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      <title>Philippine Pop Culture SA by Alboroto, Rojer Angelo (Diamante)</title>
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      <pubDate>2023-11-11 03:44:26 UTC</pubDate>
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         <title>About Me</title>
         <author>raalboroto</author>
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         <description><![CDATA[<p>Hey, what's up, my name is Rojer Angelo D. Alboroto, and I'm a 2nd year Computer Science Major. This isn't really an activity that suits me, since I think I'm more of a xenophile, but here we'll be discussing the Philippine Pop Culture that DOES interest me. A lot of what caught my interest in Philippine pop culture was mostly Filipino superhero TV shows back in the day like Darna, and other superhero shows whose names honestly escape me due to how long it has been. As for my other interests in Philippine Pop Culture, you may argue that these are not Filipino in origin, but anime such as Naruto and Voltes V have had such a profound effect on my interests that they have to be mentioned. I argue that they are still Philippine Pop Culture because they've been culturally assimilated by Filipinos in a completely different way from how they're received in their country of origin.</p>]]></description>
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         <pubDate>2023-11-11 05:03:36 UTC</pubDate>
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         <pubDate>2023-11-11 05:07:22 UTC</pubDate>
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         <author>raalboroto</author>
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         <pubDate>2023-11-11 05:08:14 UTC</pubDate>
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         <author>raalboroto</author>
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         <pubDate>2023-11-11 05:08:54 UTC</pubDate>
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         <title></title>
         <author>raalboroto</author>
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         <pubDate>2023-11-11 05:09:18 UTC</pubDate>
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         <title></title>
         <author>raalboroto</author>
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         <pubDate>2023-11-11 05:11:29 UTC</pubDate>
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         <title>A Milestone For Filipinos In The Animation Industry</title>
         <author>raalboroto</author>
         <link>https://padlet.com/raalboroto/nubhn7yaoit0fax8/wish/2785517331</link>
         <description><![CDATA[<p>To me, this show is a milestone for Filipinos in the animation industry, as it represents Filipinos capability of stepping onto a greater worldwide stage by attracting attention from Netflix, one of the most prominent streaming platforms in the world. It's no secret that Filipinos in this day and age have an admiration for the anime culture of Japan, and even the animation industry of the west. As such, this show proves that Filipinos are oozing with talent waiting to be contribute to the animation industry, not to mention the phenomenal Filipino dubbing of this show. In recent times, the voice acting industry has also been undergoing a boom, and so this may just pave the way for other streaming platforms to see the value in developing the Filipino dubbing industry. Amidst the Philippine people's tendency to envy the culture of other nations, this show also brings to light the untapped potential of representing Filipino culture in a fantastical setting.</p><p><br/></p><p>To tie this into the Uses and Gratification Theory; I propose that Trese is being used by Filipinos as a sort of foundation. I have my gripes with Trese as a very passionate critic of animated works, but I do believe that the work that has gone into Trese is being "used" as a guarantee that we Filipinos have a vast amount of untapped culture to be utilised for media. Trese can be said to be the beginning of the Filipinos wish to satify their envy of countries such as Japan that are overflowing with media sub-cultures. You might ask what need exactly does Trese's precedent gratify for us? I believe it satisfies our need for validation on the world stage in a media sub-culture context. This is in light of the prevailing sub-culture among teen Filipinos of identifying as weeaboos, which is characterised by extreme envy of Japanese animation culture. If Trese can be the start of an animation industry boom for the Philippines, then there may be hope for Filipinos to look inward rather than outward to Japan, Korea, or the west.</p>]]></description>
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         <pubDate>2023-11-11 05:26:18 UTC</pubDate>
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