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      <title>Life on Mars by Ewan Waters</title>
      <link>https://padlet.com/ejwaters19/nvjl3vxanmcz</link>
      <description>Series 1 Episode 1</description>
      <language>en-us</language>
      <pubDate>2017-10-09 14:04:02 UTC</pubDate>
      <lastBuildDate>2017-11-16 11:29:34 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
      <image>
         <url></url>
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      <item>
         <title>Genre Conventions</title>
         <author>ejwaters19</author>
         <link>https://padlet.com/ejwaters19/nvjl3vxanmcz/wish/195233217</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2017-10-09 14:04:57 UTC</pubDate>
         <guid>https://padlet.com/ejwaters19/nvjl3vxanmcz/wish/195233217</guid>
      </item>
      <item>
         <title>http://estream.colchsfc.ac.uk/View.aspx?id=9865~4C~FepKz5xu</title>
         <author>ejwaters19</author>
         <link>https://padlet.com/ejwaters19/nvjl3vxanmcz/wish/195236433</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2017-10-09 14:12:44 UTC</pubDate>
         <guid>https://padlet.com/ejwaters19/nvjl3vxanmcz/wish/195236433</guid>
      </item>
      <item>
         <title>Setting </title>
         <author>ejwaters19</author>
         <link>https://padlet.com/ejwaters19/nvjl3vxanmcz/wish/195237698</link>
         <description><![CDATA[<div>Typically British – tower blocks, terraced houses, bin bags, working-class, northern environment.</div>]]></description>
         <enclosure url="" />
         <pubDate>2017-10-09 14:15:29 UTC</pubDate>
         <guid>https://padlet.com/ejwaters19/nvjl3vxanmcz/wish/195237698</guid>
      </item>
      <item>
         <title>Generic codes</title>
         <author>ejwaters19</author>
         <link>https://padlet.com/ejwaters19/nvjl3vxanmcz/wish/195238058</link>
         <description><![CDATA[<div>As car pulls up – diegetic squealing of brakes, police vehicles and uniformed police.<br>•Generic codes as car pulls up – diegetic squealing of brakes, police vehicles and uniformed police</div><div>•Tyler framed dominantly on right, suited with a tie – precise and by the book</div><div>•Reads rights (generic convention) perfectly – this is a man who does things by the book.</div>]]></description>
         <enclosure url="" />
         <pubDate>2017-10-09 14:16:20 UTC</pubDate>
         <guid>https://padlet.com/ejwaters19/nvjl3vxanmcz/wish/195238058</guid>
      </item>
      <item>
         <title>Iconography</title>
         <author>ejwaters19</author>
         <link>https://padlet.com/ejwaters19/nvjl3vxanmcz/wish/195240477</link>
         <description><![CDATA[<div>-Police cars<br>-Police outfits<br>-police station<br>-weapons<br>-taser   </div>]]></description>
         <enclosure url="" />
         <pubDate>2017-10-09 14:21:48 UTC</pubDate>
         <guid>https://padlet.com/ejwaters19/nvjl3vxanmcz/wish/195240477</guid>
      </item>
      <item>
         <title></title>
         <author>ejwaters19</author>
         <link>https://padlet.com/ejwaters19/nvjl3vxanmcz/wish/195242171</link>
         <description><![CDATA[<div><figure class="attachment attachment--preview"><img src="https://upload.wikimedia.org/wikipedia/en/1/15/Life_On_Mars_OST.jpg" width="300" height="300"><figcaption class="attachment__caption"></figcaption></figure></div>]]></description>
         <enclosure url="" />
         <pubDate>2017-10-09 14:25:12 UTC</pubDate>
         <guid>https://padlet.com/ejwaters19/nvjl3vxanmcz/wish/195242171</guid>
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      <item>
         <title></title>
         <author>ejwaters19</author>
         <link>https://padlet.com/ejwaters19/nvjl3vxanmcz/wish/195245866</link>
         <description><![CDATA[<div>Raid on suspects house followed by chase. Closed frames within the house connote entrapment – used throughout the series</div>]]></description>
