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      <title>Collage by Louisa Chambers</title>
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      <description>Looking at collage through the lens of painting, sculpture and installation </description>
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      <pubDate>2016-10-04 19:49:15 UTC</pubDate>
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         <title>Collage</title>
         <author>louisachambers1</author>
         <link>https://padlet.com/louisachambers1/lpm5owjgdi48/wish/128325417</link>
         <description><![CDATA[<div><strong>Henri Matisse – Studio circa 1940s/50s</strong></div>]]></description>
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         <pubDate>2016-10-04 19:59:59 UTC</pubDate>
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         <title></title>
         <author>louisachambers1</author>
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         <pubDate>2016-10-04 20:01:16 UTC</pubDate>
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         <title></title>
         <author>louisachambers1</author>
         <link>https://padlet.com/louisachambers1/lpm5owjgdi48/wish/128327547</link>
         <description><![CDATA[<div>Studio - Hôtel Régina, Nice, c1952 (Tetsuo Abe)</div>]]></description>
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         <pubDate>2016-10-04 20:10:58 UTC</pubDate>
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         <title></title>
         <author>louisachambers1</author>
         <link>https://padlet.com/louisachambers1/lpm5owjgdi48/wish/128397231</link>
         <description><![CDATA[<div>In an interview reflecting on the Merion Project:&nbsp; ‘I worked on this for Three years, constantly moving around 11 flat tinted shapes, a bit like the way one moves around the pieces during a game of checkers (I[should] add that these shapes were pieces of coloured paper) until I found an arrangement that satisfied me completely.’</div><div><br></div><div>Henri Matisse, ‘Repertoire 6’ c.1946, quoted in Flam 1993, p.43 n.82 Buchberg, K, Cullinan, N. Hauptman, J &amp; Serota, N. (2014)Henri Matisse The Cut Outs, Tate Publishing</div><div><br><a href="https://www.moma.org/interactives/exhibitions/2014/matisse/in-the-studio.html"><strong>https://www.moma.org/interactives/exhibitions/2014/matisse/in-the-studio.html</strong></a>&nbsp;</div>]]></description>
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         <pubDate>2016-10-05 07:33:05 UTC</pubDate>
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         <title></title>
         <author>louisachambers1</author>
         <link>https://padlet.com/louisachambers1/lpm5owjgdi48/wish/128400122</link>
         <description><![CDATA[<div>Villa le Rêve, Vence, 1948 (Michel Sima)&nbsp;</div>]]></description>
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         <pubDate>2016-10-05 07:48:57 UTC</pubDate>
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         <title></title>
         <author>louisachambers1</author>
         <link>https://padlet.com/louisachambers1/lpm5owjgdi48/wish/128400299</link>
         <description><![CDATA[<div>Hôtel Régina, Nice, c1953 (Lydia Delectorskaya)</div>]]></description>
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         <pubDate>2016-10-05 07:49:59 UTC</pubDate>
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         <title></title>
         <author>louisachambers1</author>
         <link>https://padlet.com/louisachambers1/lpm5owjgdi48/wish/128400571</link>
         <description><![CDATA[<div>Villa le Rêve, Vence, 22nd May 1948 (Michel Sima)</div>]]></description>
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         <pubDate>2016-10-05 07:51:20 UTC</pubDate>
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         <title></title>
         <author>louisachambers1</author>
         <link>https://padlet.com/louisachambers1/lpm5owjgdi48/wish/128400828</link>
         <description><![CDATA[<div><em>Oceania, the Sky and Oceania, the Sea</em> in progress, Boulevard Montparnasse, Paris, 1946. Photo: Hélène Adant.</div>]]></description>
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         <pubDate>2016-10-05 07:53:16 UTC</pubDate>
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         <title></title>
         <author>louisachambers1</author>
         <link>https://padlet.com/louisachambers1/lpm5owjgdi48/wish/128401194</link>
         <description><![CDATA[<div><em>Oceania, the Sea</em>. Summer 1946, (realised as silkscreen 1946). Gouache on paper, cut and pasted, on paper, mounted on canvas, 178.3 x 369.7 cm. </div>]]></description>
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         <pubDate>2016-10-05 07:55:44 UTC</pubDate>
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      <item>
         <title>Game/End Game</title>
         <author>louisachambers1</author>
         <link>https://padlet.com/louisachambers1/lpm5owjgdi48/wish/128405462</link>
