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      <title>London Literary Salon at the National Gallery by Warren</title>
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      <description>&#39;Why collect art at home when you have the National Gallery near your doorstep?&#39;  Ernst Gombrich</description>
      <language>en-us</language>
      <pubDate>2023-03-08 15:14:08 UTC</pubDate>
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         <title>Mary Acton&#39;s  &#39;questions to ask yourself when standing in front of a painting&#39;</title>
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         <description><![CDATA[<div>Composition: Where are the dominant lines of organisation?<br><br>Space: Where are you in relation to the picture? Is it much larger or much smaller than you expected?<br><br>Form: Is there a three-dimensional feeling about the picture? If so, where is it?&nbsp; Is it in some parts of the picture and not others?<br><br>Tone: What part does light and dark play in the picture?<br><br>Colour: Is the colour part of the structure of the picture or is it used more for expression?<br><br>Setting: Are you seeing the painting, drawing or print as it was intended to be seen or has its location and lighting been altered?&nbsp; How much has restoration changed the original?<br><br>Subject-matter: How does the subject-matter, or lack of it, affect the way you see the picture?<br><br><br></div>]]></description>
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         <pubDate>2023-03-08 15:59:43 UTC</pubDate>
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         <title>Recommended Reading</title>
         <author>k5jyty77dd</author>
         <link>https://padlet.com/k5jyty77dd/kd8d1jgsmy4w0274/wish/2508906300</link>
         <description><![CDATA[<p><strong>Mary Acton, Learning to Look at Paintings, 2nd ed, 2009</strong></p><p><br/></p><p><strong>Susan Woodford, Looking at Pictures, 1983</strong></p><p><br/></p>]]></description>
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         <pubDate>2023-03-08 16:47:21 UTC</pubDate>
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         <title>Books on iconography and subject-matter</title>
         <author>k5jyty77dd</author>
         <link>https://padlet.com/k5jyty77dd/kd8d1jgsmy4w0274/wish/2511774920</link>
         <description><![CDATA[<div>Helene Roberts (ed) (1998), Encyclopedia of Comparative Iconography<br><br>Xavier Barral I Altet (ed) (2003), Dictionnaire critique d'iconographie occidentale<br><br>Getty 'Guide to Imagery' series, e.g. Matilde Battistini (2002), Symbols and Allegories in Art&nbsp;<br><br>Flammarion Iconographic Guides, e.g.<br>Duchet-Suchaux (1994) &amp; Pastoreau (eds), The Bible and the Saints &nbsp;<br>Aghion (1996), Barbillon &amp; Lissarrague, Gods and Heroes of Classical Antiquity<br><br>James Hall (1979), Dictionary of Subjects and Symbols in Art<br><br><br></div>]]></description>
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         <pubDate>2023-03-10 12:35:01 UTC</pubDate>
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         <title>Water Lilies Sunset </title>
         <author>seanforester75</author>
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         <pubDate>2023-04-13 11:56:47 UTC</pubDate>
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         <title>Related Paintings - Monet&#39;s Water Lilies </title>
         <author>seanforester75</author>
         <link>https://padlet.com/k5jyty77dd/kd8d1jgsmy4w0274/wish/2553327662</link>
         <description><![CDATA[<div>This Wikipedia page has all the paintings.&nbsp; https://en.wikipedia.org/wiki/Water_Lilies_(Monet_series)<br>Looking through them is an wonderful experience.&nbsp;</div>]]></description>
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         <pubDate>2023-04-13 15:02:15 UTC</pubDate>
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         <title>Sean&#39;s Questions</title>
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         <link>https://padlet.com/k5jyty77dd/kd8d1jgsmy4w0274/wish/2554284656</link>
         <description><![CDATA[<ul><li>What narrative is shown or suggested in the painting?&nbsp;</li><li>Is there symbolism in the painting?&nbsp;</li><li>What is the composition of the painting?</li><li>How is colour used in the painting?&nbsp; What colours/pigments do you think the artist used?</li><li>How does the artwork depict and illuminate the material on which it is based</li></ul><div><br></div>]]></description>
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         <pubDate>2023-04-14 08:02:15 UTC</pubDate>
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         <title>Pictorial Composition by H. R. Poore (Selections)</title>
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         <pubDate>2023-04-14 08:05:41 UTC</pubDate>
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         <title>The Burlington House Cartoon</title>
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         <link>https://padlet.com/k5jyty77dd/kd8d1jgsmy4w0274/wish/2633615821</link>
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         <pubDate>2023-06-27 16:51:09 UTC</pubDate>
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         <title>Baptism of Christ </title>
         <author>seanforester75</author>
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         <pubDate>2024-02-29 03:40:38 UTC</pubDate>
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         <title>Combing the Hair (&#39;La Coiffure&#39;)</title>
         <author>seanforester75</author>
         <link>https://padlet.com/k5jyty77dd/kd8d1jgsmy4w0274/wish/2900022536</link>
         <description><![CDATA[<p>Hilaire-Germain-Edgar Degas</p>]]></description>
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         <pubDate>2024-02-29 03:52:59 UTC</pubDate>
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         <title>The Thames below Westminster</title>
         <author>seanforester75</author>
         <link>https://padlet.com/k5jyty77dd/kd8d1jgsmy4w0274/wish/2900024012</link>
         <description><![CDATA[<p>Claude Monet</p>]]></description>
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         <pubDate>2024-02-29 03:54:47 UTC</pubDate>
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         <title>The Fighting Temeraire</title>
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         <link>https://padlet.com/k5jyty77dd/kd8d1jgsmy4w0274/wish/2900028166</link>
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         <pubDate>2024-02-29 03:59:00 UTC</pubDate>
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         <title>Piazza San Marco</title>
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         <description><![CDATA[<br>Venice: Piazza San Marco]]></description>
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         <pubDate>2024-02-29 04:26:14 UTC</pubDate>
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         <title>Riva degli Schiavoni</title>
         <author>seanforester75</author>
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         <pubDate>2024-02-29 04:27:59 UTC</pubDate>
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         <title>St. Jerome in his Study </title>
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         <pubDate>2024-02-29 15:35:15 UTC</pubDate>
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         <title>Portrait of a Man </title>
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         <pubDate>2024-02-29 15:37:28 UTC</pubDate>
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         <title>Mary Acton on Piero </title>
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         <title>Rain, Steam, and Speed - The Great Western Railway, </title>
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