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      <title>Politics and Britpop by Abi C</title>
      <link>https://padlet.com/muddyduck27/nqyto37mzmh0qp8n</link>
      <description>We’ll consider different political aspects of the music, both in terms of identity politics, and in terms of governmental politics.</description>
      <language>en-us</language>
      <pubDate>2021-03-02 14:05:05 UTC</pubDate>
      <lastBuildDate>2026-01-03 13:55:21 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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         <title>BRIT AWARDS 1998</title>
         <author>zfwm073</author>
         <link>https://padlet.com/muddyduck27/nqyto37mzmh0qp8n/wish/1276396455</link>
         <description><![CDATA[<div>In 1998, New Labour was desperate to associate itself with Cool Britannia, so much so that Deputy Prime minister John Prescott and his wife attended the Brit awards at London Arena. As he sat down, Danbert Nobacon, of anarchy punk-band Chumbawamba, ran over and threw a bucket of water over him https://www.theguardian.com/theguardian/from-the-archive-blog/2014/sep/24/john-prescott-brit-awards-chumbawamba-1988 </div>]]></description>
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         <pubDate>2021-03-06 09:58:30 UTC</pubDate>
         <guid>https://padlet.com/muddyduck27/nqyto37mzmh0qp8n/wish/1276396455</guid>
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      <item>
         <title>NOT ONLY LABOUR...</title>
         <author>zfwm073</author>
         <link>https://padlet.com/muddyduck27/nqyto37mzmh0qp8n/wish/1276407106</link>
         <description><![CDATA[<div>'Chris Smith, New Labour's new culture secretary in that 1997 spring, tells me that actually no, that wasn't what happened: "I would point out that the words Cool Britannia were used by Virginia Bottomley [his Tory predecessor] in five different press releases in 1996 and 1997. I defy you to find a reference to Cool Britannia in a press release I released. I hated it!"' https://www.theguardian.com/politics/2007/may/02/politicsandthearts.artsfunding1 </div>]]></description>
         <enclosure url="" />
         <pubDate>2021-03-06 10:10:19 UTC</pubDate>
         <guid>https://padlet.com/muddyduck27/nqyto37mzmh0qp8n/wish/1276407106</guid>
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      <item>
         <title>TONY BLAIR AND OASIS</title>
         <author>zfwm073</author>
         <link>https://padlet.com/muddyduck27/nqyto37mzmh0qp8n/wish/1276408619</link>
         <description><![CDATA[<div>- Tony Blair invited Noel Gallagher to Downing Street in the run up to the 1997 election<br>- this image was viewed as a defining image of the Cool Britannia era </div>]]></description>
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         <pubDate>2021-03-06 10:11:58 UTC</pubDate>
         <guid>https://padlet.com/muddyduck27/nqyto37mzmh0qp8n/wish/1276408619</guid>
      </item>
      <item>
         <title>&quot;THINGS CAN ONLY GET BETTER&quot;</title>
         <author>zfwm073</author>
         <link>https://padlet.com/muddyduck27/nqyto37mzmh0qp8n/wish/1276422753</link>
         <description><![CDATA[<div>Labour Party used this song (D:Ream) as part of their campaign for the 1997 general election (the theme of their campaign was that things "cannot get worse" after 18 years of Tory government) </div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=gi5j7jjhm4M" />
         <pubDate>2021-03-06 10:25:04 UTC</pubDate>
         <guid>https://padlet.com/muddyduck27/nqyto37mzmh0qp8n/wish/1276422753</guid>
      </item>
      <item>
         <title>A DESIGN FOR LIFE - MANIC STREET PREACHERS</title>
         <author>zfwm073</author>
         <link>https://padlet.com/muddyduck27/nqyto37mzmh0qp8n/wish/1276442449</link>
