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      <title>WEEK 3: WEDNESDAY 3.15-5.15 PM by Georgina Walker</title>
      <link>https://padlet.com/walker_g/AHIS90005_wk3_wed315pm</link>
      <description> ‘DESTINATION’ MUSEUM ARCHITECTURE: GOOD PLANNING OR GRAND STANDING?</description>
      <language>en-us</language>
      <pubDate>2017-03-12 03:32:21 UTC</pubDate>
      <lastBuildDate>2026-03-10 18:22:59 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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         <title>Group 1: Saadiyat Cultural District , Abu Dhabi</title>
         <author>walker_g</author>
         <link>https://padlet.com/walker_g/AHIS90005_wk3_wed315pm/wish/159467430</link>
         <description><![CDATA[<ul><li>Look at the different museums presented on their web site</li><li>How do they present themselves? Image, cultural initiatives, partnerships, political angle etc</li><li>What information are you able to glean from them? How informative and detailed are they? Dates, cost, collections of art etc</li><li>How does the Guggenheim Museum’s web present the museum in Abu Dhabi?</li><li><a href="http://www.saadiyatculturaldistrict.ae/en/saadiyat-cultural-district/about/">http://www.saadiyatculturaldistrict.ae/en/saadiyat-cultural-district/about/</a></li></ul><div><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2017-03-12 03:32:21 UTC</pubDate>
         <guid>https://padlet.com/walker_g/AHIS90005_wk3_wed315pm/wish/159467430</guid>
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         <title>Group 2: What are some of the main cultural issues involved in global museum developments?</title>
         <author>walker_g</author>
         <link>https://padlet.com/walker_g/AHIS90005_wk3_wed315pm/wish/159467431</link>
         <description><![CDATA[<ul><li>How can this present an Islamic focus and narrative if it is being constructed by foreigners? </li><li>Consider the controversies surrounding the treatment of migrant workers and the way they have challenged the Guggenheim and Louvre’s brands and ethical obligations internationally</li></ul><div><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2017-03-12 03:32:21 UTC</pubDate>
         <guid>https://padlet.com/walker_g/AHIS90005_wk3_wed315pm/wish/159467431</guid>
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         <title>Group 3: To what extent is a museum branch an effective tool for branding cities and why?</title>
         <author>walker_g</author>
         <link>https://padlet.com/walker_g/AHIS90005_wk3_wed315pm/wish/159467432</link>
         <description><![CDATA[<ul><li>Aim of branding?</li><li>Why are cities looking to open up branches of internationally renowned art museums - especially at such expense?</li><li>Why are museums such as the Louvre, Guggenheim &amp; British Museum looking to lease out their brands?</li><li>At what price?</li></ul><div><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2017-03-12 03:32:21 UTC</pubDate>
         <guid>https://padlet.com/walker_g/AHIS90005_wk3_wed315pm/wish/159467432</guid>
      </item>
      <item>
         <title>Group 2: main cultural issues involved in global museum developments</title>
         <author></author>
         <link>https://padlet.com/walker_g/AHIS90005_wk3_wed315pm/wish/160159531</link>
         <description><![CDATA[<div>- In the case of the Saadiyat Cultural District, meant to be cosmopolitan; internationalist focus; the East working with Western world as a positive message<br>- one component of content (exhibits) will reflect Islamic cultural and artistic history<br>- a general atmosphere of 'fabrication'&nbsp; when creating a 'precinct'<br>- working&nbsp;at global level - who are the people involved? &nbsp;How transparent are their dealings/exchanges?</div>]]></description>
         <enclosure url="" />
         <pubDate>2017-03-15 05:47:22 UTC</pubDate>
         <guid>https://padlet.com/walker_g/AHIS90005_wk3_wed315pm/wish/160159531</guid>
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