https://padlet.com/alyssamueller_95/rachel_composers Rachel Chapman and Alyssa Mueller en-us 2017-11-01 16:31:01 UTC 2025-10-07 15:01:02 UTC hello@padlet.com alyssamueller_95 https://padlet.com/alyssamueller_95/rachel_composers/wish/207009991 *Italy was divided into numerous sovereign states
*Music was supported by many rulers and cities (Competition)
*Stylistic evolution: Da Capo Aria and Tonality
*Opera- leading genre
*Cantata- most prominent form of vocal chamber music 
*Italian music took place in the north]]> 2017-11-15 00:09:34 UTC https://padlet.com/alyssamueller_95/rachel_composers/wish/207009991 alyssamueller_95 https://padlet.com/alyssamueller_95/rachel_composers/wish/207011092 *Principal Italian Center: Venice
* Venice= the popular demand, the financial support, and the audience
*Well established in Florence and Naples
*Leading Composers: Giovanni Legrenzi (Ferrara)
Alessandro Scarlatti (Venice)
*Star singers= successful opera productions 
*number of arias in opera increased due to popular demand (24 mid century- 60 1670s)]]> 2017-11-15 00:17:48 UTC https://padlet.com/alyssamueller_95/rachel_composers/wish/207011092 alyssamueller_95 https://padlet.com/alyssamueller_95/rachel_composers/wish/207012358 *Strophic songs (2+ stanzas sung to same music)
*ground bass arias (short 2 part arias in AB form 3 part ABB' and ABA or ABA' and rondo forms ABACA or ABAB'A )
*arias typically reflected the meaning of the text through musical motives in the melody or accompaniment]]> 2017-11-15 00:26:20 UTC https://padlet.com/alyssamueller_95/rachel_composers/wish/207012358 alyssamueller_95 https://padlet.com/alyssamueller_95/rachel_composers/wish/207029344 *Cantata-leading vocal chamber form
*Sponsors for private parties for elite (included performances of cantatas)
*Cantatas written for solo voice with continuo; some feature 2+ voices
*Text took the form of dramatic narrative or soliliquy
*Alessandro Scarlatti wrote 600+ cantatas, marking a high point in this repertory ]]> 2017-11-15 02:07:02 UTC https://padlet.com/alyssamueller_95/rachel_composers/wish/207029344 alyssamueller_95 https://padlet.com/alyssamueller_95/rachel_composers/wish/207031816 Full Name: Pietro Alessandro Gaspare Scarlatti, most commonly known as Alessandro Scarlatti
age 12: study under Giacomo Carissimi until 1674
married Antonia Anzalone at 18 (10 kids)
Wrote his first known opera, Gli equivoci nel sembiante - produced at 19
Next opera, L'honestà negli amori
115+ operas & 500+ chamber cantatas which featured one to two voices with a harpsichord
Founded the so-called Neapolitan school of opera
1722: composed his official last works of opera, including IL trionfo dell'onore and Griselda
1722: return to Naples and enjoy his complete retirement
last year teaching and enjoying the company of his dearest friend Johann Adolph Hass]]> 2017-11-15 02:24:39 UTC https://padlet.com/alyssamueller_95/rachel_composers/wish/207031816 alyssamueller_95 https://padlet.com/alyssamueller_95/rachel_composers/wish/207032084 *Da Capo Aria : a large ABA form.
*Text= complementary or conflicting thoughts, ideas, or emotions
* sections add new elements & help support the story even more as it progresses
composers do tend to vary the precise structure to add their own flair. 
*excessive amount of repetitio= freedom for singers through ornamentations, embellishments]]> 2017-11-15 02:26:43 UTC https://padlet.com/alyssamueller_95/rachel_composers/wish/207032084 alyssamueller_95 https://padlet.com/alyssamueller_95/rachel_composers/wish/207036921 2017-11-15 02:58:47 UTC https://padlet.com/alyssamueller_95/rachel_composers/wish/207036921 alyssamueller_95 https://padlet.com/alyssamueller_95/rachel_composers/wish/207037137 2017-11-15 03:00:37 UTC https://padlet.com/alyssamueller_95/rachel_composers/wish/207037137 alyssamueller_95 https://padlet.com/alyssamueller_95/rachel_composers/wish/207037541 *alternating the stanzas of the poetry to fit 6, 7, 11 syllables (asymmetrical rhyme scheme)
 *Clori vezzosa, e bella: “Charming and pretty Clori.”
*2 recitative-aria pairs, which are voiced with a basso continuo
*theme = a pastoral love poem, pastoral meaning shepherd in Latin. 
*shepherd's emotions - harmonizing the emotions, “pena”, “gioire”, and “martire”, dissonantly
*dissonance to portray the intensity of the emotions the shepherd felt towards Clori
*m 37 to 44, the shepherd is in a mellow, content with life, state (simplistic harmony and melody)
*frequent occurrences of diminished 7th chords, which were approached by the local dominant of the key; this appeared at measures 39,46, and 49.
*vocal dominant preceded by a diminished seventh chord: added intensity to the harmony and the piece itself,  added a sense of strong emotion to support the vocalist.]]> 2017-11-15 03:03:34 UTC https://padlet.com/alyssamueller_95/rachel_composers/wish/207037541 alyssamueller_95 https://padlet.com/alyssamueller_95/rachel_composers/wish/207040343 *da capo (m 87)
*section A - the shepherd welcomes more torment of love
*section B - hope that Clori may someday feel pity and recognize his devotion to her
*ending on a subdominant - continuo repeats a segment of the ritornello in the new key
*continuo done - the second vocal statement enters
* section B- development/contrasts the key and the mood presented in section A. 
*chromatic harmonies in recitative add strong emotion,energy and life to the piece. 
 *“pene” is first harmonized with a diminished 7th chord in section A/section B a Neapolitan 6th chord
*mood transitions- witty sense of irony ( bouncy melodic gestures)
*harmonic pattern-> change of emotion: shepherd now is feeling an even balance of pleasure and pain. 
*Neapolitan sixth chord: a first inversion triad with a flatted second degree of the scale]]> 2017-11-15 03:24:05 UTC https://padlet.com/alyssamueller_95/rachel_composers/wish/207040343 alyssamueller_95 https://padlet.com/alyssamueller_95/rachel_composers/wish/207041916 2017-11-15 03:35:07 UTC https://padlet.com/alyssamueller_95/rachel_composers/wish/207041916