"One of the intentions of the colours was to promote public awareness of the depth of the belief for suffrage in England. Women were encouraged to 'wear the colours' to show support for the movement and to stand out in the crowds during public demonstrations. They particularly wanted the men that were opposed to the movement, to be aware of the connection of the colours to the suffrage, in this they succeeded.

The characters on many anti-suffrage postcards drawn by male artists of that period were often draped in sashes and banners of purple white and green, presuming that a suffragette would be recognised by her colours, even by those who opposed the movement.
Source: https://preciousasapearl.com/blogs/news/suffragette-and-what-they-stood-for

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Crenshaw, p.149: “This apparent contradiction is but another manifestation of the conceptual limitations of the single-issue analyses that intersectionality challenges. The point is that Black women can experience discrimination in any number of ways and that the contradiction arises from our assumptions that their claims of exclusion must be unidirectional. Consider an analogy to traffic in an intersection, coming and going in all four directions. Discrimination, like traffic through an intersection, may flow in one direction, and it may flow in another. If an accident happens in an intersection, it can be caused by cars traveling from any number of directions and, sometimes, from all of them. Similarly, if a Black woman is harmed because she is in the intersection, her injury could result from sex discrimination or race discrimination.“

https://criphumanimal.org/2021/02/22/intersectionality-in-the-words-of-kimberle-crenshaw/