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      <title>How Catherine The Great has been used to represent Russian identity / history through Western cinema. by Ben Wheeler</title>
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      <description>A representation of Cathrine and all of the different genres presented</description>
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      <pubDate>2022-03-17 15:37:49 UTC</pubDate>
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         <title>Catherine the Great</title>
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         <pubDate>2022-03-17 15:56:22 UTC</pubDate>
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         <title>Empress of Russia</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2100362159</link>
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         <pubDate>2022-03-17 15:59:41 UTC</pubDate>
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         <title>Princess Sophia of Germany</title>
         <author>bw7851b</author>
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         <pubDate>2022-03-17 16:01:25 UTC</pubDate>
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         <title>Russia</title>
         <author>bw7851b</author>
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         <pubDate>2022-03-17 16:03:52 UTC</pubDate>
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         <title> Elizabeth of Russia</title>
         <author>bw7851b</author>
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         <pubDate>2022-03-17 16:05:25 UTC</pubDate>
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         <title>Peter Of Holstein Gottorp (Peter III)</title>
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         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2100375689</link>
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         <pubDate>2022-03-17 16:07:15 UTC</pubDate>
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         <title>Vast Eastern Empire</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2100381934</link>
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         <pubDate>2022-03-17 16:10:39 UTC</pubDate>
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         <title>Russian Orthodox Church</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2100393259</link>
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         <pubDate>2022-03-17 16:16:30 UTC</pubDate>
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         <title>Tsar of Russia</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2100403254</link>
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         <pubDate>2022-03-17 16:22:07 UTC</pubDate>
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         <title>Western</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2100406632</link>
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         <pubDate>2022-03-17 16:24:01 UTC</pubDate>
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         <title>Affairs</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2100427239</link>
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         <pubDate>2022-03-17 16:35:38 UTC</pubDate>
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         <title>Intellectual </title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2100431362</link>
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         <pubDate>2022-03-17 16:38:09 UTC</pubDate>
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         <title>Peter the Great</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2100434386</link>
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         <pubDate>2022-03-17 16:40:01 UTC</pubDate>
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         <title>&quot;She seized the rule of Russia from her husband and adopted the country as her own&quot; E. A. Ford, D.C. Mitchell, &#39;Royal Portraits in Hollywood Filming the Lives of Queens&#39;, (University Press of Kentucky, 2009), Pg. 34.</title>
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         <pubDate>2022-03-17 16:53:34 UTC</pubDate>
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         <title>Western films</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2100459755</link>
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         <pubDate>2022-03-17 16:55:01 UTC</pubDate>
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         <title>Three genres</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2100463517</link>
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         <pubDate>2022-03-17 16:57:23 UTC</pubDate>
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         <title>RISE TO POWER</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2100464370</link>
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         <pubDate>2022-03-17 16:57:57 UTC</pubDate>
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         <title>SEX AND LOVERS</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2100465284</link>
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         <pubDate>2022-03-17 16:58:24 UTC</pubDate>
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         <title>TARAKANOVA</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2100467053</link>
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         <pubDate>2022-03-17 16:59:30 UTC</pubDate>
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         <title>&quot;helping to set the intellectual tone of modern Russia&quot;, Ford and Mitchell, Royal Portraits, P.g. 36</title>
         <author>bw7851b</author>
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         <pubDate>2022-03-17 17:02:09 UTC</pubDate>
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         <title>Josef Von Sternburg, &#39;The Scarlett Empress&#39; (Paramount Picture Studios,9th May 1934)</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2100484540</link>
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         <pubDate>2022-03-17 17:09:40 UTC</pubDate>
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         <title>Paul Czinner, &#39;The Rise of Catherine the Great&#39; (London Films, United Artists, Jan 1934)</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2100486634</link>
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         <pubDate>2022-03-17 17:10:54 UTC</pubDate>
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         <title>Michael Anderson, &#39;Young Catherine&#39;, (17th Feb, 1991)</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2100488145</link>
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         <pubDate>2022-03-17 17:11:40 UTC</pubDate>
