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      <title>IND202 Resources by Kym</title>
      <link>https://padlet.com/kbinney/kdndvqikbljtqjmg</link>
      <description>Digital resources for student interaction.
Artwork by Albert Namatjira, Western Arrarnta People. c.1951</description>
      <language>en-us</language>
      <pubDate>2023-02-09 09:29:31 UTC</pubDate>
      <lastBuildDate>2023-02-24 12:27:34 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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         <title>Didgeridoo Yidaki Stories &amp; Songs: Kinder Dreaming at Home</title>
         <author>kbinney</author>
         <link>https://padlet.com/kbinney/kdndvqikbljtqjmg/wish/2478788895</link>
         <description><![CDATA[<div><strong>Critical Evaluation<br></strong>I will be reflecting on this resource using the YARNS tool (Madsen et al., 2021). This video was created by Noongar and Wongatha Elder, Alan Harris, and his son Tristan in 2020. Some of the language used is outdated, so educators need to be mindful when presenting it to the children. The video displays a positive representation of First Nations Peoples and the knowledge they have passed down over thousands of years. The video was accessed on the Victorian Aboriginal Child Care Agency (VACCA) Website. VACCA is an organization that is fully controlled by the Aboriginal community. <br><br><strong>Justification<br></strong>This video promotes reconciliation between Indigenous and non-Indigenous Australians by helping children understand and respect the cultures and languages of the Aboriginal and Torres Strait Islander Peoples (Australian Institute for Teaching and School Leadership [AITSL], n.d., Standard 2.4). The video helps to redress the misrepresentation of a part of First Nations Culture, the Yidaki, by explaining to the children how it got to be known as the didgeridoo. Whilst I cannot verify the story told by Big Al, it is true that didgeridoo is not the Aboriginal word for the instrument. The story demonstrates the connection that First Nation Peoples have to Country by talking about how they work with nature in their everyday lives. It displays a continuation of customs and practices that have been passed down for thousands of years, it shows that Aboriginal People walk in their ancestor’s footprints (Tapia, 2021). In the story the people hold a celebration to thank Country for providing a bountiful fishing season, demonstrating the respect they have for Country.&nbsp; It is a fun video that uses music and storytelling to convey knowledge so it would be suitable for any age. Learning about the different cultures, customs, and aspects of their wider community helps children form a connection to their world and encourages them to contribute their own cultural practices as advocated for by the VEYLDF (DET &amp; VCAA, 2016).&nbsp;<br><br></div>]]></description>
         <enclosure url="https://www.vacca.org/page/get-involved/cultural-hub/video/didgeridoo-yidaki-stories-and-songs-kinder-dreaming-at-home" />
         <pubDate>2023-02-13 11:43:34 UTC</pubDate>
         <guid>https://padlet.com/kbinney/kdndvqikbljtqjmg/wish/2478788895</guid>
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      <item>
         <title>Little J and Big Cuz - Lucky Undies</title>
         <author>kbinney</author>
         <link>https://padlet.com/kbinney/kdndvqikbljtqjmg/wish/2484776402</link>
         <description><![CDATA[<div><strong>Critical Evaluation<br></strong>This video produced as part of a series in 2017 demonstrates all of the aspects that are deemed important when assessing it using the YARNS tool ( Madsen et al., 2021).<br>&nbsp;It was created using First Nation voice actors and the scripts were written by First Nation writers. The <em>Little J and Big Cuz</em> series was made by Screen Australia &amp; National Indigenous Television &amp; The Australian Council For Educational Research, working with First Nation communities. The language is contemporary and aimed at a young audience. Aboriginal and Torres Strait Islander Peoples are shown in a positive light and the video portrays respectful relationships. <br>The video can be accessed directly through the Special Broadcasting Service (SBS) on-demand website <a href="https://www.sbs.com.au/ondemand/">https://www.sbs.com.au/ondemand/</a> and also through the <em>Little J and Big Cuz </em>website <a href="https://www.littlejandbigcuz.com.au/">https://www.littlejandbigcuz.com.au/</a>, both websites are free to access.