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      <title>SELF DIRECTED IDEAS by Carmen Fribbins</title>
      <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf</link>
      <description>
MAPPING OUT MY CONSTUALTIONS OF INTERESTES </description>
      <language>en-us</language>
      <pubDate>2021-09-29 10:01:31 UTC</pubDate>
      <lastBuildDate>2026-01-28 13:15:12 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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      <item>
         <title>MAIN INTERESTS</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1777527272</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2021-09-29 10:04:12 UTC</pubDate>
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      </item>
      <item>
         <title>THEORIES</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1777528246</link>
         <description><![CDATA[<ul><li><strong>UNIT 8 LECTUE WITH JEAN JACQUES LESCURE </strong>who explored the circular economy,&nbsp; inspired to think about how i can keep resources in use for as long as possible. <strong>Extract the maximum value from them </strong>by recovering and regenerate materials at the end of each service of life. <br>This made me feel conscious when thinkig about <strong>materials i use&nbsp;</strong></li><li><strong>PIERRE BOURDIEU </strong>encouraged me to apply his <strong>FIELD THEORY </strong>to my practise, to take a <strong>step back and examin the environment in which I work&nbsp;</strong></li><li>Theory of Dérive, letting the journey dictate when I produce and not being set on an outcome&nbsp;</li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2021-09-29 10:04:37 UTC</pubDate>
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      <item>
         <title>APPROACHES</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1777528647</link>
         <description><![CDATA[<ul><li>Interviews - hands of with subject&nbsp;</li><li><strong>Participatory practise</strong>, using audience within work&nbsp;</li><li>Community practise- bringing people together&nbsp;</li><li>Using found imagery within my work and re designing it</li><li>New approach - more experimentations/ prototypes/ tests</li><li>Scale&nbsp;</li><li>More feedback to help with communication of my work</li><li>Using a process that reflects narrative&nbsp;</li><li><strong>Data Visualisation</strong></li><li>Translating data</li></ul><div><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2021-09-29 10:04:51 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1777528647</guid>
      </item>
      <item>
         <title>PRACTIONERS</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1777530963</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2021-09-29 10:06:11 UTC</pubDate>
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      </item>
      <item>
         <title>PROCESSES</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1777531047</link>
         <description><![CDATA[<ul><li>Cyanotype - crochet</li><li>Collage</li><li>Animated collage</li><li>Translating data</li><li>Booking binding/ publications</li><li>Riso &amp; Screenprint- printing on materials&nbsp;</li><li>Crochet</li><li>Knit</li><li>Collage</li><li>Translating data</li><li>Editorial design&nbsp;</li><li>web design&nbsp;</li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2021-09-29 10:06:13 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1777531047</guid>
      </item>
      <item>
         <title>THEMES</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1777532676</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2021-09-29 10:06:55 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1777532676</guid>
      </item>
      <item>
         <title>MUSIC/ DANCE</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1777546593</link>
         <description><![CDATA[<ul><li>MUSIC GENRES&nbsp;</li><li>Music genres - the foundations - where it was derived&nbsp;</li><li>Dance - linking to how music started - old clubs&nbsp;</li><li>Dance styles - movement - expression&nbsp;</li></ul><div><br></div><ul><li>Rave culture - music associated with groups of people&nbsp;</li><li>Music and emotion and the big part it plays in our life&nbsp;</li><li>Festivals - raves - concerts - events</li><li>Bringing people together</li><li>Communites, segregation - bringing people together and society can also isolate them - society shunning youth culture group&nbsp;</li></ul><div><br></div><ul><li>Design associated with music genres - punks - anti design</li><li>Exploring the graphic design/ visual lanaguage associated with raves&nbsp;</li></ul><div><br></div><ul><li>Sound- sound waves - effects of the body</li><li>Translating sound&nbsp;</li><li>translating emotional response to music</li></ul><div><br><br></div><ul><li>Breakdown of the rave scene</li><li>raves as a political act</li><li>underground culture&nbsp;</li><li>visual tribute to where music genres bEgan</li><li>reinterpretting historical material&nbsp;</li><li>public perception V what actually happens</li></ul><div><br></div><div><br></div><ul><li>women within music industry - female representation&nbsp;</li></ul><div><br></div><ul><li>Encouraging people to go back out after the financial impact covid had on life events</li></ul><div><br></div><ul><li>the “nocturnal practices” of clubbing, music and dance.</li><li>club scene&nbsp;</li><li>Locations</li></ul><div><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2021-09-29 10:14:17 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1777546593</guid>
      </item>
      <item>
         <title>COLLECTING/ ARCHIVES </title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1777553977</link>
         <description><![CDATA[<ul><li>Retelling storys - storytelling&nbsp;</li><li>Stories of the past through old letters/ notes/ images&nbsp;</li><li>Learning about family through archiving&nbsp;</li><li>Collectors</li></ul><div><br></div><div><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2021-09-29 10:18:06 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1777553977</guid>
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      <item>
         <title>YOUTH CULTURE</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1777554547</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2021-09-29 10:18:23 UTC</pubDate>
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      </item>
      <item>
         <title>LOVE</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1777556719</link>
         <description><![CDATA[<ul><li>Mums old love letters</li><li>Symbolising love through objects - flower project&nbsp;</li><li>Relationship breakdowns</li><li>Being able to found love everywhere &nbsp;</li><li>Family - roots - family tree</li><li>finding/ learning about family through memorabilia/ images</li><li>'TheFiveLoveLanguages'<br><br></li></ul><div><br></div><div><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2021-09-29 10:19:38 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1777556719</guid>
      </item>
      <item>
         <title>WOMEN</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1777561674</link>
         <description><![CDATA[<ul><li>Women and sexualisation&nbsp;</li><li>Sex sells - adverts&nbsp;</li><li>'Why don’t you just walk' - London - mens ignorance&nbsp;</li><li>how easy and quick it is to find women being sexualised- eg google image&nbsp;</li><li><em>“Feminism promotes personal empowerment, something that, when connected to education, becomes a potent tool for change” </em><a href="https://elephant.art/thats-the-chicago-way-the-uncompromising-life-of-judy-chicago-19092021/">Judy Chicago</a></li><li>normal things being sexualised for women</li><li>women’s body sells but women’s brain doesn’t&nbsp;</li><li>women underrepresentation </li></ul><div><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2021-09-29 10:22:17 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1777561674</guid>
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      <item>
         <title>STUART HALL</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1777562509</link>
         <description><![CDATA[<ul><li>Breaking down Bias - Stuart hall&nbsp;</li><li>Representation theory</li><li>Stereotypes</li><li>representation and the media&nbsp;</li><li><br></li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2021-09-29 10:22:48 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1777562509</guid>
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      <item>
         <title></title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1777574828</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.itsnicethat.com/articles/ki-saigon-letters-to-the-future-graphic-design-270921" />
         <pubDate>2021-09-29 10:30:33 UTC</pubDate>
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      <item>
         <title></title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1777624886</link>
         <description><![CDATA[<div>https://waitingroom.press</div>]]></description>
         <enclosure url="https://www.itsnicethat.com/articles/dr-me-fin-publication-190418" />
         <pubDate>2021-09-29 11:00:07 UTC</pubDate>
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      <item>
