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      <title>WEEK 7 - CUBISM by Charity Baker</title>
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      <description>CONTEMPORARY PAINTING FALL 2024</description>
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      <pubDate>2024-10-23 02:46:14 UTC</pubDate>
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         <title></title>
         <author>charitybaker2</author>
         <link>https://padlet.com/seattleartistleague/kf644pyxa55hr26i/wish/3193016696</link>
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         <pubDate>2024-10-29 18:33:42 UTC</pubDate>
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         <title></title>
         <author>charitybaker2</author>
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         <pubDate>2024-10-29 18:35:45 UTC</pubDate>
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         <title></title>
         <author>charitybaker2</author>
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         <pubDate>2024-10-29 18:36:04 UTC</pubDate>
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         <title>ANALYTIC </title>
         <author>charitybaker2</author>
         <link>https://padlet.com/seattleartistleague/kf644pyxa55hr26i/wish/3193020950</link>
         <description><![CDATA[<p>The term analytical cubism describes the early phase of cubism, generally considered to run from 1908–12, characterised by a fragmentary appearance of multiple viewpoints and overlapping planes</p>]]></description>
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         <pubDate>2024-10-29 18:36:42 UTC</pubDate>
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         <title>SYNTHETIC</title>
         <author>charitybaker2</author>
         <link>https://padlet.com/seattleartistleague/kf644pyxa55hr26i/wish/3193022257</link>
         <description><![CDATA[<p>Synthetic cubism is the later phase of cubism, generally considered to run from about 1912 to 1914, characterised by simpler shapes and brighter colours</p>]]></description>
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         <pubDate>2024-10-29 18:37:31 UTC</pubDate>
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         <title>Les Demoiselles D&#39;Avignon</title>
         <author>charitybaker2</author>
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         <pubDate>2024-10-29 18:42:40 UTC</pubDate>
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         <title></title>
         <author>charitybaker2</author>
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         <pubDate>2024-10-29 18:53:45 UTC</pubDate>
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         <title></title>
         <author>charitybaker2</author>
         <link>https://padlet.com/seattleartistleague/kf644pyxa55hr26i/wish/3193045587</link>
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         <pubDate>2024-10-29 18:55:10 UTC</pubDate>
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         <title></title>
         <author>charitybaker2</author>
         <link>https://padlet.com/seattleartistleague/kf644pyxa55hr26i/wish/3193053312</link>
         <description><![CDATA[<p>The Cubists followed Cézanne in breaking the traditional rules of perspective, and then&nbsp;went further&nbsp;by introducing multiple views of the same subject from different perspectives at the same time, which is another feature&nbsp;of their style. A good example is the cup in this painting, seen both from the side and from the top:</p>]]></description>
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         <pubDate>2024-10-29 19:01:24 UTC</pubDate>
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         <title>PERSPECTIVE</title>
         <author>charitybaker2</author>
         <link>https://padlet.com/seattleartistleague/kf644pyxa55hr26i/wish/3193053713</link>
         <description><![CDATA[<p>In many&nbsp;paintings by Cézanne, it looks&nbsp;as if each object has&nbsp;its own independent space with its own point of view, which goes against&nbsp;the traditional single-point-of-view linear perspective introduced in the Renaissance.</p>]]></description>
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         <pubDate>2024-10-29 19:01:43 UTC</pubDate>
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         <title></title>
         <author>charitybaker2</author>
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         <pubDate>2024-10-29 19:02:01 UTC</pubDate>
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         <title></title>
         <author>charitybaker2</author>
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         <pubDate>2024-10-29 19:02:18 UTC</pubDate>
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         <title>GEOMETRY</title>
         <author>charitybaker2</author>
         <link>https://padlet.com/seattleartistleague/kf644pyxa55hr26i/wish/3193055936</link>
         <description><![CDATA[<p>Even though Cézanne was mainly trying to create volume through color planes, the Cubists saw in Cézanne a tendency to represent nature with geometric shapes, which is central to the early development of Cubism.</p>]]></description>
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         <pubDate>2024-10-29 19:03:08 UTC</pubDate>
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         <title></title>
         <author>charitybaker2</author>
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         <pubDate>2024-10-29 19:03:25 UTC</pubDate>
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         <title></title>
         <author>charitybaker2</author>
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         <pubDate>2024-10-29 19:03:41 UTC</pubDate>
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         <title></title>
         <author>charitybaker2</author>
         <link>https://padlet.com/seattleartistleague/kf644pyxa55hr26i/wish/3193057199</link>
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         <pubDate>2024-10-29 19:03:57 UTC</pubDate>
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         <title></title>
         <author>charitybaker2</author>
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         <pubDate>2024-10-29 19:04:14 UTC</pubDate>
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         <title>“Accordionist” (“L’accordéoniste”), summer 1911</title>
         <author>charitybaker2</author>
         <link>https://padlet.com/seattleartistleague/kf644pyxa55hr26i/wish/3193079038</link>
         <description><![CDATA[<ul><li><p>What clues does Picasso provide to let us know that the subject of this painting is a musician playing the accordion?</p></li></ul>]]></description>
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         <pubDate>2024-10-29 19:23:54 UTC</pubDate>
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         <title>Picasso’s still life Carafe, Jug, and Fruit Bowl, </title>
         <author>charitybaker2</author>
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         <pubDate>2024-10-29 19:30:08 UTC</pubDate>
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