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      <pubDate>2022-02-12 15:31:26 UTC</pubDate>
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         <title>David Fincher</title>
         <author>gnauaui</author>
         <link>https://padlet.com/gnauaui/Bookmarks/wish/2043795990</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-02-12 15:33:09 UTC</pubDate>
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         <title>                                  films to focus on</title>
         <author>gnauaui</author>
         <link>https://padlet.com/gnauaui/Bookmarks/wish/2043798454</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-02-12 15:36:22 UTC</pubDate>
         <guid>https://padlet.com/gnauaui/Bookmarks/wish/2043798454</guid>
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      <item>
         <title>filmmaker</title>
         <author>gnauaui</author>
         <link>https://padlet.com/gnauaui/Bookmarks/wish/2043798670</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-02-12 15:36:38 UTC</pubDate>
         <guid>https://padlet.com/gnauaui/Bookmarks/wish/2043798670</guid>
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      <item>
         <title>The Social Network (2010)</title>
         <author>gnauaui</author>
         <link>https://padlet.com/gnauaui/Bookmarks/wish/2043800428</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-02-12 15:38:49 UTC</pubDate>
         <guid>https://padlet.com/gnauaui/Bookmarks/wish/2043800428</guid>
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      <item>
         <title>Zodiac (2007)</title>
         <author>gnauaui</author>
         <link>https://padlet.com/gnauaui/Bookmarks/wish/2043802661</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-02-12 15:40:58 UTC</pubDate>
         <guid>https://padlet.com/gnauaui/Bookmarks/wish/2043802661</guid>
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      <item>
         <title>obsession</title>
         <author>gnauaui</author>
         <link>https://padlet.com/gnauaui/Bookmarks/wish/2043805365</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2022-02-12 15:44:39 UTC</pubDate>
         <guid>https://padlet.com/gnauaui/Bookmarks/wish/2043805365</guid>
      </item>
      <item>
         <title>Visual themes</title>
         <author>gnauaui</author>
         <link>https://padlet.com/gnauaui/Bookmarks/wish/2043812801</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2022-02-12 15:53:10 UTC</pubDate>
         <guid>https://padlet.com/gnauaui/Bookmarks/wish/2043812801</guid>
      </item>
      <item>
         <title>frequent use of low key lighting  and heavy use of shadows</title>
         <author>gnauaui</author>
         <link>https://padlet.com/gnauaui/Bookmarks/wish/2043816889</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2022-02-12 15:58:05 UTC</pubDate>
         <guid>https://padlet.com/gnauaui/Bookmarks/wish/2043816889</guid>
      </item>
      <item>
         <title>Colour palette</title>
         <author>gnauaui</author>
         <link>https://padlet.com/gnauaui/Bookmarks/wish/2043818285</link>
         <description><![CDATA[<div>&nbsp;Fincher uses:<br>- Monochromatic colours, but he uses them as a means to convey mundanity, boredom, or stagnation and also to convey rigid worldview of unbalanced characters.<br>- Discordant colours to draw attention to out of place elements to build anticipation.<br>- Complementary colours, because opposing colours represent conflict both inside and out.<br><br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-02-12 16:00:01 UTC</pubDate>
         <guid>https://padlet.com/gnauaui/Bookmarks/wish/2043818285</guid>
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      <item>
         <title>Fincher, uses a fluid tracking camera with unlimited access to the environment — it appears to have the ability to travel through walls and solid objects.</title>
         <author>gnauaui</author>