         <title>Sound- Knit</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1777637255</link>
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         <pubDate>2021-09-29 11:07:12 UTC</pubDate>
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         <title></title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1777731132</link>
         <description><![CDATA[]]></description>
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         <pubDate>2021-09-29 11:53:11 UTC</pubDate>
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      <item>
         <title></title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1777752579</link>
         <description><![CDATA[<div>90s rave culture than German techno magazine <em>Frontpage</em>.&nbsp;</div>]]></description>
         <enclosure url="https://www.dazeddigital.com/music/article/39567/1/the-90s-techno-magazine-that-shaped-german-rave-culture" />
         <pubDate>2021-09-29 12:02:43 UTC</pubDate>
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         <title></title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1777757295</link>
         <description><![CDATA[]]></description>
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         <pubDate>2021-09-29 12:04:54 UTC</pubDate>
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      <item>
         <title></title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1778152036</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.itsnicethat.com/articles/crystal-zapata-graphic-design-020818" />
         <pubDate>2021-09-29 14:00:42 UTC</pubDate>
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      <item>
         <title></title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1778258899</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.itsnicethat.com/articles/nicer-tuesdays-december-2018-caterina-bianchini-graphic-design-180119" />
         <pubDate>2021-09-29 14:27:45 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1778258899</guid>
      </item>
      <item>
         <title>https://studionari.co.uk/see-you-at-the-dance/</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1778365248</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://studionari.co.uk/see-you-at-the-dance/" />
         <pubDate>2021-09-29 14:55:39 UTC</pubDate>
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      <item>
         <title></title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1778439506</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://elephant.art/the-female-graphic-designers-muted-by-the-music-industry-28042021/" />
         <pubDate>2021-09-29 15:15:25 UTC</pubDate>
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      </item>
      <item>
         <title>WOMEN WITHIN MUSIC INDUSTRY</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1778484488</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2021-09-29 15:27:34 UTC</pubDate>
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         <title></title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1778487507</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://eyeondesign.aiga.org/women-make-up-more-than-half-of-the-design-industry-but-how-do-they-get-to-the-top/" />
         <pubDate>2021-09-29 15:28:26 UTC</pubDate>
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      <item>
         <title></title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1778514704</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.itsnicethat.com/articles/goethe-institut-ten-cities-spector-books-publication-021220" />
         <pubDate>2021-09-29 15:36:01 UTC</pubDate>
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      <item>
         <title></title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1778965888</link>
         <description><![CDATA[]]></description>
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         <pubDate>2021-09-29 18:03:36 UTC</pubDate>
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      </item>
      <item>
         <title>DATA</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1810213535</link>
         <description><![CDATA[<ul><li>Translating data&nbsp;</li><li>Visualisation</li><li>collecting data&nbsp;</li><li>info graphics&nbsp;</li><li>storytelling </li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2021-10-12 09:43:53 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1810213535</guid>
      </item>
      <item>
         <title>DESIGN</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1810246307</link>
         <description><![CDATA[<ul><li>Explore design as a language</li><li>How it effects how things are depicted&nbsp;</li><li><strong>he rave flyer is early electronic music’s most emblematic artist medium. Rave flyers from dance music’s early days showcase a unique style of artistry that portrays the hustle, physicality, DIY spirit and harmony of the subculture in its various habitats around the world.</strong></li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2021-10-12 10:01:30 UTC</pubDate>
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      </item>
      <item>
         <title>HUMAN BEHAVIOUR</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1810280954</link>
         <description><![CDATA[<div>- Dealing with failure/ uncertainty <br>- Body image <br>- Obsession with perfection <br>- Anxiousness <br>- Social situations <br><br>SEMIOTICS<br><br>- Semiotics (human behaviour) and materiality within society:<br>&nbsp;he semiotics lecture <strong>challenged my ideas </strong>about how everyday objects can influence <strong>human behaviour </strong>and it enabled me to make the link between sneaker cultural and materialism (explored in my article in depth).&nbsp;</div>]]></description>
         <enclosure url="" />
         <pubDate>2021-10-12 10:20:22 UTC</pubDate>
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      <item>
         <title></title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1810282261</link>
         <description><![CDATA[<div>Paul explained that intergrated layout and structures and dynamic photography by <strong>Richard Avidon </strong>for example observed and reflected the acceleration of modern life and the changing of ideas towards women.&nbsp;</div>]]></description>
         <enclosure url="" />
         <pubDate>2021-10-12 10:21:10 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1810282261</guid>
      </item>
      <item>
         <title>BODY IMAGE</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1810287294</link>
         <description><![CDATA[<div><br></div><div>After watching <strong>THE GOOP LAB - episode 3, </strong>the idea of women feeling insecure in their bodies as they feel they dont meet the high social conventions of the perfect women, was bought to my attention. <br><br>There are unrealistic stereotypes and ‘honest’ images of the female body do not exist. The programme explored how men have taken images of women for centuries and as soon as the camera is given to the women, it becomes vein. <br><br>This highlights a key point from a <strong>wednesday lecture </strong>about women in design history. It taught me it is important for women to be in charge of their sensuality, body and opinions like men and not disassociate it from our bodies.&nbsp;<br><br></div><div>Women are meant to be perfect- we are told what to think, say, act, dress and look etc, and this is highlighted in the very inspiring video <strong>Be a Lady They Said by Girls Girls Girls Magazine</strong>.&nbsp;<br><br>I want to depict the reality of the female body which I am experiencing for than ever in isolation, being at one with my natural self. I want to use the skills I learnt during the project to portray intense intimacy, honest, personal liberation and the beauty of imperfection of the woman form through style of photography as well as the narrative.&nbsp;</div>]]></description>
         <enclosure url="" />
         <pubDate>2021-10-12 10:24:06 UTC</pubDate>
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      </item>
      <item>
         <title>LOVE- reference</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1810334258</link>
         <description><![CDATA[<div>The passage of time is mean; it is a malignant and unkind force. Faces fade into flickering figures, places become paler and sounds settle into silence. Like old photographs that become yellowed and frayed with time, our memories get stashed away in drawers, stowed deeper into the recesses of the mind.<br><br></div><div>In this collection of love stories from Singapore’s past, revisit history through family photographs, treasured keepsakes and personal memories about love. Each frame is an alchemy of the particles of time, space and mood in history. We only need to pause and look.<br><br><br>https://meantime.sg/issues<br><br></div>]]></description>
         <enclosure url="https://vimeo.com/324254967" />
         <pubDate>2021-10-12 10:52:38 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1810334258</guid>
      </item>
      <item>
         <title>RAVE PRACTITIONERS</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1838885868</link>
