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      <title>R4 Zora Neale Hurston by Paul Bowers</title>
      <link>https://padlet.com/paul_bowers/k9bl64zmtxa2</link>
      <description>You will use this Padlet as your dialectical entries for the short story unit. They should be the same quality as your entries for the novel, but they can take the form of multiple forms of media and should focus on common threads through Hurston&#39;s short fiction. It is also an option to make SPECIFIC parallels or contrasts between author&#39;s choices in the short stories and author&#39;s choices in the novel as well.</description>
      <language>en-us</language>
      <pubDate>2019-02-12 18:50:11 UTC</pubDate>
      <lastBuildDate>2025-12-06 13:45:38 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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      <item>
         <title></title>
         <author>paul_bowers</author>
         <link>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/330502354</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://aalbc.com/authors/article.php?id=2126" />
         <pubDate>2019-02-12 18:50:11 UTC</pubDate>
         <guid>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/330502354</guid>
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      <item>
         <title>Quotations and Prompts</title>
         <author>paul_bowers</author>
         <link>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/330502355</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://docs.google.com/document/d/1igIbn3hdaf0h9iLcSFkXLhlwQ0S82fOa9JSx5x0JA_Y/edit?usp=sharing" />
         <pubDate>2019-02-12 18:50:11 UTC</pubDate>
         <guid>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/330502355</guid>
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      <item>
         <title></title>
         <author>paul_bowers</author>
         <link>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/330502357</link>
         <description><![CDATA[]]></description>
         <enclosure url="http://literacyroots.weebly.com/uploads/9/2/4/4/92443080/z_n_hurston_drenched_in_light.pdf" />
         <pubDate>2019-02-12 18:50:11 UTC</pubDate>
         <guid>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/330502357</guid>
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         <title></title>
         <author>paul_bowers</author>
         <link>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/330502361</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://my.vanderbilt.edu/zora/files/2015/04/Z_N_Hurston_Magnolia_Flower.pdf" />
         <pubDate>2019-02-12 18:50:11 UTC</pubDate>
         <guid>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/330502361</guid>
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      <item>
         <title></title>
         <author>paul_bowers</author>
         <link>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/330502369</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://biblioklept.org/2013/01/21/sweat-zora-neale-hurston/" />
         <pubDate>2019-02-12 18:50:11 UTC</pubDate>
         <guid>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/330502369</guid>
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      <item>
         <title>Hurston: &quot;How it Feels to be Colored Me&quot;</title>
         <author>paul_bowers</author>
         <link>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/330502371</link>
         <description><![CDATA[<div>The essay ZNH wrote that everyone should read while reading her stories:<br><br></div>]]></description>
         <enclosure url="http://www.casa-arts.org/cms/lib/PA01925203/Centricity/Domain/50/Hurston%20How%20it%20Feels%20to%20Be%20Colored%20Me.pdf" />
         <pubDate>2019-02-12 18:50:11 UTC</pubDate>
         <guid>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/330502371</guid>
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      <item>
         <title>Nature</title>
         <author>paul_bowers</author>
         <link>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/330502373</link>
         <description><![CDATA[<div>Hurston treats nature with____.<br>As a narrator in "Magnolia Flower," nature's voice assumes the role of_____ and____, revealing...<br>Nature affects the atmosphere in "______" and "______" by functioning as _______.</div>]]></description>
         <enclosure url="https://myclosetcatalogue.files.wordpress.com/2015/02/beautiful-magnolia-flower.jpeg" />
         <pubDate>2019-02-12 18:50:11 UTC</pubDate>
         <guid>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/330502373</guid>
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      <item>
         <title>Model, &quot;🤬,&quot; and Comments</title>
         <author>paul_bowers</author>
         <link>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/330502377</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://docs.google.com/document/d/11hAXL5x5JeJZwJvcEUe63iWG3VZZ403cOUf-yKL6yUg/edit?usp=sharing" />
         <pubDate>2019-02-12 18:50:11 UTC</pubDate>
         <guid>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/330502377</guid>
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      <item>
         <title>davis - dialectical</title>
         <author></author>
         <link>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/330536212</link>