         <link>https://padlet.com/gnauaui/Bookmarks/wish/2043819564</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2022-02-12 16:01:50 UTC</pubDate>
         <guid>https://padlet.com/gnauaui/Bookmarks/wish/2043819564</guid>
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      <item>
         <title>trailers and clips</title>
         <author>gnauaui</author>
         <link>https://padlet.com/gnauaui/Bookmarks/wish/2043819863</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2022-02-12 16:02:14 UTC</pubDate>
         <guid>https://padlet.com/gnauaui/Bookmarks/wish/2043819863</guid>
      </item>
      <item>
         <title>The social network</title>
         <author>gnauaui</author>
         <link>https://padlet.com/gnauaui/Bookmarks/wish/2043821018</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.youtube.com/watch?v=2BE2XhnZ_4g" />
         <pubDate>2022-02-12 16:03:48 UTC</pubDate>
         <guid>https://padlet.com/gnauaui/Bookmarks/wish/2043821018</guid>
      </item>
      <item>
         <title>interview</title>
         <author>gnauaui</author>
         <link>https://padlet.com/gnauaui/Bookmarks/wish/2043826588</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.vulture.com/2010/09/vulture_transcript_david_finch.html" />
         <pubDate>2022-02-12 16:11:15 UTC</pubDate>
         <guid>https://padlet.com/gnauaui/Bookmarks/wish/2043826588</guid>
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      <item>
         <title></title>
         <author>gnauaui</author>
         <link>https://padlet.com/gnauaui/Bookmarks/wish/2043830401</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.theringer.com/movies/2020/9/21/21446089/david-fincher-profile-director-set-stories" />
         <pubDate>2022-02-12 16:15:57 UTC</pubDate>
         <guid>https://padlet.com/gnauaui/Bookmarks/wish/2043830401</guid>
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      <item>
         <title></title>
         <author>gnauaui</author>
         <link>https://padlet.com/gnauaui/Bookmarks/wish/2043831817</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.bbc.com/culture/article/20201201-david-fincher-hollywoods-most-disturbing-director" />
         <pubDate>2022-02-12 16:17:40 UTC</pubDate>
         <guid>https://padlet.com/gnauaui/Bookmarks/wish/2043831817</guid>
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      <item>
         <title></title>
         <author>gnauaui</author>
         <link>https://padlet.com/gnauaui/Bookmarks/wish/2066557323</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://portall.zp.ua/video/how-david-fincher-hijacks-your-eyes/id-TsdQ5JdPuHL.html" />
         <pubDate>2022-02-25 15:38:04 UTC</pubDate>
         <guid>https://padlet.com/gnauaui/Bookmarks/wish/2066557323</guid>
      </item>
      <item>
         <title> general Narrative themes</title>
         <author>gnauaui</author>
         <link>https://padlet.com/gnauaui/Bookmarks/wish/2071630524</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2022-03-01 14:59:24 UTC</pubDate>
         <guid>https://padlet.com/gnauaui/Bookmarks/wish/2071630524</guid>
      </item>
      <item>
         <title>Narcissism</title>
         <author>gnauaui</author>
         <link>https://padlet.com/gnauaui/Bookmarks/wish/2071646983</link>
         <description><![CDATA[<div>Most of Fincher's characters from the shy and humble Robert Graysmith to the cold and uncaring Nick Dunne are all in some ways Narcissistic because of their self inflated views of themselves.</div>]]></description>
         <enclosure url="" />
         <pubDate>2022-03-01 15:07:05 UTC</pubDate>
         <guid>https://padlet.com/gnauaui/Bookmarks/wish/2071646983</guid>
      </item>
      <item>
         <title></title>
         <author>gnauaui</author>
         <link>https://padlet.com/gnauaui/Bookmarks/wish/2071655976</link>
         <description><![CDATA[<div>https://thefincheranalyst.com/2018/11/15/pressure-and-obsession-in-the-films-of-david-fincher/ </div>]]></description>
