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      <title>Marília de Dirceu- Parte 2 do Livro by Beatriz</title>
      <link>https://padlet.com/beatriz_elerlima/123456789</link>
      <description>      Grupo: Beatriz, Rebeca, Rodrigo, Maria Luiza e João Cardoso.</description>
      <language>en-us</language>
      <pubDate>2016-05-29 18:32:03 UTC</pubDate>
      <lastBuildDate>2025-10-22 10:44:21 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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         <title></title>
         <author>beatriz_elerlima</author>
         <link>https://padlet.com/beatriz_elerlima/123456789/wish/116831040</link>
         <description><![CDATA[]]></description>
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         <pubDate>2016-07-22 21:59:11 UTC</pubDate>
         <guid>https://padlet.com/beatriz_elerlima/123456789/wish/116831040</guid>
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      <item>
         <title>                                                 Tomás Antônio Gonzaga</title>
         <author>beatriz_elerlima</author>
         <link>https://padlet.com/beatriz_elerlima/123456789/wish/116831044</link>
         <description><![CDATA[<div><br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Nasceu na cidade do Porto, em Portugal, no dia 11 de agosto de 1744. Veio ao Brasil, junto com seu pai nordestino, após a morte de sua mãe, quando tinha apenas um ano de vida. Primeiramente viveu em Pernambuco, e depois foi para a Bahia estudar no Colégio dos Jesuítas. Em seguida, voltou para Portugal onde cursou direito na Universidade Coimbra, querendo se tornar professor, escreveu o seu Tratado de direito natural (esta obra também é um diálogo entre os vários tempos do pensamento do poeta da Inconfidência, além de conter as formulações sobre o direito natural que estão na origem do debate teórico acerca da constituição dos direitos humanos).<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Porém acabou desistindo do sonho de ser professor de Leis, e se tornou juiz em Portugal. Chegando ao Brasil, assumiu o cargo de ouvidor de Vila Rica. Ao decorrer do tempo conheceu uma adolescente de apenas de dezesseis anos chamada&nbsp; Maria Doroteia Joaquina de Seixas Brandão. Após um certo período, pediu Marília em casamento, porém as vésperas de seu casamento, foi preso por sua participação na Inconfidência mineira, e acabou sendo levado à prisão Ilha das Cobras, no Rio de Janeiro. Depois de cumprir parte de sua pena foi deportado para Moçambique na África, onde se casou-se e teve uma filha, porém nunca esqueceu sua musa, Marília.</div>]]></description>
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         <pubDate>2016-07-22 21:59:37 UTC</pubDate>
         <guid>https://padlet.com/beatriz_elerlima/123456789/wish/116831044</guid>
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      <item>
         <title>                                                                     Inconfidência Mineira </title>
         <author>beatriz_elerlima</author>
         <link>https://padlet.com/beatriz_elerlima/123456789/wish/116832071</link>
         <description><![CDATA[<div>&nbsp;<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Nosso trabalho é sobre a segunda parte do livro, onde nessa época (por volta de 1789), estava ocorrendo a Conjuração Mineira, ou também chamada de Inconfidência Mineira. Esse movimento social (um dos mais importantes na história do Brasil) aconteceu quando Brasil ainda era colônia de Portugal. Nesse período em especial, estava ocorrendo a extração de ouro, como a descoberta de ouro no Brasil foi repentina, houve uma grande movimentação de pessoas até o lugar onde ocorria a extração do ouro o que deu iniciou o surgimento de cidades, essas pessoas não tinham nenhuma infraestrutura para viver naquelas regiões, além disso caso alguém encontrasse algum minério valioso, perdia uma grande parte do lucro por causa dos altos impostos e taxas cobrados por Portugal, isso começou a causar grandes revoltas.<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; A elite brasileira influenciada pelas ideias iluministas de liberdade (principalmente as vindas da França, onde estava acontecendo a Revolução Francesa), começaram a busca por uma solução para esses problemas, e chegaram a conclusão que só resolveriam esses problemas se conquistassem a independência da metrópole, Portugal. Liderado por Joaquim José da Silva Xavier, conhecido por Tiradentes, junto de padres, poetas, como Gonzaga (que usava o pseudônimo de Dirceu) e outras classes, o objetivo do grupo era a conquista da liberdade e instalar a república, até criaram uma bandeira para o Brasil (atual do estado de Minas Gerais).&nbsp;<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; No final da Inconfidência Mineira, a maioria dos participantes do grupo foi deportado como Tomás Antônio Gonzaga, outros condenados a morte como Tiradentes, e ainda há aqueles que morreram nas prisões como Claudio Manuel da Costa.</div>]]></description>
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         <pubDate>2016-07-22 23:00:53 UTC</pubDate>
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         <title></title>
         <author>beatriz_elerlima</author>
         <link>https://padlet.com/beatriz_elerlima/123456789/wish/116832970</link>
         <description><![CDATA[]]></description>
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         <pubDate>2016-07-22 23:41:43 UTC</pubDate>
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      <item>
         <title></title>
         <author>beatriz_elerlima</author>
         <link>https://padlet.com/beatriz_elerlima/123456789/wish/116833461</link>
