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      <title>A Life Backstage by Giselle Jung</title>
      <link>https://padlet.com/gisellejung16/mhwq9wol9ekz</link>
      <description>“It was only in the theatre that I lived” ~Oscar Wilde</description>
      <language>en-us</language>
      <pubDate>2019-11-13 19:12:39 UTC</pubDate>
      <lastBuildDate>2019-11-19 19:09:41 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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         <title>Shedding Light on Technical Production</title>
         <author>gisellejung16</author>
         <link>https://padlet.com/gisellejung16/mhwq9wol9ekz/wish/410813222</link>
         <description><![CDATA[<div>Technical production is management. Producers manage the designers and work closely with the directors to make sure the artistic vision is followed through. Producers are in charge of making sure budgets are followed, deadlines are met and the designs are cohesive. Producers must have a vast amount of knowledge and must have a basic understanding of all asspects of design. Depending on which route chosen producers can either end up supervising younger technicians throughout the process of a show or end up in pitching movie ideas and producing movies or TV shows.</div>]]></description>
         <enclosure url="https://www.ucas.com/ucas/after-gcses/find-career-ideas/explore-jobs/job-profile/theatrical-producer" />
         <pubDate>2019-11-13 19:23:06 UTC</pubDate>
         <guid>https://padlet.com/gisellejung16/mhwq9wol9ekz/wish/410813222</guid>
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         <title>Education requirements</title>
         <author>gisellejung16</author>
         <link>https://padlet.com/gisellejung16/mhwq9wol9ekz/wish/410813647</link>
         <description><![CDATA[<div>As a designer or producer the education requirements are the same. A BFA or BA in technical production and design is not required but those who are the most successful in the business have that degree. Many jobs in the field only require a bachelors degree and then rely on your experience in profession theatres or productions to ensure you know your stuff. If a technition wishes to pursue a career in educational production they would need to acquire a teaching certificate and if they wished to teach for colleges, a MFA or MA in technical production and design.</div>]]></description>
         <enclosure url="https://study.com/articles/Begin_a_Career_in_Set_Design_Information_and_Requirements.html" />
         <pubDate>2019-11-13 19:23:41 UTC</pubDate>
         <guid>https://padlet.com/gisellejung16/mhwq9wol9ekz/wish/410813647</guid>
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         <title>Salary and growth rate</title>
         <author>gisellejung16</author>
         <link>https://padlet.com/gisellejung16/mhwq9wol9ekz/wish/410814024</link>
         <description><![CDATA[<div>The annual rate for producers and directors is about $71,000. The estimated rate of growth for producers and directors in 5%. There is a very low rate of career change of those who pursue this career.<br>Those that work as designers earn an average of $72,000 as of 2018. Considered a highly stressful job but has a very low career change percentage.</div>]]></description>
         <enclosure url="https://www.bls.gov/ooh/entertainment-and-sports/producers-and-directors.htm" />
         <pubDate>2019-11-13 19:24:08 UTC</pubDate>
         <guid>https://padlet.com/gisellejung16/mhwq9wol9ekz/wish/410814024</guid>
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         <title>A Typical Day in the Life</title>
         <author>gisellejung16</author>
         <link>https://padlet.com/gisellejung16/mhwq9wol9ekz/wish/410814469</link>
         <description><![CDATA[<div>The day in the life depends on which area of technical theatre you go into whether production or designing. <br>For a designer your day might consist of meeting with the technical director or producer to make sure everybody is on the correct track and ready to meet deadlines. Meeting with the technicians to make sure your design is being executed properly. Doing research of certain time periods or reading through the hired dramaturgy’s research. Your day could also be filled with sitting at a desk for hours designing or making models or your already designed work. Each day is different based off of which stage of designing you are in.<br>For producers your day is filled with meeting with directors, finances, designers and technicians. Everyday the job consists of making sure people are meeting their deadlines and the directors vision is being followed and designers are cohesive in their vision. The day also consists of making sure budgets are being followed and figuring out how to navigate hiccups and bumps in the road on the way to the finished product.<br>Producers and designers need to be able to work well with people, manage time well, and be organized. Producers need to be more financially aware and conscientious than designers and be able to figure out how a designers vision can be done in a time and costly manner. Designers need to be able to create the world the director invisioned and be original and cohevisive with the other designers.</div>]]></description>
