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      <title>History of Photography by Emma Maly</title>
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      <description>Digital Photography Timeline</description>
      <language>en-us</language>
      <pubDate>2021-11-15 16:28:21 UTC</pubDate>
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         <title>Snapshot Photography (1900)</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1900038268</link>
         <description><![CDATA[<div>Snapshot photography was introduced in the early 1900s, by Eastman Kodak, the inventor  the Brownie camera. </div>]]></description>
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         <pubDate>2021-11-18 16:44:46 UTC</pubDate>
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      <item>
         <title>What did the Kodak Brownie look like?</title>
         <author>em9248</author>
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         <pubDate>2021-11-18 16:46:32 UTC</pubDate>
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         <title>Snapshot from the 1900s</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1900045048</link>
         <description><![CDATA[]]></description>
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         <pubDate>2021-11-18 16:47:23 UTC</pubDate>
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         <title>The Kodak Brownie</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1900064355</link>
         <description><![CDATA[<div>In this podcast, Jeff Curto explains the importance, value and introduction of the Kodak Brownie camera during its time period. Curto dives into its functionality and how it really works, also dwelling into its contribution to snapshot photography in the early 1900s. </div>]]></description>
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         <pubDate>2021-11-18 16:55:28 UTC</pubDate>
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      <item>
         <title>Girl with Brownie Snapshot (1905)</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1900075773</link>
         <description><![CDATA[<div>Source: Science Media Museum </div>]]></description>
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         <pubDate>2021-11-18 17:00:16 UTC</pubDate>
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      <item>
         <title>Celebrity Photography (1855)</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1900099969</link>
         <description><![CDATA[<div>In the mid 1800s, introduced by Felix Nadar, celebrity photography showcased famous people and shocking images in Paris for people to see. </div>]]></description>
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         <pubDate>2021-11-18 17:10:15 UTC</pubDate>
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      <item>
         <title>Where did Celebrity Photography take place?</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1944979649</link>
         <description><![CDATA[<div>Felix Nadar was a French photographer, so, his introduction to celebrity photographer took place in Paris. He also shot a lot within the catacombs, being the first to do so.  </div>]]></description>
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         <pubDate>2021-12-13 16:28:11 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1944979649</guid>
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      <item>
         <title>Who was Felix Nadar?</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1944986448</link>
         <description><![CDATA[<div>Born April 6th, 1820, Nadar&nbsp;was known as a French photographer, caricaturist, journalist, novelist, balloonist, and proponent of heavier-than-air flight. In 1858, he became the first person to take aerial photographs.</div>]]></description>
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         <pubDate>2021-12-13 16:30:53 UTC</pubDate>
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      <item>
         <title>Photography Lighting 1800s</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1947462756</link>
         <description><![CDATA[<div>Felix Nadar used his new invention, <strong>magnesia</strong> to illuminate the darkness in the Catacombs ( a place he often was known for photographing), to take the very first photographic images of the mysterious underground city.</div>]]></description>
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         <pubDate>2021-12-14 16:27:19 UTC</pubDate>
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      <item>
         <title>Motion Studies Photography (1860)</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1947493957</link>
         <description><![CDATA[<div>Motion studies photography consists of moving in a shot, visible movement, adding a slight blur of the action to your shot helps tell a story. This storytelling element makes the images a little less static and unexpected. Another reason why showing movement stands out is because it sets the mood.</div>]]></description>
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         <pubDate>2021-12-14 16:39:38 UTC</pubDate>
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      <item>
         <title>Who was Eadweard Muybridge?</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1947502647</link>
         <description><![CDATA[<div>Born April 9th, 1930, Eadweard Muybridge was an English photographer important for his pioneering work in photographic studies of motion, and early work in motion-picture projection.</div>]]></description>
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         <pubDate>2021-12-14 16:43:11 UTC</pubDate>
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      <item>
         <title>Camel Motion Shot (Late 1800s)</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1947513756</link>
         <description><![CDATA[<div>These images display a motion shot with animals, developed into a short video when combined.</div>]]></description>
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         <pubDate>2021-12-14 16:47:32 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1947513756</guid>
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      <item>
         <title>Modernism/Advertisement Photography (1900-1960)</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1947533350</link>
         <description><![CDATA[<div>Known as twentieth century photography, modernism came into use in the early 1900s, with photographers like Alfred Stieglitz, Paul Strand and Pablo Picasso.&nbsp; Modernism or to make something “new”, photographers created sharply focused images, with emphasis on formal qualities, exploiting, rather than obscuring the camera as an essentially mechanical and technological tool.&nbsp;</div>]]></description>
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         <pubDate>2021-12-14 16:56:00 UTC</pubDate>
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      <item>
         <title>Alfred Stieglitz: Modernism</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1947539994</link>
         <description><![CDATA[<div>Stieglitz wanted to stand out in the world of photography in the early 1900s, he wanted something different and unique. He paid a lot of attention to composition, color and tonality. Modernism was known to have changed the way people viewed the concepts of science and art.&nbsp;</div><div><br><br></div>]]></description>