         <description><![CDATA[<div><strong>Simon Reynolds<br><br>&nbsp;Mark Leckey <br><br>Jeremy Deller </strong><br><br>The new rave:<br>https://designmuseum.org/exhibitions/electronic-from-kraftwerk-to-the-chemical-brothers/the-new-rave<br><br><br></div><h1><strong>Thomas van Linge</strong></h1><div>https://www.ofluxo.net/deep-down-inside-by-thomas-van-linge-at-j-hammond-projects/<br><br><br><strong>Rick Banks </strong><br>https://www.typeroom.eu/article/clubbed-death-uk-s-ultimate-typographic-rave-bangers<br><br><br><strong>Hansje van Halem</strong><br>http://hansje.net<br><br></div>]]></description>
         <enclosure url="https://designmuseum.org/exhibitions/electronic-from-kraftwerk-to-the-chemical-brothers/the-new-rave" />
         <pubDate>2021-10-24 07:50:16 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1838885868</guid>
      </item>
      <item>
         <title>RAVE LOCATIONS</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1838888978</link>
         <description><![CDATA[<div>https://www.bidolito.co.uk/feature-the-changing-space-of-rave-culture/<br><br><br></div>]]></description>
         <enclosure url="https://www.bidolito.co.uk/feature-the-changing-space-of-rave-culture/" />
         <pubDate>2021-10-24 07:53:49 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1838888978</guid>
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         <title>POSSIBLE JOURNEYS </title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1838889404</link>
         <description><![CDATA[<div><br></div><ul><li>unsung design heroes from era of flier design</li><li>women behind the rave&nbsp;</li><li>dance- founders&nbsp;</li><li>end to rave - The Criminal Justice and Public Order Act&nbsp;</li><li>exploring the relationship between music and design&nbsp;</li><li>clubs as designed spaces : How club spaces are designed as environments for participatory/interactive performance and how are these spaces are created, navigated and utilised by those who inhabit them</li></ul><div><br><br></div><ul><li>dance as a form of revolution, freedom, enlightenment and to let go</li><li>links to spirituality&nbsp;</li><li>unbridled creativity that brought out the energetic feeling of rave.”</li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2021-10-24 07:54:18 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1838889404</guid>
      </item>
      <item>
         <title>rave/ design </title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1838893582</link>
         <description><![CDATA[<div>https://www.digitalartsonline.co.uk/features/graphic-design/explore-graphic-design-behind-1990s-rave-culture/<br><br><a href="http://ifonlyuk.com/airbrushed-dreamscapes-rave-flyers-early-90s/">Rave flyers </a>depicted utopian worlds filled with cyborgs and fractal landscapes, using Daliesque surrealism to create a sort of neo-psychedelia.&nbsp;<br><br>https://fadmagazine.com/2019/04/16/the-art-of-rave-why-contemporary-art-loves-rave/<br><br>https://ifonlyuk.com/airbrushed-dreamscapes-rave-flyers-early-90s/<br><br>Matthew Wilkinson is a British artist based in LA who thinks there is more to it than music, drugs and dumb nostalgia. He tells me: “I think the symbolism and iconography of rave in art is a great simple example of freedom. It’s was one of the last cultural movements before everything started eating itself and falling in on itself and becoming a postmodern rehash of something else.”<br><br><br>The rave flyer: an integral invitation in acid house's heyday and a gateway to the magical parties in fields and warehouses across the UK.&nbsp;<br><br>https://www.redbull.com/ca-en/toronto-nightlife-design-and-rave-culture<br>Visuals and graphics are the first thing you see when you hear of the party and the last thing they remember as the sun slowly peaks through the doors of the party at 5am.<br><br><br></div>]]></description>
         <enclosure url="https://www.digitalartsonline.co.uk/features/graphic-design/explore-graphic-design-behind-1990s-rave-culture/" />
         <pubDate>2021-10-24 07:59:04 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1838893582</guid>
      </item>
      <item>
         <title>end of raves </title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1838895137</link>
         <description><![CDATA[<div>was introduced in 1994 by the Conservative Home Secretary Michael Howard. With its ridiculous stipulations targeting “sounds wholly or predominantly characterised by the emission of a succession of repetitive beats” and the subsequent crack-down on raves, it was instrumental in driving the free party scene much deeper underground with only the real hardcore willing to take the risks involved in holding such event</div><div><br></div><div><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2021-10-24 08:00:54 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1838895137</guid>
      </item>
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         <title>importance of music </title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1838895741</link>
         <description><![CDATA[<div>“I never doubt music partly because of its universalism. If you ever do meet someone who doesn’t listen to music that would be very odd and unusual, so it’s something that touches everybody.” Universalism and inclusivity is something that’s often lacking in contemporary art, but is the ethos the rave scene was built on. The inclusive nature of music and its ability to instantly relay a message has a satisfaction to it that the painstaking, analytical interpretation and untangling of structures and discourses of art doesn’t.<br><br><strong>“</strong>Music works in a different realm to art,” Leckey continues. “What I like about music is that it’s rhythmic, melodic and all the rest of it but within that you can incorporate storytelling, politics, angst in the way that art can never quite do. <br><br>Art – especially with politics – it’s very difficult to sublimate it in a way that music does. Music has some kind of innate politics to it I think because of who it’s made by. Art is essentially middle class, and when I talk about universalism I’m talking about class, really. Art is still elite, even though that word seems quite dead? – ?it’s still a bourgeois pursuit in a lot of ways. Music for me is a way of countering that.” Could the injection of rave into art be an attempt to satisfyingly simplify it, whilst shunning the bourgeois exclusivity of the art world?<br><br>It was the inclusive nature of music that made rave so unifying. As a subculture it seemed to transcend race, class and sexuality. Even though drugs heavily factored into the equation the heartbeat of rave was music. <br><br>Music – in particular acid house and later hardcore – was given a sort of <mark>celestial devotion by ravers</mark>, who’d decided to opt out of normality in search of excitement and adventure. Britain was grey, drab and lifeless and desperately lacking in prospects for young people.<br><br> In contrast, raves were explosions of sound, colour and diversity filled with unknown opportunities and unexpected encounters? – ?they were a much needed departure from the dismal norm that had afflicted Britain. In the face of adversity ravers organised a way of escaping the depressing restraints of Thatcher-driven austerity and unemployment, creating their own communities based around a love of raving.</div><div><br><br></div>]]></description>
         <enclosure url="https://fadmagazine.com/2019/04/16/the-art-of-rave-why-contemporary-art-loves-rave/" />
         <pubDate>2021-10-24 08:01:38 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1838895741</guid>
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      <item>
         <title></title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1838911369</link>
         <description><![CDATA[<div>Raves were essentially temporary communities that would crop up on the landscape, erect monuments (sound systems), worship them for a few days then move on.</div>]]></description>
         <enclosure url="https://medium.com/@ericthorp/its-23-degrees-in-february-we-re-on-the-verge-of-brexit-and-keith-flint-has-just-died-things-53fd4b33bb64" />
         <pubDate>2021-10-24 08:18:58 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1838911369</guid>
      </item>
      <item>
         <title>locations</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1838918727</link>
         <description><![CDATA[<div>https://etheses.whiterose.ac.uk/937/1/OGradythesis.pdf<br><br>https://www.bidolito.co.uk/feature-the-changing-space-of-rave-culture/</div>]]></description>
         <enclosure url="https://etheses.whiterose.ac.uk/937/1/OGradythesis.pdf" />
         <pubDate>2021-10-24 08:26:37 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1838918727</guid>
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         <title>comparison to now: https://www.documentjournal.com/2020/12/saved-by-the-rave-british-youth-are-reclaiming-public-land-to-party-even-during-a-pandemic/</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1838923031</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.documentjournal.com/2020/12/saved-by-the-rave-british-youth-are-reclaiming-public-land-to-party-even-during-a-pandemic/" />