         <enclosure url="https://thefincheranalyst.com/2018/11/15/pressure-and-obsession-in-the-films-of-david-fincher/" />
         <pubDate>2022-03-01 15:10:09 UTC</pubDate>
         <guid>https://padlet.com/gnauaui/Bookmarks/wish/2071655976</guid>
      </item>
      <item>
         <title></title>
         <author>gnauaui</author>
         <link>https://padlet.com/gnauaui/Bookmarks/wish/2071693738</link>
         <description><![CDATA[<div>If there is an overarching theme to Fincher’s work, it would probably be raw, unfiltered obsession. Be it fame or fulfillment, the characters in his films are driven by extreme motives that slowly ensnare them, usually culminating in a climactic final scene that lingers long in the mind.  For example the exploding banks ending scene in <em>Fight Club</em> or Brad Pitt’s, “What’s in the box?!” meltdown in Seven</div>]]></description>
         <enclosure url="" />
         <pubDate>2022-03-01 15:27:04 UTC</pubDate>
         <guid>https://padlet.com/gnauaui/Bookmarks/wish/2071693738</guid>
      </item>
      <item>
         <title></title>
         <author>gnauaui</author>
         <link>https://padlet.com/gnauaui/Bookmarks/wish/2071712564</link>
         <description><![CDATA[<div>One element of Fincher's visual style is the specific way in which he uses tilt,  pan and track in the camera movements. When a character is in motion or expressing emotions, the camera moves at the exact same speed and direction as their body. The movements are choreographed precisely between the actors and camera operators. The resulting effect helps the audience connect with the character to understand their feelings</div>]]></description>
         <enclosure url="" />
         <pubDate>2022-03-01 15:35:56 UTC</pubDate>
         <guid>https://padlet.com/gnauaui/Bookmarks/wish/2071712564</guid>
      </item>
      <item>
         <title>in cinematography</title>
         <author>gnauaui</author>
         <link>https://padlet.com/gnauaui/Bookmarks/wish/2071793749</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2022-03-01 16:15:18 UTC</pubDate>
         <guid>https://padlet.com/gnauaui/Bookmarks/wish/2071793749</guid>
      </item>
      <item>
         <title>Recurring crew</title>
         <author>gnauaui</author>
         <link>https://padlet.com/gnauaui/Bookmarks/wish/2076498978</link>
         <description><![CDATA[<div>Cinematographer- Jeff Cronenweth (Fight Club, The Social Network, The Girl with the Dragon Tattoo and Gone Girl)<br><br>Production Designer- Donal Graham Burt (Zodiac, The social network, The girl with the dragon tattoo, Gone girl and Mank)<br><br>Composer- Howard Shore (Seven, The game and Panic room)<br><br>Composers- Trent Reznor and Atticus Ross (The social network, the girl with the Dragon tattoo, Gone girl and Mank)<br><br>Sound designer- Ran Klyce (All of his films since 1995)<br><br>Editor- Angus Wall (The girl with the dragon tattoo, The social network, The curious case of Benjamin Button, Zodiac, Panic room)<br><br>Assistant director- Bob Wagner (Fight club, panic room, Zodiac, The curious case of Benjamin Button, The social network, The girl with the dragon tattoo)<br><br>Casting director- Laray Mayfield (Fight club, Panic room, Zodiac, The curious case of Benjamin Button, The social network, The girl with the dragon tattoo, Gone girl)</div>]]></description>
         <enclosure url="" />
         <pubDate>2022-03-03 19:09:28 UTC</pubDate>
         <guid>https://padlet.com/gnauaui/Bookmarks/wish/2076498978</guid>
      </item>
      <item>
         <title>Recurring cast</title>
         <author>gnauaui</author>
         <link>https://padlet.com/gnauaui/Bookmarks/wish/2076518939</link>
         <description><![CDATA[<div>Brad Pitt- Seven, Fight Club, The curious case of Benjamin Button<br><br>Rooney Mara- The social network, The girl with the dragon tattoo<br><br>Jared Leto- Panic room, Fight club<br><br>Bob Stephenson- Seven, The game, Fight club, Zodiac<br><br></div><h1>Michael Massee- Seven, The game</h1><div><br>Christopher John Fields- Zodiac, Fight club<br><br><br></div><h1><br></h1><div><br><br><br><br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-03-03 19:20:16 UTC</pubDate>