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         <pubDate>2021-12-14 16:58:55 UTC</pubDate>
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      <item>
         <title>Modernism shot by Stieglitz</title>
         <author>em9248</author>
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         <pubDate>2021-12-14 17:01:19 UTC</pubDate>
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      <item>
         <title>Where did Modernism photography start?</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1947554557</link>
         <description><![CDATA[<div>Modernism styles thrived and bloomed in the US. Photographs contained grand buildings, busy streets and booming cities. </div>]]></description>
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         <pubDate>2021-12-14 17:04:46 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1947554557</guid>
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      <item>
         <title>Tabloid Journalism (1903)</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1947562056</link>
         <description><![CDATA[<div>Tabloid journalism is a popular style of largely sensationalist journalism (usually dramatized and sometimes unverifiable or even blatantly false), which takes its name from the format: a small-sized newspaper. Its intriguing, eye-catching, and entertaining. </div>]]></description>
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         <pubDate>2021-12-14 17:08:06 UTC</pubDate>
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      <item>
         <title>The Daily News and the rise of Tabloid Journalism</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1947566737</link>
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         <pubDate>2021-12-14 17:10:04 UTC</pubDate>
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      <item>
         <title>The Daily Mirror</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1947610615</link>
         <description><![CDATA[<div>Founded in 1903, The Daily Mirror is a British newspaper focused on tabloid journalism, it is UK's oldest newspaper. It changed&nbsp; audiences and focus many times throughout the 1900s, failed and rose up again to its popularity today.&nbsp;It was mainly created to spread information quickly and efficiently. </div>]]></description>
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         <pubDate>2021-12-14 17:28:13 UTC</pubDate>
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         <title>Early 1900s Journalism</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1947621268</link>
         <description><![CDATA[]]></description>
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         <pubDate>2021-12-14 17:32:23 UTC</pubDate>
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         <title>Pictorialism (1906)</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1947629521</link>
         <description><![CDATA[<div>Pictorialism, an approach to photography that emphasizes beauty of subject matter, tonality, and composition rather than the documentation of reality. Alfred Stieglitz and Edward Steichen were popular photographers who used pictorialism in the early 1900s. </div>]]></description>
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         <pubDate>2021-12-14 17:35:41 UTC</pubDate>
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         <title>Alfred Stieglitz: Pictorialism </title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1947640622</link>
         <description><![CDATA[<div>The international movement known as <strong><em>Pictorialism</em></strong> represented both a photographic aesthetic and a set of principles about photography's role as art. Alfred Stieglitz's work contributed to science and modern art, paralleling others in art with the movement. Some called it "when photos look like paintings,"</div><div><br></div>]]></description>
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         <pubDate>2021-12-14 17:40:39 UTC</pubDate>
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      <item>
         <title>The Flatiron by Edward Steichen (1904)</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1947649706</link>
         <description><![CDATA[<div>Pictorialism in photography early 1900s. </div>]]></description>
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         <pubDate>2021-12-14 17:44:52 UTC</pubDate>
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      <item>
         <title>Stieglitz and Emily by Frank Eugene (1907)</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1947656623</link>
         <description><![CDATA[<div>Pictorialism snapshot of two people, early 1900s.</div>]]></description>
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         <pubDate>2021-12-14 17:48:03 UTC</pubDate>
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      <item>
         <title>Picture Postcards (1908)</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1947670752</link>
         <description><![CDATA[<div>&nbsp;In the late 19th century, the <strong><em>picture postcard</em></strong> became an inexpensive way to mail images to friends and relatives. You could purchase postcard views of locations sold by the Detroit Photographic Co. and others, or you could request to have your portrait printed as a postcard by a local photography studio.&nbsp;</div>]]></description>
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         <pubDate>2021-12-14 17:54:35 UTC</pubDate>
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         <title>Kodak Picture Postcards</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1947678383</link>
         <description><![CDATA[<div>In 1907, Kodak introduced a service called "real photo postcards," which enabled customers to make a postcard from any picture they took.&nbsp; These real photo postcards picture a wide variety of subjects and were used for a variety of purposes. Most were the equivalent of family photographs intended to be given to relatives and friends or to be put in the family album.&nbsp;</div>]]></description>
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         <pubDate>2021-12-14 17:58:00 UTC</pubDate>
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      <item>
         <title>Famous picture postcards</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1947682350</link>
         <description><![CDATA[<div><em>circa 1930 real photo postcard of movie stars Greta Garbo and John Gilbert. Movie star postcards have been collected by the public since the silent era.</em></div>]]></description>
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         <pubDate>2021-12-14 17:59:41 UTC</pubDate>
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      <item>
         <title>A History Through Picture Postcards (2013)</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1947687438</link>
         <description><![CDATA[<div>How 20th century postcards helped Chicago define itself to the world.<br><br></div>]]></description>
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         <pubDate>2021-12-14 18:01:59 UTC</pubDate>