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         <title>&quot;these versions of Catherines life fixate on the getting of the crown&quot;, Ford and Mitchell, &#39;Royal Portraits&#39;, P.g. 36</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2100494424</link>
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         <pubDate>2022-03-17 17:15:10 UTC</pubDate>
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         <title>Begin with her journey from Germany to Russia and end with her taking the throne.</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2100501573</link>
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         <pubDate>2022-03-17 17:19:05 UTC</pubDate>
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         <title>Initially played as a victim</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2100504395</link>
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         <pubDate>2022-03-17 17:20:41 UTC</pubDate>
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         <title>Presents Peter and Russian in a villain like manner</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2100506128</link>
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         <pubDate>2022-03-17 17:21:32 UTC</pubDate>
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         <title>Catherine &quot;has the intelligence and insight to advise Empress Elizabeth during a famine...&quot;, Ford and Mitchell, &#39;Royal Portraits&#39;, P.g. 37.</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2100531201</link>
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         <pubDate>2022-03-17 17:35:29 UTC</pubDate>
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         <title>Romanticised </title>
         <author>bw7851b</author>
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         <pubDate>2022-03-17 17:39:06 UTC</pubDate>
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         <title>&quot;Russian in a stereotypical way, the lodge with its flickering firelight, handsome officers and exotic women...&quot; , Ford and Mitchell, &#39;Royal Portraits&#39;, P.g. 37.</title>
         <author>bw7851b</author>
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         <pubDate>2022-03-17 17:40:40 UTC</pubDate>
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         <title>Highlights the West&#39;s commonplace imagination of the East, portrayed through set design.</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2100542763</link>
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         <pubDate>2022-03-17 17:42:00 UTC</pubDate>
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         <title>More of a Prussian scene</title>
         <author>bw7851b</author>
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         <pubDate>2022-03-17 17:45:06 UTC</pubDate>
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      <item>
         <title>&quot;frames Peter in his environment of choice; the Prussia loving Peter hated Russia&quot;, Ford and Mitchell, &#39;Royal Portraits&#39;, P.g 38.</title>
         <author>bw7851b</author>
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         <pubDate>2022-03-17 17:46:27 UTC</pubDate>
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         <title>&quot;presents Catherine more as a saviour of Russia, having a passion for Russia&quot;, &#39;Royal Portraits&#39;, Ford and Mitchell, P.g. 38</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2100553947</link>
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         <pubDate>2022-03-17 17:48:38 UTC</pubDate>
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         <title>a metaphor for the Wests idea of Russia and Russian identity </title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2100568901</link>
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         <pubDate>2022-03-17 17:57:37 UTC</pubDate>
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         <title>&quot;designed to look the way audiences expect&quot;, Ford and Mitchell, &#39;Royal Portraits&#39;, P.g. 37.</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2100571943</link>
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         <pubDate>2022-03-17 17:59:36 UTC</pubDate>
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         <title>Belief of Catherines &#39;Westernness&#39; linking with her inner &#39;goodness&#39; against Russias backwardness</title>
         <author>bw7851b</author>
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         <pubDate>2022-03-17 18:01:49 UTC</pubDate>
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         <title>Sexualised </title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2100576960</link>
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         <pubDate>2022-03-17 18:02:51 UTC</pubDate>
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         <title>Again is a subtle metaphorical portrayal of the West&#39;s dislike for Russia in the pre-WW2 era.</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2100579394</link>
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         <pubDate>2022-03-17 18:04:24 UTC</pubDate>
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      <item>
         <title>&quot;reflect the fears, values, myths and assumptions of the culture that produces it&quot;, Paul. B. Weistein, &#39;Movies as a Gateway to History: The History and Film Project&#39; The history Teacher, Vol. 35, No. 1, (Nov, 2001), P.g. 31, https://doi.org/10.2307/3054508</title>
         <author>bw7851b</author>
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         <pubDate>2022-03-17 18:10:20 UTC</pubDate>
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         <title>More ruthless in her rise to power.</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2100590703</link>
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         <pubDate>2022-03-17 18:11:30 UTC</pubDate>
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         <title>&quot;the perpetually evil Catherine of The Scarlett Empress&quot;, Ford and Mitchell, &#39;Royal Portraits&#39;, P.g. 48.</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2100601273</link>
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         <pubDate>2022-03-17 18:18:21 UTC</pubDate>
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         <title>Rising tensions with West and Russia shown through film</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2100653591</link>
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         <pubDate>2022-03-17 18:55:15 UTC</pubDate>