         <description><![CDATA[<div>'Against a gridded board of coloured sheets, he moved plentiful pawns in the form of varied leaves, rarer silhouette shapes that we might think as rooks, bishops or knights, and unique instances of a bird or a shark, his version of a queen or a king. Thanks to a second photograph (see image on the left), we can study the progression of the master's moves. And with our foreknowledge of the end game, when the pieces have left the board as autonomous works, we can observe how these fluid signs shift towards their ultimate significations.' End Game, Friedman S, Buchberg, p 129, (2014) Henri Matisse The Cut Outs, Tate Publishing</div>]]></description>
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         <pubDate>2016-10-05 08:22:00 UTC</pubDate>
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         <title>Betty Woodman - The Studio and Collage</title>
         <author>louisachambers1</author>
         <link>https://padlet.com/louisachambers1/lpm5owjgdi48/wish/128407838</link>
         <description><![CDATA[<div><a href="http://zoolander52.tripod.com/theartsection5.4/id20.html">http://zoolander52.tripod.com/theartsection5.4/id20.html</a></div>]]></description>
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         <pubDate>2016-10-05 08:33:49 UTC</pubDate>
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         <title></title>
         <author>louisachambers1</author>
         <link>https://padlet.com/louisachambers1/lpm5owjgdi48/wish/128408576</link>
         <description><![CDATA[<div>Betty Woodman working on collages <a href="http://sharksink.com/artist/betty-woodman/">http://sharksink.com/artist/betty-woodman/</a></div>]]></description>
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         <pubDate>2016-10-05 08:37:23 UTC</pubDate>
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      <item>
         <title></title>
         <author>louisachambers1</author>
         <link>https://padlet.com/louisachambers1/lpm5owjgdi48/wish/128409766</link>
         <description><![CDATA[<div><em>Ceramic Pictures of Roman Paintings: Santa Barbara</em>, 2005, glazed earthenware, epoxy resin, lacquer, paint and canvas</div>]]></description>
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         <pubDate>2016-10-05 08:42:09 UTC</pubDate>
         <guid>https://padlet.com/louisachambers1/lpm5owjgdi48/wish/128409766</guid>
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         <title>Betty Woodman, Of Botticelli, 2013, Salon 94&amp;nbsp;</title>
         <author>louisachambers1</author>
         <link>https://padlet.com/louisachambers1/lpm5owjgdi48/wish/128410022</link>
         <description><![CDATA[<div><a href="https://www.salon94.com/artists/detail/betty-woodman/">https://www.salon94.com/artists/detail/betty-woodman/</a></div>]]></description>
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         <pubDate>2016-10-05 08:43:24 UTC</pubDate>
         <guid>https://padlet.com/louisachambers1/lpm5owjgdi48/wish/128410022</guid>
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         <title>Betty Woodman, Theatre of the Domestic, ICA,
London 2016</title>
         <author>louisachambers1</author>
         <link>https://padlet.com/louisachambers1/lpm5owjgdi48/wish/128410378</link>
         <description><![CDATA[<div><a href="https://www.ica.org.uk/whats-on/betty-woodman-theatre-domestic">https://www.ica.org.uk/whats-on/betty-woodman-theatre-domestic</a></div>]]></description>
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         <pubDate>2016-10-05 08:45:05 UTC</pubDate>
         <guid>https://padlet.com/louisachambers1/lpm5owjgdi48/wish/128410378</guid>
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      <item>
         <title>How did you apply the process here?</title>
         <author>louisachambers1</author>
         <link>https://padlet.com/louisachambers1/lpm5owjgdi48/wish/128410594</link>
         <description><![CDATA[<div>‘For this installation, I made a small drawing, then a full-scale painting on the floor to see how it'll look. The wall pieces are made in sections. I don't want to repeat myself so I keep challenging myself with other materials, combining them in a collage, using clay in non-ceramic ways. With clay, when you think everything's under control, something goes wrong. Once made, it's static. The material is unpredictable. I don't always know where I'm going.’</div><div>Interview – Windows, Carpets and Other Paintings, Salon ‘94, New York 2013&nbsp;</div><div><a href="http://www.wsj.com/articles/SB10001424127887323826804578469032018751650">http://www.wsj.com/articles/SB10001424127887323826804578469032018751650</a><br><br>Interview – Theatre of the Domestic, ICA, London 2016</div><div><a href="https://www.theguardian.com/artanddesign/2016/feb/03/sculptor-betty-woodman-ceramics-was-always-a-very-macho-world">https://www.theguardian.com/artanddesign/2016/feb/03/sculptor-betty-woodman-ceramics-was-always-a-very-macho-world</a> </div>]]></description>