<br> The SBS site has a large collection of First Nation content and supports the National Indigenous Television (NITV) channel. The little J and Big Cuz official website provides links to different animated videos featuring Aboriginal and Torres Strait Islander peoples and perspectives in both English and some First Nation dialects. It also offers games for children and educational resources for parents and educators. <br><br><strong>Justification<br></strong><br></div><div>In Australia, there is a legacy of non-Indigenous people creating content and programs for Indigenous communities rather than with Indigenous communities.<br>&nbsp;Too often First Nation peoples are being told what they need or should want by people that do not understand Aboriginal and Torres Strait Islander perspectives (Buckskin, 2012). The <em>Little J and Big Cuz </em>series of videos helps to redress this problem by depicting everyday First Nation children living their lives in scenarios created by First Nation writers and artists in consultation with First Nation communities.&nbsp;<br><br></div><div>The video I chose to evaluate <em>Lucky Undies</em> is an example of the value of this animated series. It contains elements that many Indigenous and non-Indigenous children can relate to such as navigating relationships between, family, peers, and the wider community and dealing with confidence and a sense of self-identity.<br> It is important for First Nation children to see themselves and their culture represented positively and in a contemporary fashion in the media, to demonstrate that they matter, and their lives are just as important as those of non-Indigenous children. This helps them to build their own identity and understand where they fit in today’s society (Kennedy, 2021).&nbsp;<br><br></div><div>The video also offers a perspective on the lives of some Aboriginal families living on Country, this helps educators build their knowledge and understanding of the impact of culture and cultural identity on the education of students from First Nation backgrounds (AITSL, n.d., Standard 1.4). When being supported to learn about, appreciate, and respect the differences and similarities between individuals and groups, children develop and explore their sense of identity (DET &amp; VCAA, 2016).<br><br></div><div><strong><br></strong><br></div>]]></description>
         <enclosure url="https://www.sbs.com.au/ondemand/tv-series/little-j-and-big-cuz/season-1/little-j-and-big-cuz-s1-ep1/923034691604" />
         <pubDate>2023-02-16 10:19:43 UTC</pubDate>
         <guid>https://padlet.com/kbinney/kdndvqikbljtqjmg/wish/2484776402</guid>
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      <item>
         <title>Shake A Leg by Boori Monty Prior and Jan Ormerod</title>
         <author>kbinney</author>
         <link>https://padlet.com/kbinney/kdndvqikbljtqjmg/wish/2484792097</link>
         <description><![CDATA[<div><strong>Critical Evaluation</strong><br>When using the YARNS tool (Madsen et al.,2021), we understand the value of the book <em>Shake A Leg </em>(Pryor &amp; Ormerod, 2010). The book was written by Boori Monty Pryor, a First Nation Author in 2010. The language in the book is respectful and reflects contemporary protocols. There are words used in the book that are of the Gunggay dialect and are translated in a way young children will understand. The story shows the connection between historical and contemporary Aboriginal and Torres Strait Islander peoples culture. The pictures are accurate representations of cultural customs.<br>&nbsp;I would have liked to have shown a video of the author reading the book but the best example of this was on <a href="https://www.storyboxlibrary.com.au/">https://www.storyboxlibrary.com.au/</a>, whilst you can access this website free if you have a library membership for personal use, you need to pay for a professional subscription to use the service in an educational setting. <br>The video I have used is freely available on Facebook and Youtube. It was part of a playgroup live session, created by the Deadly Kindies Program, an initiative of the Institute for Urban Indigenous Health (IUIH) and the Queensland Government Department of Education. This program has a focus on providing Integrated health care and Early Childhood Education for Aboriginal and Torres Strait Islander families (<em>Deadly Kindies</em>, n.d.).<br> The story is being read by Tyrone Robert, a Bundjalung man and Deadly Choices ambassador (Deadly Choices, 2018), and Kendi Grant-Freeman,n a First Nation Early Learning Officer and Early Childhood Professional. <br><br><strong>Justification<br></strong><br></div><div>Story sharing is the first step in Yunkaporta’s <em>Eight Aboriginal Ways of Learning Framework </em>(Yunkaporta, 2009). In this book Boori shares some of his family’s story and those of his people (Pryor &amp; Ormerod, 2010).