         <pubDate>2021-10-24 08:31:09 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1838923031</guid>
      </item>
      <item>
         <title>https://www.redbull.com/ca-en/toronto-nightlife-design-and-rave-culture</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1838928584</link>
         <description><![CDATA[<div>Words like “inclusive” and “community” ring true to every facet of what a lot of Toronto DJ’s hope to achieve when creating intentional spaces. However, the buzz around “inclusive marketing” can sometimes be used as more of a tool than an act of kindness. In techno and house specifically, the way design layouts in flyers display the hierarchy in line-ups is still extremely problematic, especially when the women or queer people being booked are still being overshadowed completely by white male DJs. “There’s still a huge problem in the electronic scene with promoters booking locals and having their name in tiny font on the poster with a huge headliner over the top of it,” says Chippy, discussing some issues with bookings in the techno scene. “My idea of community is even if you have a huge headliner on the flyer, your design should highlight everyone on their bill equally. Pep Rally’s mission with our design is to uplift our DJ community, all while simultaneously shining light on the headliner.”</div>]]></description>
         <enclosure url="https://www.redbull.com/ca-en/toronto-nightlife-design-and-rave-culture" />
         <pubDate>2021-10-24 08:37:35 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1838928584</guid>
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         <title>https://graduateshowcase.arts.ac.uk/2020/projects/5345/exploring-the-fetishisation-of-rave-in-the-uk-jamie-scarffe/cover</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1838935069</link>
         <description><![CDATA[<div>Access to the history of music through platforms such as Youtube, Discogs, and Spotify, have lead to these histories having a much more prominent affect on our present, and have helped to glorify and fetishise the history of musical styles like rave, to almost religious levels. I began to explore the similarities between raving and religion, the act of a group of like-minded people gathering in a large space to share in the experience of praise, to close their eyes, raise their arms and feel the love, peace and unity through their body. Each of my projects explores the influence of the digital and the internet on the fetishisation of rave in a different way, through the juxtaposition of the digitally-influenced theme and the analogue form of animation, or the circumstantial parallels between images from raving and religion.</div>]]></description>
         <enclosure url="https://graduateshowcase.arts.ac.uk/2020/projects/5345/exploring-the-fetishisation-of-rave-in-the-uk-jamie-scarffe/cover" />
         <pubDate>2021-10-24 08:44:28 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1838935069</guid>
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         <title>https://www.instagram.com/effracs/</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1838938917</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.instagram.com/effracs/" />
         <pubDate>2021-10-24 08:48:35 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1838938917</guid>
      </item>
      <item>
         <title></title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1839560438</link>
         <description><![CDATA[<div>“Ultimately, this unbridled creativity is what brought out the energetic feeling of rave.”<br><br>Rave culture brought about an almost universal graphic language, which in the decades since its first incarnation has become inextricably bound to its origins, yet transcendent of them.</div>]]></description>
         <enclosure url="http://eyeondesign.aiga.org/what-rave-culture-is-teaching-modern-graphic-designers/" />
         <pubDate>2021-10-24 16:39:18 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1839560438</guid>
      </item>
      <item>
         <title>http://eyeondesign.aiga.org/what-rave-culture-is-teaching-modern-graphic-designers/</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1839560892</link>
         <description><![CDATA[<div>Elsewhere, club graphics were characterised by garish palettes and nods to psychedelia. The application of intense, vibrantly coloured patterns was common as an easy visual reference to the experience of tripping. While designers were likely basing designs on their own psychedelic experimentation, there’s a science in using pattern as signifier. In 1926, German and American psychologist Heinrich Klüver studied the effects of hallucinogenic substances on users, and noted that the visuals they experienced were often recurring geometric patterns—dubbed “form constants”—in “highly saturated colors.”&nbsp;<br><br>The sense of freedom and a wilful naivety in approaching graphics is what made the imagery of rave culture so pure, fresh, and enduringly striking. There were no rules, but plenty of hedonism<br><br>For a few short years, design experienced a sort of chemically enhanced utopia that modern graphic designers are now trying to recapture.</div>]]></description>
         <enclosure url="http://eyeondesign.aiga.org/what-rave-culture-is-teaching-modern-graphic-designers/" />
         <pubDate>2021-10-24 16:39:38 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1839560892</guid>
      </item>
      <item>
         <title>RECLAIMING OUR POWER</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1839688593</link>
         <description><![CDATA[<div>Inspired by Yoni workshop</div>]]></description>
         <enclosure url="" />
         <pubDate>2021-10-24 18:17:55 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1839688593</guid>
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      <item>
         <title>WOMEN- SUPRESSION</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1839706416</link>
         <description><![CDATA[<div>https://graduateshowcase.arts.ac.uk/projects/208161/cover&nbsp;<br><br>I value the power of emotions and vulnerability within graphic design. I care about making work that through empathy becomes useful to a specific audience. This audience today is womxn.<br><br>How can exposing women's experiences under patriarchy help empower them?&nbsp;<br><br></div><div>tackle the matter of gender inequality, attempting to construct gazes of emotion and solidarity<br><br></div><div>the representation of women within patriarchal societies is altered<br><br>breaking down the male gaze.<br><br>aims to create a more equal future and space where emotions are used as a positive tool for social reform<br><br></div><div>value collaboration with others and to use contemporary ways of <em>consciousness raising </em>to expose and empower women<br><br></div><div>the exposure of women’s experiences under patriarchy to empower them as my field of practic<br><br>essential and urgent to extend the notion of female gaze into a counter gaze, creating a more inclusive space<br><br>a healing effect for individuals who face intersecting layers of oppression.</div><div><br>the possibility of creating work that achieves empathy within the oppressors and creates solidarity between the oppressed<br><br>xpresses the frustration of not feeling listened to because of gender - as a woman.<br><br><br><br><a href="https://graduateshowcase.arts.ac.uk/projects/227382/cover"><strong>https://graduateshowcase.arts.ac.uk/projects/227382/cover</strong></a><br><br>try and disconnect audiences from the toxic stereotypes the media have been feeding us for generations about women<br><br>how women have been represented in different forms of media whether that be in film, TV, magazines, social media, etc.&nbsp;<br><br>I examined theories like Laura Mulvey's 'Male Gaze Theory', and Stuart Hall's 'Representation Theory' as well as looking at artists like Cindy Sherman to help inform my opinions and ideas.</div>]]></description>
         <enclosure url="https://graduateshowcase.arts.ac.uk/projects/208161/cover" />
         <pubDate>2021-10-24 18:30:08 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1839706416</guid>
      </item>
      <item>
         <title>HOW</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1839711698</link>
         <description><![CDATA[<div>https://graduateshowcase.arts.ac.uk/projects/196994/cover<br><br>&nbsp;joyful communication design can be used to facilitate social progress.&nbsp;<br><br>Inspired by activist magazine design, I set out to discover how my designs can be a form of feminist education.&nbsp;<br><br>&nbsp;joy became my method of engaging with my audience, encouraging a positive growth mindset.</div>]]></description>
         <enclosure url="https://graduateshowcase.arts.ac.uk/projects/196994/cover" />
         <pubDate>2021-10-24 18:34:20 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1839711698</guid>
      </item>
      <item>
         <title>https://graduateshowcase.arts.ac.uk/projects/68429/cover</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1839718688</link>
         <description><![CDATA[<div>esearching and designing for social change.&nbsp;</div>]]></description>