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         <pubDate>2016-10-05 08:46:35 UTC</pubDate>
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      <item>
         <title>Betty Woodman - Theatre of the Domestic, ICA</title>
         <author>louisachambers1</author>
         <link>https://padlet.com/louisachambers1/lpm5owjgdi48/wish/128411815</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://youtu.be/XIZiTkgTe3M" />
         <pubDate>2016-10-05 08:53:09 UTC</pubDate>
         <guid>https://padlet.com/louisachambers1/lpm5owjgdi48/wish/128411815</guid>
      </item>
      <item>
         <title>Mary Lum</title>
         <author>louisachambers1</author>
         <link>https://padlet.com/louisachambers1/lpm5owjgdi48/wish/128416688</link>
         <description><![CDATA[<div><em>Sixth Glance</em>, 2011. 8.85 x 11.84 Inches, Acrylic, photograph and collage on paper <a href="http://www.yanceyrichardson.com/artists/mary-lum/index.html?page=1&amp;work_id=2073">http://www.yanceyrichardson.com/artists/mary-lum/index.html?page=1&amp;work_id=2073</a></div>]]></description>
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         <pubDate>2016-10-05 09:18:49 UTC</pubDate>
         <guid>https://padlet.com/louisachambers1/lpm5owjgdi48/wish/128416688</guid>
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      <item>
         <title></title>
         <author>louisachambers1</author>
         <link>https://padlet.com/louisachambers1/lpm5owjgdi48/wish/128417309</link>
         <description><![CDATA[<div>Mary Lum, <em>Index 3</em>, 2011. 12 3/4 x 10 Inches, Acrylic, photograph and collage on paper.</div>]]></description>
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         <pubDate>2016-10-05 09:21:17 UTC</pubDate>
         <guid>https://padlet.com/louisachambers1/lpm5owjgdi48/wish/128417309</guid>
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      <item>
         <title></title>
         <author>louisachambers1</author>
         <link>https://padlet.com/louisachambers1/lpm5owjgdi48/wish/128417753</link>
         <description><![CDATA[<div>Bethnal Green 1, 2011. 8 3/4 x 11 3/4 Inches, Archival Inkjet Print. Edition of 1 + 1AP</div>]]></description>
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         <pubDate>2016-10-05 09:23:43 UTC</pubDate>
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      <item>
         <title>Mary Lum - About</title>
         <author>louisachambers1</author>
         <link>https://padlet.com/louisachambers1/lpm5owjgdi48/wish/128417998</link>
         <description><![CDATA[<div>Influenced by Cubism, Russian Constructivism, the Situationist International movement, and Guy Debord’s concept of psycho-geography, Lum’s interdisciplinary practice uses the urban environment as a foundation from which to explore geometric abstraction, perspectival space, and color field. Photographs of city streets and alleys, signage and storefronts are fragmented and stripped of their loci within Lum’s layered, often disorienting arrangements of color and line.<br><a href="https://www.artsy.net/show/yancey-richardson-gallery-sixteen-collages-2">https://www.artsy.net/show/yancey-richardson-gallery-sixteen-collages-2</a></div>]]></description>
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         <pubDate>2016-10-05 09:25:06 UTC</pubDate>
         <guid>https://padlet.com/louisachambers1/lpm5owjgdi48/wish/128417998</guid>
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      <item>
         <title>Sabine Finkenauer</title>
         <author>louisachambers1</author>
         <link>https://padlet.com/louisachambers1/lpm5owjgdi48/wish/128418232</link>
         <description><![CDATA[<div>Interior, collage on paper 35 x 50 cm <a href="http://www.sabinefinkenauer.com/">http://www.sabinefinkenauer.com/</a></div>]]></description>
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         <pubDate>2016-10-05 09:26:20 UTC</pubDate>
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      <item>
         <title></title>
         <author>louisachambers1</author>
         <link>https://padlet.com/louisachambers1/lpm5owjgdi48/wish/128418639</link>
         <description><![CDATA[<div>Houses, 2010<br>wood, paint<br>125 x 103x1 cm</div>]]></description>
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         <pubDate>2016-10-05 09:28:27 UTC</pubDate>
         <guid>https://padlet.com/louisachambers1/lpm5owjgdi48/wish/128418639</guid>
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      <item>
         <title></title>
         <author>louisachambers1</author>
         <link>https://padlet.com/louisachambers1/lpm5owjgdi48/wish/128418908</link>
         <description><![CDATA[<div>Flowers, 2013<br>pencil/collage on paper<br>42x29 cm</div>]]></description>
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         <pubDate>2016-10-05 09:30:04 UTC</pubDate>
         <guid>https://padlet.com/louisachambers1/lpm5owjgdi48/wish/128418908</guid>
      </item>
      <item>
         <title>Jens Fänge</title>
         <author>louisachambers1</author>
