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      <title>A critical discourse analysis of character dialogue in &#39;Ika-anim na utos&#39; as a product of colonialism by Lorraine Tiu</title>
      <link>https://padlet.com/stars_lorraine25/mzlheogrhte</link>
      <description>there&#39;s a million things i haven&#39;t done but just you wait </description>
      <language>en-us</language>
      <pubDate>2017-10-20 01:57:04 UTC</pubDate>
      <lastBuildDate>2025-10-01 02:23:27 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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         <title></title>
         <author>stars_lorraine25</author>
         <link>https://padlet.com/stars_lorraine25/mzlheogrhte/wish/198919272</link>
         <description><![CDATA[<div><strong>Research assumption</strong>: A script-writer with bias towards dysfunctional Filipino family relationships that <strong>prevents improvements in the character dialogue being made<br><br>Research aim</strong>:&nbsp;to provide an explanatory critique on Philippine TV pop culture through one of the mainstream shows being produced by Philippine media networks. (Phillips &amp; Jorgensen 2002)<br><br>[in hindsight, this research paper aims to improve the quality of dialogue in Philippine mainstream TV shows. In regular sight, it seeks to find linguistic evidences of 'depravity', as a netizen puts it, in the dialogue of the characters in a Philippine noon time show.]<br><br></div>]]></description>
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         <pubDate>2017-10-20 01:58:45 UTC</pubDate>
         <guid>https://padlet.com/stars_lorraine25/mzlheogrhte/wish/198919272</guid>
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      <item>
         <title>supporting arguments from social media critics and analysts</title>
         <author>stars_lorraine25</author>
         <link>https://padlet.com/stars_lorraine25/mzlheogrhte/wish/198921310</link>
         <description><![CDATA[]]></description>
         <enclosure url="http://www.getrealphilippines.com/blog/2013/07/pinoy-tv-dysfunction/" />
         <pubDate>2017-10-20 02:17:53 UTC</pubDate>
         <guid>https://padlet.com/stars_lorraine25/mzlheogrhte/wish/198921310</guid>
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      <item>
         <title>working bibliography</title>
         <author>stars_lorraine25</author>
         <link>https://padlet.com/stars_lorraine25/mzlheogrhte/wish/198924752</link>
         <description><![CDATA[<div>Discourse Analysis as theory and method,&nbsp;Louise Phillips and Marianne Jorgensen, 2002, SAGE, London<br><br></div>]]></description>
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         <pubDate>2017-10-20 02:50:15 UTC</pubDate>
         <guid>https://padlet.com/stars_lorraine25/mzlheogrhte/wish/198924752</guid>
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      <item>
         <title>need some guidance</title>
         <author>stars_lorraine25</author>
         <link>https://padlet.com/stars_lorraine25/mzlheogrhte/wish/200716901</link>
         <description><![CDATA[<div>Am i just applying a linguistic method of study to an ethical issue within the philippine media? If I am, is my study feasible then for a language resea</div>]]></description>
         <enclosure url="" />
         <pubDate>2017-10-26 08:40:58 UTC</pubDate>
         <guid>https://padlet.com/stars_lorraine25/mzlheogrhte/wish/200716901</guid>
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         <title>references to check out:</title>
         <author>stars_lorraine25</author>
         <link>https://padlet.com/stars_lorraine25/mzlheogrhte/wish/201457203</link>
         <description><![CDATA[<div><br>Marshall, J. &amp; Werndly, A. (2002). <em>The Language of Television. </em>London: Routledge.<br><a href="https://drive.google.com/%E2%80%A6/15aMPuOLtysvaAUSzWXja-yDCOY%E2%80%A6/view">https://drive.google.com/…/15aMPuOLtysvaAUSzWXja-yDCOY…/view</a><br><br>Tannen, D. (1989) Talking Voices: Repetition, Dialogue, and Imagery in Conversational Discourse.Cambridge: Cambridge University Press . <br><br>Short, M. (1998) ‘From Dramatic Text to Dramatic Performance’, in J. Culpeper , M. Short , and P. Verdonk (eds) Exploring the Language of Drama: From Text to Context, pp. 6-18. London: Routledge .<br><br>Schiffrin, D. (1988) ‘Conversation Analysis’, in F. J. Newmeyer and R. H. Robins (eds) Linguistics: The Cambridge Survey (4 vols), vol. IV, Language: The Sociocultural Context, pp. 251-276. Cambridge: Cambridge University Press .<br><br>Pomerantz, A. and Fehr, B. J. (1997) ‘Conversation Analysis: An Approach to the Study of Social Action as Sense Making Practices’, in T. van Dijk (ed.) Discourse Studies: A Multidisciplinary Introduction (2 vols), vol. II, pp. 64-91. London: Sage <br><br>Muntigl, P. and Turnbull, W. (1998) ‘Conversational Structure and Facework in Arguing’ , Journal of Pragmatics 29: 225-256 <br><br>Marohl, J. (1987) ‘De-realised Women: Performance and Identity in Top Girls’ , Modern Drama 30: 376-388 <br><a href="http://scholar.google.com/scholar?hl=en&amp;q=++++++++++++++++++++++++++++++++++++Marohl,+J.