In one article, it's stated from Michael himself on how Frank's prominent vocal abilities had inspired him in furthering his own singing capabilities, "...true understanding as a vocalist of how magnificent he was. Basically, God kissed this man's throat...breath control, singing on vowels. There's some beautiful sounds that he makes, the way he drops his epiglottis and moves his mouth" (Charlton, 2023).

Michael Bublé has taken and employed similar singing techniques from Frank Sinatra in songs such as "Everything" and "Home", showcasing the same vocal techniques that he praised Sinatra for utilising in his own music, including breath control and impressive sustained notes.

In his post on twitter in 2023, Michael stated his love and admiration for Tony Bennett, "To say he was an important part of who I became is an understatement. My grandpa was constantly playing Tony Bennett records when I was growing up, and it was the honour of a lifetime to learn from him."(Bublé, 2023). This post stands as irrefutable evidence of the ture influence that TOny Bennett has had on Michael Buble and his Jazz/Pop music career.

In one article, it highlights how Michael talked about his influence on him as a 16-year-old kid, where he first began his musical interest, "At 16 I was utterly in love with music. I was so ambitious in knowing exactly who and what I wanted to be. I was in love with Dean Martin, Bobby Darin, Frank Sinatra, Harry Connick Jr, Ella and Louis Armstrong and Louie Prima, the great Italian-American singers" (Graham, 2023). Dean, as one of Michael's first influences, has stapled himself as a pivotal inspiration for Bublé.

An article claims that "There are chord progressions in 'Mars' that are so similar to the 'Imperial March' that it's impossible not to hear the comparison. The same is true for the title theme of A New Hope" (Tubett, 2022), showcasing how John William's had utilised the same chord progression Gustav Holst had for his suite 'The Planets', in his musical compositions.

In this article, it's states that "Tchaikovsky was a master of orchestral color, and when you listen to his score for the "coffee" interlude next to Williams's Jawa theme" (Gabler, 2023), which highlights the similarities between both pieces, due to John William's utilisation of timbre, or orchestral colour in his pieces.

In particular, Antonin's influence on John Williams can be spotted in "Symphony No. 9 "From the New World," is a dynamic and intense composition that masterfully combines elements of folk music with the symphonic tradition...The most recognizable element of the "Jaws" score is the two-note motif that accompanies the presence of the menacing great white shark", (The Daily Jaws, 2023) which can showcase the Input that Antonin's music had on John William's film music.