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         <title>Social Reform Photography (1921)</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1947696673</link>
         <description><![CDATA[<div>Paul Strand, Lewis Hines, and many more photographers captured modern day social reform through their photography, modern events and daily issues. Many social problems were very prevalent in the 1900s that needed to be addressed. </div>]]></description>
         <enclosure url="https://www.google.com/url?sa=i&amp;url=https%3A%2F%2Fwww.mcall.com%2Fentertainment%2Farts-theater%2Fmc-lewis-hine-allentown-art-museum-photographs-20160724-story.html&amp;psig=AOvVaw2C9DYss-BsdPQfQmhP0WPk&amp;ust=1639591540050000&amp;source=images&amp;cd=vfe&amp;ved=0CAsQjRxqFwoTCPjrms_w4_QCFQAAAAAdAAAAABAO" />
         <pubDate>2021-12-14 18:06:05 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1947696673</guid>
      </item>
      <item>
         <title>Child Labor Photograph</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1947702570</link>
         <description><![CDATA[<div>Lewis Hine used to sneak into factories where children work, dressed in disguises in order to capture these images to avoid trouble he got himself into over controversial images he took. </div>]]></description>
         <enclosure url="https://www.google.com/url?sa=i&amp;url=https%3A%2F%2Fsites.psu.edu%2Fbaileyjpassion%2F2015%2F10%2F29%2Fphotography-and-social-reform%2F&amp;psig=AOvVaw2C9DYss-BsdPQfQmhP0WPk&amp;ust=1639591540050000&amp;source=images&amp;cd=vfe&amp;ved=0CAsQjRxqFwoTCPjrms_w4_QCFQAAAAAdAAAAABAV" />
         <pubDate>2021-12-14 18:08:48 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1947702570</guid>
      </item>
      <item>
         <title>“I wanted to show the thing that had to be corrected: I wanted to show the things that had to be appreciated,” (Lewis Hine) on Social Reform photography. </title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1947704836</link>
         <description><![CDATA[]]></description>
         <enclosure url="http://2.bp.blogspot.com/-gyW0lHHshmk/T6QFPo1bRwI/AAAAAAAACgE/YDAKsJzBVPw/s1600/Lewis+Hine+-+7+year+old+Ferris.+Tiny+newsie+who+did+not+know+enough+to+make+change+for+investigator.+Mobile,+Alabama,+1914.jpg" />
         <pubDate>2021-12-14 18:09:52 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1947704836</guid>
      </item>
      <item>
         <title>Paul Strand: Social Reform </title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1947714651</link>
         <description><![CDATA[<div>Strand captured may images of the street and city scenes, the theme he focused on was social justice in his modern day and the conditions people were put in. His work influenced Edward Weston, Ansel Adams and Walker Evans.&nbsp;</div><div><br><br></div>]]></description>
         <enclosure url="https://i.guim.co.uk/img/media/b068c7305c6d9938f22e05f2e2457b63d6372219/0_0_4727_3665/master/4727.jpg?width=445&amp;quality=45&amp;auto=format&amp;fit=max&amp;dpr=2&amp;s=b1727b8bff04eaa1cb5fe354327e012f" />
         <pubDate>2021-12-14 18:14:24 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1947714651</guid>
      </item>
      <item>
         <title>Documentary Photography (1924)</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948202517</link>
         <description><![CDATA[<div>Documentary photography was captured by Frank Gilbreth in the U.S, consisting of factory workers. Gilbreth took lots of pictures and was able to put them together by making a video, hence the documentary. His goal was to give Americans an insight on how things were in these factories more than a still image could.&nbsp;</div><div><br><br></div>]]></description>
         <enclosure url="https://designobserver.com/media/images/39272-Frank_Gilbreth.jpg" />
         <pubDate>2021-12-14 23:25:42 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948202517</guid>
      </item>
      <item>
         <title>Children working in dangerous factories challenged labor laws</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948206912</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.google.com/url?sa=i&amp;url=https%3A%2F%2Fwww.arkansasonline.com%2Fnews%2F2018%2Fsep%2F03%2Fphotos-from-early-1900s-spurred-child-l%2F&amp;psig=AOvVaw1YujR-iQvCw8G__gq-B69A&amp;ust=1639610990370000&amp;source=images&amp;cd=vfe&amp;ved=0CAsQjRxqFwoTCKCPsom55PQCFQAAAAAdAAAAABAS" />
         <pubDate>2021-12-14 23:30:52 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948206912</guid>
      </item>
      <item>
         <title>Edward Curtis: Documentary Photography</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948213380</link>
         <description><![CDATA[<div>Edward Sheriff Curtis was an American photographer and ethnologist whose work focused on the American West and on Native American people. He was born February 19th, 1868 and became quickly known for his photographs of the Native American people, he lived with many tribes and documented the lives of those around him.</div>]]></description>
         <enclosure url="https://www.google.com/url?sa=i&amp;url=https%3A%2F%2Fen.wikipedia.org%2Fwiki%2FEdward_S._Curtis&amp;psig=AOvVaw0H7nPllAvMPEGAtJZySL0_&amp;ust=1639611259762000&amp;source=images&amp;cd=vfe&amp;ved=0CAsQjRxqFwoTCPCyzIm65PQCFQAAAAAdAAAAABAD" />
         <pubDate>2021-12-14 23:37:51 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948213380</guid>
      </item>
      <item>
         <title>The work of Edward Curtis</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948215380</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://static01.nyt.com/images/2015/06/07/travel/20150607FOOTSTEPS-slide-53SC/20150607FOOTSTEPS-slide-53SC-superJumbo.jpg" />
         <pubDate>2021-12-14 23:39:54 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948215380</guid>
      </item>
      <item>
         <title>Magazine Photography (1936)</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948221728</link>
         <description><![CDATA[<div>Photographers that travel and explore wanted to display their work somewhere for people who have never seen the places they've traveled, in the mid 1900s, National Geographic was used for this form of magazine photography. This became the rise of magazines and their popularity. </div>]]></description>
         <enclosure url="https://pictures.abebooks.com/inventory/17969860513.jpg" />
         <pubDate>2021-12-14 23:46:00 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948221728</guid>
      </item>
      <item>
         <title>What is magazine photography?</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948224375</link>
         <description><![CDATA[<div>Magazine photography is also known as&nbsp;<strong>editorial photography</strong>, the photographer usually retains ownership of the images. It is common that a magazine or publication would request exclusive ownership for a set period of time. Editorial work pays less than commercial photography, but editorial photographers can license their images for stock photography.</div>]]></description>
         <enclosure url="https://photoseed.com/uploads/2012/09/30/final-highlight-photographic-times-cover-june-1900.jpg" />
         <pubDate>2021-12-14 23:48:34 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948224375</guid>
      </item>
      <item>
