And for anyone who might know just exactly what a prepared piano is and how it differs from a regular piano here is a link that explains that.

BTW, these big orchestra pieces really taxes my computer throughput, often to the point I can't add any more instruments... and maybe that is just as well that I can't!

Now if I were to translate this to an actual composition I would then know what that motif at the need is even at the beginning of the piece and could act accordingly, by maybe better introducing or such.

But to do that is much more work, and also requires musical skills that I by in large lack so I am content to leave all these simply as improvs.

Ironically, I spent about five times more time in making the audience ambient sounds than in making the actual music. Go figure!

And with all these new text to video IA products now coming on line maybe I could soon make a video of this recital that uses the MIDI track to do the fingering on the sax and the AI to make the performers and audience!

But the same time I am not holding my breath in waiting for that because they will probably instead not use the MIDI to make the scene but auto generate some tepid AI music and bogus fingerings for the sax instead... but I can hope!

Ah, a kazoo part!

I had planned to add a few more instruments but maybe I should quite here why I am ahead... sort of.

And, yes, it is long! But if this were in a film the scene might be a long drawn out development of several of the key characters and some revelation of their motives so the music here is just background music... too bad there is no movie for it to go with!

That said, if once one should ever manage to acquire such a taste, and that might be a hugely big if, it can be actually a bit addicting, as is often the case for anything newly acquired thing!

For to some this might just sound like chaotic noise but then for Martians it is music deep from the Martian soul! For Martians do in fact have feelings! Really!

In Rev 1 I added Insanity's Bombay Glass

In Rev 1 I added Bombay Glass and some more percussion.

BTW, I have found that much of the creativity comes from improvisation while a proper composition adds much refinement to those original ideas but if the original improve is bad (by that I do not mean rough but tepid or boring) then it is hard to fix that when refining those ideas.

And yes, this is not technically an improv but I created it much as I do improvs so I am treating it as such.

BTW, I keep tweaking and refining this so I am not sure when I am going to call it done.

And (and I know this might be hard to believe) but one can have too much piccolo and so I moved some of those shrill piccolo parts to more mellow cello ones.

Plus one more edit where i trimmed back some of the timpani, not that one can ever have too much timpani!

BTW, my old computer died and I now have a new much faster one so I can now better do large orchestra pieces. Yeah!

Plus I just bought some new sounds this morning that I am using in this as well!

I let Suno do the heavy lifting where I just started with a sketch and then added a bit of icing to the cake.

These I will color Blue that have been revised

BTW, all these were generated by Claude Sonnet 4.6.

Here is a link to a Claude skill that should let one creates a score from a MIDI track. The score will not be perfect but mostly readable even if the MIDI track was recorded rubato with no click track.

And here is a link to the user doc.

I haven't tested these yet so they may or may not work.

Known Bug 1. The Chord vocal navigator does not sy the right chord and it might be a while before I fix that but one can just not load that wave file as a work around.

And here is a link to the Soar & Score theory of operations document