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      <title>Section C - Revision Checklist  by Stuart</title>
      <link>https://padlet.com/stuartgrenvilleprice/o2m6zslxwq1g</link>
      <description>The main areas of Section C to cover/revise are as follows: Narrative Structure - Understand the narrative shape/progression of the films.
Key Themes - Identify key hemes in the narrative (conflict)
Narration - 
Understand narrative positioning.
Characters - 
Understand the characters’ objectives and relationships. Choose key narrative sequences
Do a character / representation study for main characters.
Genre - Understand the genre and how far the film fit into the genre.
Micro Features -  Offer evidence in terms of micro features from key scenes to back up your points 
</description>
      <language>en-us</language>
      <pubDate>2016-05-09 19:54:53 UTC</pubDate>
      <lastBuildDate>2025-11-02 18:45:49 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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         <title>Section C Revision Checklist (P152 Unit Guide) &amp;nbsp; &amp;nbsp;</title>
         <author>stuartgrenvilleprice</author>
         <link>https://padlet.com/stuartgrenvilleprice/o2m6zslxwq1g/wish/110043953</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2016-05-10 09:06:44 UTC</pubDate>
         <guid>https://padlet.com/stuartgrenvilleprice/o2m6zslxwq1g/wish/110043953</guid>
      </item>
      <item>
         <title>Narrative structure:</title>
         <author>stuartgrenvilleprice</author>
         <link>https://padlet.com/stuartgrenvilleprice/o2m6zslxwq1g/wish/110043991</link>
         <description><![CDATA[<div><strong>Single-strand</strong>&nbsp;- Robert Neville's story<br><strong>Non-Linear narrative</strong>&nbsp;- flashbacks (TOM daydreaming, IAL nightmares)<br><strong>Epistolary style</strong>&nbsp;- legacy/intertextual reference&nbsp; Bram Stoker's&nbsp;<strong><em>Dracula,&nbsp;</em></strong>1897, and Matheson's novella,&nbsp;<em>I am Legend.</em><strong><em><br></em></strong><strong>Closed -&nbsp;</strong>ending on a message of hope - for mankind<br><strong>Film Paradigm<br>US film paradigm&nbsp;</strong>- ascending action to a point of climax (violent)<br><strong>Diegesis<br>Fin de Siècle -&nbsp;</strong>Themes - end of the era/century<br><strong>Classic Hollywood Narrative<br></strong><em><br></em><strong>Claude Lèvi-Strauss -</strong>&nbsp;Binary Oppositions -&nbsp;<br>Operate over the duration of the film - on symbolic level.<br>Good v Evil - Light v Dark<br>Day v Night<br>Inside v Outside<br>Science v Nature<br>Darwinism v Creationisim<br>Human v Monster<br>'Norm' v the 'Other'<br><strong>EXPOSITION&nbsp;<br>DEVELOPMENT&nbsp;<br>COMPLICATION&nbsp;<br>CLIMAX&nbsp;<br>RESOLUTION<br><br>Tzvetan TODOROV -<br>Equilibrium&nbsp;<br>Disequilibrium<br>(new) Equilibrium<br><br>Vladimir Propp&nbsp;</strong>- 7 characters serve 31 functions<strong><br><br>Roland Barthes<br></strong>Referential Codes<br>Semantic codes- mode of address<br>Semic Codes<br>Symbolic Codes<br>Hermeneutic codes (Enigma)<br>Proairetic codes (Action)<br><strong><br><br></strong><br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2016-05-10 09:06:59 UTC</pubDate>
         <guid>https://padlet.com/stuartgrenvilleprice/o2m6zslxwq1g/wish/110043991</guid>
      </item>
      <item>
         <title>Narration:</title>
         <author>stuartgrenvilleprice</author>
         <link>https://padlet.com/stuartgrenvilleprice/o2m6zslxwq1g/wish/110044033</link>
         <description><![CDATA[<div><strong>Restricted narrational</strong> devices.<br>- more likely surprises, shocks, jumps<br>A singular viewpoint<br>Shot/Revese shot - <strong>shot/POV-shots<br></strong>eye-level angles, head height framings<br>Cu's, MCUs, ECU, etc - i.e tighter shots<br>Acts as a<strong> barrier mechanism</strong> - can be susspenseful etc<br>Subjective viewpoint (not objective)</div>]]></description>