         <title>Magazines from the 20th century</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948252695</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://dyn1.heritagestatic.com/lf?set=path%5B1%2F0%2F0%2F8%2F4%2F10084781%5D&amp;call=url%5Bfile%3Aproduct.chain%5D" />
         <pubDate>2021-12-15 00:13:56 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948252695</guid>
      </item>
      <item>
         <title>Propaganda Photography (1940)</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948257391</link>
         <description><![CDATA[<div>"<strong>Propaganda is communication that is used primarily to influence an audience and further an agenda</strong>…” ... Millions Stand Behind Me, John Heartfield, 1932. Propaganda is frequently associated with political regimes, suggesting images of World War II or the Cold War.</div>]]></description>
         <enclosure url="https://www.google.com/url?sa=i&amp;url=http%3A%2F%2Fresourcemagonline.com%2F2017%2F04%2Fviolent-dictators-who-used-photography-as-propaganda%2F77337%2F&amp;psig=AOvVaw2lG9eRLDJmRdiH3dniezv0&amp;ust=1639613844863000&amp;source=images&amp;cd=vfe&amp;ved=0CAsQjRxqFwoTCOC5vNnD5PQCFQAAAAAdAAAAABAD" />
         <pubDate>2021-12-15 00:17:49 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948257391</guid>
      </item>
      <item>
         <title>Who was Heinrich Hoffmann?</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948264338</link>
         <description><![CDATA[<div>Heinrich Hoffmann was Adolf Hitler's official photographer, and a Nazi politician and publisher, who was a member of Hitler's intimate circle. Hoffmann's photographs were a significant part of Hitler's propaganda campaign to present himself and the Nazi Party as a significant mass phenomenon</div>]]></description>
         <enclosure url="https://upload.wikimedia.org/wikipedia/commons/3/30/Heinrich_Hoffmann_%281935%29.jpg" />
         <pubDate>2021-12-15 00:23:01 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948264338</guid>
      </item>
      <item>
         <title>The effect of Hoffmann&#39;s photos</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948267402</link>
         <description><![CDATA[<div>Being Hitler's personal photographer, Hoffmann made him look like a good, righteous leader, that led to years of genocide throughout Germany with the Holocaust. </div>]]></description>
         <enclosure url="https://loeildelaphotographie.com/wp-content/uploads/2018/09/heinrich-hoffmann-hitler1.jpeg" />
         <pubDate>2021-12-15 00:25:21 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948267402</guid>
      </item>
      <item>
         <title>Propaganda Photograph by Heinrich Hoffmann.</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948275905</link>
         <description><![CDATA[<div><a href="https://spartacus-educational.com/GERfrick.htm"><strong>Wilhelm Frick</strong></a><strong>, </strong><a href="http://en.wikipedia.org/wiki/Hermann_Kriebel"><strong>Hermann Kriebel</strong></a><strong>, </strong><a href="https://spartacus-educational.com/FWWludendorff.htm"><strong>Erich Ludendorff</strong></a><strong>, </strong><a href="https://spartacus-educational.com/GERhitler.htm"><strong>Adolf Hitler</strong></a><strong>,</strong><a href="http://en.wikipedia.org/wiki/Wilhelm_Br%C3%BCckner"><strong><br>Wilhelm Brückner</strong></a><strong> and </strong><a href="https://spartacus-educational.com/GERroehm.htm"><strong>Ernst Roehm</strong></a><strong> in 1923. Photograph by Heinrich Hoffmann.</strong></div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1456775688/bcbf95f7c3c6ea002e2ae3580e923749/image.png" />
         <pubDate>2021-12-15 00:31:56 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948275905</guid>
      </item>
      <item>
         <title>The Photographic Age (1935-1959)</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948293286</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2021-12-15 00:44:41 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948293286</guid>
      </item>
      <item>
         <title>American Photography (1900-1934)</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948294083</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2021-12-15 00:45:16 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948294083</guid>
      </item>
      <item>
         <title>The Wire Associated Press: Plane Crash (1935)</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948311634</link>
         <description><![CDATA[<div>AP initiated <a href="https://en.wikipedia.org/wiki/WirePhoto">WirePhoto</a>, the world's first wire service for photographs. The first photograph to transfer over the network depicted an airplane crash in <a href="https://en.wikipedia.org/wiki/Morehouse,_New_York">Morehouse</a>, <a href="https://en.wikipedia.org/wiki/New_York_(state)">New York</a>, on <a href="https://en.wikipedia.org/wiki/New_Year%27s_Day">New Year's Day</a>, 1935.</div>]]></description>
         <enclosure url="https://images.squarespace-cdn.com/content/v1/57cf18ae6b8f5ba693497e1a/1576184441524-47IW2GRY76TNXYV0L0ND/image-asset.jpeg" />
         <pubDate>2021-12-15 00:57:04 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948311634</guid>
      </item>
      <item>
         <title>The Hindenburg Disaster and Murray Becker (1937)</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948317636</link>
         <description><![CDATA[<div>May 6th 1937. Lakehurst, N.J. Assembled as part of a massive PR campaign by the <em>Hindenburg’s</em> parent company in Germany, twenty-two bored still and newsreel photographers were on hand for the landing of 803-feet dirigible Hindenburg. As Murray Becker of Associated Press was framing the picture, the airship literally exploded in his lens.<br>Being the experienced photographers, Becker and his colleagues reacted alike and within the 47 seconds of destruction, each made just one shot–the peak of the explosion. All four are nearly identical–the dirigible in the air, mid-section to stern a mass of flames.&nbsp;<br>(Word Press)</div>]]></description>
         <enclosure url="https://iconicphotos.files.wordpress.com/2009/05/610x.jpg" />
         <pubDate>2021-12-15 01:01:09 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948317636</guid>
      </item>
      <item>
         <title>WeeGee MOB Photographer (1930-40)</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948323464</link>
         <description><![CDATA[<div>WeeGee was a <a href="https://en.wikipedia.org/wiki/Photography">photographer</a> and <a href="https://en.wikipedia.org/wiki/Photojournalism">photojournalist</a>, known for his stark black and white <a href="https://en.wikipedia.org/wiki/Street_photography">street photography</a> in <a href="https://en.wikipedia.org/wiki/New_York_City">New York City</a>. He worked in <a href="https://en.wikipedia.org/wiki/Manhattan">Manhattan</a>'s <a href="https://en.wikipedia.org/wiki/Lower_East_Side">Lower East Side</a> as a press photographer during the 1930s and 1940s and developed his signature style by following the city's <a href="https://en.wikipedia.org/wiki/Emergency_service">emergency services</a> and documenting their activity.<a href="https://en.wikipedia.org/wiki/Weegee#cite_note-nytimes.com-2"><sup>[</sup></a>Much of his work depicted unflinchingly realistic scenes of urban life, crime, injury and death.<br><br></div><div><br><br></div>]]></description>