<br>&nbsp;Whilst the premise is fictional, the traditional stories and dances portrayed in the book have been passed down in the Aboriginal community for thousands of years.<br>&nbsp;The book talks about reciprocity and kinship as it explores the importance of family structure, community (both living and ancestral), and spirituality. The story shows the connection and progression of modern-day and past customs within First Nation cultures.&nbsp;<br>Boori demonstrates the eternal connections First Nation Peoples have to the land and to each other. Bourke and Bourke (1995) talk about how The Dreaming stories lay out the unique values, morals, and kinship rules that form Aboriginal culture and how everything connects to form the social unit. This provides students with the opportunity to develop an understanding of and respect for Aboriginal and Torres Strait Islander histories, cultures, and languages (AITSL, n.d., Standard 2.4).<br>&nbsp;When children engage with a range of texts and, with educator guidance make meaning of those texts, it helps them become effective communicators (DET &amp; VCAA, 2016).<br><br></div><div><br><br></div>]]></description>
         <enclosure url="https://fb.watch/iK-vS6Cpxe/" />
         <pubDate>2023-02-16 10:35:41 UTC</pubDate>
         <guid>https://padlet.com/kbinney/kdndvqikbljtqjmg/wish/2484792097</guid>
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      <item>
         <title>River Kids</title>
         <author>kbinney</author>
         <link>https://padlet.com/kbinney/kdndvqikbljtqjmg/wish/2484807723</link>
         <description><![CDATA[<div><strong>Critical Evaluation</strong><br>Following the YARNS tool (Madsen et al., 2021) we can evaluate this resource.<br> The educational program was posted on the Australian Broadcasting Corporation (ABC) Education website in 2023 and is presented by Tyrone a young Ngarrindjeri boy.<br> The ABC has a strong commitment to recognizing and embracing Aboriginal and Torres Strait Islander history and cultures&nbsp; (<em>ABC Reconciliation Action Plan (RAP) 2019-22</em>, n.d.). <br>The information provided portrays First Nation Peoples as knowledgeable and it respectfully follows contemporary protocols. It shows the connection between historical and contemporary Aboriginal customs and practices. <br><br><strong>Justification<br></strong><br></div><div>This program consists of eight short videos, background information, and exploratory questions that centre around the Murray river system. It probes children’s pre-existing knowledge and introduces new perspectives for them to extend upon their worldview.<br><br></div><div>Tyrone narrates the videos and introduces some of the children that live on the Murray River and the role it plays in their lives.<br><br></div><div>The first video in the program explains the importance that the Murray river holds for his people The Ngarrindjeri, the traditional owners of the Lower Lakes, Coorong, and Murray Mouth.<br>&nbsp;It tells The Dreaming story of Ngurunderi, their ancestor, and how his journey chasing both his wives and a giant cod led to the creation of the Murray river system (<em>Ngurunderi - Dreaming of the Ngarrindjeri People Murray River</em>, n.d.).<br> It shows a dance being performed that has been passed down for thousands of years and talks of their connection to Country and the symbiotic relationship between the river and themselves.<br> Tyrone’s grandfather explains how generations of Ngarrindjeri have seen the river change due to the introduction of western farming methods and introduced species and how it is now suffering.&nbsp;<br><br></div><div>The videos following explore other children’s lives and how they also depend on the health of the river for their family’s livelihoods. The program explains how by working together and utilizing the knowledge of First Nations people the river is being nursed back to health.<br><br></div><div>The program shows how an understanding and respect for Aboriginal and Torres Strait Islander peoples history and culture can help to promote reconciliation between Indigenous and non-Indigenous Australians (AITSL, n.d., Standard 2.4).<br><br></div><div>Through educational programs such as these children become aware of the impact of the local environment, both physical and social, on their lives. They learn ways to care for the environment and contribute to a sustainable future (DET &amp; VCAA, 2016).<br><br></div>]]></description>
         <enclosure url="https://www.abc.net.au/education/digibooks/river-kids/101837606" />
         <pubDate>2023-02-16 10:53:01 UTC</pubDate>
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