https://padlet.com/hannatali4/ld071a2cjt67 en-us 2017-11-06 18:48:39 UTC 2017-12-01 02:38:07 UTC hello@padlet.com hannatali4 https://padlet.com/hannatali4/ld071a2cjt67/wish/204631684 I keep hoping that every time his shoe taps, it's a little more on beat than it was previously. It's maddening, yet gives a clear example of the closeness Ratliff is talking about. Because the tap is offbeat, you are reminded not to take this song lightly. The tap was a specific choice that tells its listener it chooses to be close, but not exact.]]> 2017-11-08 00:09:24 UTC https://padlet.com/hannatali4/ld071a2cjt67/wish/204631684 hannatali4 https://padlet.com/hannatali4/ld071a2cjt67/wish/204632032 Closeness is when two instruments or voices overlap each other so tightly you wonder what reason the composer had to make it sound as one. When two voices sing together perfectly on pitch, it's impossible to distinguish between the two. So why do it at all? Ratliff mentioned "Certain pairings of singers are essentially two instruments pulling together to create one resonance. That can be where you join them as a listener." pg. 151. The voices resonate so well that it creates an experience for the listener. Its not about the diversity of rhythm or tone, its a synchronized wave of harmonic singing.]]> 2017-11-08 00:11:42 UTC https://padlet.com/hannatali4/ld071a2cjt67/wish/204632032 hannatali4 https://padlet.com/hannatali4/ld071a2cjt67/wish/204633679 The chorus in the background are all united. The listener is unable to identify one voice from another, and that is the point- the unity adds to the meaning, and also gave me goosebumps as I heard the voices build upon one another. ]]> 2017-11-08 00:24:24 UTC https://padlet.com/hannatali4/ld071a2cjt67/wish/204633679 hannatali4 https://padlet.com/hannatali4/ld071a2cjt67/wish/204634029 Musicals are a good example of when many people sing the same tune in harmony. They are united, both in singing and in the message of the song.]]> 2017-11-08 00:27:08 UTC https://padlet.com/hannatali4/ld071a2cjt67/wish/204634029 hannatali4 https://padlet.com/hannatali4/ld071a2cjt67/wish/204634853 Closeness is probably my favorite element out of all the ones Ratliff has talked about, because I see this elements most often in musicals. Musicals like Wicked, Les Mis, and The Great Comet of 1812 where there is a large group of people singing the same song. It always gives me chills. They may not have the inseparable closeness that Ratliff mentions, but it gives a great idea of how no voice can be separated from the group. It is one conglomerate of voices singing in unison.]]> 2017-11-08 00:32:43 UTC https://padlet.com/hannatali4/ld071a2cjt67/wish/204634853 hannatali4 https://padlet.com/hannatali4/ld071a2cjt67/wish/205568300 This is what I really like about it, actually. When it is just a streamlined, doubled upon wave of sound that doesn't break off. ]]> 2017-11-10 03:27:14 UTC https://padlet.com/hannatali4/ld071a2cjt67/wish/205568300 hannatali4 https://padlet.com/hannatali4/ld071a2cjt67/wish/205568675 Ratliff, Ben. "Purple, Green, Turquoise: Endless Inventory." Every Song Ever: Twenty ways to listen in an age of music plenty. Picador, 2017. p. 151.]]> 2017-11-10 03:30:23 UTC https://padlet.com/hannatali4/ld071a2cjt67/wish/205568675