         <enclosure url="https://www.google.com/url?sa=i&amp;url=https%3A%2F%2Flens.blogs.nytimes.com%2F2017%2F09%2F28%2Fweegee-king-of-the-nighttime-streets%2F&amp;psig=AOvVaw2dhu6vTvYD1f14_o3aJh3M&amp;ust=1639616651153000&amp;source=images&amp;cd=vfe&amp;ved=0CAsQjRxqFwoTCLiD6pnO5PQCFQAAAAAdAAAAABAd" />
         <pubDate>2021-12-15 01:05:24 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948323464</guid>
      </item>
      <item>
         <title>Life Magazine: Henry Luce (1936)</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948328705</link>
         <description><![CDATA[<div>In 1936, when he proposed to create a new foundation, Henry R. Luce was only 38 years old but already influential in American life. With his Yale College classmate Briton Hadden, he had founded <em>Time</em> magazine thirteen years earlier, followed in 1929 by <em>Fortune</em>, and in 1936 by <em>Life</em>. (HLuce)<br>Life was an American magazine published weekly from 1883 to 1972, as an intermittent "special" until 1978, and as a monthly from 1978 until 2000. During its golden age from 1936 to 1972, Life was a wide-ranging weekly general-interest magazine known for the quality of its photography.&nbsp;</div>]]></description>
         <enclosure url="https://oldlifemagazine.com/media/wysiwyg/lif-magazne-cover-collage.jpg" />
         <pubDate>2021-12-15 01:08:55 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948328705</guid>
      </item>
      <item>
         <title>FSA Photographers / Dorthea Lang and the Great Depression (1929-1939)</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948343770</link>
         <description><![CDATA[<div>Dorothea Lane was a documentary photographer, she is best known for her chronicles of the Great Depression and for her photographs of migratory farm workers while being apart of the Farm Security Administration.<br>The Great Depression was a severe worldwide economic depression that took place mostly during the 1930s, beginning in the United States.&nbsp;</div>]]></description>
         <enclosure url="https://media.wsimag.com/attachments/1ab33fdb2241e3a451e3ea1fd4cc339ca58bd32e/store/fill/860/645/958b959703cfb54dd1acd5a6c645d8b084f67234f7a2a95ca08078f2e368/Dorothea-Lange-Courtesy-of-Jeu-de-Paume.jpg" />
         <pubDate>2021-12-15 01:18:32 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948343770</guid>
      </item>
      <item>
         <title>Social Reform: Gordon Parks (1937)</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948352783</link>
         <description><![CDATA[<div>Gordon Parks started as a fashion photographer for a department store and was later hired to work with the FSA team of photographers. The combination of Parks’ experience shooting fashion as well as documentary photography informed his style and made him an asset at Life magazine when he joined their staff in 1948. He would continue to work as both fashion photographer and photo documentarian for the rest of his tenure there through the early 1970s.</div>]]></description>
         <enclosure url="https://www.google.com/url?sa=i&amp;url=https%3A%2F%2Fwww.al.com%2Flife%2F2021%2F01%2Fhistoric-gordon-parks-segregation-exhibition-to-open-in-mobile-jan-16.html&amp;psig=AOvVaw3kMjC5Kpb_4WFmLHh-2Q36&amp;ust=1639617779564000&amp;source=images&amp;cd=vfe&amp;ved=0CAsQjRxqFwoTCLC368jS5PQCFQAAAAAdAAAAABAN" />
         <pubDate>2021-12-15 01:24:35 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948352783</guid>
      </item>
      <item>
         <title>Ansel Adams: National Parks (1941)</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948361436</link>
         <description><![CDATA[<div>The legendary photographer, Ansel Adams explored more than forty national parks in his lifetime, producing some of the most indelible images of the natural world ever made. Adams became famous throughout the nation for his photographs of Yosemite and other national parks. He perfected many photographic techniques and captured the beauty of nature for all to appreciate.</div>]]></description>
         <enclosure url="http://cdn.cnn.com/cnnnext/dam/assets/190918154209-08-ansel-adams-yosemite-restricted.jpg" />
         <pubDate>2021-12-15 01:30:22 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948361436</guid>
      </item>
      <item>
         <title>Ansel Adams: Zone Systems (1940)</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948365726</link>
         <description><![CDATA[<div>The Zone System is a photographic technique for determining optimal film exposure and development, formulated by Ansel Adams and Fred Archer.</div><div><br></div>]]></description>
         <enclosure url="https://www.kimhildebrand.com/wp-content/uploads/2016/06/Screen-Shot-2016-01-12-at-3.06.26-PM.png" />
         <pubDate>2021-12-15 01:33:09 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948365726</guid>
      </item>
      <item>
         <title>WW2: The Big Five (1945)</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948374691</link>
         <description><![CDATA[<div>World War II. When the Conquest Fleet arrived in 1942, the members of the Big Five were engaged in a total war against one another, they consisted of&nbsp;the United States, Great Britain, the Soviet Union, China, and France.</div>]]></description>
         <enclosure url="https://iconicphotos.files.wordpress.com/2011/01/grief.jpg" />
         <pubDate>2021-12-15 01:38:57 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948374691</guid>
      </item>
      <item>
         <title>WW2: Margaret Bourke-White (1945)</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948381906</link>
         <description><![CDATA[<div>Margaret Bourke-White was a war photographer and was the first known female war correspondent and the first woman to be allowed to work in combat zones during World War II. She was known to be a meticulous observer as always, kept her distance from the tragedy, even taking photos from the gallery above.&nbsp;</div>]]></description>
         <enclosure url="https://puam-loris.aws.princeton.edu/loris/PUAMSTU2018_30050.jp2/full/!650,650/0/default.jpg" />
         <pubDate>2021-12-15 01:43:42 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948381906</guid>
      </item>
      <item>
         <title>Fashion Photography: Richard Avedon (1950s)</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948389675</link>
         <description><![CDATA[<div>American fashion and portrait photographer, Richard Avedon, was known for breaking the photography boundaries in the fashion and political world. Ranging from work found in Vogue to the New Yorker, Avedon was able to capture the rare emotion and a unique essence of his subjects that many other photographers failed to do.</div>]]></description>
         <enclosure url="https://www.moma.org/learn/moma_learning/_assets/www.moma.org/wp/moma_learning/wp-content/uploads/2012/07/Richard-Avedon.-Mariyln-Monroe-407x395.jpg" />
         <pubDate>2021-12-15 01:48:46 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948389675</guid>
      </item>
      <item>
         <title>The Family of Man (1955)</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948394243</link>