         <guid>https://padlet.com/gnauaui/Bookmarks/wish/2076518939</guid>
      </item>
      <item>
         <title></title>
         <author>gnauaui</author>
         <link>https://padlet.com/gnauaui/Bookmarks/wish/2076531794</link>
         <description><![CDATA[<div>https://www.thedigitalfix.com/film/antagonise-this-the-harsh-narrative-of-david-fincher/</div>]]></description>
         <enclosure url="https://www.thedigitalfix.com/film/antagonise-this-the-harsh-narrative-of-david-fincher/" />
         <pubDate>2022-03-03 19:27:15 UTC</pubDate>
         <guid>https://padlet.com/gnauaui/Bookmarks/wish/2076531794</guid>
      </item>
      <item>
         <title>Filmaking influences</title>
         <author>gnauaui</author>
         <link>https://padlet.com/gnauaui/Bookmarks/wish/2084006349</link>
         <description><![CDATA[<div>- Alfred Hitchcock (Rear window, Psycho)<br>- Martin Scorsese (Taxi driver, Goodfellas)<br>- George Roy Hill (Butch Cassidy and the Sundance Kid, The sting)<br>- Alan J Pakula (To kill A mockingbird, All the president's men)</div>]]></description>
         <enclosure url="" />
         <pubDate>2022-03-08 13:47:08 UTC</pubDate>
         <guid>https://padlet.com/gnauaui/Bookmarks/wish/2084006349</guid>
      </item>
      <item>
         <title></title>
         <author>gnauaui</author>
         <link>https://padlet.com/gnauaui/Bookmarks/wish/2084015291</link>
         <description><![CDATA[<div>Much of his work is influenced by classical Neo noir and film noir genres, and involve a non linear narrative, with a number of storytelling techniques such as flashbacks, backstories, foreshadowing and narrators</div>]]></description>
         <enclosure url="" />
         <pubDate>2022-03-08 13:51:18 UTC</pubDate>
         <guid>https://padlet.com/gnauaui/Bookmarks/wish/2084015291</guid>
      </item>
      <item>
         <title></title>
         <author>gnauaui</author>
         <link>https://padlet.com/gnauaui/Bookmarks/wish/2084062132</link>
         <description><![CDATA[<div>https://nofilmschool.com/2017/10/3-ways-david-fincher-uses-color-completely-mess-your-head</div>]]></description>
         <enclosure url="https://nofilmschool.com/2017/10/3-ways-david-fincher-uses-color-completely-mess-your-head" />
         <pubDate>2022-03-08 14:12:18 UTC</pubDate>
         <guid>https://padlet.com/gnauaui/Bookmarks/wish/2084062132</guid>
      </item>
      <item>
         <title>Loneliness</title>
         <author>gnauaui</author>
         <link>https://padlet.com/gnauaui/Bookmarks/wish/2084108944</link>
         <description><![CDATA[<div>It could be argued that the social network is not necessarily about Facebook, but it's about loneliness. This is because throughout the film we see just how isolated of a person Mark really is.&nbsp; Throughout the film we see how Mark continually keeps pushing people in his life away because of his ambition and arrogance, For example the film starts off with a break up, and he pushes away and ruins his friendship with his only real friend 'Eduardo', Although he does this we can see that he still seeks connection, in the way that he is obsessed with joining the 'Phoenix Club', and how he tries to reach out to Erica half way through the film, and by the end after everything, he still goes to look her up on Facebook, implying that he still has feelings for her.<br><br>There is an irony, in the idea that&nbsp; Facebook is supposedly all about connection when it's creation is driven by the opposite which is disconnection.</div>]]></description>
         <enclosure url="" />
         <pubDate>2022-03-08 14:33:17 UTC</pubDate>
         <guid>https://padlet.com/gnauaui/Bookmarks/wish/2084108944</guid>
      </item>
      <item>
