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      <title>Photographers by Licheng Yang by Licheng Yang</title>
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      <pubDate>2017-03-20 15:20:47 UTC</pubDate>
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         <title>Margaret Bourke-White</title>
         <author>yangl2</author>
         <link>https://padlet.com/yangl2/PhotographersLicheng/wish/161216336</link>
         <description><![CDATA[<div>Margaret Bourke-White is a<strong> photojournalist </strong>who was born in New York on June 14, 1904. She is known for her extensive contributions to photojournalism, particularly for her <strong>Life magazine</strong> work. She is recognized as having been the first female documentary photographer to be accredited by and work with the U.S armed forces. Her photos cover a large range of topics and events, such as WW2, the Great Depression, and Korean War.</div>]]></description>
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         <pubDate>2017-03-20 15:24:53 UTC</pubDate>
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         <title>Robert Doisneau</title>
         <author>yangl2</author>
         <link>https://padlet.com/yangl2/PhotographersLicheng/wish/161217072</link>
         <description><![CDATA[<div>Robert Doisneau is a French <strong>street photographer</strong> born in 1912. He studied arts from a young age, and experimented with photography aged 16. He is known for his unassuming, surreal, and light-hearted portrayal of life on <strong>Paris streets</strong>; a preferred focus opposed to high fashion. He commented his art work, "The marvels of daily life are so exciting; no movie director can arrange the unexpected that you find in the street." His iconic black and white images of life in Paris become symbolic of a dream lifestyle for many people.</div>]]></description>
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         <pubDate>2017-03-20 15:26:22 UTC</pubDate>
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         <title>Brian Skerry</title>
         <author>yangl2</author>
         <link>https://padlet.com/yangl2/PhotographersLicheng/wish/161217596</link>
         <description><![CDATA[<div>Brian Skerry is a <strong>photojournalist </strong>specializing in <strong>marine wildlife</strong> and <strong>underwater environments</strong>. Since 1998 he has been a contract photographer for <em>National Geographic Magazine</em> covering a wide range of subjects and stories. In 2014 he was named a National Geographic Photography Fellow. In 2015 Brian was named a Nikon Ambassador. From the quote above,it is easy to see Skerry's career requires him to face different dangerous situations under the water.</div>]]></description>
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         <pubDate>2017-03-20 15:27:19 UTC</pubDate>
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         <author>yangl2</author>
         <link>https://padlet.com/yangl2/PhotographersLicheng/wish/161280115</link>
         <description><![CDATA[<div><em>"Work to me is a sacred thing." </em>Margaret Bourke-White</div>]]></description>
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         <pubDate>2017-03-20 18:00:28 UTC</pubDate>
         <guid>https://padlet.com/yangl2/PhotographersLicheng/wish/161280115</guid>
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         <title></title>
         <author>yangl2</author>
         <link>https://padlet.com/yangl2/PhotographersLicheng/wish/161280904</link>
         <description><![CDATA[<div>"<em>I don't photograph life as it is, but life as I would like it to be." </em>Robert Doisneau</div>]]></description>
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         <pubDate>2017-03-20 18:02:10 UTC</pubDate>
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         <title></title>
         <author>yangl2</author>
         <link>https://padlet.com/yangl2/PhotographersLicheng/wish/161281451</link>
         <description><![CDATA[<div><em>"Kneeling on the sea bottom in a place known as Tiger Beach, I watched a 12-foot- long female tiger shark cruise over the turtle grass with three silver bar jacks swimming in front of her nose."</em> Brian Skerry</div>]]></description>
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         <pubDate>2017-03-20 18:03:22 UTC</pubDate>
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         <title>&quot;Kentucky Flood&quot;, February 1937</title>
         <author>yangl2</author>
         <link>https://padlet.com/yangl2/PhotographersLicheng/wish/161283056</link>
         <description><![CDATA[<div>This is one Margaret Bourke-White's famous photograph, which are shot <em>during</em> the <strong>Great Depression</strong>, was originally only one of many pictures she made for record the <strong>Ohio River flood of 1937</strong>, which claimed close to 400 lives and left roughly one million people homeless across five states in the winter of that terrible year. This photo has the power to define the eras. This photo, with White's other shots, is published on LIFE magazine on Feb. 15th, 1937. By using the contrast and irony&nbsp; - the queue of homeless people stands under a giant poster titled "World's Highest Standard of Lives" , shows the true people's life during the Great Depression.</div>]]></description>
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         <pubDate>2017-03-20 18:07:18 UTC</pubDate>
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         <title>&quot;Korean War&quot;, 1952</title>
         <author>yangl2</author>
         <link>https://padlet.com/yangl2/PhotographersLicheng/wish/161284512</link>