         <description><![CDATA[<div>In the Family of Man, the images featured in the show were taken mostly from the <em>Life</em> magazine archive, a few also from other leading magazines of the time such as <em>Vogue</em> or <em>Ladies Home Journal</em>. Photography agencies such as <em>Magnum, Black Star</em>, and <em>Rapho Guillumette</em> were also a significant source of images. The exhibition was curated by Edward Steichen, assisted by Wayne Miller, and designed by architect Paul Rudolph. The images – mostly contemporary documentary photographs – were grouped in thirty-seven thematic sections that narrated a generalized story of human life.</div>]]></description>
         <enclosure url="https://fkmagazine.lv/wp-content/uploads/2018/07/family-man1-768x840.jpg" />
         <pubDate>2021-12-15 01:51:52 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948394243</guid>
      </item>
      <item>
         <title>Street Photography: Robert Frank (1958)</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948425568</link>
         <description><![CDATA[<div>Robert Frank was a Swiss photographer and documentary filmmaker, who became an American binational. His most notable work, the 1958 book titled The Americans, earned Frank comparisons to a modern-day de Tocqueville for his fresh and nuanced outsider's view of American society. Frank was director who was one of the most influential photographers of the mid-20th century, noted for his ironic renderings of American life.</div>]]></description>
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         <pubDate>2021-12-15 02:11:20 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948425568</guid>
      </item>
      <item>
         <title>Emmett Till: The Black Press (1961)</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948456589</link>
         <description><![CDATA[<div><strong>The Black Press: </strong>was founded in response to the distortions and ugly untruths that white newspapers often published about African Americans. ... Russwurm launched the first Black newspaper, Freedom's Journal in 1827, they made clear their mission: “We wish to plead our own cause. Too long have others spoken for us.<br>In 1954, two white men murdered an African American boy named Emmett Till; his death sparked a generation of children to take part in the Civil Rights Movement during the 1960s. One particular event in Birmingham, Alabama sparked nationwide sympathy for the movement.</div>]]></description>
         <enclosure url="https://www.google.com/url?sa=i&amp;url=https%3A%2F%2Fwww.usatoday.com%2Fstory%2Fnews%2Fnation%2F2020%2F06%2F06%2Fgeorge-floyd-emmett-till-deaths-inspire-calls-change-justice%2F3135768001%2F&amp;psig=AOvVaw1vDJ762hco1dL86g_l_PWX&amp;ust=1639621782057000&amp;source=images&amp;cd=vfe&amp;ved=0CAsQjRxqFwoTCPCXnKTh5PQCFQAAAAAdAAAAABAD" />
         <pubDate>2021-12-15 02:30:46 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948456589</guid>
      </item>
      <item>
         <title>The Golden Age of Photography (1960-1999)</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948707237</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2021-12-15 06:06:58 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1948707237</guid>
      </item>
      <item>
         <title>Civil Rights Photography: Danny Lyon Birmingham race riots 1960s</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1949891443</link>
         <description><![CDATA[<div>Photographers capture the civil rights movement and fight for race equality in 1950s and 1960s America.<br>Born March 16th, 1942, Danny Lyon is an American photographer and filmmaker. All of Lyon's publications work in the style of photographic New Journalism, meaning that the photographer has become immersed in with, and is a participant of, the documented subject.&nbsp;<br>Lyon took many photos during the Birmingham race riots, as well as many images of civil rights issues in America. </div>]]></description>
         <enclosure url="https://www.crmvet.org/crmpics/lyon/cairo2.jpg" />
         <pubDate>2021-12-15 16:31:39 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1949891443</guid>
      </item>
      <item>
         <title>Photo by Danny Lyon (1962)</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1949903990</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.crmvet.org/crmpics/lyon/leesburg1.jpg" />
         <pubDate>2021-12-15 16:36:29 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1949903990</guid>
      </item>
      <item>
         <title>Vietnam War (1955-1975)</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1949915634</link>
         <description><![CDATA[<div>The Vietnam War, also known as the Second Indochina War, was a conflict in Vietnam, Laos, and Cambodia from 1 November 1955 to the fall of Saigon on 30 April 1975. It was the second of the Indochina Wars and was officially fought between North Vietnam and South Vietnam</div>]]></description>
         <enclosure url="https://i.insider.com/577e7cda88e4a7b32e8b642a?width=700" />
         <pubDate>2021-12-15 16:41:16 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1949915634</guid>
      </item>
      <item>
         <title>Vietnam War: Photograph by Nick Ut (1972)</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1949922310</link>
         <description><![CDATA[<div>The photo that "stopped the war", Nick Ut’s photo of Kim Phuc was a transformative moment in a horrible conflict.</div>]]></description>
         <enclosure url="https://upload.wikimedia.org/wikipedia/en/b/ba/The_Terror_of_War.jpg" />
         <pubDate>2021-12-15 16:43:53 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1949922310</guid>
      </item>
      <item>
         <title>Vietnam War: Photography by Kyoichi Sawada (1965)</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1949930161</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.pulitzer.org/cms/sites/default/files/styles/page_photo/public/main_images/vietnam.jpg" />
         <pubDate>2021-12-15 16:47:07 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1949930161</guid>
      </item>
      <item>
         <title>Life Magazine: One Week&#39;s Dead (1969)</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1949953047</link>
         <description><![CDATA[<div>The Vietnam <strong><em>War</em></strong> was <strong><em>one</em></strong> of the deadliest for Americans: 58200 lost their lives. In its June 27, 1969, issue ....</div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=3WK9VtHNb3Q" />
         <pubDate>2021-12-15 16:55:59 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1949953047</guid>
      </item>
      <item>
         <title>Apollo 8: First Earth Photograph (1968)</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1949957745</link>
         <description><![CDATA[<div>Apollo 8, the first manned mission to the moon, entered lunar orbit on Christmas Eve, Dec. 24, 1968. That evening, the astronauts-Commander Frank Borman, Command Module Pilot Jim Lovell, and Lunar Module Pilot William Anders-held a live broadcast from lunar orbit, in which they showed pictures of the Earth and moon as seen from their spacecraft. Said Lovell, "The vast loneliness is awe-inspiring and it makes you realize just what you have back there on Earth." They ended the broadcast with the crew taking turns reading from the book of Genesis. (NASA)</div>]]></description>