         <enclosure url="https://graduateshowcase.arts.ac.uk/projects/68429/cover" />
         <pubDate>2021-10-24 18:39:52 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1839718688</guid>
      </item>
      <item>
         <title>https://graduateshowcase.arts.ac.uk/projects/250615/cover</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1839723007</link>
         <description><![CDATA[<div>create a welcoming space to start conversation on this forever secretive and euphoric scene.&nbsp;<br><br></div><div>‘Escapism is an inescapable component of human thought and culture’ -Tuan, 1998</div>]]></description>
         <enclosure url="https://graduateshowcase.arts.ac.uk/projects/250615/cover" />
         <pubDate>2021-10-24 18:43:33 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1839723007</guid>
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      <item>
         <title>WHY WE RAVE? THE HUMAN PSYCHOLOGY BEHIND ATTENDING A MUSIC FESTIVAL</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841187168</link>
         <description><![CDATA[<div><strong>What is it that draws us to these musical gatherings?&nbsp;<br></strong><br></div><blockquote>The most commonly reported motivator to head for a music festival is event <strong>novelty, escape, and opportunities for socializatio</strong>n(1).<br><br></blockquote><div><em><sup>Abreu-Novais, M., &amp; Arcodia, C. (2013). Music festival motivators for attendance: Developing an agenda for research. International Journal of Event Management Research, 8(1), 34-48.</sup></em><em><br></em><br></div><blockquote><strong>Humans have a tendency to escape.</strong> I<strong>so-Ahola's (1982) motivation theory </strong>suggests individuals are driven by the desire to escape their everyday environment(3).&nbsp;<br><br></blockquote><div><em><sup>https://journals.sagepub.com/doi/10.1177/0047287506291592</sup></em></div><div><br>Attending a festival lets us <mark>immerse ourselves into the world with removed social pressures</mark>, and no expectations; we leave our everyday responsibilities of work or school.<br><br>Socialization, the desire to interact with known and unknown individuals; is the most common motivator reported for attending musical events. Also, being among others is a socially innate and healthy behavior; isolation is against your nature. See opportunities for <strong>positive socialization</strong> interactions are rare occurrences in our day-to-day lives, but at a festival it is frequent.&nbsp;</div><div><br></div>]]></description>
         <enclosure url="https://edm.com/features/why-we-rave" />
         <pubDate>2021-10-25 09:59:29 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841187168</guid>
      </item>
      <item>
         <title>THEORYS</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841189802</link>
         <description><![CDATA[<div><em>I</em><strong><em>so-Ahola's (1982) motivation theory<br><br></em></strong>‘Escapism is an inescapable component of human thought and culture’ -<strong>Tuan, 1998</strong><strong><em><br></em></strong><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2021-10-25 10:01:03 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841189802</guid>
      </item>
      <item>
         <title>RAVE AND HUMAN EXPERIENCE</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841191104</link>
         <description><![CDATA[<div>Interview with <em>Stef O’ Driscoll<br><br></em><strong>HOW POWERFUL CAN LONDON RAVE CULTURE BE TO THE HUMAN EXPERIENCE?<br></strong>Sweet Harmony Rave exhibition at the Saatchi Gallery: woman had documented her whole raving experience since her teens in diary entries, photos and flyers. How London rave culture got her through daily life. <mark>She would even talk about someone passing away, and how she had to go to Fantasia to rave it off. Rave was central to her journey.</mark><br><br><strong>RAVING IS A COPING MECHANISM FOR A LOT OF PEOPLE, AN ESCAPE FROM REALITY.</strong></div><div>the raving community is a home- socialisation <br><br><strong>DO YOU THINK THAT’S WHY LONDON ART INSTITUTIONS LIKE SAATCHI GALLERY, TATE MODERN, THEATRE PRODUCTIONS ETC. HAVE STARTED TO DOCUMENT IT?</strong></div><div>It's really<strong> </strong><mark>important for humans to know they’ve been seen and heard. So we know it wasn't all for nothing. </mark>That we are not alone. A lot of human experiences have not been seen: they've been oppressed. History is often told by the people in power and their version of it.<br><br><br></div><h1><mark>“RAVERS SAY YES TO PEOPLE AROUND THE WORLD, COMING TOGETHER IN ONE SPACE TO SHARE MUSIC. RAVERS SAY YES TO THE COMMUNITY AND UNITY”.&nbsp;</mark></h1><div><br></div>]]></description>
         <enclosure url="https://www.theravereport.com/blog/london-rave-culture-and-the-human-experience" />
         <pubDate>2021-10-25 10:01:48 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841191104</guid>
      </item>
      <item>
         <title>Kyle Arsadjaja</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841225918</link>
         <description><![CDATA[<div>Dance became a new medium and language for the designer. Particularly intrigued by how <mark>dance can be used to notate movement,</mark> she delved into the<mark> history of this semiotic behaviour</mark> and how it has mutated to inform <mark>visual language </mark>today.</div>]]></description>
         <enclosure url="https://www.itsnicethat.com/articles/kyla-arsadjaja-graphic-design-050121" />
         <pubDate>2021-10-25 10:22:17 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841225918</guid>
      </item>
      <item>
         <title>LAURA McCLUSKEY</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841229711</link>
         <description><![CDATA[<div>- <mark>Image</mark> to express dance and its emotional impact : explore the <mark>freedom</mark> of improvised dance<br>- Laura’s new series circles around the notion of movement and its ability to <mark>enable us to express ourselves in full capacity. </mark><br>- “It can be very freeing,” she says.</div>]]></description>
         <enclosure url="https://www.itsnicethat.com/articles/laura-mccluskey-blue-above-photography-291019" />
         <pubDate>2021-10-25 10:24:57 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841229711</guid>
      </item>
      <item>
         <title></title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841236020</link>
         <description><![CDATA[<div><strong>UNIVERSALISM </strong><br>Leckey tells me: “I never doubt music partly because of its universalism. If you ever do meet someone who doesn’t listen to music that would be very odd and unusual, so it’s something that touches everybody.” Universalism and inclusivity is something that’s often lacking in contemporary art, but is the ethos the rave scene was built on. The inclusive nature of music and its ability to instantly relay a message has a satisfaction to it that the painstaking, analytical interpretation and untangling of structures and discourses of art doesn’t.<br><br><strong>ESCAPISM </strong><br>Britain was grey, drab and lifeless and desperately lacking in prospects for young people. In contrast, raves were explosions of sound, colour and diversity filled with unknown opportunities and unexpected encounters — they were a much needed departure from the dismal norm that had afflicted Britain. In the face of adversity ravers organised a way of escaping the depressing restraints of Thatcher-driven austerity and unemployment, creating their own communities based around a love of raving.</div>]]></description>
         <enclosure url="https://medium.com/@ericthorp/its-23-degrees-in-february-we-re-on-the-verge-of-brexit-and-keith-flint-has-just-died-things-53fd4b33bb64" />
         <pubDate>2021-10-25 10:29:15 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841236020</guid>
      </item>
      <item>
         <title>Eddie Peake</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841268665</link>
         <description><![CDATA[<div><mark>Process of translating between verbal language and nonverbal modes of communication.<br></mark><br>&nbsp;It is in the discrepancy between words and any other language, say, images,<mark> emotions, bodily movements or sounds, that his art is located</mark><br><br>Why the <mark>inclusiveness </mark>of rave culture should remain an inspiration to us today.<br><br>In today’s socio-political climate there’s a lot we could learn from this open, multicultural, multi-class world.<br><br>&nbsp;“It was a beautiful thing to watch this <mark>social moment.</mark> People from so many different backgrounds all cohabiting the same space and getting along. This is something you never encounter in an art gallery."<br><br></div>]]></description>
         <enclosure url="https://www.redbull.com/gb-en/eddie-peake-artist-celebrating-pirate-radio-rave-culture" />
         <pubDate>2021-10-25 10:50:07 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841268665</guid>
      </item>
      <item>
         <title>14 artists inspired by rave culture</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841275670</link>
