wanted him to help test updates that would cost them millions, that is a lot of trust for a guy who stars on a CW show.<br><br>Here Misha gives a lecture to Western Washington University (while live streaming it to his fans of course) about social media and how to develop your own personal brand.<br><br>Here he talks about how he uses a heightened version of himself in public and how that is much more affective than something that is carefully cultivated because it feels much more intimate and authentic and people love authenticity.<br><br>He talks about his discovery of twitter and how he was playful with the platform from the beginning. He talks about how you have to create something that is entertaining to your audience organically and not a strategy that is just looking to continuously taking things from fans. Creating content that is unexpected and entertaining so that when you do ask for something they are willing to give.<br><br>Misha goes on to talk about his use of clickbait to draw fans attention into something that he wants them to see. He also goes onto to talk about how he masks marketing and how he advertises for his Charity Gish through social media.</div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=l-OASARpvl0" />
         <pubDate>2021-12-07 22:23:21 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1934633841</guid>
      </item>
      <item>
         <title>The History of the Future by Blake J. Harris</title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1937976602</link>
         <description><![CDATA[<div>The History of the Future is a detailed account of the first hand experiences Blake J. Harris was told about during the development of the revolution that began virtual reality.<br><br>This book as extremely relevant to my work because as the book title states it gave me an insight into how the future of technology is going. The book explores how the revolution of virtual reality came into motion. I learned these ambitions for virtual reality came to a beginning because of a love of fiction and video games. With Fandom and parasocial relationships tying deeply into my work it was interesting to see how a love for "other worlds" sparked this virtual revolution.<br><br>In this book you learn about Facebook's ambitions to build The Meta and the ambitions for surveillance capitalism to take a whole new form in the virtual. You learn about this new world being carefully constructed and what it means for the future.<br><br>This book really helped me develop my current sculpture, it gave me an insight into a digital world that humanity has a possibility of being consumed in. </div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1383139660/43c1ebe2f9553ced7f7088e517a9d84a/71AiXb2rlLL.jpg" />
         <pubDate>2021-12-09 11:50:41 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1937976602</guid>
      </item>
      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1937994867</link>
         <description><![CDATA[<div><em>Haptics is the science and technology of transmitting and understanding information through touch.</em></div>]]></description>
         <enclosure url="" />
         <pubDate>2021-12-09 12:03:40 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1937994867</guid>
      </item>
      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1938926387</link>
         <description><![CDATA[<div>Technology has not only become more intimate in our everyday lives because of reliance on it to survive, it has also become more intimate in the physical way we use it.<br><br>The touch screen has become an extremely important pillar in modern technology. Looking at the haptic highlights for me a new growing intimacy in technology. The elimination of the button and the directness of touch.<br><br>As technology becomes more physically intimate it becomes easier for us to become more intimate with technology. This is very apparent in the ever growing development of the smartphone, a touchscreen device that provides us with nearly everything we need. It has become nearly impossible to function in western society without a smartphone and we provide these devices with personal vulnerable data.<br><br>Haptics will obviously continue to grow in the use of technology and with this, our use in technology will grow so will our intimacy.</div>]]></description>
         <enclosure url="" />
         <pubDate>2021-12-09 18:41:29 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1938926387</guid>
      </item>
      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1940271537</link>
         <description><![CDATA[]]></description>
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         <pubDate>2021-12-10 13:03:43 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1940271537</guid>
      </item>
      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1940271538</link>
         <description><![CDATA[]]></description>
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         <pubDate>2021-12-10 13:03:43 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1940271538</guid>
      </item>
      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1940271539</link>
         <description><![CDATA[]]></description>
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         <pubDate>2021-12-10 13:03:43 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1940271539</guid>
      </item>
      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1940271540</link>
         <description><![CDATA[]]></description>
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         <pubDate>2021-12-10 13:03:43 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1940271540</guid>
      </item>
      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1940271541</link>
         <description><![CDATA[]]></description>
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         <pubDate>2021-12-10 13:03:43 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1940271541</guid>
      </item>