         <description><![CDATA[<div>"Looka heah, Sykes, you done gone too fur. Ah been married to you fur fifteen years, and Ah been takin’ in washin’ for fifteen years. Sweat, sweat, sweat! Work and sweat, cry and sweat, pray and sweat!”   <br><br>(symbolism/repetition/conflict/dialogue)<br><br>The main character Delia Jones is extremely upset at her husband of fifteen years for playing a "joke" on her. He caused a black bull whip to fall upon her shoulders while doing laundry, Delia immediately went into a panic thinking the whip was a snake. During their argument the characters display a Man vs. Man conflict over the symbolic whip. The quote also shows repetition from the title with the word "sweat constantly being used.</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-02-12 19:49:56 UTC</pubDate>
         <guid>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/330536212</guid>
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      <item>
         <title>Andrew-dialectical</title>
         <author></author>
         <link>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/330537509</link>
         <description><![CDATA[<div>"she wore trailing robes,golden slippers with blue bottoms. she rode white horses with flaring pink nostrils to the horizon, for she still believed it to be lands end."<br><br>This quote continues the motif of innocence as it shows how Isis is pure as a character. This is seen when she states that the horizon is still believed to be lands end.  She is also stated as riding a white horse which can also be symbolism for innocence because white is often associated with purity and innocence. </div>]]></description>
         <enclosure url="" />
         <pubDate>2019-02-12 19:52:25 UTC</pubDate>
         <guid>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/330537509</guid>
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      <item>
         <title>Maggie Gordon</title>
         <author></author>
         <link>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/330539414</link>
         <description><![CDATA[<div>Delia pushed back her plate and got up from the table. “Ah hates you, Sykes,” she said calmly. “Ah hates you tuh de same degree dat Ah useter love yuh. Ah done took an’ took till mah belly is full up tuh mah neck. <br><br>This quote recalls an earlier motif of sweat: Delia has sweated all her pleasure and love out, and now it has been replaced with hate, to the same degree with which she loved Sykes. Expanding upon this, she flips the idea that Sykes wrung her out and instead suggests that he has instead shoved his brutality down her throat.</div><div><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2019-02-12 19:56:07 UTC</pubDate>
         <guid>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/330539414</guid>
      </item>
      <item>
         <title>Tejes Gaertner&#39;s dialectical </title>
         <author></author>
         <link>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/330539465</link>
         <description><![CDATA[<div>Quote: I ain't want to shoot him, but he was a coward."<br>Commentary: This line poses an, perhaps, as a means to summarize stories inherent theme in a economic fashion. Indeed, the contrast between a coward and a man/women of bravery is apparent in this line. the shooter has the courage to shoot another man for a mere moral code. Hence, the reader can conclude that Hurston wants us to consider the true implications of the ideal man. If, in fact, the ideal man is categorized by courage and toughness, then what might come from marry a man of that caliber- 🤬? Furthermore, the central conflict in the story is the marriage between two souls, and Hurston uses this to compare societies ideal man to its antithesis. Overall, this line forces one to ponder the true meaning of Hurston's work. </div>]]></description>
         <enclosure url="" />
         <pubDate>2019-02-12 19:56:13 UTC</pubDate>
         <guid>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/330539465</guid>
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      <item>
         <title>Dialectical- Joe and Mae&#39;s lives</title>
         <author>s756729</author>
         <link>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/330541473</link>
         <description><![CDATA[<div>There's not much written about their lives aside from what's happening at the current moment. There is more than enough evidence that the two of them love each other. The play fighting, bantering through dinner, chasing each other around the house, a routine in place after x years. Even though they went through a hardship, the two of them fell back into their old routine as if nothing.</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-02-12 20:00:49 UTC</pubDate>
         <guid>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/330541473</guid>
      </item>
      <item>
         <title>Coleman- dialectical</title>
         <author></author>
         <link>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/330542382</link>
         <description><![CDATA[<div>Quote: "The women ate heartily of the funeral baked meats and wondered who</div><div>would be Lena’s next. The men whispered coarse conjectures between</div><div>guzzles of whiskey."<br>Commentary: This really is a statement on the differences between men and women. Almost the whole story, men are the ones giving the information and it is all talked about in a store and they are just talking talk and never really wonder anything. The women, when they are brought up are gossiping about who Lena is gonna go after next instead of talking about how awful everything was or just being polite because they are doing this over the funeral meats. The men are also again showed as just men sort of in a barber shop where they just talk but they are doing it while they drink to remember and forget their friends and this really shows that nothing has changed for them.</div><div><br></div>]]></description>
         <enclosure url="http://www.whiskyintelligence.com/wp-content/uploads/2012/09/Bowmore-1957-Bottle-Shot-Med.jpg" />
         <pubDate>2019-02-12 20:02:46 UTC</pubDate>