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         <title>Western &#39;identity&#39; of Russia portrayed through this version of Catherine what she stands for</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2100655156</link>
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         <pubDate>2022-03-17 18:56:24 UTC</pubDate>
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         <title>1991, Western tensions towards Russia calmer, portrayal of Russian identity in Western films less menacing. </title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2100658046</link>
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         <pubDate>2022-03-17 18:58:36 UTC</pubDate>
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      <item>
         <title>&quot;Young Cathrine moulds Catherine the Great into a figure more palatable to late - twentieth - century viewers&quot;, Ford and Mitchell, &#39;Portraits of Hollywood&#39;, P.g. 54 </title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2100660612</link>
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         <pubDate>2022-03-17 19:00:40 UTC</pubDate>
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      <item>
         <title>Film however, still links back to old idea of Catherine Westernness being a trait of power and greatness, triumphing over Russian identity </title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2100662741</link>
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         <pubDate>2022-03-17 19:02:12 UTC</pubDate>
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      <item>
         <title>&quot;subtle messages filmmakers bury in the subject of their work&quot;, Weinstein, &#39;Movies as the Gateway to History&#39;, P.g. 44</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2100666620</link>
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         <pubDate>2022-03-17 19:05:19 UTC</pubDate>
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      <item>
         <title>Films inclusion of a English ambassador, another metaphor for Western influence within Russian history and its power over Russian ideology.</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2100670555</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-03-17 19:08:28 UTC</pubDate>
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      <item>
         <title>The West is shown in a good light through this character being and addition to the Western (German) background of Catherine </title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2100672142</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-03-17 19:09:43 UTC</pubDate>
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      <item>
         <title>&quot;the English ambassador, who sees all the qualities mandatory for a great ruler in the young princess...&quot;, Ford and Mitchell, &#39;Royal Portraits&#39;, P.g. 56.</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2100674934</link>
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         <pubDate>2022-03-17 19:11:50 UTC</pubDate>
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      <item>
         <title>Catherine more understanding of her husband Peter and his un-easy ways as she takes her time in grasping his manners.</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2100679509</link>
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         <pubDate>2022-03-17 19:15:35 UTC</pubDate>
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      <item>
         <title>&quot;makes Catherine&#39;s relationship with Peter a testament to her growing understanding&quot;, Ford and Mitchell, &#39;Royal Portraits&#39;, P.g. 57</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2100682046</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-03-17 19:17:53 UTC</pubDate>
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      <item>
         <title>A portrayal of the Wests growing understanding of the East/ Russia and the identity they are portraying themselves, opposing the West in their own ways now, just as Catherine gradually opposes Peter.</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2100683783</link>
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         <pubDate>2022-03-17 19:19:26 UTC</pubDate>
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      <item>
         <title>The &quot;othering&quot; of Russia due to Western beliefs of their history and ideology.</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2100688711</link>
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         <pubDate>2022-03-17 19:23:46 UTC</pubDate>
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      <item>
         <title>&quot;imagery of Russia as the &#39;exotic other&#39; &quot;, Tim Bergfelder, Sue Harris and Sarah Street, &#39;Set Design, Style and Genre in the 1930&#39;s British Cinema, in &#39;Film architecture and the transnational imagination set designs in 1930&#39;s European Cinema&#39;, (Amsterdam, Amsterdam University Press, 2007), P.g. 242. https://baylor.primo.exlibrisgroup.com/discovery/fulldisplay/alma991027032453605576/01BUL_INST:BAYLOR</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2100706858</link>
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         <pubDate>2022-03-17 19:39:16 UTC</pubDate>
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      <item>
         <title>architecture</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2101752296</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-03-18 11:27:41 UTC</pubDate>
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      <item>
         <title>education</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2102264543</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-03-18 16:58:17 UTC</pubDate>
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      <item>
         <title>as tensions grew nearer the war, the West found subtle ways in which they could emphasise their distaste for Russian identity through film</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2102270814</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-03-18 17:02:49 UTC</pubDate>
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      <item>
         <title>&quot;Peter, a man she grows to despise&quot;, Bergfelder, Harris and Street, &#39;Film Architecture&#39; P.g. 247.</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2102275532</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-03-18 17:05:56 UTC</pubDate>
         <guid>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2102275532</guid>
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      <item>
         <title>Western influence on Russian identity </title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2102279525</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-03-18 17:08:38 UTC</pubDate>
