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      <title>Dante Gabriel Rossetti, The Girlhood of Mary Virgin by RUBY GRIFFITH</title>
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      <pubDate>2022-10-17 18:50:20 UTC</pubDate>
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         <title>Information about Rossetti</title>
         <author>ruby_griffith</author>
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         <description><![CDATA[<div><em>The Girlhood of Mary Virgin </em>was painted by Dante Gabriel Rossetti. &nbsp; Dante was an English artist of the 19th century.&nbsp; He grew up in a family that&nbsp; valued the arts with his sister was a poet and his brothers were a critic and a writer.&nbsp; Rossetti wrote in a letter his own description that lets us know that he felt the education of Mary was 'the most worthy of interest of the Christian community."&nbsp; The art community praised Rossetti for this work, but he was heavily criticized throughout his career and it affected him greatly. &nbsp; Early in his career he moved away from oil painting because the critics.&nbsp; Later on in life he fell into a depression because the critics were very harsh regarding his poetry.&nbsp; &nbsp;With the depression, Rossetti drank heavily which eventually led to health issues and his death.</div><div><br></div><div><br></div><div><br></div>]]></description>
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         <pubDate>2022-10-17 18:52:51 UTC</pubDate>
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         <title>Circumstances of Painting&#39;s Creation</title>
         <author>ruby_griffith</author>
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         <description><![CDATA[<div><em>The Girlhood of Mary Virgin</em> was Rossetti's first major oil painting.&nbsp; He started the work in the summer of 1848 and finished it the following March.&nbsp; The painting was on displayed at Free Exhibition in London.&nbsp; Rossetti presented the painting with a pair of sonnets.&nbsp; These sonnets laid out much of the symbolism within the painting as well as a translation of what is being depicted in the painting.&nbsp; Rossetti used his close relatives to model for the main focus of the painting.&nbsp; His sister Christina Rossetti modeled for the the virgin Mary while his mother, Frances Polidori Rossetti modeled for St. Anne.</div><div><br></div>]]></description>
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         <pubDate>2022-10-17 18:53:12 UTC</pubDate>
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         <title>Intertextual References</title>
         <author>ruby_griffith</author>
         <link>https://padlet.com/ruby_griffith/o0f2p3nyequxzzce/wish/2343827348</link>
         <description><![CDATA[<div>Two of Rossetti's influences came directly from his tutors, Ford Madox Brown and Holman Hunt.&nbsp; Rossetti would have also seen similar works of art by Bartolomé Esteban Murillo and mentions him directly as an influence.&nbsp; The painting shows a youthful Mary being taught to read by her mother Anne.&nbsp; This is a common scene of medieval and Renaissance art (rossettiarchive.org).&nbsp; Rossetti gives great effort in giving the scene realism, but at the same time adding elements of Christian symbolism.</div><div><br></div>]]></description>
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         <pubDate>2022-10-17 18:53:24 UTC</pubDate>
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         <title>Painting&#39;s Message</title>
         <author>ruby_griffith</author>
         <link>https://padlet.com/ruby_griffith/o0f2p3nyequxzzce/wish/2343827721</link>
         <description><![CDATA[<div>Rossetti incorporates the theme of the purity of women into his works.&nbsp; <em>The Girlhood of Mary Virgin</em> is no exception.&nbsp; The painting includes long drapes that hide the women from the outside world. &nbsp; This is inline with Rossetti faith and place of worship which stressed "the various Christian graces of humility, charity, modesty, and purity" (Grieve 85).</div><div><br></div>]]></description>
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         <pubDate>2022-10-17 18:53:38 UTC</pubDate>
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         <title>Public Reception</title>
         <author>ruby_griffith</author>
         <link>https://padlet.com/ruby_griffith/o0f2p3nyequxzzce/wish/2343828164</link>
         <description><![CDATA[<div>&nbsp;The Girlhood of Mary Virgin was received very well.&nbsp;  His ability to included a duality.  His work shows a very realistic scene that Mary is being educated by her mother.  This is very believable and its viewers can easily relate.  Rossetti included the sonnets that provide a literal depiction of the scene while also referring to its symbolism.  </div><div><br></div>]]></description>
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         <pubDate>2022-10-17 18:53:54 UTC</pubDate>
         <guid>https://padlet.com/ruby_griffith/o0f2p3nyequxzzce/wish/2343828164</guid>
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      <item>
         <title>Works Cited</title>
         <author>ruby_griffith</author>
         <link>https://padlet.com/ruby_griffith/o0f2p3nyequxzzce/wish/2343828688</link>
         <description><![CDATA[<div><br><br><em>The Girlhood of Mary Virgin</em>, http://www.rossettiarchive.org/docs/s40.rap.html. <br><br>Donnelly, Brian. “Sonnet--Image--Intertext: Reading Rossetti's the Girlhood of Mary Virgin and Found.” Victorian Poetry, vol. 48, no. 4, 2010, pp. 475–488.<br><br>Grieve, Alastair. “New Light on Rossetti’s ‘Girlhood of Mary Virgin.’” <em>The British Art Journal</em>, vol. 4, no. 2, 2003, pp. 83–85. <em>JSTOR</em>, http://www.jstor.org/stable/41614465. Accessed 15 Oct. 2022.<br><br>Hołdys, Małgorzata. "She “felt no fear at all”? The Virgin Mary<br>and the Feminist Voice in Dante Gabriel Rossetti’s The<br>Girlhood of Mary Virgin and Ecce Ancilla<br>Domini!." ACTA PHILOLOGICA: 36.<br><br>Johnston, Robert D. Dante Gabriel Rossetti. Twayne, 1969.</div>]]></description>
         <enclosure url="" />
         <pubDate>2022-10-17 18:54:13 UTC</pubDate>
         <guid>https://padlet.com/ruby_griffith/o0f2p3nyequxzzce/wish/2343828688</guid>
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         <title></title>
         <author>ruby_griffith</author>
         <link>https://padlet.com/ruby_griffith/o0f2p3nyequxzzce/wish/2343831726</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-10-17 18:55:59 UTC</pubDate>
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