• start working on an E.P

•Do paid work in music

Apologies for the slow reply here!

I’m more than happy to dive in the next time you record, might be easier in person but there are a lot of options for someone with your skill set. Not to mention all the things you could do through us over the next few years and on.

We’re in the process of opening up a sync division at the company, which would be really relevant for someone like yourself. Essentially I’d say the most important thing to do at the moment is maximise your output such as, what you have with us, try to maximise your footprint across as many projects as possible. Try to build your own creative setup of producers, writers and grassroots artists too. This will build naturally, but quietly focus on some of the best talent at music school and find ways to work with them.

With the way the music industry is right now, I’d encourage every single creative to have more of a portfolio approach to their career. Commercial (Artistry or writing for artists), Sync, Session Music etc. We can certainly give you insight into the sync space and commercial space as well as what you’ve already done for us. We can also help you to look for ways in which you can start building a catalogue as well as what to focus on and what not to. 

It’s great you’re investing in a remote recording setup, I’d add an Audio interface to that list too, doesn’t need to be too expensive but something like the Focusrite Scarlett. The more you can do remotely the better.

Theres definitely a conversation about doing more with us, as things evolve so let’s keep talking about your aims and goals!

Thanks 

Sam