      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1940271542</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1383139660/65d74bd2b72137d311cadcbca08a50b4/IMG_20211201_WA0003.jpeg" />
         <pubDate>2021-12-10 13:03:43 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1940271542</guid>
      </item>
      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1940271543</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1383139660/51531ece71f560587c7cc75e2a16402f/IMG_20211203_WA0008.jpeg" />
         <pubDate>2021-12-10 13:03:43 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1940271543</guid>
      </item>
      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1940271544</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1383139660/ce4ab4cb36c585eea5c132717bd1e3cf/20211130_195533.jpg" />
         <pubDate>2021-12-10 13:03:43 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1940271544</guid>
      </item>
      <item>
         <title>Untitled, 1998</title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1942947892</link>
         <description><![CDATA[<div>'Untitled' by Doris Salcedo is a two piece furniture sculpture along with cement. This sculpture is a chair carefully placed inside a wardrope. Cement was then pored to secure the structure carefully leaving this work. This work is one of a large group of <em>Untitled</em> sculptures<em> </em>combining domestic wooden furniture with cement that Salcedo created during the 1990s.<br><br>The way the materials interact with each other is incrediably interesting. Salcedo uses the material of everyday life. These materials are extremely human. They are combined in such an odd fashion that leaves the viewers uneasy.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1383139660/3ed069a573ee5b891bbcef64a5b7a5fb/Screen_Shot_2021_12_12_at_16_56_56.png" />
         <pubDate>2021-12-12 16:57:46 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1942947892</guid>
      </item>
      <item>
         <title>Misha Collins Advertising</title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1942995820</link>
         <description><![CDATA[<div>There are many many different examples I could provide you of Misha Collins advertising and the clever ways he captivates his audience to take part in events and buy his products.<br><br>His most recent advertising was for his poetry book, 'Some Things I Still Can't Tell You.' For this advertising campaign he went around the state signing many copies of his books, encouraging his fans to find them as well as buy several copies. This led people to go on a treasure hunt, calling different stores and driving to different stores in search for his autograph</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1383139660/613abebe05a649e71391fb3313bacb20/Screen_Shot_2021_12_12_at_17_33_14.png" />
         <pubDate>2021-12-12 17:40:43 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1942995820</guid>
      </item>
      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1943001630</link>
         <description><![CDATA[<div>Before Misha's book came out he encouraged fans to print out QR codes and stick the all over different places. Providing them a fun task as well as a chance to be retweeted by him, a reward for their loyalty.<br><br>This is quite literally free advertising for his books and his audience ate it up</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1383139660/7241c276c93173411390f86c81383c9f/Screen_Shot_2021_12_12_at_17_43_36.png" />
         <pubDate>2021-12-12 17:45:43 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1943001630</guid>
      </item>
      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1943003635</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1383139660/cfdda73ba030da9f6c91c5ef5252631f/Screen_Shot_2021_12_12_at_17_46_11.png" />
         <pubDate>2021-12-12 17:47:16 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1943003635</guid>
      </item>
      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1943010306</link>
         <description><![CDATA[<div>Misha rewards his fans with tweets that notice their loyalty. Like recognising the swarms of them ordering his book and breaking websites. This really makes his fanbase feel like a community, a community that he can apparently can't take anywhere</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1383139660/2fa48e3612ca16e1e5b1e3aaf2890452/Screen_Shot_2021_12_12_at_17_49_51.png" />
         <pubDate>2021-12-12 17:53:12 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1943010306</guid>
      </item>
      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1943011849</link>
         <description><![CDATA[<div>During the time of his book's release it was also noticeable that Misha tweeted about Supernatural increasingly. Drawing fans of his character Castiel towards his social media that was also posting about his book<br><br>Misha also retweeted people who posted pictures with the book. This provided free advertising in a way. If you bought his book and tweeted about it, he would notice you. Misha would also gain you posting about his book to your following and peak their interest in the book.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1383139660/b3820dad0713a498189cd9096809a2b1/Screen_Shot_2021_12_12_at_17_54_04.png" />
         <pubDate>2021-12-12 17:54:37 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1943011849</guid>
      </item>
      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1943012635</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1383139660/711a9d3fd15684eff889fecc76c51c85/Screen_Shot_2021_12_12_at_17_53_57.png" />
         <pubDate>2021-12-12 17:55:11 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1943012635</guid>
      </item>
      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1943026537</link>
         <description><![CDATA[<div>After being provided&nbsp;with images of Ann Hamilton's work we reacted to the images with things we found around the studio</div>]]></description>
         <enclosure url="" />