         <guid>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/330542382</guid>
      </item>
      <item>
         <title>Joseph Belew</title>
         <author></author>
         <link>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/330544582</link>
         <description><![CDATA[<div>Quote ¨She lay awake, gazing upon the debris that cluttered their matrimonial trail. Not an image left standing along the way. Anything like flowers had long ago been drowned in the salty stream that had been pressed from her heart. Her tears, her sweat, her blood. She had brought love to the union and he had brought a longing after the flesh. ¨<br><br>Commentary: Delia reflects on her past and her poor decisions. She describes how the man she married has mistreated her and that she has physically changed because of it. This connects the sweat she has put into the things she has earned in her life.  </div>]]></description>
         <enclosure url="" />
         <pubDate>2019-02-12 20:07:04 UTC</pubDate>
         <guid>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/330544582</guid>
      </item>
      <item>
         <title>Kellece Branner</title>
         <author></author>
         <link>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/330545087</link>
         <description><![CDATA[<div>“Look, ’Lige, you goin’ to set up wid 🤬?”</div><div>“New, Ah reckon not, Walter. Tell yuh the truth, Ah’m a lil bit skittish.</div><div>🤬 died too wicket—died cussin’ he did. You know he thought he wuz</div><div>done outa life.”</div><div><br>It is ironic that even after his death, 🤬 still evoked fear in the majority of the towns people. It proves how much influence he had over the entire town, perhaps they feared him though because they too suspected Joe was 🤬's killer. I also find it sort of "funny" that they mentioned earlier in the story that 🤬 had never met his match, especially in Joe, and then shortly after he was "killed by Joe". But perhaps his own guilt drove him to make impulsive decisions and led to his death. Just a couple of disorganized thoughts. </div>]]></description>
         <enclosure url="" />
         <pubDate>2019-02-12 20:08:04 UTC</pubDate>
         <guid>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/330545087</guid>
      </item>
      <item>
         <title>Caroline Lewis</title>
         <author></author>
         <link>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/330545683</link>
         <description><![CDATA[<div>"The sun had burned July to August. The heat streamed down like a million hot arrows..."<br><br>This section is important to the development of the story as it acts as a turning point in the story. It sticks out because of the title and references to sweating in the heat. While the sun here is killing all that lays under it, the relationship and conflict between Delia and Sykes is coming to a climax. In these few sentences, Hurston moves the time frame of the story by a month while ramping up the tension in the story as heat often makes people more on edge. Hurston's ability to move the plot like this is important in the realm of the short story. If this were a novel, she would have had more room to fill in those months with events.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/356208409/7fab35625f40c47f344afa6dc0f2bf9c/sun.jpeg" />
         <pubDate>2019-02-12 20:09:17 UTC</pubDate>
         <guid>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/330545683</guid>
      </item>
      <item>
         <title>Will Eggleston</title>
         <author>s753941</author>
         <link>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/330545975</link>
         <description><![CDATA[<div>Quote: </div><div> "🤬 steps right up and starts ridin’. The rest of us was skeered to go near it.”<br>Dialectical: This quote shows how other characters view 🤬. they see him as a higher character that cannot be matched by normal people. He does things that other people cannot do. It seems like he goes by his own rules, and there is nothing anyone can do to change his mind. This be generalized to show that men as a whole control other people's lives, the women were just talking about him, they did not do anything to change him.</div><div><br> </div>]]></description>
         <enclosure url="" />
         <pubDate>2019-02-12 20:09:51 UTC</pubDate>
         <guid>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/330545975</guid>
      </item>
      <item>
         <title>Lucas McNutt</title>
         <author></author>
         <link>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/330546605</link>
         <description><![CDATA[<div>This story shows the way life is often cyclical, at the beginning the husband is joking with his wife by putting a whip on her shoulder, and at the end of the story the husband is attacked and killed by one.<br><br>´Just then something long, round, limp and black fell upon her shoulders and slithered to the floor beside her. A great terror took hold of her. It softened her knees and dried her mouth so that it was a full minute before she could cry out or move. Then she saw that it was the big bull whip her husband liked to carry when he drove.´<br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2019-02-12 20:11:11 UTC</pubDate>
         <guid>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/330546605</guid>
      </item>
      <item>
         <title>Kimora Reaves </title>
         <author></author>
         <link>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/330546993</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2019-02-12 20:12:00 UTC</pubDate>
         <guid>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/330546993</guid>
      </item>
      <item>
         <title>Alan Boles</title>
         <author></author>
