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      <title>DANOFRATA, LANCE JAZER T. by Lance Jazer</title>
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      <description>Curation of Artworks in the Philippines</description>
      <language>en-us</language>
      <pubDate>2022-09-21 05:13:37 UTC</pubDate>
      <lastBuildDate>2025-11-02 06:29:07 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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         <title>Pre-conquest Period (MANUNGGUL JAR)</title>
         <author>lancejazer2525</author>
         <link>https://padlet.com/lancejazer2525/oawekmxby29f6tcp/wish/2306187959</link>
         <description><![CDATA[<div><br>The <strong>Manunggul Jar</strong> is a <a href="https://en.wikipedia.org/wiki/Secondary_burial">secondary burial</a> jar excavated from a <a href="https://en.wikipedia.org/wiki/Neolithic">Neolithic</a> burial site in the Manunggul cave of the <a href="https://en.wikipedia.org/wiki/Tabon_Caves">Tabon Caves at Lipuun Point</a> in <a href="https://en.wikipedia.org/wiki/Palawan">Palawan</a>, <a href="https://en.wikipedia.org/wiki/Philippines">Philippines</a>. It dates from 890–710 B.C. and the two prominent figures at the top handle of its cover represent the journey of the soul to the <a href="https://en.wikipedia.org/wiki/Afterlife">afterlife</a>.<br><br></div><div>Manunggul Jar displayed at Philippine <a href="https://en.wikipedia.org/wiki/National_Museum_of_Anthropology_(Manila)">National Museum of Anthropology</a></div><div><br>The Manunggul Jar is widely acknowledged to be one of the finest <a href="https://en.wikipedia.org/wiki/Arts_of_the_Philippines">Philippine</a> <a href="https://en.wikipedia.org/wiki/Prehistory_of_the_Philippines">pre-colonial artworks</a> ever produced and is considered a masterpiece of <a href="https://en.wikipedia.org/wiki/Philippine_ceramics">Philippine ceramics</a>. It is listed as a <a href="https://en.wikipedia.org/wiki/List_of_National_Cultural_Treasures_in_the_Philippines">national treasure</a> and designated as item 64-MO-74 by the <a href="https://en.wikipedia.org/wiki/National_Museum_of_the_Philippines">National Museum of the Philippines</a>. It is now housed at the <a href="https://en.wikipedia.org/wiki/National_Museum_of_Anthropology_(Manila)">National Museum of Anthropology</a> and is one of the most popular exhibits there. It is made from clay with some sand soil.<br><br></div>]]></description>
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         <pubDate>2022-09-21 05:18:09 UTC</pubDate>
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         <title>Spanish Period (LANGIT AT IMPYERNO)</title>
         <author>lancejazer2525</author>
         <link>https://padlet.com/lancejazer2525/oawekmxby29f6tcp/wish/2306197632</link>
         <description><![CDATA[<div>&nbsp;is another magnificent work of Jose Luciano Dans. It is divided into three sections. The upper part depicts the heaven, with the crucifixion of Christ. In the middle, world is given emphasis by two figures in the center of the painting: Adam and Eve standing below the Tree of Knowledge.Right below is hell, easily identified by the suffering faces of the humans painted there. Different punishments were given to the sinners with different transgressions, ones which were probably done during their mortal experience.&nbsp;</div>]]></description>
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         <pubDate>2022-09-21 05:27:35 UTC</pubDate>
         <guid>https://padlet.com/lancejazer2525/oawekmxby29f6tcp/wish/2306197632</guid>
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         <title>American Period (PLANTING RICE)</title>
         <author>lancejazer2525</author>
         <link>https://padlet.com/lancejazer2525/oawekmxby29f6tcp/wish/2306218422</link>
         <description><![CDATA[<div>Fernando Amorsolo (1892-1972) was a dominant figure in the visual arts of the Philippines during the decades before the Second World War and into the post-war period.&nbsp; The ‘Planting Rice with Mayon Volcano, Exhibits the happiness&nbsp; across from the difficulties in planting rice. The Filipino Villagers in their bright clothes and straw hats plant together with a fresh and green landscape of plenty. behind the filipino villagers is the peaceful flume of steam.</div>]]></description>
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         <pubDate>2022-09-21 05:47:29 UTC</pubDate>
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         <title>Japanese Period (RAPE AND MASSACRE IN ERMITA)</title>
         <author>lancejazer2525</author>
         <link>https://padlet.com/lancejazer2525/oawekmxby29f6tcp/wish/2306235950</link>
         <description><![CDATA[<div>The painting itself describes the colonization of Japanese and what suffering did our ancestors have experienced from them.</div>]]></description>
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         <pubDate>2022-09-21 06:04:17 UTC</pubDate>
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      <item>
         <title>Contemporary Period (BURDEN OF THE MASTERS OF MANKIND)</title>
         <author>lancejazer2525</author>
         <link>https://padlet.com/lancejazer2525/oawekmxby29f6tcp/wish/2306249652</link>
         <description><![CDATA[<div>Kawayan de Guia's surreal, tableaux-like paintings emerge as "portraits" of indigenous figures in museological settings. Based in the Cordillera mountain range north of Manila, de Guia's paintings engage with the changing nature of this region in the face of modernization and development, as well as the region's spirituality. The figures are surrounded by European paintings, globes, and <em>bulols</em>, pre-Hispanic representations of spirits or ancestors carved in the Cordillera region. De Guia's works consider the fallout when ancestral spirits collide with Western culture.</div>]]></description>
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         <pubDate>2022-09-21 06:16:50 UTC</pubDate>
         <guid>https://padlet.com/lancejazer2525/oawekmxby29f6tcp/wish/2306249652</guid>
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      <item>
         <title>CONCLUSION</title>
         <author>lancejazer2525</author>
         <link>https://padlet.com/lancejazer2525/oawekmxby29f6tcp/wish/2306252673</link>
         <description><![CDATA[<div>As time progress, we can really see what inspirations they get from the artwork, it was usually have the contents of what is the summary of happening at the time,it may be affected by religion, culture, beliefs, colonization and many factors that can be related to that period.</div>]]></description>
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         <pubDate>2022-09-21 06:19:39 UTC</pubDate>
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