         <enclosure url="" />
         <pubDate>2016-05-10 09:07:18 UTC</pubDate>
         <guid>https://padlet.com/stuartgrenvilleprice/o2m6zslxwq1g/wish/110044033</guid>
      </item>
      <item>
         <title>Characters:</title>
         <author>stuartgrenvilleprice</author>
         <link>https://padlet.com/stuartgrenvilleprice/o2m6zslxwq1g/wish/110044055</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2016-05-10 09:07:26 UTC</pubDate>
         <guid>https://padlet.com/stuartgrenvilleprice/o2m6zslxwq1g/wish/110044055</guid>
      </item>
      <item>
         <title>Genre: </title>
         <author>stuartgrenvilleprice</author>
         <link>https://padlet.com/stuartgrenvilleprice/o2m6zslxwq1g/wish/110044074</link>
         <description><![CDATA[<div>NICS - Narrative, Iconography, Characters and Setting)<br>Genre&nbsp;<strong>hybridity</strong>&nbsp;<br>Audience pleasures - benefits to consumer and producers.<br><strong>Intertextuality</strong>&nbsp;(Steven Neale - 'textual poachers', 'textual relay' - homage.<br>Genre is a formula<br>Patterns of Repetition and Difference<br>- or are both Dynamic &amp; Static&nbsp;<br>Post-Modernism<br>Sci-Fi, Action, Survival, Vampire/Horror, Post-Apocalyptic genres. (In Omega Man add Romance &amp; Blaxploitation),&nbsp;<br>Conventions - familiar, reassuring<br>Iconography<br>Codes -&nbsp;<br>Icon/Iconic<br>Indexical references<br>Symbolic codes<br>Utopia v Dystopia<br>Paranoid V Secure Horror</div>]]></description>
         <enclosure url="" />
         <pubDate>2016-05-10 09:07:34 UTC</pubDate>
         <guid>https://padlet.com/stuartgrenvilleprice/o2m6zslxwq1g/wish/110044074</guid>
      </item>
      <item>
         <title>Micro features:</title>
         <author>stuartgrenvilleprice</author>
         <link>https://padlet.com/stuartgrenvilleprice/o2m6zslxwq1g/wish/110044116</link>
         <description><![CDATA[<div><strong>Mise-en-Scène</strong>&nbsp;- Location/Setting,&nbsp;<br>Decor,&nbsp;<br>Props,&nbsp;<br>Dress Codes/Costume, &nbsp;<br>Hair/Make-Up<br>CGI and Special Effects<br>Character position, proxemics, placement and movement<br><strong>Cinematography<br></strong>Mise-en-Shot -&nbsp;<br>Shot size/camera proxemics, Camera angle,<br>Focus and depth of field, Framing and composition,<br>Camera movement&nbsp;<br><strong>Editing<br></strong>Continuity Editing (&amp; features)<br>Montage &amp; montage theory<br>Long-takes<br>Ellipses<br>Vertiginous editing<br>Dissolve edit<br>Straight cut<br><strong>Performance<br></strong>Argyll's 10 'Body Codes'<br><strong>Sound<br></strong>Diegetic/Non-Diegetic<br>Foley sound &amp; Sound F/X<br>Music &amp; diatonic.&nbsp;<br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2016-05-10 09:07:44 UTC</pubDate>
         <guid>https://padlet.com/stuartgrenvilleprice/o2m6zslxwq1g/wish/110044116</guid>
      </item>
      <item>
         <title>Key themes: p13</title>
         <author>stuartgrenvilleprice</author>
         <link>https://padlet.com/stuartgrenvilleprice/o2m6zslxwq1g/wish/110044201</link>
         <description><![CDATA[<div>Horatio Alger Myth<br>'Secure' v 'Paranoid' Horror<br>The '<em>Other</em>'<br>Xenophobia<br>Survival<br>Lonliness and Solitude<br>Isolation and Alienation<br>Pandemic fears<br>Post 9/11 anxiety<br>(sexual) Frustration<br>Religion esp Christian messages&nbsp;<br>Science&nbsp;<strong><br></strong>Utopia v Dystopia<br>Vampire threats (analogy)<br>Moral Panics (Stan Cohen)<br>Cold-War &amp; the Red Threat<br>Pandemic Threats &amp; Anxieties<br>Gender roles - active and passive<br>Race, Ethnicity and Privilege&nbsp;<br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2016-05-10 09:08:18 UTC</pubDate>
         <guid>https://padlet.com/stuartgrenvilleprice/o2m6zslxwq1g/wish/110044201</guid>
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