         <description><![CDATA[<div>- not typically viewed as a Britpop band<br>- however in 1996 they released A Design for Life which explores themes of class conflict and working class identity<br>- the band were very vocal about their socialist convictions<br>- the video features subtle video clips of class privilege (fox hunting, Royal Ascot, polo match, and the Last Night of the Proms) <br>- at one point it says 'violence for equality' in the background</div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=TfEoVxy7VDQ" />
         <pubDate>2021-03-06 10:44:29 UTC</pubDate>
         <guid>https://padlet.com/muddyduck27/nqyto37mzmh0qp8n/wish/1276442449</guid>
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      <item>
         <title>CAN YOU BE WORKING CLASS AND AN INTELLECTUAL?</title>
         <author>muddyduck27</author>
         <link>https://padlet.com/muddyduck27/nqyto37mzmh0qp8n/wish/1283723788</link>
         <description><![CDATA[<div>Many of the Britpop bands used their working class background as a way of relating to their audiences. Bands like Oasis used these experiences as a muse for their lyrics, building revolutions and harsh realities. However, bands like Pulp and Manic Street Pearchers wouldn't shy away from the fact that they were still intellectuals. </div>]]></description>
         <enclosure url="https://medium.com/@BeautyInLonely/all-the-people-britpop-and-british-working-class-culture-b5d509c9bf29" />
         <pubDate>2021-03-08 18:24:03 UTC</pubDate>
         <guid>https://padlet.com/muddyduck27/nqyto37mzmh0qp8n/wish/1283723788</guid>
      </item>
      <item>
         <title>OASIS vs BLUR</title>
         <author>muddyduck27</author>
         <link>https://padlet.com/muddyduck27/nqyto37mzmh0qp8n/wish/1284131304</link>
         <description><![CDATA[<div>The biggest rivalry in Britpop was between the two bands, Blur and Oasis. They had an ongoing competition on who will get number 1 and Blur one in 1995 when both albums were released on the same day.</div>]]></description>
         <enclosure url="https://www.nme.com/blogs/nme-blogs/blur-and-oasis-big-britpop-chart-battle-the-definitive-story-of-what-really-happened-757277" />
         <pubDate>2021-03-08 19:37:30 UTC</pubDate>
         <guid>https://padlet.com/muddyduck27/nqyto37mzmh0qp8n/wish/1284131304</guid>
      </item>
      <item>
         <title>BRIT AWARDS 1996</title>
         <author>muddyduck27</author>
         <link>https://padlet.com/muddyduck27/nqyto37mzmh0qp8n/wish/1284376083</link>
         <description><![CDATA[<div>Oasis won the best album and the best band award and this was their response.</div>]]></description>
         <enclosure url="https://youtu.be/xMJMYrGrNTA?t=175" />
         <pubDate>2021-03-08 20:31:27 UTC</pubDate>
         <guid>https://padlet.com/muddyduck27/nqyto37mzmh0qp8n/wish/1284376083</guid>
      </item>
      <item>
         <title>BRITPOP AND NATIONALISM</title>
         <author>muddyduck27</author>
         <link>https://padlet.com/muddyduck27/nqyto37mzmh0qp8n/wish/1284458784</link>
         <description><![CDATA[<div>“I think Charles Dickens might well have summed it up best in 1859 when he wrote: ‘It was the best of times, it was the worst of times’." Noel Gallagher</div><div><br><br></div>]]></description>
         <enclosure url="https://www.theneweuropean.co.uk/brexit-news/britpop-music-and-the-impact-of-patriotism-93808" />
         <pubDate>2021-03-08 20:52:31 UTC</pubDate>
         <guid>https://padlet.com/muddyduck27/nqyto37mzmh0qp8n/wish/1284458784</guid>
      </item>
      <item>
         <title>BRITPOP AND SEXISM</title>
         <author>muddyduck27</author>
         <link>https://padlet.com/muddyduck27/nqyto37mzmh0qp8n/wish/1284527132</link>
         <description><![CDATA[<div>Many of the lyrics and the bands were catered towards a male audience and much misogyny and sexism is within the lyrics, the interviews and the "culture of Britpop"</div>]]></description>
         <enclosure url="https://www.vice.com/en/article/6x85j3/revisiting-pulps-different-class-and-how-indie-writes-women-from-history" />
         <pubDate>2021-03-08 21:11:54 UTC</pubDate>
         <guid>https://padlet.com/muddyduck27/nqyto37mzmh0qp8n/wish/1284527132</guid>
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