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      <item>
         <title>vast Russia </title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2102289130</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-03-18 17:15:36 UTC</pubDate>
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      <item>
         <title>Big Palaces, large rooms and a cluttered decor </title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2102290010</link>
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         <pubDate>2022-03-18 17:16:17 UTC</pubDate>
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      <item>
         <title>&quot;hyperbolic, excessive and grotesque decor that symbolises &#39;Russia&#39; and the older order&quot;, Bergfelder, Harris and Street, &#39;Film Architecture&#39;, P.g. 243</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2102293124</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-03-18 17:18:29 UTC</pubDate>
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      <item>
         <title>Western view of Russia as a backwards state presented through decor- not embracing Western modernity that Catherine represents</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2102294709</link>
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         <pubDate>2022-03-18 17:19:36 UTC</pubDate>
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      <item>
         <title>&quot;gives the impression of a repressive, menacing and violent social order&quot;, Bergfelder, Harris and Street, &#39;Film Architecture &#39;, P.g. 248.</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2102300792</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-03-18 17:23:51 UTC</pubDate>
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      <item>
         <title>less grotesque </title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2102303345</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-03-18 17:25:42 UTC</pubDate>
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      <item>
         <title>Western interest of Eastern/ Russian identity</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2102306746</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-03-18 17:27:59 UTC</pubDate>
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      <item>
         <title>1930&#39;s Western Russian films</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2102308860</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-03-18 17:29:26 UTC</pubDate>
         <guid>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2102308860</guid>
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      <item>
         <title>&quot;indicator of a fascination with the Soviet Union and anxieties about competitive militarism on the eve of the Second Work War&quot;, &#39; Bergfelder, Harris and Street&quot;, &#39;Film Architecture&#39;, P.g. 249</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2102312148</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-03-18 17:31:46 UTC</pubDate>
         <guid>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2102312148</guid>
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      <item>
         <title>Cathrines Western &#39;goodness&#39; VS Peter&#39;s Russian &quot;backwardness&quot;</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2102319576</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-03-18 17:37:24 UTC</pubDate>
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      <item>
         <title>Russian identity crumbling in on itself </title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2102321260</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-03-18 17:38:42 UTC</pubDate>
         <guid>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2102321260</guid>
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      <item>
         <title>Otto Preminger, &#39;A Royal Scandal&#39; (20th Century Studios, 26th March, 1945)</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2102329524</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-03-18 17:45:27 UTC</pubDate>
         <guid>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2102329524</guid>
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      <item>
         <title>Ernst Lubisch, &#39;Forbidden Paradise&#39;, (Paramount Pictures, 30th November, 1924)</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2102334585</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-03-18 17:49:19 UTC</pubDate>
         <guid>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2102334585</guid>
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      <item>
         <title>Clarence Brown, &#39;The Eagle&#39; (United Artists, 8th November, 1925)</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2102336398</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-03-18 17:50:45 UTC</pubDate>
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      <item>
         <title>diminish Catherine as an intellectual </title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2102337445</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-03-18 17:51:34 UTC</pubDate>
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      <item>
         <title>greed of Russia emphasised for Cathrine greed for lovers</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2102339175</link>
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         <pubDate>2022-03-18 17:52:55 UTC</pubDate>
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      <item>
         <title>&quot;employ stereotypical cultural images&quot;, Yana Hashamova, &#39;Pride and Panic: Russian Imagination of the West in post-Soviet film&#39;, (Bristol,UK; Chicago, 2007)</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2102343932</link>
         <description><![CDATA[<div><br><br><br></div>]]></description>
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         <title>Western losses after WW2</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2102345928</link>
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         <pubDate>2022-03-18 17:58:14 UTC</pubDate>
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         <title>1945</title>
         <author>bw7851b</author>
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         <title>Nations faced many losses, need moral boost</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2102348741</link>
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         <pubDate>2022-03-18 18:00:10 UTC</pubDate>
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         <title>Catherine&#39;s infatuation for military officer</title>
         <author>bw7851b</author>