         <title></title>
         <author>gnauaui</author>
         <link>https://padlet.com/gnauaui/Bookmarks/wish/2084111605</link>
         <description><![CDATA[<div>https://www.zavvi.com/blog/features/the-social-network-at-10-loneliness-in-the-decades-most-significant-movie/</div>]]></description>
         <enclosure url="https://www.zavvi.com/blog/features/the-social-network-at-10-loneliness-in-the-decades-most-significant-movie/" />
         <pubDate>2022-03-08 14:34:22 UTC</pubDate>
         <guid>https://padlet.com/gnauaui/Bookmarks/wish/2084111605</guid>
      </item>
      <item>
         <title>Career timeline</title>
         <author>gnauaui</author>
         <link>https://padlet.com/gnauaui/Bookmarks/wish/2090821936</link>
         <description><![CDATA[<div>- Alien 3 (1992)<br>- Seven (1995)<br>- The game (1997)<br>- Fight club (1999)<br>- Panic room (2002)<br>- Zodiac (2007)<br>- The curious case of Benjamin Button (2008)<br>- The social network (2010)<br>- The girl with the dragon tattoo (2011)<br>- Gone girl (2014)<br>- Mank (2020)</div>]]></description>
         <enclosure url="" />
         <pubDate>2022-03-11 17:20:15 UTC</pubDate>
         <guid>https://padlet.com/gnauaui/Bookmarks/wish/2090821936</guid>
      </item>
      <item>
         <title>https://www.sothetheorygoes.com/auteur-david-fincher/</title>
         <author>gnauaui</author>
         <link>https://padlet.com/gnauaui/Bookmarks/wish/2090827368</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.sothetheorygoes.com/auteur-david-fincher/" />
         <pubDate>2022-03-11 17:23:57 UTC</pubDate>
         <guid>https://padlet.com/gnauaui/Bookmarks/wish/2090827368</guid>
      </item>
      <item>
         <title>His perfectionist approach</title>
         <author>gnauaui</author>
         <link>https://padlet.com/gnauaui/Bookmarks/wish/2090902962</link>
         <description><![CDATA[<div>Fincher has become well known for his approach to directing. It is no secret that he records many, many takes of a scene until it is perfect. For example, the first scene in <em>The Social Network</em> took 99 takes to complete. By the time he directed gone girl he averaged 50 takes per scene. When asked about his approach he's been quoted saying: "We’re going to find the moments between the moments that move and resonate. And if you’re not willing to hit that hole a lot of times, don’t do this. Because it’s going to be agony for you. If the charge for you is wardrobe malfunction, you’re not going to get that. There’s not going to be a lot surprises here, you’re going to surprise yourself. I’m going to have you do it until you have gone past memorizing it, gone past knowing your own name, until we can get all of the the physical nonsense so ingrained that we can get to what the actual text is.” In short Fincher wants the words to feel natural, real and lived in, almost like a reflex, and thus, they would leap off the page more authentically.</div>]]></description>
         <enclosure url="" />
         <pubDate>2022-03-11 18:14:57 UTC</pubDate>
         <guid>https://padlet.com/gnauaui/Bookmarks/wish/2090902962</guid>
      </item>
      <item>
         <title>https://www.cinemablend.com/news/2557805/alien-3-director-david-fincher-opens-up-about-what-went-wrong</title>
         <author>gnauaui</author>
         <link>https://padlet.com/gnauaui/Bookmarks/wish/2090907396</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.cinemablend.com/news/2557805/alien-3-director-david-fincher-opens-up-about-what-went-wrong" />
         <pubDate>2022-03-11 18:17:46 UTC</pubDate>
         <guid>https://padlet.com/gnauaui/Bookmarks/wish/2090907396</guid>
      </item>
      <item>
         <title>https://www.nytimes.com/2020/11/19/magazine/david-fincher-mank-interview.html</title>
         <author>gnauaui</author>
         <link>https://padlet.com/gnauaui/Bookmarks/wish/2090909832</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.nytimes.com/2020/11/19/magazine/david-fincher-mank-interview.html" />