         <description><![CDATA[]]></description>
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         <pubDate>2016-07-23 00:00:15 UTC</pubDate>
         <guid>https://padlet.com/beatriz_elerlima/123456789/wish/116833461</guid>
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      <item>
         <title>&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;Curiosidade</title>
         <author>beatriz_elerlima</author>
         <link>https://padlet.com/beatriz_elerlima/123456789/wish/116833511</link>
         <description><![CDATA[<div>    Na primeira noite em que a cabeça de Tiradentes foi exposta, ela foi roubada e até hoje seu paradeiro é desconhecido.</div>]]></description>
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         <pubDate>2016-07-23 00:03:08 UTC</pubDate>
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      <item>
         <title></title>
         <author>beatriz_elerlima</author>
         <link>https://padlet.com/beatriz_elerlima/123456789/wish/116833807</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2016-07-23 00:14:35 UTC</pubDate>
         <guid>https://padlet.com/beatriz_elerlima/123456789/wish/116833807</guid>
      </item>
      <item>
         <title>       Segunda Parte do Livro -- Marília de Dirceu</title>
         <author>beatriz_elerlima</author>
         <link>https://padlet.com/beatriz_elerlima/123456789/wish/116834070</link>
         <description><![CDATA[<div>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; A segunda parte do livro é composta por 38 liras, Gonzaga, um poeta árcade, havia sido preso por sua participação na Inconfidência mineira, sua prisão ocorreu no dia 23 de maio de 1789. Nesse momento Gonzaga rompe com o equilíbrio neoclássico, já que demonstra nas suas liras vazão de sentimentos, o que o torna um pré-romântico, além de outras características como sofrimento amoroso e a vontade de evasão por meio da morte (características mais marcantes na segunda fase do romantismo). E ainda assim outras características como o poeta viver de sonhos ou momentos passados.<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Nas liras revela um homem que está envelhecendo, que passa a ser pessimista, solitário, que sente falta de sua amada, e que se sente injustiçado. E a segunda parte acaba ele repetindo os argumentos que usava nos interrogatórios.&nbsp;</div>]]></description>
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         <pubDate>2016-07-23 00:25:32 UTC</pubDate>
         <guid>https://padlet.com/beatriz_elerlima/123456789/wish/116834070</guid>
      </item>
      <item>
         <title>Tentativa de Evasão do Gonzaga</title>
         <author>beatriz_elerlima</author>
         <link>https://padlet.com/beatriz_elerlima/123456789/wish/116849902</link>
         <description><![CDATA[<div>Ex: Lira IX (estrofe 17)&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;<br>"Assim vivia...<br>O canto mudo;<br>Assim, Marília,<br>Se acaba tudo.</div>]]></description>
         <enclosure url="" />
         <pubDate>2016-07-23 17:56:32 UTC</pubDate>
         <guid>https://padlet.com/beatriz_elerlima/123456789/wish/116849902</guid>
      </item>
      <item>
         <title>Recordações do passado e a esperança de ver Maília de novo</title>
         <author>beatriz_elerlima</author>
         <link>https://padlet.com/beatriz_elerlima/123456789/wish/116849946</link>
         <description><![CDATA[<div>Ex :Lira&nbsp;XV (estrofe 5)<br><br>&nbsp;&nbsp;&nbsp;&nbsp;"Ah! minha Bela; se a Fortuna volta,<br>&nbsp;&nbsp;&nbsp;&nbsp; Se o bem, que já perdi, alcanço, e provo;<br>&nbsp;&nbsp;&nbsp;&nbsp; Por essas brancas mãos, por essa faces<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Te juro renascer um homem novo;<br>&nbsp; &nbsp; &nbsp;Romper a nuvem, que os meus olhos cerra,<br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Amar no Céu a Jove, e a ti na terra."</div>]]></description>
         <enclosure url="" />
         <pubDate>2016-07-23 17:59:11 UTC</pubDate>
         <guid>https://padlet.com/beatriz_elerlima/123456789/wish/116849946</guid>
      </item>
      <item>
         <title>Admite estar envelhecendo</title>
         <author>beatriz_elerlima</author>
         <link>https://padlet.com/beatriz_elerlima/123456789/wish/116850089</link>
         <description><![CDATA[<div>Ex: Lira 4 ( 1 estrofe)&nbsp;<br>&nbsp; &nbsp; &nbsp;Já, já me vai, Marília, branquejando&nbsp;<br>&nbsp; &nbsp; &nbsp;Louro cabelo, que circula a testa;&nbsp;<br>&nbsp; &nbsp; &nbsp;Este mesmo, que alveja, vai caindo&nbsp;<br>&nbsp; &nbsp; &nbsp;E pouco já me resta.&nbsp;</div>]]></description>
         <enclosure url="" />
         <pubDate>2016-07-23 18:10:08 UTC</pubDate>
         <guid>https://padlet.com/beatriz_elerlima/123456789/wish/116850089</guid>
      </item>
      <item>
         <title>  Características Arcades de Gonzaga</title>
         <author>beatriz_elerlima</author>
         <link>https://padlet.com/beatriz_elerlima/123456789/wish/116850850</link>
