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      <title>Impressionism Timeline by Jessica Morgan</title>
      <link>https://padlet.com/jmorgan0021/n0vgu3c0y4gg19g</link>
      <description>Made with an open mind</description>
      <language>en-us</language>
      <pubDate>2022-05-29 21:43:24 UTC</pubDate>
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         <title>Impressionism Originates in Paris during the 1860s - 1880s</title>
         <author>jmorgan0021</author>
         <link>https://padlet.com/jmorgan0021/n0vgu3c0y4gg19g/wish/2203748123</link>
         <description><![CDATA[<div>In the early 1860s, four young painters—Claude Monet, Pierre-Auguste Renoir, Alfred Sisley, and Frédéric Bazille—met while studying under the academic artist Charles Gleyre. They discovered that they shared an interest in painting landscape and contemporary life rather than historical or mythological scenes</div>]]></description>
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         <pubDate>2022-05-29 21:46:02 UTC</pubDate>
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         <title>Académie des Beaux-Arts rules artistic world in Paris from 1640s - 1800s</title>
         <author>jmorgan0021</author>
         <link>https://padlet.com/jmorgan0021/n0vgu3c0y4gg19g/wish/2203748669</link>
         <description><![CDATA[<div>The Academy was created in 1816 in Paris as a merger of the Académie de peinture et de sculpture (Academy of Painting and Sculpture, founded 1648), the Académie de musique (Academy of Music, founded in 1669) and the Académie d'architecture (Academy of Architecture, founded in 1671).</div>]]></description>
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         <pubDate>2022-05-29 21:47:35 UTC</pubDate>
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         <title>Salon de Paris is greatest annual art show -- artists submit their work, which is then judged by a jury. Whoever&#39;s artwork is accepted by the jury, the artists can gain commissions, reputation, and funding.</title>
         <author>jmorgan0021</author>
         <link>https://padlet.com/jmorgan0021/n0vgu3c0y4gg19g/wish/2203749985</link>
         <description><![CDATA[<div>he Salon (French: Salon), or rarely Paris Salon (French: Salon de Paris), beginning in 1667[1] was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial art event in the Western world.</div>]]></description>
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         <pubDate>2022-05-29 21:51:06 UTC</pubDate>
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         <title>1860s - Salon de Paris routinely rejected about half of the work of Monet &amp; friends in favor of &quot;approved&quot; art styles. </title>
         <author>jmorgan0021</author>
         <link>https://padlet.com/jmorgan0021/n0vgu3c0y4gg19g/wish/2203751319</link>
         <description><![CDATA[<div>Approved art styles include: baroque, including images of religious figures and realistic images. Brush strokes are practically blended and seamless in order to create a realistic image.</div>]]></description>
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         <pubDate>2022-05-29 21:54:43 UTC</pubDate>
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         <title>1863 - Salon rejects Manet&#39;s &quot;The Luncheon,&quot; angering his admirers.</title>
         <author>jmorgan0021</author>
         <link>https://padlet.com/jmorgan0021/n0vgu3c0y4gg19g/wish/2203752356</link>
         <description><![CDATA[<div>In 1863, the Salon jury rejected Manet's The Luncheon on the Grass (Le déjeuner sur l'herbe) primarily because it depicted a nude woman with two clothed men at a picnic. While the Salon jury routinely accepted nudes in historical and allegorical paintings, they condemned Manet for placing a realistic nude in a contemporary setting. The jury's severely worded rejection of Manet's painting appalled his admirers, and the unusually large number of rejected works that year perturbed many French artists.</div>]]></description>
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         <pubDate>2022-05-29 21:57:25 UTC</pubDate>
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         <title>After 1863, Salon des Refuses is formed -- Previously rejected artists host an art show where the public is the judge of the artwork, rather than a designated jury.</title>
         <author>jmorgan0021</author>
         <link>https://padlet.com/jmorgan0021/n0vgu3c0y4gg19g/wish/2203752921</link>
         <description><![CDATA[<div>After Emperor Napoleon III saw the rejected works of 1863, he decreed that the public be allowed to judge the work themselves, and the <a href="https://en.wikipedia.org/wiki/Salon_des_Refus%C3%A9s">Salon des Refusés</a> (Salon of the Refused) was organized. While many viewers came only to laugh, the Salon des Refusés drew attention to the existence of a new tendency in art and attracted more visitors than the regular Salon.</div>]]></description>
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         <pubDate>2022-05-29 21:58:44 UTC</pubDate>
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         <title>Artists&#39; petitions requesting a new Salon des Refusés in 1867, and again in 1872, were denied</title>
         <author>jmorgan0021</author>
         <link>https://padlet.com/jmorgan0021/n0vgu3c0y4gg19g/wish/2203753020</link>
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         <pubDate>2022-05-29 21:59:03 UTC</pubDate>
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         <title>Another painter who greatly influenced Monet and his friends, Johan Jongkind, declined to participate, as did Édouard Manet. In total, thirty artists participated in their first exhibition, held in April 1874 at the studio of the photographer Nadar.</title>
         <author>jmorgan0021</author>
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         <pubDate>2022-05-29 21:59:50 UTC</pubDate>
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         <title>Critical Review of Monet&#39;s &quot;Impression: Sunrise&quot; coins the term for &quot;Impressionists.&quot; </title>
         <author>jmorgan0021</author>
         <link>https://padlet.com/jmorgan0021/n0vgu3c0y4gg19g/wish/2203753645</link>
         <description><![CDATA[<div>The critical response was mixed. Monet and Cézanne received the harshest attacks. Critic and humorist <a href="https://en.wikipedia.org/wiki/Louis_Leroy">Louis Leroy</a> wrote a scathing review in the newspaper <em>Le Charivari</em> in which, making wordplay with the title of Claude Monet's <a href="https://en.wikipedia.org/wiki/Impression,_Sunrise"><em>Impression, Sunrise</em></a> <em>(Impression, soleil levant)</em>, he gave the artists the name by which they became known. Derisively titling his article <a href="https://en.wikisource.org/wiki/Exhibition_of_the_Impressionists"><em>The Exhibition of the Impressionists</em></a>, Leroy declared that Monet's painting was at most, a sketch, and could hardly be termed a finished work</div>]]></description>
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         <pubDate>2022-05-29 22:01:05 UTC</pubDate>
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         <title>Monet became secure financially during the early 1880s and so did Pissarro by the early 1890s. By this time the methods of Impressionist painting, in a diluted form, had become commonplace in Salon art</title>
         <author>jmorgan0021</author>
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         <pubDate>2022-05-29 22:01:43 UTC</pubDate>
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