         <description><![CDATA[<h1><strong>GILLIAN WEARING - Dancing in Peckham</strong></h1><div>https://www.youtube.com/watch?v=lQqZj7DhRzQ<br>- dance v the real world<br><br><br><strong>MARK LECKEY - Fiorucci made me Hardcore<br></strong>- video/ short film<br>- reflects on the inclusiveness of raves through images of crowds: exploring community aspect and social connections<br><br><br></div><h1><strong>EROL ALKAN- - "A Hold on Love" (Official Music Video) DIRECTED BY Daniel Brereton</strong></h1><div>https://www.youtube.com/watch?v=zlCjrSy0-08<br>- Music video<br><mark>- Takes you on a journey</mark><br><br><br></div><h1><strong>19:30 Aleksandra Domanović</strong></h1><div>https://www.facebook.com/watch/?v=345293542962048</div><div><mark>- found something to compare raves too</mark><br>-&nbsp; the artist amasses an archive of evening news idents from the former Yugoslavia, spanning 1958 to the present, and invites DJs to remix them. <br>-<mark> Techno and the evening news were moments of remembered togetherness for the artist and others from the region during a period of change and turmoil,</mark> and the combination of the two creates a complex layering of psychological and historical memories of a country that no longer exists.<br>- The idea of dancing and being somewhere else mentally is really strong, I think, and powerfully communicated; it’s mournful yet celebratory – full of energy and lively bodies.</div>]]></description>
         <enclosure url="https://boilerroom.tv/microsite/78852/" />
         <pubDate>2021-10-25 10:54:34 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841275670</guid>
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      <item>
         <title></title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841275921</link>
         <description><![CDATA[<div>Raves, or nightlife, can sometimes be the <mark>closest we can get to being true, carnal human beings: losing ourselves and simultaneously feeling and forgetting everything. </mark><br><br>The physical endurance crossed with the <mark>climax of emotion – drug-induced or not – are probably the times that we felt the most alive.</mark></div>]]></description>
         <enclosure url="" />
         <pubDate>2021-10-25 10:54:46 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841275921</guid>
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      <item>
         <title></title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841301423</link>
         <description><![CDATA[<div>power of dance, music and&nbsp; feeling unitedt: feeling less socially aware&nbsp;<br><br>dance as a social movement&nbsp;<br><br>sharing space</div>]]></description>
         <enclosure url="" />
         <pubDate>2021-10-25 11:10:47 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841301423</guid>
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      <item>
         <title></title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841304953</link>
         <description><![CDATA[<div><strong>Creative expression.</strong> Dancing gives students a chance to express themselves freely and creatively. In other words, it serves as an outlet for emotional and physical release. This is especially beneficial for students who’d prefer to use movement rather than words to communicate, or express, their feelings.<br><br></div><div><strong>Effective communication.</strong> Many dances, like Rumba and Swing, require students to work as partners or teams to complete the moves. To do so, students must learn to communicate effectively - verbally and nonverbally - to follow cues and coordinate their moves. This also fosters cooperation and teamwork among students.<br><br></div><div><strong>Self regulation.</strong> Learning to dance requires increased focus and discipline. Over time, dance can help students focus their attention, control their emotions and manage their behavior when tough situations arise. This skill is also an essential tool for learning. Students with good self regulation can pay attention to activities, ignore distractions, carry out tasks and resist impulses.<br><br></div><div><strong>Acceptance of others. </strong>Dance is a universal language and can transcend all cultures. It allows students to forget about their differences and focus on one thing they all have in common: dance. It also gives them an opportunity to explore cultural dance forms from across the world, which also fosters acceptance and understanding of others.<br><br></div><div><strong>Self confidence.</strong> Dancing promotes a general sense of well-being in students. As they master new skills, perform in front of others and receive positive reinforcement, their confidence reaches new levels. And self-confident students believe in their abilities, get along well with others and are better equipped to handle challenging situations.<br><br></div>]]></description>
         <enclosure url="https://www.extendednotes.com/after-school-articles/using-dance-to-boost-social-emotional-skills" />
         <pubDate>2021-10-25 11:13:08 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841304953</guid>
      </item>
      <item>
         <title>EXIBITION</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841330618</link>
         <description><![CDATA[<div><em>The Infinite Mix: Contemporary Sound and Image</em> brings together recent audiovisual artworks that combine sounds and images in ways that that are at once conceptually and emotionally immersive.&nbsp;<br><br>Soulful and audacious in their exploration of wide-ranging subjects, these works use the medium of film and video to explore the poetics as well as the politics of music, performance and cultural history.<br><br><br>https://theinfinitemix.com</div>]]></description>
         <enclosure url="https://www.e-flux.com/announcements/62317/the-infinite-mix-contemporary-sound-and-image/" />
         <pubDate>2021-10-25 11:29:09 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841330618</guid>
      </item>
      <item>
         <title>MAKE TIME TO DANCE</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841331355</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2021-10-25 11:29:33 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841331355</guid>
      </item>
      <item>
         <title>Union Rave, by Andreas Gursky, 1995 Courtesy Felix Speller for the Design Museum</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841359964</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://images.adsttc.com/media/images/5f99/d09a/63c0/174d/8a00/0793/newsletter/Andreas-Gursky-Union-Rave-1995-768x470.jpg?1603915922" />
         <pubDate>2021-10-25 11:45:00 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841359964</guid>
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      <item>
         <title></title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841366968</link>
         <description><![CDATA[<div><strong>dance is an inclusive dialogue&nbsp;</strong></div>]]></description>
         <enclosure url="" />
         <pubDate>2021-10-25 11:48:35 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841366968</guid>
      </item>
      <item>
         <title>IMPORTANCE OF THE DANCE FLOOR</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841416249</link>
         <description><![CDATA[<div>the roots of what the dance floor can be&nbsp;<br>purpose to bring people together<br>create a community and space - sanctuary&nbsp;<br>beating heart of music culture<br>from intimate club to abandoned warehouses&nbsp;<br>place to let go&nbsp;<br>immersive sensory expience&nbsp;<br><br><br><br></div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/946060961/cc2d3492911e01caaed524c5d253b381/Screenshot_2021_10_25_at_13_09_31.png" />
         <pubDate>2021-10-25 12:11:39 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841416249</guid>
      </item>
      <item>
         <title>https://www.youtube.com/watch?v=8R56TEyj1Zc&amp;t=302s</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841425906</link>
         <description><![CDATA[<div>5.00&nbsp;<br><br>church like element&nbsp;<br>gathering to celebrate something you can't explain </div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=8R56TEyj1Zc&amp;t=302s" />
         <pubDate>2021-10-25 12:15:35 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841425906</guid>
      </item>
      <item>
         <title>https://irenedeandres.com/Donde-nada-ocurre</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841438587</link>
         <description><![CDATA[<div><em>Where Nothing Happens</em> is a project I had developed in which I compile the history of abandoned or temporarily disused nightclubs in Ibiza, my birthplace. Each of these spaces are different types of ruins and inside this project each functions independently. T</div>]]></description>
         <enclosure url="https://irenedeandres.com/Donde-nada-ocurre" />
         <pubDate>2021-10-25 12:20:39 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841438587</guid>
      </item>
      <item>
         <title></title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841442689</link>
         <description><![CDATA[<div>powerful physical-experiential phenomenon that also affects visual culture</div>]]></description>
         <enclosure url="" />