         <pubDate>2021-12-12 18:07:37 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1943026537</guid>
      </item>
      <item>
         <title>Transitions and Space</title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1943041253</link>
         <description><![CDATA[<div>We were provided with a task for further looking at the poses we did earlier for the Ann Hamilton Task. Here are the poses I did</div>]]></description>
         <enclosure url="" />
         <pubDate>2021-12-12 18:20:19 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1943041253</guid>
      </item>
      <item>
         <title>Final Photos</title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1943041917</link>
         <description><![CDATA[<div>Further developing on the photos I took earlier, we went to the studio and took more. This time I experimented more with the poses with the leather jacket. I wore all grey to make the work stand out more.<br><br>Looking at these photos I enjoy how my body look like it is being consumed. The continuing theme within all my works is the growing intimacy of technology. Here using a leather jacket I am articulating how the virtual world is consuming us.&nbsp;<br><br>These pieces speak to the intimacy we are letting technology have in our lives, the comfort and warmth of it, through a leather jacket but the way this jacket is placed on me makes me immobile. It makes it difficult for me to move and live in the physical world and the more the jacket consumes me, the harder it gets to exist physically.<br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2021-12-12 18:20:55 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1943041917</guid>
      </item>
      <item>
         <title>Studio Photos of Performance</title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1943044620</link>
         <description><![CDATA[<div>We went to the studio also to take photos of our performance. Here we did our performance under studio lighting and it provided us with interesting shots</div>]]></description>
         <enclosure url="" />
         <pubDate>2021-12-12 18:23:37 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1943044620</guid>
      </item>
      <item>
         <title>Scalcedo on her work</title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1943104080</link>
         <description><![CDATA[<div>"The way that an artwork brings materials together is incredibly powerful. Sculpture is its materiality. I work with materials that are already charged with significance, with a meaning they have acquired in the practice of everyday life. Used materials are profoundly human; they all bespeak the presence of a human being ... The handling of materials in each piece is the result of a specific act, related to the event I am working on. It is an act of everyday life that gives shape to the piece. In some cases it is a hopeless act of mourning ... The processes go beyond me, beyond my very limited capacity, whether because one single person couldn’t possibly have made the work (<em>Unland</em>, 1995-8), or because of the brutality and massiveness of the act (untitled furniture sculptures, 1995-8) ... [In] the situation in which I live ... you can see advanced technology existing side by side with extreme forms of underdevelopment. Oppositions of this kind are part of my life ... reality is always disrupted, always severed ... it is not simply a mixture but a cruel juxtaposition of things striving violently to manifest themselves simultaneously ... The handmade element of the work marks not merely an absence of industrial values, but also a wholehearted rejection of rationalism. Paradoxically war is the maximum expression both of industrialism and of its destruction ... I’m interested in the notion of the artist as a thinker attuned to every change in society but at the same time producing art that is irreducible to psychological or sociological explanations.:</div>]]></description>
         <enclosure url="" />
         <pubDate>2021-12-12 19:19:36 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1943104080</guid>
      </item>
      <item>
         <title>Doris Salcedo</title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1943105024</link>
         <description><![CDATA[<div>I chose to research Doris Salcedo's work because of her beautiful combination of everyday materials that articulates everyday themes. Through the use of everyday objects Salcedo is able to touch upon extremely intimate subjects.</div>]]></description>
         <enclosure url="" />
         <pubDate>2021-12-12 19:20:27 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1943105024</guid>
      </item>
      <item>
         <title>The Asset Strippers, 2019</title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1943211805</link>
         <description><![CDATA[<div>The Asset Strippers is a large assemblage of reclaimed industrial materials and items. Here we have planks of stripped wood on top of steel strong workbench. The awnings were originally used to secure residences on the condemned housing estate in Walworth, South East London from which the work takes its title. The Heygate Estate was demolished between 2011 and 2014 as part of the planned urban regeneration of the area around the Elephant and Castle road interchange.&nbsp;<br><br>The odour of the stale wood lends to the feeling of nostalgia on his work. Nelson likes to explore different British infastructures with his work. Taking a look at different socio economic places and taking their materials.&nbsp;<br><br>Nelson views these items as treasures in a way, symbolising the industrial age. Although they may be old worn down damp smelling objects, they are icons of an age and are precious.<br><br>Through the destruction of these olds estates we are destroying history in a way. Nelson looks at this like cannibalism. We are devouring our past to grow a new future.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1383139660/2edbc20ca6f2feceaad671478caecb92/Screen_Shot_2021_12_12_at_21_08_47.png" />
