Min smart padlet by https://padlet.com/iliebum/mwzja57b3ggl6dze en-us 2023-07-06 13:31:51 UTC 2023-07-07 10:26:50 UTC hello@padlet.com 2. The bacchante are emphasized as being savage, female, and asian. The play thus not only demonizes femininity but also the foreign. Discuss how the analytical points presented relating to gender could relate to a post-colonialist reading. iliebum https://padlet.com/iliebum/mwzja57b3ggl6dze/wish/2639672193
  • Why are both demonized, in the play as well as in society?  
  • Are there similarities between the struggles of women and people of color/different classes? How do they intersect? 

    • ]]>     2023-07-06 13:34:52 UTC https://padlet.com/iliebum/mwzja57b3ggl6dze/wish/2639672193     https://padlet.com/iliebum/mwzja57b3ggl6dze/wish/2640427322 Background: The play was written shortly after the Persian war (Persia covered great parts of modern day Asia). Being asian was therefore, besides being a "savage" (a barbarian; meaning "non-greece") the most horrible thing you could possibly be. The comparison between the feminin, the asian and the savage/barbarian can therefore, in this historical perspective, be seen as a strongly anti-feminist comparison. ]]> 2023-07-07 10:25:46 UTC https://padlet.com/iliebum/mwzja57b3ggl6dze/wish/2640427322 https://padlet.com/iliebum/mwzja57b3ggl6dze/wish/2640427627 1. used as scapegoats]]> 2023-07-07 10:26:50 UTC https://padlet.com/iliebum/mwzja57b3ggl6dze/wish/2640427627