+++++++++++++++++(1987)+++++++++++++++++++++%E2%80%98De-realised+Women:+Performance+and+Identity+in+Top+Girls%E2%80%99++++++++++++++++,+Modern+Drama+30:+++++++++++++++++++++376-388+">Google Scholar</a> (reprinted in H. Zeifman and C. Zimmerman (eds) (1993) Contemporary British Drama, 1970-90: Essays from ‘Modern Drama’, pp. 307-322. Basingstroke &amp; London: Macmillan ).<br><br>Herman, V. (1995) Dramatic Discourse: Dialogue as Interaction in Plays. London: Routledge .<br><br>Herman, V. (1998a) ‘Multiple “Floors” and “Turns” in Drama’ , Journal of Literary Semantics 27: 110-127&nbsp;<br><br>Hutchby, I. (1992) ‘Confrontational Talk: Aspects of “Interruption” in Argument Sequences on Talk Radio’ , Text 12: 343-371&nbsp;<br><br>Gruber, H. (1998) ‘Disagreeing: Sequential Placement and Internal Structure of Disagreements in Conflict Episodes’ , Text 18: 467-503 .<br><br>Gruber, H. (2001) ‘Questions and Strategic Orientation in Verbal Conflict Sequences’ , Journal of Pragmatics 33: 1815-1857&nbsp;<br><br>Gallois, C. (1994) ‘Group Membership, Social Rules, and Power: A Social-psychological Perspective on Emotional Communication’ , Journal of Pragmatics 22: 301-324&nbsp;<br><br>Edelsky, C. (1981) ‘Who’s Got the Floor?’ Language in Society 10: 383-421&nbsp;<br><br>Dersley, I. and Wootton, A. (2000) ‘Complaint Sequences within Antagonistic Argument’ , Research on Language and Social Interaction 33: 375-406&nbsp;<br><br>Cooper, M. M. (1998) ‘Implicature, Convention and The Taming of the Shrew’, in J. Culpeper , M. Short , and P. Verdonk (eds) Exploring the Language of Drama: From Text to Context, pp. 54-66. London: Routledge .<br><br>Cohen, R. (1986) ‘Spoken Discourse in Written Drama’ , Essays in Theatre 4: 85-97 .<br><br>Cohen, R. (1986) ‘Spoken Discourse in Written Drama’ , Essays in Theatre 4: 85-97 .<br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2017-10-29 04:38:36 UTC</pubDate>
         <guid>https://padlet.com/stars_lorraine25/mzlheogrhte/wish/201457203</guid>
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      <item>
         <title>multidisciplinary study </title>
         <author>stars_lorraine25</author>
         <link>https://padlet.com/stars_lorraine25/mzlheogrhte/wish/201492908</link>
         <description><![CDATA[<div>language and the media<br>language and culture<br>social cognition?<br>historical linguistics<br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2017-10-29 14:10:15 UTC</pubDate>
         <guid>https://padlet.com/stars_lorraine25/mzlheogrhte/wish/201492908</guid>
      </item>
      <item>
         <title>possible dimensions of discourse involved</title>
         <author>stars_lorraine25</author>
         <link>https://padlet.com/stars_lorraine25/mzlheogrhte/wish/201494388</link>
         <description><![CDATA[<div>rhetoric<br>speech acts<br>pragmatic strategies<br>interaction</div>]]></description>
         <enclosure url="" />
         <pubDate>2017-10-29 14:28:02 UTC</pubDate>
         <guid>https://padlet.com/stars_lorraine25/mzlheogrhte/wish/201494388</guid>
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      <item>
         <title>semiotic dimensions</title>
         <author>stars_lorraine25</author>
         <link>https://padlet.com/stars_lorraine25/mzlheogrhte/wish/201494591</link>
         <description><![CDATA[<div>film<br>pictures</div>]]></description>
         <enclosure url="" />
         <pubDate>2017-10-29 14:30:28 UTC</pubDate>
         <guid>https://padlet.com/stars_lorraine25/mzlheogrhte/wish/201494591</guid>
      </item>
      <item>
         <title>ideologies in character dialogue </title>
         <author>stars_lorraine25</author>
         <link>https://padlet.com/stars_lorraine25/mzlheogrhte/wish/201497013</link>
         <description><![CDATA[<div>a culture of adultery, depravity, insults, and catfights as forms of entertainment</div>]]></description>
         <enclosure url="" />
         <pubDate>2017-10-29 14:55:36 UTC</pubDate>
         <guid>https://padlet.com/stars_lorraine25/mzlheogrhte/wish/201497013</guid>
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      <item>
         <title>descriptive, explanatory, and practical aim:</title>
         <author>stars_lorraine25</author>
         <link>https://padlet.com/stars_lorraine25/mzlheogrhte/wish/201501147</link>
         <description><![CDATA[<div>the paper attempts to <em>uncover, reveal, </em>or <em>&nbsp;disclose </em>discursive ways of <em>legitimation</em> [of adultery, revenge, and depravity] in the filipino television culture</div>]]></description>
         <enclosure url="http://discourses.org/OldArticles/Aims%20of%20Critical%20Discourse%20Analysis.pdf" />
         <pubDate>2017-10-29 15:37:32 UTC</pubDate>
         <guid>https://padlet.com/stars_lorraine25/mzlheogrhte/wish/201501147</guid>
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