         <pubDate>2021-10-25 12:22:13 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841442689</guid>
      </item>
      <item>
         <title>STUDY/ EVIDENCE </title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841451088</link>
         <description><![CDATA[<div>. Results showed that all four EDM event facets were positively associated with psychological and social well-being measures.&nbsp;</div>]]></description>
         <enclosure url="https://journals.sagepub.com/doi/full/10.1177/2059204321997102" />
         <pubDate>2021-10-25 12:25:25 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841451088</guid>
      </item>
      <item>
         <title>importance of night life culture</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841621127</link>
         <description><![CDATA[<div>it facilitates dance&nbsp;and unity</div>]]></description>
         <enclosure url="" />
         <pubDate>2021-10-25 13:21:04 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841621127</guid>
      </item>
      <item>
         <title>Rave and religion? A contemporary youth phenomenon as seen through the lens of religious studies</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841708843</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.researchgate.net/publication/249843275_Rave_and_religion_A_contemporary_youth_phenomenon_as_seen_through_the_lens_of_religious_studies" />
         <pubDate>2021-10-25 13:44:14 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841708843</guid>
      </item>
      <item>
         <title>The rave: Spiritual healing in modern western subcultures</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841715357</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.researchgate.net/publication/289143655_The_rave_Spiritual_healing_in_modern_western_subcultures/references" />
         <pubDate>2021-10-25 13:46:03 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841715357</guid>
      </item>
      <item>
         <title>SHAMANISM AND DANCE MUSIC CULTURE</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841720676</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.djbroadcast.net/article/98918/shamanism-and-dance-music-culture" />
         <pubDate>2021-10-25 13:47:36 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841720676</guid>
      </item>
      <item>
         <title>THE POTENTIAL POWER OF THE CLUBBING AND DANCE CULTURE EVENT</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841807658</link>
         <description><![CDATA[<div><strong><br>An investigation on the club and dance culture event, stressing on the empowering potentiality of this practice in both an individual and a social level, with particular reference to the rave movement&nbsp; emerging in London in the late 80s and spreading in Western Europe from the beginning of the 90s.</strong><br><br>Dance background&nbsp;<br>Parents rave background&nbsp;<br><br>I wanted to inquire into performance that has positive empowering potential, that can be vitalizing, connecting and enlivening us to our own energy and to the energies around us.&nbsp;<br><br>This led me back to the club and dance culture event, and its practices, particularly the rave movement, looking at the role of music, of the dancing, the crowd community, and how it can facilitate ecstatic experiences and be empowering on an individual as well as on a wider social level.<br><br>rave events are particularly of a physical, emotional, mental and spiritual shamanistic vitalising and empowering spirit<br><br>club events are whole immersive social and performative events where music and dance merge and are embodied by the crowd<br><br>. It is a socio-spatio-temporal and bodily-emotional practice.<br><br>“The rave/club culture is described as an arena of youth transformation made possible by the spatialization and performance of music, and thought dependent upon the way participants ‘negotiate liminality’ throughout the course of events” (St John Graham, 2004, p.11).<br><br>Clubbing and especially rave’s dance music are predominantly emphasizing the rhythmical aspect of music, the beat and bass, which, when going through the strong and loud sound-system, become an intense sensory, bodily and viscerally felt experience as much as heard, especially the sub-bass, and initiates a new and utter physicality. It is pure energy.<br><br>“Dancing within clubbing might be interpreted as an expressive form of thinking, sensing, feeling and processing which may be constituted through, as well as reflecting, strong relationships between clubber and the clubbing crowd, and in turn between the clubbing crowd and the society of which it is a part. Dancing within clubbing can be about […] a form of embodied resistance and source of personal and social vitality. (Malborn, 1999, p. 86-87)<br><br>Potential ecstatic experiences or altered states, involving some form of transformation in consciousness, may be experienced:<br><br></div><div><br><br>These experiences of playful vitality and ecstatic states can be refreshing and revitalizing and provide sensations of&nbsp; strength and empowering individually and socially, in the moment but also beyond the clubbing event, infusing into the clubbers’ daily live.</div><div><br><br></div>]]></description>
         <enclosure url="https://taniasoubry.com/the-potential-power-of-the-clubbing-and-dance-culture-event/" />
         <pubDate>2021-10-25 14:11:17 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841807658</guid>
      </item>
      <item>
         <title>The Mental Health Benefits of Raving. Why we need the dancefloor more than ever before</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841900043</link>
         <description><![CDATA[<ul><li><strong>It fosters human connection</strong></li></ul><div><br></div><ul><li><strong>Dancing increases wellbeing</strong></li></ul><div><br></div><ul><li><strong>Mental disconnection from the everyday: where we </strong><strong><em>mentally disconnect.</em></strong></li></ul><div><mark><br>Verbal communication is kept to a minimum, so you dance without words.</mark></div><div><mark>Body language becomes the means of communication.</mark></div><div><br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2021-10-25 14:35:26 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841900043</guid>
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      <item>
         <title></title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841913492</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://docs.google.com/document/d/1VisWjgTz9u8nL1de-2ku34RQuB3CriKUMkHH-T8rrdY/edit" />
         <pubDate>2021-10-25 14:39:00 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841913492</guid>
      </item>
      <item>
         <title>https://www.youtube.com/watch?v=L-5MHn206gs</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1841936260</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.youtube.com/watch?v=L-5MHn206gs" />
         <pubDate>2021-10-25 14:45:06 UTC</pubDate>
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      </item>
      <item>
         <title></title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1842526568</link>
         <description><![CDATA[<div>&nbsp;There's a contention proposed that raves operated as temporal places of worship, more like <a href="https://evansiapoe.blogspot.com/2017/07/stoned-out-of-my-minda-trip-to-avebury.html">stone circles</a> than <a href="https://evansiapoe.blogspot.com/2018/09/tads-24gravesend-to-rochester-or.html">cathedrals</a>, places that could be visited, worshipped over a weekend, before the flock move on.</div><div><br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2021-10-25 17:40:26 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1842526568</guid>
      </item>
      <item>
         <title>how music can empower women</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1842533066</link>
         <description><![CDATA[<div>https://aidabruyere.com/SpecialGyal<br><br>with the current climate of an increase in spiking, women do not feel this united feeling of coming together, being as one, they are scared. How can I use this project to empower women&nbsp;<br><br>using dance as empowerment against...<br><br>why have we lost that sense of unity&nbsp;<br><br>Rave culture is expanding and we need to preserve its integrity. We must demand the R(espect) in PLUR from those who may grope and degrade us/ spike us.&nbsp;<br><br>&nbsp;intimidated by the freedom of our bodies.&nbsp;<br><br>This is our dance floor too<br><br>While dance encourages freedom of expression, women are often excluded, stifled and boxed in. Like many social systems, dance is structured to limit women. Those who do push beyond the expectation, are both exploited and shamed for their bodies and sexuality.</div>]]></description>
         <enclosure url="https://aidabruyere.com/SpecialGyal" />
         <pubDate>2021-10-25 17:42:32 UTC</pubDate>
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         <title></title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1842884587</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://wiki.uiowa.edu/display/theatre/The+Religious+Experience+of+the+Rave" />