         <pubDate>2021-12-12 21:07:54 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1943211805</guid>
      </item>
      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1943226998</link>
         <description><![CDATA[<div>Nelson's work spoke to me because of its nostalgia. My work focuses heavily on the now and the future. Nelson's work explores the past we are now devouring to make way for our future. A lot of it is a snapshot in time. His work reminds us the importance of our pasts and makes us wonder should we be so quick to destroy these run down places.<br><br>I wanted to capture a time in my work that in a way evokes fear. We are beginning the virtual age and what does that mean for us as humans. Nelson looks back and is displaying what is destroyed while I explore what could be destroyed if we continue down this path fuelled by surveillance capitalism.<br><br>His work stuck with me, particularily because of his use of industrial&nbsp;</div>]]></description>
         <enclosure url="" />
         <pubDate>2021-12-12 21:25:09 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1943226998</guid>
      </item>
      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1943231667</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://youtu.be/Nhqia1JEXC4" />
         <pubDate>2021-12-12 21:30:59 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1943231667</guid>
      </item>
      <item>
         <title>Utopia Saved, Google Arts and Culture</title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1943234289</link>
         <description><![CDATA[<div>'Utopia Saved' is available for viewing virtually. This fits perfectly for the themes Bull explores. This virtual view gives us insight into the futurist world she depicts in the exhibition.</div>]]></description>
         <enclosure url="https://artsandculture.google.com/story/lee-bul-utopia-saved/0QJivfEbbSY4KA" />
         <pubDate>2021-12-12 21:34:12 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1943234289</guid>
      </item>
      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1943243133</link>
         <description><![CDATA[<div>Bull's work speaks particularly to me because of its exploration of time. Bull creates pieces with heavy narratives to them. They feel like a snapshot in time and a snapshot in a story.<br><br>Bull is neither a dystopianist or a utopianist and explores modernity and the 21st century in all different ways. This makes their work extremely interesting because we can swing from a shiny bright future to a dystopian nightmare.<br><br>Bull uses her imagination to explore different narritives through sculpture.</div>]]></description>
         <enclosure url="" />
         <pubDate>2021-12-12 21:44:27 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1943243133</guid>
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      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1943262455</link>
         <description><![CDATA[<div>Thomas Hart Benton was born in 1889, Missouri. Benton is most well known for his works about politics, rural America and race.<br><br>Thomas Hart Benton makes paintings with strange compositions that usually include narrarative. Benton focused heavily on the industrial revolution in a lot of his works and the technological growth in the 20th Century.</div>]]></description>
         <enclosure url="" />
         <pubDate>2021-12-12 22:09:35 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1943262455</guid>
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      <item>
         <title></title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1943263693</link>
         <description><![CDATA[<div>I decided to look into Benton's process of painting and sound it super intreeging.<br><br>First Benton collected the correct dimensions since the artwork was being installed into a specific space. To produce his works Benton would often daw patterns to construct the correct balance for the painting. When satisfied he outlined the pattern with an image. Here is when we see Benton refer back to Renaissance techniques and manufacture a clay model of his drawing, then projecting light on it to see the dimensions and the affect it will have on the background. Benton would then transfer this onto a small painting. Models were then brought in to be drawn, as well as built in clay before he began his final piece. This gave&nbsp; Benton a broad understanding of anatomy and perspective when transferring onto canvas.&nbsp;</div><div>&nbsp;</div><div>Benton used architectural technique when transferring onto his canvas. He would generate a grid on his final sketch and construct the grid on canvas and transfer his work by the grid. Benton used Tempera paint on this artwork, tempera is pigment mixed with egg yoke, tempera lacks opaqueness, it fitted perfectly with Benton’s cartoonlike figure style. Benton often referring back to his clay models and detailed sketches finished his work and would often at the end go over the figures to ad final details and create his iconic strong contrast in light and dark.&nbsp;</div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=ezW0SspE9f4" />
         <pubDate>2021-12-12 22:11:18 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1943263693</guid>
      </item>
      <item>
         <title>Instruments of Power, 1930</title>
         <author>lyforrester</author>
         <link>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1943266659</link>
         <description><![CDATA[<div>Instruments of Power by Thomas Hart Benton is a tempera on canvas painting. Benton explores the industrialisation of America in this painting. It is chaotically composed and feels like it is moving. This painting shows the power of industrial America in the 1930s and the growth of technology that was sweeping rural America</div>]]></description>
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         <pubDate>2021-12-12 22:15:38 UTC</pubDate>
         <guid>https://padlet.com/lyforrester/orfrcyket3qayyb/wish/1943266659</guid>
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