         <link>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/330547083</link>
         <description><![CDATA[<div>Quote: One day as Delia came down the kitchen steps she saw his chalky-white fangs curved like scimitars hung in the wire meshes. This time she did not run away with averted eyes as usual. She stood for a long time in the doorway in a red fury that grew bloodier for every second that she regarded the creature that was her torment.<br><br></div><div>Analysis: This excerpt for me felt like the turning point for our protagonist Delia. She moves from really being susceptible and passive toward the behavior of Sykes. In the end, she does get her sort of passive revenge on him but this is where I really thought she was going to do something about his behavior. The author uses imagery and metaphors in this excerpt to illustrate her turn. Like comparing the snakes teeth to a sword or her calling her anger bloody. The blood and sword definitely foreshadows some kind of death or violence in the conclusion. The same way she does not avert her eyes from the snake she will not avert her eyes from Sykes.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/356208420/1a6416c44bd3afea0bb2e88fa9cbdb9c/61_xuCG2WjL__SX425_.jpg" />
         <pubDate>2019-02-12 20:12:10 UTC</pubDate>
         <guid>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/330547083</guid>
      </item>
      <item>
         <title>Cece Hammond</title>
         <author></author>
         <link>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/330553567</link>
         <description><![CDATA[<div>Quote:  “Well, Ah’m goin‘ after her to-day. Ah’m goin’ an’ fetch her back.</div><div>🤬’s done gone too fur.”</div><div>It's safe to assume that Joe would not have gone after 🤬 with a knife if he wasn't encouraged by these townspeople. Even though these men are not directly involved in this situation, they act as though they know exactly what is right and wrong, and who should win at the end. It's like a game for them. They want to see how far they can push Joe, and they end up being successful in their mission to cause a confrontation between Joe and 🤬. They continue to call others cowards when they are cowards themselves. </div><div><br></div><div><br><br></div><div><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2019-02-12 20:26:51 UTC</pubDate>
         <guid>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/330553567</guid>
      </item>
      <item>
         <title>Maggie Gordon</title>
         <author></author>
         <link>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/331502599</link>
         <description><![CDATA[<div>"He said this calmly...by a girl." It's interesting to look at the way he dies, especially in the context of the story. He has spent his life being cruel and angry, taking almost the same position as his masters, and it seems that as his wife, daughter, and henchmen desert him, even his own heart was unwilling to follow him any longer.</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-02-14 20:00:45 UTC</pubDate>
         <guid>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/331502599</guid>
      </item>
      <item>
         <title>Maggie Gordon</title>
         <author></author>
         <link>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/331502918</link>
         <description><![CDATA[<div>Everyone in the village was there, even old Jeff Kanty, Joe’s father,</div><div>who a few hours before would have been afraid to come within ten feet</div><div>of him, stood leering triumphantly down upon the fallen giant as if his</div><div>fingers had been the teeth of steel that laid him low.</div><div><br>This scene is characteristic of the way the inhabitants of the town treat 🤬. They show him deference, even friendliness, to his face, but feel free to speculate and gossip about him behind his back. One has to wonder who exactly is the cautionary tale? Was is 🤬, who, if inconsiderate, was arguably justified in his actions, yet ended up dead? Or are readers supposed to scorn the people of the town for their treatment of him?</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-02-14 20:01:30 UTC</pubDate>
         <guid>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/331502918</guid>
      </item>
      <item>
         <title>Style</title>
         <author>s756729</author>
         <link>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/331506591</link>
         <description><![CDATA[<div>ZNH took the idea of telling a love story and switched it up. She told the story through the eyes of a river. She did this to give the story that she wanted to tell a timeless effect, make this story stick out among the other love stories.<br>"I have seen millions of of lovers, child." Out of millions, this is the one that stands out.</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-02-14 20:08:47 UTC</pubDate>
         <guid>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/331506591</guid>
      </item>
      <item>
         <title>Cece Hammond</title>
         <author></author>
         <link>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/333681180</link>
         <description><![CDATA[<div>“Two months after the wedding, he had given her the first brutal beating. She had the memory of all his previous trips to Orlando with all his wages when he had returned penniless, even before the first year had passed.”</div><div><br>This quote informs the readers that from the beginning, Delia and Sykes had never had a happy marriage. Delia has been dealing with his abuse for so long, so it brings up the question of why did she stay with him. One explanation could be that she, being very religious, made herself stay in the marriage because she somehow saw hope in their future. Also, during this time period, it wasn’t exactly acceptable women to just leave their husbands. This fact also makes the ending more significant. She was at a point where she couldn’t endure anymore of his abuse, and the snake granted her freedom. </div><div><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2019-02-21 15:36:10 UTC</pubDate>
