Islamic; Persian, II’Khanid

C. 1330-1340 C.E.

Ink and opaque watercolor, gold, and silver on paper

This is an illuminated manuscript, separated by an image of Bahram Gur on the back of a horse, weapon in hand. The fine brushwork used creates delicate lines and precise colorful refinements. Detailed lines to show distinct differences between layers of the work and the use of lush, vibrant color choices and decorative patterning develop a shallow depth, which also allow the painting to have a distinct foreground and background

The painting has distinctive elements of chaotic, evil, and wild nature throughout the image. However, balancing these elements are also those of order and divine authority

The court of the Mongols used this painting to legitimize their power, while preserving the identities of Iranian peoples. It also reinforced Persian culture within Iran.

Production of this work took place under highly skilled and highly regarded artists in royal workshops.

The overall intent of creating this work was to legitimize the rule of the king of Persia. It was secondarily used to consolidate the power of Persian royalty to fewer people, creating an even more oligarchic and autocratic rule.