         <pubDate>2021-10-25 19:59:15 UTC</pubDate>
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         <title></title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1843092984</link>
         <description><![CDATA[]]></description>
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         <pubDate>2021-10-25 21:58:45 UTC</pubDate>
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         <title></title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1843093729</link>
         <description><![CDATA[]]></description>
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         <pubDate>2021-10-25 21:59:16 UTC</pubDate>
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         <title></title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1843093794</link>
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         <pubDate>2021-10-25 21:59:19 UTC</pubDate>
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         <title></title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1843093858</link>
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         <pubDate>2021-10-25 21:59:21 UTC</pubDate>
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         <title></title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1843095106</link>
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         <pubDate>2021-10-25 22:00:17 UTC</pubDate>
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         <title></title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1843114376</link>
         <description><![CDATA[]]></description>
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         <pubDate>2021-10-25 22:13:48 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1843114376</guid>
      </item>
      <item>
         <title>https://indie-mag.com/2018/11/rave-ritual/</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1844421193</link>
         <description><![CDATA[<h1><strong>COMMUNITAS RAVE AND RITUAL: THE RELIGIOSITY OF PARTYING</strong></h1><div><br>&nbsp;But spiritual enlightenment does not need to be confined within the naves of the church, just as the activities that lead to it are not always holy.<br><br>&nbsp;to cultivate an immersive environment for intense experiences. <br><br>The spontaneous sense of community that emerges in the rave subculture, paired with the meditative qualities of electronic music, lends rave a ritual status: a peaceful crusade premised on inclusivity that acts as this era’s hallowed pilgrimage.<br><br>outlet to partiers for the frustration, delight and perplexity that accumulates from the trials and tribulations of the everyday. <br><br>provides a sensory portfolio of the ethos that charmed a community into a hedonistic haze<br><br><br>The anarchist philosophy that originally led raves into abandoned spaces adds to the sense of pilgrimage: an intimate group of like-minded individuals journeying outside of their day-to-day enclosures, liberated from regularity and united in songs of praise.<br><br><br>design of clubbing spaces has long created an immersive atmosphere which encourages escapism and nurtures alternative experiences <br><br><strong>120 and 150 beats per minute, techno’s speed and repetitive nature can induce a meditative state,</strong><br><br><strong>One intimate UK festival called The Tower recreated the female uterus, urging festival-goers to step into a satin-lined vagina and walk through a flesh-red walled uterus into a cavernous </strong><a href="https://indie-mag.com/tag/dance/"><strong>dancefloor</strong></a><strong> reverberating with techno. Leaving the “womb” in the early hours of the morning represents rebirth, nodding to the parallels between raving and religio-spiritual enlightenment. <br><br></strong><mark>Jesper Henriksson, co-founder of The Tower, acknowledges this effect: “One could even say that rave has in some ways replaced religious gatherings for a younger generation.” <br></mark><strong><mark><br></mark></strong><strong>The way in which raving has become, for some, a weekend ritual implies a devotion similar to religion. Your first rave is an experience likened to holy communion, an initiation into a nocturnal world guided by a different ethos.&nbsp;</strong></div>]]></description>
         <enclosure url="https://indie-mag.com/2018/11/rave-ritual/" />
         <pubDate>2021-10-26 09:19:58 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1844421193</guid>
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         <title>https://www.neverapart.com/features/more-than-a-party/</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1844423761</link>
         <description><![CDATA[<div><em>In this article I make connections between the Rave parties I love and the spiritual practices I have read about in books and magazines.&nbsp;</em></div>]]></description>
         <enclosure url="https://www.neverapart.com/features/more-than-a-party/" />
         <pubDate>2021-10-26 09:21:29 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1844423761</guid>
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      <item>
         <title>19:30Aleksandra Domanović</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1844449980</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/946060961/8da55dbf699acd4de7a75f628cb55b15/DSC_8624.jpg" />
         <pubDate>2021-10-26 09:36:25 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1844449980</guid>
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      <item>
         <title>FAN ZINE by Shiori Kawasaki</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1844564320</link>
         <description><![CDATA[<div>FAN ZINE is a tribute to the Japanese punk music fans, it aims to capture their spontaneous reaction to the music and contagious energy that free you momentarily from the constrain of everyday life.</div>]]></description>
         <enclosure url="https://www.printedmatter.org/catalog/35447" />
         <pubDate>2021-10-26 10:45:54 UTC</pubDate>
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      <item>
         <title></title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1844851488</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.youtube.com/watch?v=oAUU7cQmYiE" />
         <pubDate>2021-10-26 13:00:30 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1844851488</guid>
      </item>
      <item>
         <title>ideas from old brief</title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1976133160</link>
         <description><![CDATA[<div><strong>Rave ideas</strong></div><div><br></div><div>Rave bible&nbsp;</div><div><br></div><div>Sound piece of publication&nbsp;</div><div><br></div><div>Text from publication be in the sound, visual in&nbsp;</div><div><br></div><div>Rave bible - no text</div><div><br></div><ol><li>Enquiring into dance and music&nbsp;</li><li>Importance of clubbing&nbsp;</li><li>Love and hedonism&nbsp;</li></ol><div><br></div><div><strong>Notes from peers:&nbsp;</strong></div><div><br></div><div><br></div><div>Photgroahy- visualise&nbsp;</div><div><br></div><div>Capturing movement&nbsp;</div><div><br></div><div>phtotgraphys seres - TYPOGLOGY&nbsp;</div><div><br></div><div>Capturing spirituality of dance floor&nbsp;</div><div><br></div><div><br></div><div>Take images of people and draw - two publications&nbsp;</div><div><br></div><div>Start with videos - how does it make feel&nbsp;</div><div><br></div><div>Publication could inform a video -&nbsp;</div><div><br></div><div>Play around with publication book binding&nbsp;</div><ul><li>Fold out&nbsp;</li><li>Flip book : using life drawing ?</li><li>Gif</li></ul><div><br></div><div>Movement through a publication&nbsp;</div><div><br></div><div>Life drawing - dancing, movement - piglets references&nbsp;</div><div><br></div><div>What medium captures movement better- charcoal, pencil, pen&nbsp;</div><div><br></div><div>Night fever&nbsp;</div><div><br></div><div><br></div><div>Think about specific things in clubs</div><ul><li><strong>Toilet queue&nbsp;</strong></li><li>Waiting for drink</li><li>Dance floor</li><li>Spoking areas&nbsp;</li><li>Walk home&nbsp;</li></ul><div><br></div><div>Publication - stepping into the club - open cover- walkinh through the door - club entrances&nbsp;</div><div><a href="https://www.itsnicethat.com/news/tresor-door-berlin-humboldt-forum-exhibition-miscellaneous-190619">https://www.itsnicethat.com/news/tresor-door-berlin-humboldt-forum-exhibition-miscellaneous-190619</a></div><div><br></div><div><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-01-05 11:13:34 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1976133160</guid>
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         <title></title>
         <author>cfribbins0720181_2</author>
         <link>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1976182115</link>
         <description><![CDATA[<div>Online time capsule&nbsp;</div><div>Converted to physical tangible object- memories&nbsp;</div>]]></description>
         <enclosure url="" />
         <pubDate>2022-01-05 11:56:02 UTC</pubDate>
         <guid>https://padlet.com/cfribbins0720181_2/o3jw53gko9270syf/wish/1976182115</guid>
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