         <pubDate>2022-03-11 18:19:30 UTC</pubDate>
         <guid>https://padlet.com/gnauaui/Bookmarks/wish/2090909832</guid>
      </item>
      <item>
         <title>https://www.indiewire.com/2014/09/best-to-worst-david-finchers-complete-music-videography-ranked-271812/</title>
         <author>gnauaui</author>
         <link>https://padlet.com/gnauaui/Bookmarks/wish/2090916164</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.indiewire.com/2014/09/best-to-worst-david-finchers-complete-music-videography-ranked-271812/" />
         <pubDate>2022-03-11 18:23:22 UTC</pubDate>
         <guid>https://padlet.com/gnauaui/Bookmarks/wish/2090916164</guid>
      </item>
      <item>
         <title></title>
         <author>gnauaui</author>
         <link>https://padlet.com/gnauaui/Bookmarks/wish/2091860510</link>
         <description><![CDATA[<div>https://www.theringer.com/movies/2020/9/23/21451400/david-fincher-protagonists-zodiac-fight-club-gone-girl</div>]]></description>
         <enclosure url="https://www.theringer.com/movies/2020/9/23/21451400/david-fincher-protagonists-zodiac-fight-club-gone-girl" />
         <pubDate>2022-03-12 20:02:32 UTC</pubDate>
         <guid>https://padlet.com/gnauaui/Bookmarks/wish/2091860510</guid>
      </item>
      <item>
         <title></title>
         <author>gnauaui</author>
         <link>https://padlet.com/gnauaui/Bookmarks/wish/2102321034</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://haaniyah.medium.com/zodiac-and-obsession-an-analysis-of-finchers-greatest-film-3686c93f281e" />
         <pubDate>2022-03-18 17:38:34 UTC</pubDate>
         <guid>https://padlet.com/gnauaui/Bookmarks/wish/2102321034</guid>
      </item>
      <item>
         <title></title>
         <author>gnauaui</author>
         <link>https://padlet.com/gnauaui/Bookmarks/wish/2102558944</link>
         <description><![CDATA[]]></description>
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         <description><![CDATA[<div>1. Obsessive with the cinematography<br>2. Obsession with taking multiple takes<br>3. Obsession is also a theme in the films themselves- through the characters.<br>4. Visually he will use complementary colours to represent characters inner and outer conflicts.<br>5. A recurring theme in his films is the lack of closure for the audience.<br>6.  Is very deliberate with his music choices.<br>7. Lonely and outcast characters.<br>8. Has a fascination of technology, and was a pioneer in digital film technology.<br>9.&nbsp; Does not have a code about the accuracy of events when making biographical films.<br>10. Narcissistic characters<br><br><br><br></div>]]></description>
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         <pubDate>2022-03-20 18:11:21 UTC</pubDate>
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         <pubDate>2022-03-20 21:19:26 UTC</pubDate>
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         <pubDate>2022-03-20 21:20:31 UTC</pubDate>
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         <description><![CDATA[<div>Laray Mayfield has been an integral part of Fincher’s collaborative process since he hired her to be the casting director on Fight Club. Mayfield, who had previously worked as Fincher’s assistant before the 1999 adaptation of Chuck Palahniuk’s novel, says that Fincher’s collaborative skills extend to the other side of the camera, too. “He really loves actors, and he knows a lot about actors.”</div>]]></description>
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         <pubDate>2022-03-22 05:35:15 UTC</pubDate>
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         <pubDate>2022-03-22 05:43:30 UTC</pubDate>
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         <pubDate>2022-03-22 06:55:38 UTC</pubDate>
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         <pubDate>2022-03-22 07:07:47 UTC</pubDate>
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