         <guid>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/333681180</guid>
      </item>
      <item>
         <title>Becca Crum</title>
         <author></author>
         <link>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/333856473</link>
         <description><![CDATA[<div>“‘Mah Gawd!” he chattered, “ef Ah could on’y strack uh light!”<br>The rattling ceased for a moment as he stood paralyzed. He waited. It seemed that the snake waited also."<br><br>This is a very important event in the story as it illustrates the shift of power from Skye to Delia. Delia is scared of snakes as seen in the story. Skye abuses this fear and uses it as power that he holds over Delia. The snake, being used as a symbol of power(fear), creates an ironic shift as Skye becomes afraid of the snake in the end and begs Delia to help him. This symbol along with sweat symbolizing defiance/independence emphasizes the continuous struggle present throughout the story and how it begins to shift during this event. </div>]]></description>
         <enclosure url="" />
         <pubDate>2019-02-21 19:50:51 UTC</pubDate>
         <guid>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/333856473</guid>
      </item>
      <item>
         <title>Caroline Lewis </title>
         <author></author>
         <link>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/333856649</link>
         <description><![CDATA[<div>In contrast to the whimsical language of the brook, the river takes on a more serious tone when describing the lovers and “infinite tears” he has seen. This establishes the river as a voice of maturity and wisdom from which the river can tell Magnolia Flower’s story with the perspective of time. In other words, the river has credibility as a narrator. If the brook were to recount this story, there would be more room to question whether or not Magnolia Flower and her lover were in the right to disobey her father. However, since the river is the narrator and it seems to sympathize with Magnolia Flower as evident by how Magnolia Flower feels that the river likes them, it lends more integrity to her actions that could otherwise be taken as simply disobedient. </div><div><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2019-02-21 19:51:10 UTC</pubDate>
         <guid>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/333856649</guid>
      </item>
      <item>
         <title>Andrew -dialectical 2</title>
         <author></author>
         <link>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/333858767</link>
         <description><![CDATA[<div><br>quote:"Know what Ah think? Joe</div><div>wuz a braver man than 🤬.”<br>this quote is important because it develops the motif of courageousness and cowards by bringing to light the switched roles of 🤬 and joe. At the beginning of the story joe was seen as being cowardly. however by the end of the story joe is viewed as a courageous figure who after death terrifies 🤬. This brings up questions like what does it mean to be courageous if the most fearless man in town is afraid of a puny man like joe. It also brings up the idea that even the most put together person can be brought to their knees by superstition. </div><div><br></div><div> </div>]]></description>
         <enclosure url="" />
         <pubDate>2019-02-21 19:54:56 UTC</pubDate>
         <guid>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/333858767</guid>
      </item>
      <item>
         <title>Alan Boles</title>
         <author></author>
         <link>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/333860461</link>
         <description><![CDATA[<div>Quote: "The river slapped its banks angrily. 'But,' added the brook diffidently, 'I passed numbers of lovers as I came on. There was also a sweet-voiced night-bird.'  . . . I am wide awake now, and I suppose the brooks must be humored.'"<br><br>Analysis: Obviously this section is the best and most obvious example of personification I have ever seen. It is a conversation between the brook and the river. There is some kind of power difference and struggle between the two objects of nature. The brook seems to fell inferior and has a respect for the river. The imagery used by Hurston establishes the river as this wise and powerful figure that booms its responses to the brook in an intimidating way. This power difference is carried on in the river's story between the two characters due to racial inequalities.</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-02-21 19:58:07 UTC</pubDate>
         <guid>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/333860461</guid>
      </item>
      <item>
         <title>Becca Crum</title>
         <author></author>
         <link>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/333870027</link>
         <description><![CDATA[<div>“If spirits kin fight, there’s a powerful tussle goin’ on somewhere ovah <br>Jordan ’cause Ah b’leeve Joe’s ready for 🤬 an’ ain’t skeered any more."<br><br>Fear is a plot device in this story that drives most of the events that occur. As fear and violence go hand in hand to create a stressful atmosphere this scene creates a sort of realization that without fear the characters in this story are on an equal playing field so to speak. The drive of the first half of the story is that 🤬 is using Joe's fear to manipulate him. However once Joe dies there is an implied epiphany Joe has (after he can no longer be intimidated) that causes him to loose that fear thereby gaining the ability to stand up for himself in the form of revenge. This story along with Sweat similarly use fear as a tool to represent/ enforce power and ironically shift this power to the underdog/ weak character. These stories so far all have in common the triumph of the underdog/ weak character causing the "antagonist" to ultimately fail. <br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2019-02-21 20:08:34 UTC</pubDate>