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         <pubDate>2021-12-15 16:57:55 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1949957745</guid>
      </item>
      <item>
         <title>Whole Earth Magazine: The Environmental Movement (1968)</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1949965587</link>
         <description><![CDATA[<div>The Whole Earth Catalog was an American counterculture magazine and product catalog published by Stewart Brand several times a year between 1968 and 1972, and occasionally thereafter, until 1998. The magazine featured essays and articles, but was primarily focused on product</div>]]></description>
         <enclosure url="https://eastofborneo.org/wp-content/uploads/2016/08/whole-earth-catalog-1968-300x392.jpeg" />
         <pubDate>2021-12-15 17:00:58 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1949965587</guid>
      </item>
      <item>
         <title>The Impact of the Whole Earth Magazine</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1949972854</link>
         <description><![CDATA[<div>The wide popularity of The <a href="https://en.wikipedia.org/wiki/Whole_Earth_Catalog">Whole Earth Catalogs</a>, starting in 1968, was quite influential among the younger, hands-on, activist generation of the 1960s and 1970s. Recently in addition to opposing environmental degradation and protecting wilderness, an increased focus on coexisting with natural biodiversity has appeared, a strain that is apparent in the movement for <a href="https://en.wikipedia.org/wiki/Sustainable_agriculture">sustainable agriculture</a> and in the concept of <a href="https://en.wikipedia.org/wiki/Reconciliation_Ecology">Reconciliation Ecology</a>.</div>]]></description>
         <enclosure url="https://cdn.theculturetrip.com/wp-content/uploads/2018/05/wholeearth.jpg" />
         <pubDate>2021-12-15 17:04:04 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1949972854</guid>
      </item>
      <item>
         <title>Crime Scene Photography </title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1949990438</link>
         <description><![CDATA[<div>Crime scene photography is photographs that are taken at a crime scene allow investigators to recreate that scene for later analysis, or for use in the courtroom.</div>]]></description>
         <enclosure url="https://www.crime-scene-investigator.net/images-articles/photo-kit.jpg" />
         <pubDate>2021-12-15 17:11:43 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1949990438</guid>
      </item>
      <item>
         <title> Crime Scene Photography (1977)</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1950001056</link>
         <description><![CDATA[<div>The brown 1968 Buick Skylark, belonging to Robert Violante, parked in Bath Beach, Brooklyn, New York City, where Violante and Stacy Moskowitz were shot by American serial killer, David Berkowitz (a.k.a. "Son of Sam"). Moskowitz died after the shooting, while Violante was partially blinded. 1977.</div>]]></description>
         <enclosure url="https://allthatsinteresting.com/wordpress/wp-content/uploads/2017/09/son-of-sam-crime-scene.jpg" />
         <pubDate>2021-12-15 17:16:23 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1950001056</guid>
      </item>
      <item>
         <title>Crime Scene Photography (1963)</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1950006545</link>
         <description><![CDATA[<div>Re-enactment of the “onion field murder”, in which two police officers were kidnapped – one officer was shot, and died, and the other escaped – 1963</div><div><br><br></div><div><br></div><div><br></div><div><br><br></div>]]></description>
         <enclosure url="https://i.guim.co.uk/img/media/550e30d5b8422a0aa6ad9ebc83ae076b1aad5c0e/0_0_1800_1443/master/1800.jpg?width=880&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=83cf0b11bd538fb1997f4142e6543b91" />
         <pubDate>2021-12-15 17:18:53 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1950006545</guid>
      </item>
      <item>
         <title>Political Photography (1969-1972) by Ken Light</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1950018946</link>
         <description><![CDATA[<div>Political Photography is very important during large movements, protests and campaign, showcasing the lives of those who are experiencing first hand changes in their country, in the 1970s, Ken Light captures movements from the youth of America. <br>His photos, shot between 1969 and 1974, give a glimpse into one of the most important eras of modern American history -- one punctuated by campus protests, discussions of war, and unruly political campaigns.</div>]]></description>
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         <pubDate>2021-12-15 17:24:43 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1950018946</guid>
      </item>
      <item>
         <title>Vietnam Moratorium, Washington, D.C. by Ken Light</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1950022176</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://img.huffingtonpost.com/asset/56cccbb41e0000230070e9b2.jpeg?ops=scalefit_960_noupscale&amp;format=webp" />
         <pubDate>2021-12-15 17:26:15 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1950022176</guid>
      </item>
      <item>
         <title>The Photo Op: Propaganda (1970-1979) </title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1950031761</link>
         <description><![CDATA[<div>A “photo opportunity” — some otherwise insignificant occasion that is staged mainly to provide lots of press photographers with a chance to take pictures of the candidates or associated parties, whether making them look bad or good, creating a biased form of media.&nbsp;</div>]]></description>
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         <pubDate>2021-12-15 17:30:44 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1950031761</guid>
      </item>
      <item>
         <title>The Gulf War: Photography by David Turnley (1991)</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1950041659</link>
         <description><![CDATA[<div>The Gulf War was a war waged by coalition forces from 35 nations led by the United States against Iraq in response to Iraq's invasion and annexation of Kuwait arising from oil pricing and production disputes</div>]]></description>
         <enclosure url="https://stamps.imgix.net/images/news/Gulf_War-David_Turnley_1.jpg?auto=format%2Ccompress&amp;crop=focalpoint&amp;cs=srgb&amp;fit=crop&amp;fp-x=0.5&amp;fp-y=0.5&amp;h=804&amp;imgixProfile=default&amp;q=80&amp;w=1200" />
         <pubDate>2021-12-15 17:35:09 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1950041659</guid>
      </item>
      <item>
         <title>Digital Age (1970s)</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1950051994</link>
         <description><![CDATA[<div>The digital age, also called the information age, is defined as the time period starting in the 1970s with the introduction of the personal computer with subsequent technology introduced providing the ability to transfer information freely and quickly.<br>The transformation of photography from an <a href="https://www.merriam-webster.com/dictionary/analog">analog</a> medium relying on chemically developed light-sensitive emulsions to one using digital technologies for image capture and storage began in the late 1980s with the introduction of the first consumer <a href="https://www.britannica.com/technology/digital-camera">digital cameras</a> and in 1990 the first version of <a href="https://www.britannica.com/technology/Adobe-Photoshop">Adobe Photoshop</a>, a program for adjusting and manipulating digital image files.</div>]]></description>