         <link>https://padlet.com/louisachambers1/lpm5owjgdi48/wish/128419376</link>
         <description><![CDATA[<div>Journey's at Home, 2016<strong>, </strong>wallpaper, watercolour, oil, canvas, bronze masque,</div><div>Exhibition view at GaleriePerrotin, Stockholm, Sweden<br>See: Frieze, No.182, October 2016 (magazine accessible in library) p. 194</div><div><a href="https://www.perrotin.com/artists/Jens_Fange/241#images">https://www.perrotin.com/artists/Jens_Fange/241#images</a></div>]]></description>
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         <pubDate>2016-10-05 09:32:05 UTC</pubDate>
         <guid>https://padlet.com/louisachambers1/lpm5owjgdi48/wish/128419376</guid>
      </item>
      <item>
         <title>Vincent Hawkins</title>
         <author>louisachambers1</author>
         <link>https://padlet.com/louisachambers1/lpm5owjgdi48/wish/128419688</link>
         <description><![CDATA[<div>Studio view -&nbsp;<a href="http://vincenthawkins.blogspot.co.uk/">http://vincenthawkins.blogspot.co.uk<strong>/</strong></a></div>]]></description>
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         <pubDate>2016-10-05 09:33:53 UTC</pubDate>
         <guid>https://padlet.com/louisachambers1/lpm5owjgdi48/wish/128419688</guid>
      </item>
      <item>
         <title>Wilma Vissers</title>
         <author>louisachambers1</author>
         <link>https://padlet.com/louisachambers1/lpm5owjgdi48/wish/128420065</link>
         <description><![CDATA[<div><a href="http://www.wilmavissers.com/">http://www.wilmavissers.com</a></div>]]></description>
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         <pubDate>2016-10-05 09:35:56 UTC</pubDate>
         <guid>https://padlet.com/louisachambers1/lpm5owjgdi48/wish/128420065</guid>
      </item>
      <item>
         <title>Wima Vissers</title>
         <author>louisachambers1</author>
         <link>https://padlet.com/louisachambers1/lpm5owjgdi48/wish/128420206</link>
         <description><![CDATA[]]></description>
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         <pubDate>2016-10-05 09:36:48 UTC</pubDate>
         <guid>https://padlet.com/louisachambers1/lpm5owjgdi48/wish/128420206</guid>
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      <item>
         <title>Recommending Reading</title>
         <author>louisachambers1</author>
         <link>https://padlet.com/louisachambers1/lpm5owjgdi48/wish/128422462</link>
         <description><![CDATA[<div>The Age of Collage 1, 2013, Gestalten<br><a href="http://shop.gestalten.com/age-of-collage.html">http://shop.gestalten.com/age-of-collage.html</a><br>The Age of Collage 2, 2016, Gestalten<br><a href="http://shop.gestalten.com/age-of-collage-vol-2.html">http://shop.gestalten.com/age-of-collage-vol-2.html</a><br>Cut and Paste 21st Century Collage<br><a href="https://www.amazon.co.uk/Cut-Paste-21st-Century-Richard-Brereton/dp/1780672365/ref=pd_sim_14_2?ie=UTF8&amp;psc=1&amp;refRID=XNSJJK2Y0FMBJXCB72Y9">https://www.amazon.co.uk/Cut-Paste-21st-Century-Richard-Brereton/dp/1780672365/ref=pd_sim_14_2?ie=UTF8&amp;psc=1&amp;refRID=XNSJJK2Y0FMBJXCB72Y9</a><br>John Stezaker <a href="https://www.amazon.co.uk/John-Stezaker-Dawn-Ades/dp/1905464339/ref=pd_sim_14_6?ie=UTF8&amp;psc=1&amp;refRID=XNSJJK2Y0FMBJXCB72Y9">https://www.amazon.co.uk/John-Stezaker-Dawn-Ades/dp/1905464339/ref=pd_sim_14_6?ie=UTF8&amp;psc=1&amp;refRID=XNSJJK2Y0FMBJXCB72Y9</a></div>]]></description>
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         <pubDate>2016-10-05 09:49:00 UTC</pubDate>
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         <title>Anna Parkina</title>
         <author>louisachambers1</author>
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         <description><![CDATA[<div>Reflection on the Melted Snow, 2010</div><div>Collage and photocopy on paper (58.5 × 47 cm)<br><a href="http://www.wilkinsongallery.com/exhibitions/52/image/9">http://www.wilkinsongallery.com/exhibitions/52/image/9</a></div>]]></description>
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         <pubDate>2016-10-05 10:46:28 UTC</pubDate>
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         <title>Anna Parkina</title>
         <author>louisachambers1</author>
         <link>https://padlet.com/louisachambers1/lpm5owjgdi48/wish/128433103</link>
         <description><![CDATA[<div>The Freezed Fingers were not Unbend, 2010</div><div>Collage and photocopy on paper (51 × 35.6 cm)</div>]]></description>
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         <pubDate>2016-10-05 10:48:23 UTC</pubDate>
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         <description><![CDATA[<div>Behind the Snowmen, 2010</div><div>Watercolour, collage and photocopy on paper (42 × 29.7 cm)</div>]]></description>
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         <pubDate>2016-10-05 10:49:56 UTC</pubDate>
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         <pubDate>2017-11-06 11:59:14 UTC</pubDate>
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