         <enclosure url="https://bigfuture.collegeboard.org/careers/arts-visualand-performing-theater-film-t-v-technicians" />
         <pubDate>2019-11-13 19:24:37 UTC</pubDate>
         <guid>https://padlet.com/gisellejung16/mhwq9wol9ekz/wish/410814469</guid>
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         <title>How To</title>
         <author>gisellejung16</author>
         <link>https://padlet.com/gisellejung16/mhwq9wol9ekz/wish/410814964</link>
         <description><![CDATA[<div>As someone trying to break into the business there are 3 major things needed to succeed. Grit, patience, and connections. Know that it can take up 10 years to establish a notable reputation. Both designers and producers are required to do research. Designers and producers work with many people through out the day and course of a show.<br>Designers and producers will need a resume, a “making skill”, a portfolio and will need an agent only to go over contracts.</div>]]></description>
         <enclosure url="https://www.theguardian.com/culture-professionals-network/2015/mar/10/how-to-become-a-theatre-designer" />
         <pubDate>2019-11-13 19:25:16 UTC</pubDate>
         <guid>https://padlet.com/gisellejung16/mhwq9wol9ekz/wish/410814964</guid>
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         <title>Union worker</title>
         <author>gisellejung16</author>
         <link>https://padlet.com/gisellejung16/mhwq9wol9ekz/wish/410816035</link>
         <description><![CDATA[<div>IATSE is a union that represents all and benefits all sides of technicians. Whether in the costume, makeup, scenic, sound, light, directing, etc side of tech the union benefits you. Being apart of a union ensures training for new technology, overtime pay, compensation for cancelled calls, health care and retirement benefits, and ensure compliance with your contract. IATSE specifically benefits freelance workers as well as those who work in professional theatre.</div>]]></description>
         <enclosure url="https://www.iatse.net/us-organizing/why-iatse" />
         <pubDate>2019-11-13 19:26:29 UTC</pubDate>
         <guid>https://padlet.com/gisellejung16/mhwq9wol9ekz/wish/410816035</guid>
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         <title>Dream School</title>
         <author>gisellejung16</author>
         <link>https://padlet.com/gisellejung16/mhwq9wol9ekz/wish/411448423</link>
         <description><![CDATA[<div>The school of Arts at University of Arizona offers a BFA degree in Theatrical production- design and technical production. Their theatrical design program is 15 in the nation and offers in-depth hands on expirence to those students whom wish to peruse a job in the theatrical realm. The degree provide students with opportunities in both an academic study of theatre and real life application of production work. With three proformance spaces to work with students get a lot of hands on experience.</div>]]></description>
         <enclosure url="https://tftv.arizona.edu/prospective-students/design-technical-production/" />
         <pubDate>2019-11-14 19:33:09 UTC</pubDate>
         <guid>https://padlet.com/gisellejung16/mhwq9wol9ekz/wish/411448423</guid>
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         <title>What is Technical Designing?</title>
         <author>gisellejung16</author>
         <link>https://padlet.com/gisellejung16/mhwq9wol9ekz/wish/411454352</link>
         <description><![CDATA[<div>Technical Designing is the more creative side of technical theatre. There are many potential paths for those who study technical design. There are three major options and then many sub genres within those three major choices, Film, television and live theatre. Those that peruse technical design can end up being directors, lighting designers, scenic designers, production managers, etc. <br>Where organization is the main aspect of the production side of theatre, creativity and the ability to see beyond the words written in a script is the most important aspect of technical design. Being consistent and reliable is one of the most important aspects of being in this field. A really talented designer or producer is great but if you are not realible none of that matters. </div>]]></description>
         <enclosure url="https://learn.org/directory/category/The_Visual_and_Performing_Arts/Theatre_Arts/Technical_Theatre_Design.html" />
         <pubDate>2019-11-14 19:41:28 UTC</pubDate>
         <guid>https://padlet.com/gisellejung16/mhwq9wol9ekz/wish/411454352</guid>
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