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         <title>Catherine as wildly extravagant in her intentions </title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2102355238</link>
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         <title>Russian history follows path of extravogance </title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2102356466</link>
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         <title>Comedy film</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2102358639</link>
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         <title>&quot;Historical films provided art directors with many challenges and opportunities&quot;, Bergfelder, Harris and Street, &#39;Film Architecture&#39;, P.g. 225</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2102365276</link>
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         <title>attempted to not damage relations with Russia</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2102366367</link>
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         <title>extravagant scale of set designs emphasising backwards ideology of Russia</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2102435483</link>
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      <item>
         <title>Fyodor Ostep, &#39;Princess Tarakanova&quot;, (Nero-Film, 16th March, 1938)</title>
         <author>bw7851b</author>
         <link>https://padlet.com/bw7851b/kf360w1n2bc1xur0/wish/2102437220</link>
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         <pubDate>2022-03-18 19:16:35 UTC</pubDate>
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         <title>Catherine seen as a great power hunting down Tarakanova</title>
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         <title>attempt to gain a collective Western feeling of opposing Russia by presenting its identity through Catherine in a bad light</title>
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         <title>Catherine has minor screen time in these Western films</title>
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         <title>Her great will and power casts itself over the story</title>
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         <title>Russian identity intimidation to the West?</title>
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         <title>Communist tensions leading up to WW2</title>
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         <title>&quot;represents political power [Russianness ] through an exaggerated mise en scene&quot;, Bergfelder, Harris and Street, &#39;Film Architecture&#39;, P.g. 248</title>
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         <title>emphasis of Russian backwardness </title>
         <author>bw7851b</author>
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         <title>helped build a negative stereotypical and concrete portrayal of Russianness within the west</title>
         <author>bw7851b</author>
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         <title>avoid a British Communist revolution </title>
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         <title>many lovers </title>
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         <title>unfaithful </title>
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         <title>Catherines love for soldier denied </title>
         <author>bw7851b</author>
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         <title>his rejection creates tensions </title>
         <author>bw7851b</author>
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         <title>Russian aristocracy shown in a bad light </title>
         <author>bw7851b</author>
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         <author>bw7851b</author>
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         <title>post-revolution tensions within the West</title>
         <author>bw7851b</author>
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         <author>bw7851b</author>
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         <title>&quot;Soviet ideology demonised western opulence&quot;, Hashamova, &#39;Pride and Panic&#39;.</title>
         <author>bw7851b</author>
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         <author>bw7851b</author>
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         <author>bw7851b</author>
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         <title>Comparison of Western and Russian films </title>
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         <title>&quot;there would simply be no sense of being a nation if the West did no exist&quot;, Liah Greenfield, &#39;The Formation of the Russian National Identity: The role of Status, Insecurity and Resentment&#39;, Comparative Studies in Society and History, Jul 1990, Vol. 32, No.3, P.g. 583, (Cambridge University Press, July 1990), https://www.jstor.org/stable/179065</title>
         <author>bw7851b</author>
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         <author>bw7851b</author>
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         <title>&quot;The West was an integral, indelible part of the Russian national consciousness&quot;, Greenfield, &#39;The Formation&#39;, P.g. 583</title>
         <author>bw7851b</author>
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         <title> Tensions during the 50&#39;s, accelerated through the use of Western media and film portraying Catherine and Russia in a savage manner</title>
         <author>bw7851b</author>
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         <title>tensions to create a sense of identity within Russia , as the Western portrayal began to develop in the East as they battle against such a stereotype</title>
         <author>bw7851b</author>
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         <title>attempts to replace Catherine the Great as Empress </title>
         <author>bw7851b</author>
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         <title>the West attempting to relate the communist regime of the Soviet Union during the pre-war era of the 1930&#39;s</title>
         <author>bw7851b</author>
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         <title>Catherine&#39;s strong will and savageness is a representation of Russia&#39;s power during the period </title>
         <author>bw7851b</author>
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         <title>&quot;established in the American imagination&quot;, Weinstein, &#39;Movies as the Gateway to History, P.g. 44</title>
         <author>bw7851b</author>
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