         <guid>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/333870027</guid>
      </item>
      <item>
         <title>Caroline Lewis </title>
         <author></author>
         <link>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/333872343</link>
         <description><![CDATA[<div>"The women ate heartily of the funeral baked meats and wondered who would be Lena’s next. The men whispered coarse conjectures between guzzles of whiskey."<br><br>In these final sentences of the short story, Hurston is characterizing the general men and women of the town, giving the reader a clue as to what may be in store for the characters beyond the death of 🤬, and demonstrates the dangers of community gossip. Lena is mourning the death of her second husband, and all the town's people seem to care about is not her mental stability or sorrow but her next man. Hurston has not described Lena in any way that would make her seem like an indecent women yet the everyone cannot see her humanity in the end because throughout the story, Lena has only been considered in the way one would view the hot gossip: one-dimensional. They cannot see the woman behind the plot device that came between two men. </div><div><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2019-02-21 20:09:12 UTC</pubDate>
         <guid>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/333872343</guid>
      </item>
      <item>
         <title>Maggie Gord</title>
         <author></author>
         <link>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/333874277</link>
         <description><![CDATA[<div>"Oh, I hope so, Harry...like that a lot." <br>Hurston describes the way that the white people interact with the young girl in strange language - every display of positive emotion is preceded by a warping descriptor: the smiles are furtive, hidden, their laughs are harsh, even the way the woman looks ahead is  hungry. Isis, however, is drawn to them because of her fear of her grandmother; willing to go along with their snide hospitality over the more familiar beatings waiting for her at home.  </div>]]></description>
         <enclosure url="" />
         <pubDate>2019-02-21 20:10:08 UTC</pubDate>
         <guid>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/333874277</guid>
      </item>
      <item>
         <title>davis- dialectical</title>
         <author></author>
         <link>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/333885950</link>
         <description><![CDATA[<div>"But he sho is got uh heap uh gold on 'im. Dat's de first time Ah ever seed gold money. It looked good on him sho nuff, but it'd look a whole heap better on you."<br><br>Missie is astonished at the amount of gold on Slemmons and this is where the reader can begin to tell something is sinister about this "man from Chicago" with an ice cream parlor.</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-02-21 20:17:34 UTC</pubDate>
         <guid>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/333885950</guid>
      </item>
      <item>
         <title>Alyssa Hughes </title>
         <author>s756729</author>
         <link>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/333891374</link>
         <description><![CDATA[<div>Hurston alludes to the innocence in  white motif with this story. The tablecloth she used for her dress, the shaving cream her brother put on her and their grandmother.  Isis takes the tablecloth to imitate the dancers she sees in the parade.</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-02-21 20:24:03 UTC</pubDate>
         <guid>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/333891374</guid>
      </item>
      <item>
         <title>Ele Wood</title>
         <author>elewood3</author>
         <link>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/335974130</link>
         <description><![CDATA[<div>"I am in the jungle and living in the jungle way. My face is painted red and yellow and my body is painted blue...Music. The great blobs of purple and red emotion have not touched him. He has only heard what I felt...He is so pale with his whiteness then and I am so colored."<br><br>Zora Neale Hurston utilizes jazz music in order to highlight the disparity between her and her white friend. However, instead of taking the negative connotation of the word "colored", she creates a more positive imagery of her body being filled with bright colors in reaction to the music. Her white friend, however, is not as interested. He is colorless. <br><br>This piece, along with most of Hurston's work is focused mostly on black positivity and empowerment. She is full of emotion and color - making "colored" into a positive descriptor. </div>]]></description>
         <enclosure url="" />
         <pubDate>2019-02-27 16:19:04 UTC</pubDate>
         <guid>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/335974130</guid>
      </item>
      <item>
         <title>Caroline Lewis</title>
         <author></author>
         <link>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/336101299</link>