         <enclosure url="https://www.phaidon.com/resource/matthewpotter.jpg" />
         <pubDate>2021-12-15 17:39:34 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1950051994</guid>
      </item>
      <item>
         <title>Have you see me? Age of Missing Children (1980s)</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1950060200</link>
         <description><![CDATA[<div>Beginning in the early 1980s, <a href="https://en.wikipedia.org/wiki/Advertisements">advertisements</a> on milk <a href="https://en.wikipedia.org/wiki/Cartons">cartons</a> in the United States were used to publicize cases of <a href="https://en.wikipedia.org/wiki/Missing_children">missing children</a>. The printing of such ads continued until the late 1990s when other programs became more popular for serving the same purpose. Contemporary popular media portrayed the practice in fiction, often in a satirical manner.<br>During the late 1970s and 1980s in the United States, missing child cases garnered a great deal of <a href="https://en.wikipedia.org/wiki/News_media">news media</a> attention. Chief among these were the <a href="https://en.wikipedia.org/wiki/Disappearance_of_Etan_Patz">disappearance of Etan Patz</a> (1979) and the kidnapping and <a href="https://en.wikipedia.org/wiki/Murder_of_Adam_Walsh">murder of Adam Walsh</a> (1981), whose story was told in the 1983 <a href="https://en.wikipedia.org/wiki/Television_movie">television movie</a>, <a href="https://en.wikipedia.org/wiki/Adam_(1983_film)"><em>Adam</em></a>. These reports developed into a type of <a href="https://en.wikipedia.org/wiki/Moral_panic">moral panic</a> called "<a href="https://en.wikipedia.org/wiki/Stranger_danger">stranger danger</a>". In 1984, the <a href="https://en.wikipedia.org/wiki/National_Center_for_Missing_and_Exploited_Children">National Center for Missing and Exploited Children</a> was founded.</div>]]></description>
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         <pubDate>2021-12-15 17:43:17 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1950060200</guid>
      </item>
      <item>
         <title>Photos of missing children displayed on milk cartons (1981)</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1950067669</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://images.thestar.com/C4Hv8xdNYPQhXQ8iTmsS0Ntglo0=/1086x734/smart/filters:cb(2700061000)/https://www.thestar.com/content/dam/thestar/life/2014/03/20/milk_carton_20_taps_social_media_to_find_missing_children/milk_cartons.jpg" />
         <pubDate>2021-12-15 17:46:33 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1950067669</guid>
      </item>
      <item>
         <title>National Center for Missing and Exploited Children</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1950076108</link>
         <description><![CDATA[<div>(From NCMEC) As the national clearinghouse on missing and exploited children issues, NCMEC is uniquely situated to identify trends and create educational resources to address the changing needs of children, families, and communities. NCMEC provides safety and prevention resources for families and child-serving professionals focusing on the topics of online and real-world safety, including skills on how to handle a variety of situations ranging from staying home alone to knowing what to do in case of an emergency, to abduction and child sexual exploitation prevention.<br><br></div><div>&nbsp;<br><br></div>]]></description>
         <enclosure url="https://americansecuritytoday.com/wp-content/uploads/2019/10/ncmec-main-324x160.jpg" />
         <pubDate>2021-12-15 17:50:19 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1950076108</guid>
      </item>
      <item>
         <title>Photography as Art (1990s)</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1950082051</link>
         <description><![CDATA[<div>Photography can be an art form, but not all photographs are created to be artworks or as forms of artistic expression. It took time for photography to be truly recognized as a valid art form. However, in the present day, many art museums and art galleries now exhibit photographic artworks<br>Jeff Wall and James Casebere became key figures in the new work of 1990s photographers such as Sharon Lockhart and Thomas Demand, whose images were epistemological exercises in how we experience memory, history, and identity through the sea of images into which we are born.&nbsp;</div>]]></description>
         <enclosure url="https://collectionapi.metmuseum.org/api/collection/v1/iiif/284533/608768/restricted" />
         <pubDate>2021-12-15 17:52:56 UTC</pubDate>
         <guid>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1950082051</guid>
      </item>
      <item>
         <title>Youth Art Photography of the 90s</title>
         <author>em9248</author>
         <link>https://padlet.com/em9248/msd7uvo2asvxw91t/wish/1950086683</link>
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         <pubDate>2021-12-15 17:54:59 UTC</pubDate>
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         <title>Youth Art Photography of the 90s</title>
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         <pubDate>2021-12-15 17:56:54 UTC</pubDate>
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         <title>How we remember History through photographs....</title>
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         <description><![CDATA[<div>We can remember history for photographs by identifying the elements of pictures, the setting, the people, the type of photograph and who the photographer is and why they took the photo. Some are magazine photographers, some are crime scene photographers, and some are fashion photographers, but they all have their own style, elements and identifiers to tell when they took place, especially with the advancements in technology. </div>]]></description>
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         <pubDate>2021-12-15 18:00:04 UTC</pubDate>
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         <title> How photographs link us together as a human society and as people....</title>
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         <description><![CDATA[<div>Photographs link us together as a human society and as people by showing all we have been through as a society, the wars, the movements, the fights for our lives, all in a still image, speak volumes for the world. We can learn from each other, our mistakes and victories, trends and popularities. They connect us to the past and tell stories as well as displaying feelings and emotions we may have never experienced.</div>]]></description>
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         <pubDate>2021-12-15 18:02:55 UTC</pubDate>
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         <title>The end!</title>
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         <pubDate>2021-12-15 18:03:07 UTC</pubDate>
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