         <description><![CDATA[<div><br>Ideologia Hipócrita, como o arcadismo surgiu em meio a ascensão burguesa, enquanto ele pregava que deveríamos viver no campo com poucos bens matérias, mas eles vivem no acumulo de bens e nos grandes centros urbanos.<br>Uso de linguagem e temas simples (como amor, vida no campo e entre outros).<br>Utilização de personagens mitológicas;<br>-Nas obras Gonzaga cita muito questão de Deuses. Como na Lira II (3 estrofe)- 2 Parte<br><br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;"Podem muito, conheço, podem muito<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;As Fúrias infernais, que Pluto move;<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Mas pode mais que todas<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Um dedo só de Jove".<br><br>Idealização da vida campestre (bucolismo)/Pastoralismo<br>-Valorização do cotidiano e da vida simples.<br>- Utiliza das paisagens neoclássicas: o pastor, a pastora, o campo, etc.<br>-Eu lírico caracterizado como um pastor (Gonzaga) e a mulher amada (Marília) como uma pastora.<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Lira XV (estrofe 2 e 6)- 2 Parte&nbsp;<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; "Eu, Marília, não fui nenhum Vaqueiro,&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Fui honrado Pastor da tua Aldeia;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Vestia finas lãs e tinha sempre&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;A minha choça do preciso cheia.&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Tiraram-me o casal e o manso gado,&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Nem tenho, a que me encoste, um só cajado".&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;<br><br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;"Fiadas comprarei as ovelhinhas,&nbsp;<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Que pagarei dos poucos do meu ganho;&nbsp;<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;E dentro em pouco tempo nos veremos&nbsp;<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Senhores outra vez de um bom rebanho.&nbsp;<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Para o contágio lhe não dar, sobeja&nbsp;<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Que as afague Marília, ou só que as veja".<br><br>&nbsp;Locus amoenus<br>- Ambiente tranquilo, idealização da natureza.<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Lira V (1 estrofe)- 1 Parte<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; “Acaso são estes&nbsp;<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Os sítios formosos.&nbsp;<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Aonde passava&nbsp;<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Os anos gostosos?&nbsp;<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; São estes os prados,&nbsp;<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Aonde brincava,&nbsp;<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Enquanto passava&nbsp;<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; O gordo rebanho,&nbsp;<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Que Alceu me deixou?&nbsp;<br><br>Valorização da mulher<br>- A musa de Gonzaga que era Marília, era supervalorizada.<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Lira I (4 estrofe)- 1 Parte<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Os teus olhos espalham luz divina,&nbsp;<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; A quem a luz do Sol em vão se atreve:&nbsp;<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Papoula, ou rosa delicada, e fina,&nbsp;<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Te cobre as faces, que são cor de neve.&nbsp;<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Os teus cabelos são uns fios d’ouro;&nbsp;<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Teu lindo corpo bálsamos vapora.&nbsp;<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Ah! Não, não fez o Céu, gentil Pastora,&nbsp;<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Para glória de Amor igual tesouro.<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Graças, Marília bela,&nbsp;<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Graças à minha Estrela!”<br><br>Fugere urbem<br>-Visão da cidade como local de sofrimento e corrupção; A beleza está no campo, fuga da cidade.<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Lira I (6 estrofe)- 1 Parte<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Irás a divertir-te na floresta,&nbsp;<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Sustentada, Marília, no meu braço;&nbsp;<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Ali descansarei a quente sesta,<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Dormindo um leve sono em teu regaço:<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Enquanto a luta jogam os Pastores,<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;E emparelhados correm nas campinas,&nbsp;<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Toucarei teus cabelos de boninas,<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Nos troncos gravarei os teus louvores.<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Graças, Marília bela,&nbsp;<br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Graças à minha Estrela!”<br><br></div>]]></description>
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         <pubDate>2016-07-23 19:05:23 UTC</pubDate>
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         <title>Características Arcades de Gonzaga na Segunda Parte do Livro</title>
         <author>beatriz_elerlima</author>
         <link>https://padlet.com/beatriz_elerlima/123456789/wish/116852207</link>
         <description><![CDATA[<div><br>&nbsp; &nbsp; Durante o livro, Gonzaga passa por diferentes etapas da vida, o que faz com que os seus textos mudem de acordo com o momento em que ela passa. Tanto que no começo do livro, Gonzaga tinha características árcades muito marcantes,mas ao chegar a segunda parte do livro,ele começa a se tornar um pré-romântico. utilizando mais sentimentos e abandonando o racionalismo. Assim, a sua linguagem deixa de ser direta e passa ser mais subjetiva.</div>]]></description>
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