         <enclosure url="" />
         <pubDate>2017-10-09 14:32:46 UTC</pubDate>
         <guid>https://padlet.com/ejwaters19/nvjl3vxanmcz/wish/195245866</guid>
      </item>
      <item>
         <title>The office scene</title>
         <author>ejwaters19</author>
         <link>https://padlet.com/ejwaters19/nvjl3vxanmcz/wish/195247072</link>
         <description><![CDATA[<div>•Sam focuses on computer monitor, forensic evidence, fibres etc..</div><div>•Establishes his relationship Maya – personal/professional binary opposition</div><div>•Iconography of water cooler and phone</div><div>•Satchmore Rd creates a cause/effect link with 1973</div><div>•Bleak, gritty setting of the crime scene and empty swing signifies the end of innocence. Shirt stained with blood connotes danger and emphasises importance.</div>]]></description>
         <enclosure url="" />
         <pubDate>2017-10-09 14:34:38 UTC</pubDate>
         <guid>https://padlet.com/ejwaters19/nvjl3vxanmcz/wish/195247072</guid>
      </item>
      <item>
         <title>The accident</title>
         <author>ejwaters19</author>
         <link>https://padlet.com/ejwaters19/nvjl3vxanmcz/wish/195248099</link>
         <description><![CDATA[<div>•The surreal elements of the narrative and hints at Tyler’s back story</div><div>•Enigma codes</div><div>•The Todorovian disruption point within the narrative (initially started by Maya’s abduction)</div><div>•Intertextual elements – the beginning of our awareness that this is a post-modern text</div><div>•Sam Tyler’s displacement into another world and his vulnerability</div><div>•Difference within the genre (Neale)</div>]]></description>
         <enclosure url="" />
         <pubDate>2017-10-09 14:36:56 UTC</pubDate>
         <guid>https://padlet.com/ejwaters19/nvjl3vxanmcz/wish/195248099</guid>
      </item>
      <item>
         <title>Title/opening sequence</title>
         <author>ejwaters19</author>
         <link>https://padlet.com/ejwaters19/nvjl3vxanmcz/wish/195251639</link>
         <description><![CDATA[<div>•Credits – black and white, sans-series font – connotations of POLICE font</div><div>•Credits intercut with wheels spinning – action, intertextual reference to Hitchcock’s <em>Vertigo.</em></div><div>•70’s action music</div><div>•Desaturated colour with colour palette of greys and blues – masculine and gritty</div>]]></description>
         <enclosure url="" />
         <pubDate>2017-10-09 14:43:14 UTC</pubDate>
         <guid>https://padlet.com/ejwaters19/nvjl3vxanmcz/wish/195251639</guid>
      </item>
      <item>
         <title>Action sequences</title>
         <author>ejwaters19</author>
         <link>https://padlet.com/ejwaters19/nvjl3vxanmcz/wish/195252489</link>
         <description><![CDATA[<div>Raid on suspects house followed by chase. Closed frames within the house connote entrapment – used throughout the series.</div>]]></description>
         <enclosure url="" />
         <pubDate>2017-10-09 14:44:53 UTC</pubDate>
         <guid>https://padlet.com/ejwaters19/nvjl3vxanmcz/wish/195252489</guid>
      </item>
      <item>
         <title>first scene </title>
         <author>ejwaters19</author>
         <link>https://padlet.com/ejwaters19/nvjl3vxanmcz/wish/195255384</link>
         <description><![CDATA[<div>•The contemporary setting (2006)</div><div>•Sam Tyler’s role in the narrative and his personality and attitudes </div><div>•Genre – classic crime/cop drama conventions</div><div>•The narrative strand of Colin Rames and the case which will parallel in 1973</div><div>•Contemporary ideologies</div>]]></description>
         <enclosure url="" />
         <pubDate>2017-10-09 14:50:48 UTC</pubDate>
         <guid>https://padlet.com/ejwaters19/nvjl3vxanmcz/wish/195255384</guid>
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