         <description><![CDATA[<div>"Dat make ’m look lak a rich white man. All rich mens is got some belly on ’em.”<br><br>In this story, and in many of Hurston's stories, the characters speak with that certain accent and dialect. Hurston is writing these stories, inspired by the where she grew up and how these people speak is important to their characterization. Despite having a "whitewashed" house and wanting to look like a rich (white) man, the characters are staying true to themselves through their language. While not the focus of the plot, Hurston is illustrating how southern African Americans were navigating race-relations in the early 1900s. </div>]]></description>
         <enclosure url="" />
         <pubDate>2019-02-27 19:15:23 UTC</pubDate>
         <guid>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/336101299</guid>
      </item>
      <item>
         <title>Caroline Lewis </title>
         <author></author>
         <link>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/336114178</link>
         <description><![CDATA[<div>Through Helen's dialogue, Hurston establishes Isis as the light of the story. However, this comparison does not come until the end. Throughout the stoyr, the reader can see that Isis is a lively and joyful child by her actions. Yet, her grandmother does not see her in that light. Her grandmother sees playing and dancing as disobedience that needs to be contained as it is not the traditional behavior of a "good" girl. Two people in this story saw the same actions by this girl and through of them in two opposing ways: lightness and darkness. By developing each character's perspective on Isis's actions, Hurston is showing how people will have their own opinions on others, but these do not define who that person is. </div>]]></description>
         <enclosure url="" />
         <pubDate>2019-02-27 19:35:54 UTC</pubDate>
         <guid>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/336114178</guid>
      </item>
      <item>
         <title>Alyssa Hughes</title>
         <author>s756729</author>
         <link>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/336116739</link>
         <description><![CDATA[<div>Hurston has a message within this story, had Sykes been kinder to Delia she might have helped him. <br>“Sykes, what you throw dat whip on me like dat? You know it would skeer me–looks just like a snake, an’ you knows how skeered Ah is of snakes.”<br>"Delia and Sykes fought all the time now with no peaceful interludes. They slept and ate in silence."<br>“How Syke kin stommuck dat big black greasy Mogul he’s layin’ roun wid, gits me."<br>“Syke! Syke, mah Gawd! You take dat rattlesnake ‘way from heah! You gottuh. Oh, Jesus, have mussy!”<br><br></div><div>“Ah aint gut tuh do nuthin’ uh de kin’–fact is Ah aint got tuh do nothin’ but die. 🤬 no use uh you puttin’ on airs makin’ out lak you skeered uh dat snake–he’s gointer stay right heah tell he die. He wouldn’t 🤬 cause Ah knows how tuh handle ‘im. Nohow he wouldn’t risk breakin’ out his fangs ‘gin yo’ skinny laigs.”<br>Sykes had mistreated Delia with beatings and tormented her with things similar to snakes and an actual snake towards. He was always with some random woman who wasn't his wife, Delia. The two of them argued and it got to the point where they'd hardly talk to each other. It seems that all Sykes can do is agitate Delia and him bringing an actual snake was the last straw for her. So when he actually needed Delia's help, she stood by and let him die because, what had he done for her in the past few years let alone weeks or days.</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-02-27 19:40:08 UTC</pubDate>
         <guid>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/336116739</guid>
      </item>
      <item>
         <title>davis - dialectical </title>
         <author></author>
         <link>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/336122556</link>
         <description><![CDATA[<div>pg 167 "this struck the child sorely ........that white shell road was her great attraction"<br><br>symbolism<br><br>The author uses the road to symbolize that Isis has a vivid imagination unlike her elders, and longs for knowledge of the outside world.</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-02-27 19:49:24 UTC</pubDate>
         <guid>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/336122556</guid>
      </item>
      <item>
         <title>Will Eggleston</title>
         <author>s753941</author>
         <link>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/336135891</link>
         <description><![CDATA[<div>Throughout this story, Hurston uses Isis and the white woman to show that money cannot buy happiness. Isis is a poor black child but seems to have a better life than the richer white woman. The white woman is jealous of Isis's "light" even if it seems from the outside that she has more than the child.</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-02-27 20:13:44 UTC</pubDate>
         <guid>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/336135891</guid>
      </item>
      <item>
         <title>Andrew-dialectical 3</title>
         <author></author>
         <link>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/337269629</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2019-03-03 20:18:16 UTC</pubDate>
         <guid>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/337269629</guid>
      </item>
      <item>
         <title>Andrew-dialectical </title>
         <author></author>
         <link>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/337271559</link>
         <description><![CDATA[<div>"syke! Syke, mah gawd! You take dat rattlesnake 'way from heah!"<br><br>the snake in this scene is an allegory for Delia's relationship with her husband. Syke skulks around the house hurling insults at Delia like venom and because she is too scared to do anything about it she sits in contempt. A snake is often associated with the 🤬 which shows how Hurston likely feels about Syke and Delia's relationship. </div>]]></description>