         <description><![CDATA[<div>This is a photo about a member of the <strong>South Korean national police</strong> holds the severed head of a<strong> North Korean communist guerrilla</strong> during the <strong>Korean war</strong> in 1952. As a photojournalist, White often needs to follow the armies, and this photo record the sudden facial expression of a south Korean national police, when he sees his mate holding a communist's head. Buy using the contrast and irony - smile and death, White presents the cruelness of the war. It also proves the work to her is a true " sacred thing".</div>]]></description>
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         <pubDate>2017-03-20 18:10:52 UTC</pubDate>
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         <title>Les Jardins du Champs de Mars (Champs de Mars gardens), 1944</title>
         <author>yangl2</author>
         <link>https://padlet.com/yangl2/PhotographersLicheng/wish/161285839</link>
         <description><![CDATA[<div>Robert Doisneau loves to shot photos which can be noticeable that they are took place in Paris. In "<strong>Le baiser de l'hotel de ville</strong>", the photo has the town hall in the back ground and the tables of a cafe in the foreground. In this photo, the focus are the Eiffel Tower on in the back ground and children on the street. Doisneau’s work gives unusual prominence and dignity to children’s street culture; in his portfolio, he again and again shows the theme of children play in the city, unfettered by parents. By using subject like kids, Robert describes a wonderful life in Paris at the end of the WW2.&nbsp;<br><br></div>]]></description>
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         <pubDate>2017-03-20 18:14:29 UTC</pubDate>
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         <title>A sea tertle is trapped in fish net</title>
         <author>yangl2</author>
         <link>https://padlet.com/yangl2/PhotographersLicheng/wish/161288554</link>
         <description><![CDATA[<div>Brian is well known worldwide for not only his aesthetic sense but also his relevance of journalist. His images tell stories that not only celebrate the mystery and beauty of the sea, but also help bring attention to different issues that <strong>endanger the ocean and its inhabitants</strong>. For example, audience can clearly see a sea turtle is trapped in a net from this photo. In fact, a large number of inhabitants is harmed by human's wastes. For the photo itself, the subject is followed by rules of third, and the beautiful color contrast of turtle and ocean also shows Brian's skill.</div>]]></description>
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         <pubDate>2017-03-20 18:22:01 UTC</pubDate>
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         <title>A interview with Margaret Bourke White</title>
         <author>yangl2</author>
         <link>https://padlet.com/yangl2/PhotographersLicheng/wish/161290716</link>
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         <pubDate>2017-03-20 18:27:00 UTC</pubDate>
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         <title>A typical style of photo by Skerry </title>
         <author>yangl2</author>
         <link>https://padlet.com/yangl2/PhotographersLicheng/wish/161290983</link>
         <description><![CDATA[<div>Shooting fishes on the bottom of the sea and spending months aboard fishing boats to get the picture become Brian's normal life. He has spent more than 10,000 hours underwater over the last<strong> thirty years</strong>. This is a photo he usually does, which full of risk and unknown situations. In order to shot a photo like this, Brian might be already stay under the water for hours. Sine the ocean is different than any place on land, Brian needs to suffer the <strong>high pressure of the water</strong> and<strong> low temperatures</strong>, which both challenging his mental and physical condition. Also, he need to check the photo's quality on the computer on the land, which means it is very often to have bad photos after hours of hard-working.</div><div><br></div>]]></description>
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         <pubDate>2017-03-20 18:27:41 UTC</pubDate>
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         <title>A interview with Brian Skerry</title>
         <author>yangl2</author>
         <link>https://padlet.com/yangl2/PhotographersLicheng/wish/161291799</link>
         <description><![CDATA[]]></description>
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         <pubDate>2017-03-20 18:29:34 UTC</pubDate>
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         <title>Le baiser de l&#39;hotel de ville (Kiss by the Hotel de Ville), 1950</title>
         <author>yangl2</author>
         <link>https://padlet.com/yangl2/PhotographersLicheng/wish/161919799</link>
         <description><![CDATA[<div>One of his most well know works, classic to his style, <strong>Le baiser de l'hotel de ville (Kiss by the Hotel de Ville)</strong>, showing a kissing couple embracing on the streets of Paris in 1950. Unlike Margaret Bourke-White, Robert's styled, "<em>I don't photograph life as it is, but life as I would like it to be</em>", always showing the <strong>beautiful scenes of a city</strong>. Similar to "sailor kiss times square" by Greta Zimmer Friedman, the Photographer catches a lovely moment of a couple in the middle of the street. The picture typifies the romance of the French capital and went on to become his most famous shot. The couple and the people in the back ground make a contrast and show both still and motion.<br><br></div>]]></description>
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         <pubDate>2017-03-22 17:59:09 UTC</pubDate>
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