Jordan’s cynical and self-centered nature marks her as one of the “new women” of the Roaring Twenties. Such new women were called “flappers,” and they became famous for flouting conventional standards of female behavior. Flappers distinguished themselves physically by bobbing their hair, dressing in short skirts, and wearing a lot of makeup. They also listened to jazz music, smoked cigarettes, openly drank alcohol, and drove cars. Most scandalous of all, flappers were known for their casual attitudes toward sexuality. Jordan’s presence in the novel draws attention to the social and political turbulence of the Jazz Age. In this sense, Jordan calls forth the larger social and historical background against which the tragic events of the novel unfold. Unlike Daisy, who leads a conventional life of marriage and children and doesn’t work (or even drink alcohol), Jordan represents a new path for women. Whereas Daisy is the object of men’s fantasy and idealism, Jordan exhibits a hard-hearted pragmatism that, for Nick at least, links her more forcefully to the real world.