         <enclosure url="" />
         <pubDate>2019-03-03 20:33:43 UTC</pubDate>
         <guid>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/337271559</guid>
      </item>
      <item>
         <title>Cece Hammond</title>
         <author></author>
         <link>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/339976688</link>
         <description><![CDATA[<div>Quote: “Alone to herself, she looked at the thing with loathing, but look she must. She took it into her hands with trembling and saw first thing that it was no gold piece. It was a gilded half dollar. Then she knew why Slemmons had forbidden anyone to touch his gold.”</div><div>Slemmons lied to Missy about his gold, just how Missy lied to Joe. Along with feeling the shame of cheating on her husband, Missy now realizes that it was all for nothing because the gold wasn’t real. This is karma coming back to her after betraying Joe. Even though he eventually forgives her, she will now always be reminded that she was not only a cheater, she was a fool. It goes to show that being greedy often times does not end well for people. </div><div><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2019-03-11 14:32:38 UTC</pubDate>
         <guid>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/339976688</guid>
      </item>
      <item>
         <title>Cece Hammond </title>
         <author></author>
         <link>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/340398347</link>
         <description><![CDATA[<div>Quote: “She realized she couldn’t dance at the carnival. Her dress was torn and dirty. She picked a long-stemmed daisy.”</div><div><br></div><div>This quote calls attention to the fact that Isis makes the best out of every situation, and doesn’t let anything stop her from living her life to the fullest. Even though she had a torn dress, she came up with a solution fast and didn’t dwell on it. Her grandmother saw this as disobedience, but Isis just sees it as bringing light into a situation. </div><div><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2019-03-12 13:29:10 UTC</pubDate>
         <guid>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/340398347</guid>
      </item>
      <item>
         <title>Cece Hammond</title>
         <author></author>
         <link>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/341957598</link>
         <description><![CDATA[<div>Quote: “He said this calmly and stalked towards the gun rack; but his anger was too large to be contained in one human heart.”</div><div>This quote is important because it shows how Bentley being angry his whole life didn’t help him at all. If he would have just calmed down and accepted John, then he wouldn’t have died. It goes to show that being resentful doesn’t help you in the long run. </div><div><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2019-03-16 00:49:01 UTC</pubDate>
         <guid>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/341957598</guid>
      </item>
      <item>
         <title>Rosie Lambrecht</title>
         <author></author>
         <link>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/342138267</link>
         <description><![CDATA[<div>Before telling the story, the river states "listened to those things that are uttered more with the breath than with the lips . . . flung themselves upon the soft couch I keep in my bosom, and slept" which gives light to the pessimistic view the river has on human love. It only talks of the sorrows that come of love, so in reading the story of Magnolia and John, a sad ending is expected. By the end of it, "Soon Swift Deer died . . . passed from the hearts of the people who had known her" the river leaves the story on a solemn note. Even though Magnolia escaped with John, the town behind them decayed, and the river made it sound like the people mourned Magnolia's disappearance with the ending sentence. Promptly after this, Magnolia and John show up, content and still in love, shocking the reader and the river, and ending the story on a more hopeful and happy note. </div>]]></description>
         <enclosure url="" />
         <pubDate>2019-03-17 16:50:26 UTC</pubDate>
         <guid>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/342138267</guid>
      </item>
      <item>
         <title>Rosie Lambrecht</title>
         <author></author>
         <link>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/342139707</link>
         <description><![CDATA[<div>The story and Isis are introduced when she is yelled at for fooling around instead of doing her chores, and this along with the use of words such as "gleaming" gives readers the hint that Isis is the one that is drenched in light. The use of the word drenched is peculiar, in that this word has connotations tied to flooding or drowning, both of which have negative connotations. This would insinuate that Isis is so submerged and enraptured in light that something unfortunate befalls her, but as the story progresses, no such event happens. This leaves the reader to question the choice of the word, or to infer what might happen to Isis now that she is with the white couple. This could be hinted through the wording of these last few sentences: "short, harsh laugh", "put her arm around the red-draped figure . . . and drew it close", and "looked hungrily ahead of her and spoke into space rather than to anyone in the car." It almost leaves an ominous feeling to the otherwise cheery, radiant story. </div>]]></description>
         <enclosure url="" />
         <pubDate>2019-03-17 16:59:28 UTC</pubDate>
         <guid>https://padlet.com/paul_bowers/k9bl64zmtxa2/wish/342139707</guid>
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