Kingston’s No Name Woman and The Babadook

alexandrajj1302 — 2025-03-29 03:59:27 UTC

Kingston’s No Name Woman tells the haunting story of a forgotten family member, erased from memory due to societal shame. The story explores repression, guilt, and the way trauma lingers, much like a ghost haunting the present.

This connects with The Babadook (2014), a psychological horror film in which grief and repression take the form of a monstrous entity. Both works use gothic horror to show how unspoken pain and societal expectations can become oppressive forces, shaping people’s lives long after the initial tragedy.

Whitman’s Song of Myself (Section 49) and The Haunting of Hill House

alexandrajj1302 — 2025-03-29 03:59:42 UTC

Whitman’s Song of Myself (Section 49) explores death, the afterlife, and the idea that death is not an end but a continuation. The speaker embraces death with curiosity, almost as a transformation rather than something to fear.

This connects with The Haunting of Hill House (2018), which also presents death as more than just an ending—it lingers, shaping the lives of the living. The series blurs the line between life and death, much like Whitman’s poetry does. Both works use gothic tropes of ghosts and the supernatural to question the nature of existence.

My journal by Jordan Brown

Kingston’s No Name Woman and The Babadook

Whitman’s Song of Myself (Section 49) and The Haunting of Hill House